A few weeks ago I published a piece that for the most part was a meditation on joy, a commodity without which our lives, to put it mildly, would blow. Seeing that I’m a f*cking softie at heart, I’ve decided to turn my thoughts now to another precious emotion, the greatest of them all, for it sustains and usually nourishes life, giving us reason to go on. I’m talking, of course, about love. Sure, The Beatles overstated things when they sang “all you need is love.” But they weren’t too far off the mark, as there is no doubt that the following is true: If an individual doesn’t feel love for at least one other human being (or pet, I hasten to add), they are in a most unenviable position.
Now, I’m not exactly an expert when it comes to matters of the heart. I know that for a fact because nobody in my seven-plus decades of residing above ground ever has asked my advice on the subject. Come to think of it, just about nobody ever has asked my advice on any topic or situation. Man, I should start an advice column called Maybe Neil Sort Of Knows, So Give It A Shot And Ask Him. That would show ’em how deep my font of quasi-wisdom is!
Anyway, getting back on track, what else might I say about love? Well, it’s innate, in most cases blossoming automatically between parents and their children, to mention one obvious example. But it sure doesn’t blossom automatically between everybody. That’s a main reason why it can be so difficult to make true friends, to find a partner to spend your life with, and to keep the fires burning with said partner after you’ve found them. Yup, love is a powerful force, but cultivating it properly requires skills that many do not master adequately, if at all. When we allow love to bubble within us consistently, though, our lives are much the better for that.
Love probably wouldn’t be on my mind so much were it not for the movie CODA, which my wife Sandy and I saw at a cinema early this month a few days after it grabbed the Oscar for Best Picture. It’s still in some theaters, by the way, and is streaming on Apple TV+ too.
CODA is a tale that revolves around Ruby, a high school senior who is the only hearing member of a family of four. She is devoted to her parents and brother and, in addition to attending school, spends mucho hours each week working on the fishing boat that her dad and sibling operate in order to put bread on the table. Whew! This girl, who also sometimes acts as an intermediary between her deaf kin and outside parties, has a whole, whole lot on her plate. Ruby’s life becomes even more complex when she is encouraged at school to develop her vocal skills and pursue a music career. This new element becomes the movie’s fulcrum.
Sandy loved CODA, which is an acronym for child of deaf adults. She thinks it’s very great. Although I found CODA too formulaic to be placed on a pedestal, I enjoyed the hell out of it. It’s an old-fashioned sort of story that I’m certain would move anyone whose heart is not fashioned from stone. Why? Because CODA, at its core, is all about love, the kind of love that holds steady, not wavering even for a moment. What’s more, there’s nothing sappy about the love on display in CODA. A tight screenplay by Sian Heder, who also directed the flick, and four actors who tap into genuine places within themselves, see to that. Hats off, then, to Emilia Jones, who plays Ruby, to Marlee Matlin and Troy Kotsur (Ruby’s parents), and to Eugenio Derbez (Ruby’s music teacher).
I’ll close this love-centric essay on the right note, by presenting Beyond, a love song sung and co-written by Leon Bridges. Sweet and sultry as you could hope for, Beyond very well might put you in the mood to . . . yo, I don’t need to tell you where this sentence is headed. I accept your thanks in advance!