An Old Guy’s Photography Story

Hallelujah! The creation of this story has allowed me to take it easier on myself, to give myself a bit of a breather from the more involved pieces that I normally launch into cyberspace. Two thumbs up for that! I’m an old guy, you see. My gas tank empties a lot quicker than it used to. My mind wanders into spaces that it barely can squeeze out of. And let’s not overlook the discomfort that two of my private parts (the globular ones) are currently causing me. Because of all of the above, yesterday I came this close to throwing in the writing towel for a while. Meaning, I was set to let lots of time go by, a month or more, before attempting to produce a fresh entry for this website.

Ambler, Pennsylvania. February 15, 2019
Philadelphia,, Pennsylvania. March 16, 2019

But no! In the end I couldn’t let that happen. For one thing, the CEO of the blogosphere, Tammy Whammy, wouldn’t stand for it. I’ve been on a short leash with Ms. Whammy for the last year and a half. Hell, she has made it perfectly clear to me that she is displeased about the decreasing frequency with which I’ve been posting articles during that period. And I’m not thrilled about it either. But I’m an old guy. My gas tank empties a lot quicker than it used to. Ah crap, I already said that, didn’t I? Let’s move on.

Philadelphia. April 11, 2019
Jenkintown, Pennsylvania. April 13, 2019

When I press the Publish button for this story, nearly two weeks will have passed since my previous opus appeared. Fairly lengthy gaps like that now are not uncommon for me (in my peppier days I graced the ethers weekly with new material). Will the wait have been worth it? Maybe so, if you like to look at photographs. For that’s what this piece basically is: a collection of photos that I took during the first half of the current year. None of them have appeared previously. More important, I like them.

Philadelphia (near the Philadelphia Museum Of Art). May 1, 2019
Edinburgh, Scotland. May 23, 2019

Yeah, scrolling through my photos was about all I had to do to birth this article. Didn’t have to engage in much thinking or research. I’m down with that! But, I have to admit, during the writing sessions I did spend a few hours contemplating my navel, which, for reasons that my doctors are at a loss to understand, has drifted three inches southward since early 2018. “Don’t worry about it, though, Neil,” they’ve all said to me. “You’re old. It’s just one of those things.”

Edinburgh. May 28, 2019
Edinburgh. May 28, 2019

All right then, what we have here are ten photographs. I’ve placed them chronologically. Five were taken in daylight and five after the Sun set. I’m partial to those nighttime shots, especially the final four of them. The mysteries and moodiness that they contain are irresistible to me. Location-wise, four photos are from Philadelphia, two from the Philadelphia suburbs, and four from Edinburgh, Scotland. Those locales are where my ass has spent most of its time so far in 2019.

Edinburgh. May 29, 2019
Philadelphia’s Awbury Arboretum. June 23, 2019

Speaking of Scotland, my wife and I were there in May, as some of you know. Miraculously, I was able to churn out three stories about our Scottish sojourn. They came out in June. That was a lot of writing. A lot of taxation on my senior citizen brain. I’ve heard about old dudes who, from out of the blue, become all Rambo-like, able to face life’s challenges powerfully and expertly. Maybe something like that is what happened to me, scribe-wise, with the Scotland pieces. But now I’m back to my regular old-guy self. And as it turns out, even though I didn’t have to work too hard to compose this essay, my battery is practically drained. I need a snooze. Nothing I can do about it. Repeat after me: “C’est la f*cking vie!”

(Please don’t be shy about adding your comments or about sharing this piece. I thank you.)

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I Have Some Faves. How About You? (Art On Wheels, Part Four)

There must be a good reason why I occasionally slip behind the steering wheel of my ancient but spunky Honda Civic and drive around my area to photograph attractively-adorned motor vehicles. Maybe it’s because I’m older than dirt, a condition that leads some people to engage in oddball activities. Or maybe it’s because I’m inherently an oddball, and has nothing at all to do with my advanced years. I asked my psychiatrist, Dr. R. U. Forereel, about this during a recent session.

“The answer, Neil, is obvious,” she said. “Yes, you’re old. Really old. Might not be a bad idea to have some work done on your face, in fact. There are dried-out prunes in my refrigerator with fewer wrinkles than you have. And yes, you’re an oddball. But who isn’t? Neither of those factors explains the situation, though. So, here’s the answer: The universe requires each of its components to play their proper roles. One of your roles is to immortalize eye-catching designs on motor vehicles. If you don’t do it, who will? Nobody, Neil, nobody. So, keep up the work. Notice that I didn’t say good work, by the way. I’ll see you next week. And pay at the front desk with a credit card this time. The check you used for the last session bounced.”

Perhaps Dr. Forereel’s theory is correct. It’s as good as any. Anyway, where was I? Right, last week, for the fourth time since launching this website, I hit the roads in the Philadelphia suburbs, aiming to find sharp vehicles to photograph (the previous entries in this series may be read by clicking here, here and here).

Plenty of lovely vehicles passed me as I drove, but, having no interest in buying a ticket for an early grave, I didn’t attempt to snap their pictures when my Honda also was in motion. As always, then, I pulled into strip malls and shopping centers and other commercial areas where my potential victims might be parked. Whenever I spotted a looker, I’d park too, get up nice and close to it, and press the button on my phone’s camera.

The day proved to be not only pretty fruitful but less demanding than I’d expected. I found more than enough subjects within a three mile radius from my house, rather than the eight miles I’d been expecting. That took a nice amount of strain off my sagging shoulders, though the crazy amount of traffic in my region and the abundance of assholic drivers more than made up for that. “Yo, dipshit, get off my tail!” I yelled in my mind any number of times at others sharing the roads with me. Man, my kingdom for a relaxed, casual drive.

I set one rule for the day: I wouldn’t take photos of vehicles I’d photographed before. Alas, I had to ignore a magnificent, huge Dunkin’ Donuts truck, which was delivering goods to a Dunkin’ franchise near my house. One of the truck’s clones made an appearance, you see, in the Art On Wheels story that I published last August.

And I had to tread lightly a couple of times. I’ve shopped now and then at the Best Buy store a mile and a half from my house, but till the other day hadn’t noticed an employee parking area behind this electronics emporium. Wow, it was partially filled with Geek Squad vans, the vehicles used by the Best Buy workers who make home visits to fix problems with computers and other complicated wares. Damn right I took a bunch of photos there. And damn right somebody drove into the lot to ask what the hell I was doing. “Nothing much,” I mumbled. “I’ll be on my way now.”

So, off I went to Best Buy’s customer parking section, where sat a delivery truck upon which was painted a very fine arrangement of fruits and vegetables. A produce truck at an electronics store? Its driver, who was sitting comfortably behind the wheel, probably had pulled into the lot to take a breather. I loved the truck. It would have made it into this article. But I didn’t need the driver climbing out or rolling down a window to ask what the hell I was doing. One encounter of that sort was enough.

I snapped the portraits of 17 vehicles during the two and a half hours that I devoted to the project. Looking over the pix after I got back home, I concluded that 10 made the grade for this mighty story. I’ve looked at that group several times, narrowing down my absolute favorites to four: Terminix, for its design’s clean lines and limited but highly effective palette. U-Haul, because who else ever has painted bats on a truck? Fast Signs, which is as colorful and cool as it can be. Five Star Painting, for the same reasons as Fast Signs.

And my number-one choice is? Ladies and gentlemen, there’s no way I can not go with Five Star Painting. Concise, breezy and hip, the artwork on that car is a feast for the eyes.

And how about you? Which designs rock your world? I need to know! The box in which to enter your comments is below. Adios till next time, amigos.

Seeing Green: A Philadelphia Story

Last Saturday, one day prior to St. Patrick’s Day, I was itching to stretch my legs. The skies were clear, the temperature tolerable, and my schedule was open. A walk was in order. Where, though? My ultra-hilly suburban neighborhood? Nah. I’d made the rounds there on foot a few days earlier, huffing and puffing my ass off as I scaled the slopes. Yo, there’s a limit to the number of hills this old boy is going to attempt to conquer during any given week, you dig?

Anyway, I was in the mood for some liveliness. And because my area is not blessed with lively as its middle name, I decided to do what I’ve done a ton of times before: Board a train in my little town and allow it to transport me to the mostly flat City Of Brotherly Love. I stepped into the choo-choo at about 10:40 AM and arrived in central Philadelphia’s Jefferson Station 50 minutes later.

I was equipped with the semblance of a game plan. I would wander, as is my wont, but with a notion that St Patrick’s Day had put into my head. Namely, I would look for the color green, in all of its various shades. Not just the green clothes worn by St. Paddy celebrants (Philadelphia starts to celebrate way before the actual day arrives), but wherever green might be. Aboard the train, I couldn’t guess how much or how little green I would find.

Well, I wasn’t surprised when some partially-green-clad 20-somethings entered my field of vision a few minutes after the train pulled in. They soon were to begin, no doubt, an adventure focused upon getting truly shit-faced. Ah, it’s good to be young. And shit-faced. I snapped their photo as they were leaving the station. And then I exited too. I looked all around. Green, where are you? I saw none at all, except on the street signs at 10th and Filbert Streets just outside the station. I walked another block. Green? Nada, but for the 9th and Filbert signs. Just about every street sign in Philadelphia is predominantly green, by the way. So, hold your head up high, green! Where would we be without street signs, after all? Lost, man, lost! Even more lost than we, by nature, already are.

St. Patrick’s Day celebrants waiting to enter a tavern in Philadelphia’s Old City section

I spent most of my time in the Old City part of town, where titans such as Benjamin Franklin, Alexander Hamilton and Thomas Jefferson lived and helped orchestrate the creation of The United States. Many structures from the 1700s still remain there. As in most of Philadelphia, the main colors in Old City are in the tan, brown and brick-red families. Earth colors. I knew that, but hadn’t thought about it in a good while.

Treewalk

Now, there’s a lot to be said for an earth-toned palette. It brings a sense of calm, a sense of permanence, both of which you won’t find me arguing against. Still, there’s also a lot to be said for explosions of zesty color. They’re exciting and invigorating, and all my life I’ve given them two enthusiastic thumbs up. Luckily, Philadelphia is home to several thousand man-made examples of such. Meaning, eye-popping murals that have been painted on sides of buildings throughout much of the city over the last few decades, often through the efforts of the city government-supported Mural Arts Philadelphia organization. During my march along Market Street into the heart of Old City I passed one of them, Treewalk. Lush and verdant, the mural slapped me upside my frequently unobservant head.

“Hey, you with the foot-long jowls! How come you never noticed me and my shades of green before?” it asked while it slapped. If I hadn’t been in a good mood I’d have retaliated. Created by Paul Santoleri on an otherwise unremarkable office building, Treewalk faces a courtyard, not Market Street. That’s why it’s easy for passersby on Market to not see it. In any case, this swath of leafy art has got what it takes.

Bladen’s Court

Okay, so what about real trees and shrubbery? Well, the deciduous trees of Philadelphia won’t be in leaf till mid-April at the earliest. And the fauna that remain green year-round ain’t voluminous on the blocks I trod upon. One small rhododendron bush kind of wowed me, though. Bursting with green brightness, that afternoon it was the star of Bladen’s Court, an Old City niche containing a few mid-1700s brick houses.

What else did I notice when it comes to green? Sidewalk kiosks into which you deposit your parking fees when you park on Philadelphia’s streets are green. Ta da! And I liked the rugged looks of a green door on North 2nd Street. And of Brownie’s bar, whose green façade and awning rock its side of its block. Other than that, there wasn’t a whole lot of green to be found. Or, for that matter, of any other bright color.

After racking up a few miles of sidewalk-pounding, I strolled back to Jefferson Station where I had 45 minutes to kill till my train arrived. In the waiting area I twiddled my thumbs, unobtrusively scratched my balls and yawned. Those fruitful activities took up 30 minutes. That’s when I was inspired to take a close look at the tile mosaics that decorate the walls overlooking the train tracks, one mosaic per side. Down the stairs I went to the train tunnel.

The mosaics are twins, but not identical. One is pure abstraction. The other, though plenty abstract, contains recognizable shapes: trees, grasses, sky. And each mosaic is not only incredibly long — hundreds of feet — but very beautiful. They are among my favorite pieces of public art in Philadelphia, yet they seem to be taken for granted. Information about them is scanty, though it’s possible that they are by David Beck and Verlin Miller, and probably date from 1984.

Part of the tree-filled mosaic
Another part of the tree-filled mosaic

I looked with pleasure at the pure-abstraction work, and then went to the opposite side of the tunnel. There I really took my time investigating the tree-filled mosaic, because its greens couldn’t be ignored. I let them, and the other colors, wash over me. I’d received a smaller dose of green than I’d have liked during the previous two hours, but now that was more than made up for. It was the perfect ending to my green quest.

(Please don’t be shy about adding your comments or about sharing this story. I thank you.)

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The Story That Almost Wasn’t: A Sculptural Walk Through Philadelphia

“When things go awry, write the f*cking story anyway.” — Benjamin Franklin, Philadelphia, October 2, 1774

Leave it to Ben to get me back on track. Last week I happened upon the above quote in Mr. Franklin’s excellent book, Good Advice For Those Who Probably Are Too Damn Dumb To Know They Need Some Good Advice. Franklin published Good Advice in May 1775 at the behest of his friend Thomas Jefferson, a future American president. A few months earlier Jefferson had lit a fire under Franklin by saying this to him: “Ben, you’ve been talking about compiling some of your recent sayings into a book. F*cking do it already!” I tell you, I like the robust way that Ben and Tom talked.

If I hadn’t been thumbing through that little-known volume in a local library, the story you’re currently reading wouldn’t exist. Thank you, Benjamin. I’ve always believed the multi-talented Mr. Franklin to be the most accomplished and remarkable American of all time. And never, certainly, did I expect that he would kick my ass into gear.

For a year or more I’d had it in my mind to stroll through Philadelphia’s central sections, looking at and taking photos of my favorite outdoor sculptures. And, it goes without saying, turning the adventure into a story for my online abode. When the 6th of December rolled around last year I decided that the time had arrived. Despite it being a windy and cold day, into the city I headed from my suburban town. I was feeling good and was ready for action.

I arrived in Philadelphia with a list of the works I planned to visit. They comprised a tiny percentage of what’s out there, because Philadelphia, and not just in its central region, is loaded with outdoor sculptures. Many of them, natch, are of war heroes atop horses. Civic leaders, natch, also are well-represented. Me, I dig those sorts of fare — statues if you will — when they’re done stylishly. But I’ve always been more drawn to sculptures that are less standard and full of flair and vigor.

Bolt Of Lightning, by Isamu Noguchi

My first sculptural stop would be in the city’s Colonial-era section, at 6th and Race Streets, near where Franklin lived and even closer to where he is buried. There, in the middle of a traffic rotary often crazy with vehicles going to and from the Benjamin Franklin Bridge, stands Isamu Noguchi’s 101-foot-tall Bolt Of Lightning. It commemorates Franklin’s kite-flying experiment, during a thunderstorm in 1752, that showed the connection between electricity and lightning. Yes, Ben was the man.

In retrospect, the Bolt Of Lightning situation that I encountered should have tipped me off that the day might not turn out as hoped for. I wanted to dodge the whizzing cars and climb onto the rotary, where I’d get some up-close-and-personal photos of the very cool sculpture. But, wouldn’t you know it, a police car was parked beside the rotary. Sure as shit, if I had tried to reach the Bolt a police car door would have opened and I’d have been told to get the hell out of there. So, from a hundred feet away I took what images I could.

Milord La Chamarre, by Jean Dubuffet
Paint Torch, by Claes Oldenburg

After that I walked and walked, grabbing shots of artworks I’ve loved for years. Jean Dubuffet’s Milord La Chamarre, for instance, which is a wild and wooly vision of a nobleman, and Claes Oldenburg’s giant representation of a paintbrush balanced on the tip of its handle. Claes’ sculpture, Paint Torch, is appropriately placed, as it sits beside The Pennsylvania Academy Of The Fine Arts.

The Bond, by James West
(Ben Franklin on left, George Washington on right)

In front of the Masonic Temple, on my way to the Oldenburg work, I passed James West’s The Bond, a lifelike and life-size sculpture of Ben Franklin and George Washington, the USA’s first president. The guys, both of whom were Masons, are happy to see each other and are admiring Washington’s Masonic Apron. I probably had walked past this piece before but hadn’t really noticed it in a meaningful sense. At once it leaped onto my list of faves.

Brushstroke Group, by Roy Lichtenstein
Rock Form (Porthcurno), by Barbara Hepworth

Yeah, things were going swimmingly. But in the latter half of my stroll, my phone’s battery did something it never had done before. It went dead. I went into a public library and plugged the phone into an outlet, eventually resuscitating it. Then I continued my trek, a few minutes later reaching the Rodin Museum, on whose grounds sits my number one outdoor sculpture. Its English title is The Burghers Of Calais. The creation of Auguste Rodin, a Frenchman, it is stunning. A memorial to bravery and a profound depiction of anguish, the sculpture shows leaders of Calais, in the mid-1300s during war between France and England, gathering to face their death. The men had volunteered to be executed by English hands in lieu of a threatened killing of their city’s entire population. The intervention of the English queen, at some later point, saved them.

The Burghers Of Calais, by Auguste Rodin

I planted myself in front of The Burghers, aimed my phone’s camera at it and pressed the button. Voilà, a pretty good shot. Then I moved to a different spot to take a photo from another angle, got the camera ready, and . . . the screen went dark! The frigging battery had died a second time. An attempt at revival, via an electrical outlet inside the Rodin Museum, failed. Disgusted, I made haste to Suburban Station, within which trains that go to my little town may be found.

My mission had not been accomplished. Rodin’s sculpture required multiple photos, I felt, to capture its complexity. What’s more, two other sculptures on my list were left waiting for my visit. They had to be part of my write-up. A dejected semi-perfectionist, I threw the outdoor sculpture story idea into my cranium’s rubbish bin and left it there to decompose.

Seven weeks later, thankfully, I encountered Ben Franklin’s words of wisdom, the ones that are placed at the top of this essay. And I also encountered my wife Sandy’s comments when she was looking through the photos on my phone (the phone, by the way, somehow bounced back to life on December 7). “I like the sculpture pictures that you took last month,” Sandy said.

Looking at them again, so did I. And thus I decided to write the f*cking story anyway, a story that has some warts and holes but will have to suffice. As everybody knows, not everything turns out the way you want it to. You’ve got to roll with the punches and get on with life. That’s what big boys and big girls need do, a truth I’m not always great at keeping in mind.

(Please don’t be shy about adding your comments or about sharing this piece. Gracias!)

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Will Santa Claus Make His Rounds This Year, Or Will The Job Fall To Me?

A few nights ago my cell phone began to ring 10 minutes after my wife Sandy and I lit the menorah candles on the eighth and final night of Chanukah. A secular Jew, I’m about as unreligious as they come, but I’m okay with Chanukah candle-lighting. When aglow, those slender wax sticks look so sweet and peaceful, they come pretty close to making me feel all warm and fuzzy inside. Or something or other on that order.

The caller’s name didn’t appear on my phone’s screen, and the displayed phone number didn’t register with me at all. But being in a relaxed and welcoming mood after watching the candles burn down for a while, I did what I ordinarily wouldn’t have done. In other words, I answered the phone.

I opened my mouth to talk, but the caller beat me to it. “Neil! I’ve lost my way! I have enormous doubts about my purpose in life, about my abilities to continue doing my good work, about whether the world really needs me, about . . . ”

I cut him off. “My man, calm down! I hear you. But I haven’t a clue who I’m talking to. Who the f*ck is this?” I yelled.

“Neil, it’s Santa Claus. You gave me your number two years ago, remember? I’d have shown up in person, but I’m too down in the dumps to even open my front door and go for a walk. Anyway, a phone call is a lot easier than flying thousands of miles in a sleigh to get to your house. Bottom line is that my wife’s not here to help me, and I couldn’t think of a better person to speak with than you.”

“Thank you, Santa. I’m humbled,” I said. “But where’s your wife?”

“Neil, don’t get me started on Mrs. Claus. She’s gotten so fed up with my moods and angst, she’s threatening to file for divorce. And she split a week ago. Last I heard she was flaunting her fine Nordic bod on Ipanema Beach, in Rio. Yeah, she enrolled in Weight Watchers last year and the program worked. She used to be on the plump side, to put it charitably, but now the girl is smokin’ hot! Who could blame her if she never comes home to the frigid North Pole?”

“Santa, oh Santa,” I said, “I’m so sorry. She’ll come back, though. I mean, there’s no better catch than you. Just give her time. What can I do to help?”

“Neil, my problems are so deep rooted, a plumber couldn’t flush them out. I appreciated the help you gave me two years ago [click here to read all about it], and as you know you weren’t the first to keep me focused on my daunting job. But, brother, this time I think I’ve had it. I suppose I’m having an existential crisis. Neil, I don’t see how I can do my toy deliveries anymore. Someone else might have to take over. I’ve done it long enough.”

“Santa, please reconsider. There’s no one who can replace you.”

“Well, then the world would have to adjust. I really need to start thinking about myself at this point. Maybe Judaism holds the answers for me. Should I convert, move to Miami Beach and start wearing that little skull cap . . . what do you call that thing, Neil?”

“It’s a yarmulke, Santa.”

“Yes! I’d look good in one of those, don’t you think? They’re usually in black, right? Black would match my belt, and I’d be happy to ditch my silly hat with the pom-pom on the end.”

“But, Santa, why the heck would you want to convert to Judaism? The Christian world relies on you. You’re one of its bedrocks. Santa, you’re an icon, someone who should have been awarded a Nobel Prize decades ago, maybe in best costume design. Oh wait, it’s the Oscars that do costume design. Well, shit, then you should have been awarded an Oscar!”

“Thank you, Neil. Thank you. You know, an Oscar would look grand sitting above my fireplace. Which reminds me, I’ve got to throw another log on the fire. I’m freezing my ass off. Be back in a minute.”

A minute passed, and then, true to his word, Santa was back.

“That’s better,” he said. “It’s starting to feel nice and toasty again inside this icebox that I call my house. I tell you, whoever they were that decided to start inhabiting these far northern regions ages ago were out of their freakin’ minds!”

“Neil,” Santa then continued, “I’m uncomfortable bringing this up. It’s a favor of the highest magnitude: If I decide to bail out from my job this month, is there a chance you might fill in for me? I know that Christmas isn’t your holiday, but who else can I ask? I barely know anybody, living up here in no-man’s land. Keith Richards sat on the sleigh with me last year [click here to read about it], but he wasn’t much help, to tell you the truth. He spent half the time strumming an air guitar, so there’s no way I’d ask him to carry the load all by himself. Neil, a large segment of humanity might have to count on you!”

Stunned, I didn’t answer right away. Finally, I spoke. “Listen,” I said, “I want no part of this. I’ve got hemorrhoids, Santa! Raging, powerful hemorrhoids. Endless hours of sitting in your sleigh might be the end of me. But I’ll do it if I have to! I’m that kind of guy!

“You’re the best, Neil. The best! Well, actually I don’t know you very well, so there’s a good chance I’m wrong about that. In any event, you have my thanks.”

“But here’s the thing, Santa,” I said. “I’m going to go outside in a few minutes. And I’m going to walk around my neighborhood, taking pictures of the pretty Christmas lights that lots of people have put up outside their houses. Then I’m going to write a story about our conversation. And I’ll add a few of the Christmas lights photos to the article. Read that story, Santa. And look at the photos! The lights in my neighborhood got you back on track in 2016, and I’ve got a strong feeling that they will turn you into your jolly ol’ self again this year. And if they do, there will be plenty of time left for you to pull everything together and make your Christmas deliveries. Okay, Santa? Do we have a deal?”

“Deal, Neil.”

“Goodbye, Santa. I’m ready to do my duty, if need be, but not as ready as you had better be a few days from now. Man up, Santa. Man up!”

(As I always say, please don’t be shy about adding your comments or about sharing this article. Thanks.)

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Picking Pix: A Photography Story

It’s a wonderful thing, photography. At a push of a button we can immortalize anything or anyone we want: flower gardens; baseball games; birds in flight; bird crap on car windows; pals; lovers; favorite cousins; despised in-laws. You name it, somebody has taken its picture.

Philadelphia, Pennsylvania (September 2018)

Those obvious notions came to mind a few nights ago when I decided to green light an essay about photography, whose final form you are now looking at. I’ve written before on the subject. And that’s because I get a soul-satisfying kick out of shutterbugging.

Santa Fe, New Mexico (May 2018)

That kick had lain dormant for decades, but vigorously popped out of its coffin in January 2016 when I came into possession of my first smartphone. An iPhone, it struck me as miraculous. Hell, was there anything it couldn’t do? Well, the phone balked at fetching my dog-eared slippers and washing my dirty underwear. But other than that, it was primo.

Philadelphia’s Powelton Village section (February 2018)

And the phone of course came equipped with a camera lens that, despite its incredibly tiny size, took, for the most part, damn good pictures. Good enough for me, anyway. Within no time I was snapping away. And decorating my journalistic output with some of the results of those snaps (prior to that, my wife Sandy took the photos for the stories). Man, I had lucked out, if you want to look at it that way. Meaning, even though I was a whole lot older than I could believe, depressingly older, at least I had added two worthy creative endeavors (writing and photography) to the late autumn/early winter of my years. Excuse me for a moment, please, while I now resume watching those f*cking grains of sand continue to fall, fall, fall to the bottom of my hourglass. Oh, my breaking heart!

Truro, Cape Cod, Massachusetts (October 2018)

Okay, I’m back. Where was I? Ah, yes. Here’s the way I look at photography: Many of us, including yours truly, can’t draw or paint or sculpt worth a shit. But it’s not too hard for anyone to be pleased with their photographs. All you have to do is decide what angle you want to take a photo from and what person or object should be its focus. Then you frame the shot and, if needed, adjust the light level. At that point the magic moment has arrived in which to tap the camera’s button. Voila! Mission likely accomplished.

Orleans, Cape Cod (October 2018)

But I’m not telling you anything you don’t already know. That’s the beauty of photography. It’s an art form made for us all.

Coast Guard Beach, Truro, Cape Cod (October 2018)

So, what’s the deal with the photographs that I’ve included in this essay? Let me start by saying that all of them date from 2018 and that they are among the 1,000+ that I took during the year. None of them have appeared in previous articles. I suppose that my aim is simple: To publish photographs on this page that strike my artsy-fartsy sensibilities just right. Each has some combination of shapes, colors, angles and textures that I can’t deny. Yeah, these photos do something to me.

James “Blood” Ulmer, Philadelphia (April 2018)

Take the one of musician James “Blood” Ulmer, for instance. Ulmer, unaccompanied, performed deep, heavy blues in April in Philadelphia at the Outsiders Improvised & Creative Music Festival. The golden hues of his outfit and the jumble of audio equipment nearly encasing him give the picture a techno/alien quality. “Prepare for blastoff,” the photo is announcing. “Destination unknown. Mysteries await.”

Tree in Santa Fe (May 2018)

And I like the grand grooves in the Santa Fe tree, and its thick, finger-like upper sections. But what gives the photo its distinctiveness is the modest yellow, black and red traffic sign standing contentedly next to the behemoth.

Bandelier National Monument, New Mexico (May 2018)

The deeply pock-marked cliffs at New Mexico’s Bandelier National Monument are modern art taken to an elemental extreme. And the photo of trees, hills and houses in Ohkay Owingeh, New Mexico would have floored Paul Cézanne, so Cézanne-ish is it in its blocky composition. Talk about pure luck. I took that picture from a moving car. Nearly every other picture that I snapped from within the car that day was meh.

Cezanne-like scene from Ohkay Owingeh, New Mexico (May 2018)

I’ll mention one more snapshot, that of the sunset at Mayo Beach in Wellfleet, Cape Cod. The picture appears almost theatrical in its lighting. The light on the picnic bench came from my car’s headlights. The car’s engine was running because it was as cold as a witch’s tit that night, and I jumped out only for a second, documenting the beautiful sunset with my phone’s camera and then admiring the view again from back inside the heated vehicle.

Mayo Beach, Wellfleet, Cape Cod (October 2018)

By the way, like every picture herein, the sunset pic is unmanipulated. Being a natural sort of guy, so natural that I prance naked in my dreams, I wasn’t about to crop, enhance, rotate or do anything else to my babies via the photographic software that came with my computer. Popeye The Sailor once said, “I yam what I yam, and that’s all what I yam.” If my photos could talk, each would quote those immortal words.

Marshland near an Atlantic Ocean inlet, Orleans, Cape Cod (October 2018)

In closing, I’ll add that all of the selections come from New Mexico, Cape Cod or Philadelphia, places that I’ve written about a lot this year. They are good places, fascinating and colorful and full of the unexpected.

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I’ve Got My Faves. Which Are Yours? (Art On Wheels, Part Three)

8:51 AM

Last Friday, the first day without rain in what seemed like forever for southeast Pennsylvania, I decided pretty early in the morning to scour the grounds of local businesses in pursuit of colorful designs and nifty patterns. I’d gone on such journeys twice before, penning the recaps for the publication that you’re currently staring at. And speaking of which, if you are interested in reading about Art On Wheels, parts one and two, then click here and here. Okay, with that matter out of the way, let’s now move on to my latest effort to spot and photograph good-looking trucks and vans.

8:55 AM

I left my suburban Philadelphia home at 8:45 AM. Six minutes later, near the delivery bays of my town’s supermarket, I parked my car and got out to snap a picture of a Maier’s truck that was filled with breads and rolls. Hey, not only did I like the looks of the truck, I also liked the feeling that immediately swelled up within me: Namely, that this was going to be a productive morning. I mean, the supermarket was the first place I visited, and right off the bat I’d hit pay dirt.

9:02 AM

Pay dirt. I knew from past experience that it wasn’t necessarily lurking everywhere. Hardly. For every truck and van worthy of attention there are 15 or more that are real plain Janes. Not only that, it ain’t possible to photograph the lookers, vehicularly-speaking, that are on the move. If I attempted to do so while I too was cruising along the road, then I’d now be writing this opus from six feet under.

9:11 AM

I’m here to report that things panned out. After immortalizing the Maier’s truck, I spent an additional, and fruitful, hour and 45 minutes on my project. In parking and delivery areas during that time I met plenty of trucks and vans, of which nine (including Maier’s) made the grade. And — bonus! — later in the day, while coming home from an ordinary shopping mission, I lucked out by crossing paths with a long, long trailer that was making a delivery to a Dunkin’ Donuts store about half a mile from my house. That bad boy was a slam f*cking dunk for me. And it brought the total up to 10.

9:30 AM

Ten excellent vehicles! That’s success in my oddball book. After all, this was a mission of serendipity. It was impossible for me to know what trucks, if any, would be at the locales I visited. Yeah, for some reason truck drivers don’t give me their delivery schedules. And one beauty, a Lehigh Valley dairy products truck, wasn’t where I’d have expected it to be. Instead of being in the delivery section of the Walmart mega-store on whose property it was parked, it was on the outskirts of Walmart’s enormous parking lot. Its driver was not in sight. Maybe she or he was reclining amidst the cargo, grabbing some ZZZs. Whatever, I was more than glad to find that truck.

9:36 AM

Well, I’ve placed the photographs of the 10 head-turners in the order that I encountered them, noting the time that I snapped each picture. And I’ve studiously gazed at the photographs, trying to come up with my top three. It wasn’t easy. For instance, I dig the Utz truck, which carried potato chips and other snacks. Its black, white and red design reminds me of the era, maybe 20 or 30 years ago, when those three colors, in conjunction, were de rigeur in the fashion world. But ultimately Utz didn’t make my cut. I guess that these days I’m more in tune with splashy lines and a palette that dips broadly into the color spectrum.

10:13 AM

Here then are my top three, in ascending order: Edible Arrangements, Lehigh Valley and Dunkin’ Donuts. Yes, that Dunkin’ truck drives me wild. “I’m Number One! I’m Number One!” I can hear it yelling.

10:25 AM

And how about you? Which of these 10 exhibits particularly ring your bells? If you let me know in the comments section, indicating the ranking you give each of your top three choices, then I’ll compile the results. And once that’s done I’ll spend however many it takes of my remaining Earthly days to track down the winning vehicle. And when that mission is accomplished I’ll pin a big gold ribbon somewhere on its glorious body.

10:57 AM

One final note: Yes, I agree, it’s on the odd side for a geezer, let alone anyone, to get his jollies from trolling the parking and delivery areas of shopping centers, strip malls and stand-alone businesses, with art as his prey. What can I say? I like to wander. I like to look at pretty things. When it comes to jollies, my philosophy is to try and grab ’em where and when I can. Amen.

1:52 PM

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Santa Fe Pleased Us Just Fine

My wife Sandy and I had been itching for a good while to stretch our traveling legs, to go somewhere we’d never been that’s far from our suburban Philadelphia environs. But where? “How about here? How about there?” we pondered.

Santa Fe, New Mexico

Well, in the end we left here and there for another day, as the answer was right at hand. My brother (Richard) and sister-in-law (Sara) moved to New Mexico several months ago, after occupying space in California for 30 years. Santa Fe, New Mexico’s capitol, was their new home. Sandy and I wanted to see them and also were more than happy with the idea of poking around Santa Fe and other parts of NM, a state full of deserts, soft-colored hills, mountains and mind-boggling rock formations. New Mexico it would be.

Ergo, late last month we spent eight days in the Land Of Enchantment, as New Mexico is called by some, unpacking our bags chez Richie and Sara and doing our best to be good houseguests. I think we succeeded in the latter, but, as with much of life, who really knows? Anyway, we passed mucho hours wandering around Santa Fe with them, occasionally without them, taking in a good deal of sights and the general swing of things. I’ll leave New Mexico’s natural landscapes, which we also visited, for a future story or two. My typing fingers are all set to concentrate solely on Santa Fe right now. Away we go.

Turns out that Santa Fe, a sweet place whose buildings primarily are adobe-style and low to the ground, is high as hell. By which I mean that this city of 80,000 humans lies in the high desert, 7,200 feet above sea level. That’s up there. The air is dry and fairly thin and, when a drought is on, as is currently the case, the sun is unrelenting. Drinking lots of water throughout the day, therefore, is pretty much a must even if you’re the indoors type, unless you enjoy the effects of dehydration. As is slathering on lots of sunscreen and donning a hat if you plan to spend more than 20 minutes outdoors.

I took to Santa Fe from the get-go. I liked its look, an amalgam of the influences of indigenous peoples and of the Spanish, who conquered and colonized enormous chunks of the Americas starting in the 1500s. Adobe, adobe everywhere. The earth colors made for a soothing experience. As did Santa Fe’s overall quietness, the lack of a mad rush of residents and tourists. Motor traffic gets fairly rough on certain avenues at certain times of day, but for the most part cars and trucks don’t interfere with the easy-going feel of the city’s central sections.

At right, Richie and Zella

A number of my walks through town were in the company of two individuals: my brother and Zella, who is Richie and Sara’s large dog. Zella is a Bouvier, a breed I’d never heard of till making Zella’s acquaintance several years ago in California. Zella doesn’t use sunscreen or wear a hat in Santa Fe, though I urged her to. She took offense at my suggestion, indicating that she doesn’t look good in hats and, in no uncertain terms, that I should go f*ck myself. Naughty doggie. However, Zella does imbibe a sensible amount of H2O throughout the day. Smart doggie.

Zella received a good deal of attention from pedestrians during these walks, far more than I did. And she was made right at home at a shop we passed one morning, a dog-loving establishment that has a Dog Bar, just outside its front door, where water and treats are at the ready.

One afternoon, Sandy, Richie and I were plopped on a bench in the Santa Fe Plaza, a park in the center of downtown. Zella wasn’t with us. We were eating chicken fajitas that we bought from a food stand at the park’s southeast corner and were watching the world go by. You never know what you might see in parks, which is part of the fun of hanging out in them. That afternoon a bubble-blower, probably a Plaza regular, showed up. With a net-like bubble-making device he filled the air with soap bubbles, some of them really big. The fajitas were tasty, the soap bubbles were captivating. Sandy and I agreed that we were feeling fine.

Cafes, restaurants, boutiques, art galleries, crafts galleries, museums . . . Santa Fe has them in quantities far beyond what you’d expect in a small city. It’s one of the major art centers in the USA, which was fine with me, as I’ve been popping into galleries and museums for nearly all of my life.

Left to right: Sandy, Sara, Richie

Appropriately enough, Sara and Richie took us to Museum Hill, a part of town that, also appropriately enough, is home to several museums, including the Museum Of International Folk Art. Our group of four headed to the Hill one afternoon for lunch at a café. We then entered MOIFA, an astonishing place. Sara had been there before and decided to go back to the café to read a book. Richie wasn’t a first-timer either, but he was in the mood to see the collection again.

Mexican musicians

And what a collection! I spent time mainly in the Girard wing, which houses folk art from all over the globe that one couple (Susan and Alexander Girard) accumulated during the mid-1900s. They donated their collection to the museum in 1978.

Mexican village

The Girard wing contains dozens of exhibits that are recreations of village scenes and of everyday life, all populated with miniature renditions of people, houses and appropriate accoutrements. The two exhibits that rang my gong the most were Mexican-themed, one of a village in all its colorful glory, the other of musicians having the times of their lives in a crowded three-level performance area.

Georgia O’Keeffe, Trees In Autumn 1920/1921, oil on canvas, Georgia O’Keeffe Museum, Gift of the Burnett Foundation

You can’t go wrong in the Georgia O’Keeffe Museum either. It’s one of the many museums in Santa Fe that are not part of the Museum Hill complex. I’m a fan of O’Keeffe’s paintings and had a tip-top time looking them over. On her canvases, O’Keeffe captured the essence of the landscapes and objects before her — be they mountain scenes, vast deserts, or flowers only inches away — with bold shapes and intense colors.

O’Keeffe lived in New Mexico for part or all of every year starting around 1930 until her death in 1986. For much of that period she made her home on a property in the desert about 60 miles from Santa Fe. She attained huge fame in her lifetime, and her reputation since then hasn’t waned. Deservedly.

Andrea Fisher Fine Pottery store

Nor can you go wrong in Andrea Fisher Fine Pottery, one of the many shops that I entered. I don’t know if I’ve ever been in an indoor space of any kind whose every item struck me as beautiful. But that’s what happened at Fisher, which carries Native American ceramics both old and new. Magnificent stuff, beautifully proportioned, colored and decorated, in styles that date back numerous centuries. I should have made a purchase. Man, I can be dumb as shit.


Okay, I can’t leave without talking a little more about food. Sara is an excellent cook. She and my brother fed us deliciously. And on a couple of nights the four of us ventured out for dinner, hitting the jackpot on one of those excursions when we had terrific pizzas at Pranzo Italian Grill. Sandy’s and my Margherita pie, with added olives, is pictured above in the forefront. Its extremely thin and charred crust was a model for how pizza crusts should taste and look.

Good trips are good for the soul. Sandy and I had a very good trip, spending quality time with family, gathering new experiences, seeing sights worth seeing and dining well. We’re fortunate folks.

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A Less-Than-Epic Quest For Signs Of Spring

There I was, on the second Monday of the present month, heading south from my suburban Philadelphia home to the Abington Art Center a few miles away. I was seated within my trusty 2001 Honda Civic, a vehicle that has served me well. I consider it to be a good friend.

I would be remiss, however, not to note that my wife Sandy feels no affection for my wheels. She used to love the Civic as much as I do, but those days are in the distant past. Yes, its forest-green paint has faded and developed splotchy areas so prolific they stun the eyes. Yes, the fabric that used to be tautly attached to the underside of the roof now billows downward like an open parachute. And yes, those conditions are fixable, but haven’t been addressed because I’m a lazy son of a bitch. Still, are the Civic’s flaws good enough reasons for Sandy to refuse to step foot inside the vehicle and to wish and pray that some day soon it will drive itself to the nearest junk yard and stay there? No, I emphatically state. And I rest my case.

Anyway, the Abington Art Center is a community organization that offers classes and programs in a once-private mansion and whose grounds include a huge, hilly lawn and a patch of woods. I was driving there because a story idea had occurred to me earlier that day: I’d decided to look for and write about signs of spring. Now, spring has been late arriving this year in my part of the States, what with below-average temperatures that don’t seem to want to loosen their grip. And even though I hadn’t seen much springlike activity among the flora in my neighborhood, or anywhere else in the region, I had a good feeling about what I might come across at AAC. That’s what happens when you’re a born-again optimist.

Arriving at the center at around 2:15 PM, I began my stroll. Right off the bat I noticed that there were no trees in flower. And that there were no flowers worth mentioning of any kind except for the yellow beauties attached to a large forsythia. In other words, there wasn’t much to write home about at AAC when it came to flowers.

As for the trees, they appeared as they would have in the dead of winter, at least to my eyes. No doubt the leaf-budding process had begun, but highly-myopic me was unable to determine that for a fact, as so many of the the branches were too high up for me to discern much about them. At eye level, though, there was some action, because bright green leaves were emerging on scraggly bushes that were fairly populous on the grounds. All in all, though, there wasn’t much to write home about at AAC when it came to buds and new leaves.

But I wasn’t disappointed that my article about the Earth’s vibrant rebirth would have to be put on hold. In fact, I very much liked the look of my surroundings, where practically every shade of tan and brown known to man was on display. I’m a big fan of blisteringly bright colors, but I’m totally down with neutrals too.

What’s more, I liked the quiet of the place. I heard one dog bark for a few seconds, and the sounds of automobiles on the roads bordering AAC were now and then apparent. But overall, things were peaceful at AAC. No other human crossed my path or field of vision during the 70 minutes I spent there, and so I found myself getting lost in the center’s 20 or so acres of semi-nature. Not lost in the sense of not knowing where I was, but lost as in going with the flow. I don’t know about you, but my life sure could use many heavy doses of the latter on a regular basis.

Flow-wise, I spent time in the pursuit of, well, whatever. I began to look around and was glad to notice, for instance, complex tangles of roots and branches, scalloped white fungi plastered on a fallen tree limb, and elegant beige leaves that had refused to drop from their tree’s branches during the winter.

A bunch of back-to-nature types of sculptures have been placed within the woods. Of those, the one I liked the best (Just Passing Through, by Laura Petrovich-Cheney) is a string of five tree trunks. Only the bases of the trunks were used in the sculpture, a display of elemental shapes and of the power of deep browns. One day these trunks will have rotted away and become one with the soil.

We have arrived close to the end of this essay. Hoping to leave with a sort of bang, I’ll make mention of something I hadn’t expected to find within the woods. Namely, inserted into the barks of a number of trees were small mirrors. I guess that Jeanne Jaffe, the artist behind the mirror sculptures, if you want to call them that, was very civic-minded, wishing to give the public the opportunity to check if their makeup needs refreshing or if their nose hairs could use a trim.

Me, I peered into one of the mirrors and was highly disappointed by the visage staring back at me. Might as well take a picture of my reflection anyway, I decided. Yeah, my iPhone’s case is pink. I like pink a lot. In fact, by the time my next article hits cyberspace there’s a good chance that I’ll have dyed my hair the most shocking hue of shocking pink available. I’ve been thinking of doing that for the longest time. And there’s no time like the present, right?

But if I do, Sandy probably will see to it that I’m inside the Honda Civic when it decides to drive itself to the nearest junk yard. That’s life.

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Snap, Snap, Snap: A Photography Story

Philadelphia (2017)

Starting in the late 1970s, and continuing for 10 or 12 years, I passed a good amount of time wandering around Philadelphia (where I lived), other parts of the States, Europe and elsewhere with a Kodak Pocket Instamatic camera in hand or in pocket. A non-techie all my life, the Instamatic was the perfect camera for me. Small and easy to load — you dropped a film cartridge into place and then closed the back cover over it, a process even I could handle — the camera provided photographic images that struck me as just fine. Bulky cameras, special lenses and filters, carrying cases? Man, I wanted no part of any of that. And still don’t. I like my life plain and simple, because I’m a plain sort of guy who some might describe as being simple too. Doesn’t offend me. I’m simple that way.

Philadelphia (2017)

And so, wander I would, snapping photos of things that caught my eye. Street scenes, decorated house doors, gnarly trees, cool-looking cars, mountains and forests . . . fairly avidly I documented all of those and more. Outdoor photography was fun, a hobby that made me think creatively and provided exercise in the process. What was not to like?

Manhattan (2017)

Alas, for reasons I haven’t tried to decipher, my photography excursions came to a halt. The photos I took, and they likely number in at least the high hundreds, lie within boxes shoved into attic and basement and closet niches. I haven’t looked at any of them in 10 years or more. And I probably didn’t label half of them. I swear, I’m going to hire a personal assistant one of these days to haul out those photos and put them into working order. And then I’ll donate the pictures to the Smithsonian Institution, which I hear has a program called We’ll Accept Anything, As These Photographs Taken By Extremely Ordinary Americans Clearly Prove.

Manhattan (2017)

Fortuitously, my wife Sandy, whom I met in 1990, picked up the slack. On our vacations and at family gatherings she’s the one who for years took nearly all the photos. Sandy, kind of a photography buff, always has had cameras far more advanced than the Instamatic, and happily danced into digital camera ownership earlier this century. I had no problem with her handling the photographic duties. I didn’t miss them, whatever the reasons might have been. Needless to say, when I started this blog in April 2015 Sandy was the chief photographer.

Cleveland’s baseball stadium (2017)

And then came January 2016. During that fabled month, Sandy bought a new iPhone and donated to me the iPhone she’d been using till then. iPhonically-speaking, for me it almost was love at first sight and first usage. I mean, the phone is so cute, so compact, and not too hard for a technological imbecile like me to figure out.

Cape Cod (2017)

Before then I’d been a flip-phone person, basically ignorant of the wonders of smart phones. But within days I became an addict, surfing the web, watching videos, etc., etc. And my iPhone’s camera? Why, it called to me with a song that I was powerless to resist. Before I knew it I was snapping photos left and right, far more than I did in my Instamatic days. Twenty-six months later I’m still snapping. And, by the way, not long after the iPhone came into my possession Sandy lost her photography job with this blog.

Cape Cod (2017)

And why do I bring up all of this? Hold tight, Bunky, as I’m about to tell you. Not that you haven’t already guessed, seeing that photos are on display right from the start of this essay.

Cape Cod (2017)

A day or two before I sat down to begin the composition of that which you presently are reading, it dawned on me that not the worst idea in the world would be to write a story into which I might place a number of photos that I took in 2017. Dozens of them I’d already used in blog articles during that year. But many others were sitting all sad and lonesome, feeling unwanted, on the hard drive or whatever it is within my iPhone. “I’ll liberate some of you! And I accept your thanks in advance,” I said to the pictures.

Cape Cod (2017)

Yes, it’s as simple as that. As I’ve prominently noted above, I’m a simple guy, so what would you expect? In any case, the year 2017 found me in my suburban Philadelphia region, in the City Of Brotherly Love itself, in The Big Apple, in Cleveland and on Cape Cod. There were a few other locales too, but that’s enough. I selected about 30 photos from the previously-unused pile and studied them almost assiduously. I whittled down the pile to the eleven pix herein contained. Some are artsy shots, some are candid, some display the wonders of nature, some have sentimental value to me. My favorites are the two that follow: a selfie of me and Sandy taken on Cape Cod, and a spontaneous etching that I made in the sands of a Cape Cod beach.

Thanks for reading and gazing. Your humble reporter is now going to sign off, hopefully to return in the near future with an as-yet-undetermined commentary upon something or other.

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