Seven Pix For Seven Months

I don’t know about you, but for me this year has been flying by at an insanely fast pace. I have no idea why. I mean, time seems to zoom when a person is busier than usual and/or is having more fun than usual. But those conditions haven’t applied to me. And yet, boom! Just like that, seven of 2021’s months are over and done, and month number eight is nipping at their heels. What the hell is going on?

January 20, 2021 
(Sunset viewed from Willow Grove, Pennsylvania)
February 11, 2021 (Willow Grove, Pennsylvania)
April 12, 2021 (Abington, Pennsylvania)

So impressed am I by 2021’s fleet-footedness, I think it’s only right to offer up an essay that photographically honors its seven departed months. One photo from each month. I took six of the pictures and would have taken all seven if such had been possible. However, seeing that it would have been a major no-no for me to snap a selfie while being inoculated against COVID, I asked my wife Sandy to document the event.

May 14, 2021 (Philadelphia, Pennsylvania)
June 5, 2021 (Jenkintown, Pennsylvania)

I’ve decided against using any of the dozens of 2021’s photos that I’ve already placed in this publication’s stories. As for the seven included herein, only two hold any special personal meaning, and I’ll get to them in a minute. The other five just look good to my eyes, and would have been mad as hell at me if I’d not deposited them on the internet. The parking lot scene, for example, which contains a lady so wrapped up in her thoughts that she’s oblivious to the sharp red car doing its damndest to get her attention. Hey, the car threatened to sue if I gave it the cold shoulder!

Now, on to the two pix that, plain and simple, had to be presented, and about which I’ve got a few things to say.

March 19, 2021 (Elkins Park, Pennsylvania). Photo by Sandra Cherrey Scheinin

Sandy and I frantically and tirelessly tried to schedule appointments for COVID vaccinations when vaccines became available early this year. Basically, it was an exercise in frustration. But then, five or six weeks later and from out of the blue, appointments for March 19 fell into our laps. I tell you, it was a powerful day for me, one I ain’t going to forget any time soon. As the needle entered my arm I breathed great sighs of relief and shed some tears of joy.

Four weeks later my second dose of Moderna was administered, and since then I’ve felt free. Yes, coronavirus remains a major concern, but far less so for the vaccinated as opposed to the unvaccinated. Man, vaccine refuseniks, brimming with loopy and misguided beliefs, astound and annoy me. The common good is suffering because they won’t grab hold of the lifelines being tossed their way. I tell you, we reside in a world that too often is surreal and disappointing.

Due to the f*cking pandemic’s intrusion, the fireworks event that Sandy and I attended on July 4 was the first impressive show of any kind that we had been to in 16 months. (In the USA,  July 4 is a holiday that commemorates the states’ declaration of independence from Great Britain in 1776.) It took place on the sprawling grounds of a public school, in a town a couple of miles away from our suburban Philadelphia home.

We walked and walked on the school’s ball fields and lawns till we were very close to where the explosions would originate. And then we waited and waited as the skies grew dark and the time advanced to 9:40. At that point I got up from my chair to try and find someone who might know the scoop, as the show should have begun no later than 9:20. No luck, natch. So, I walked back to where our chairs were set up, looked at my phone to check the time, and said to Sandy, “It’s 9:49. I don’t think the fireworks are going to happen. We should leave.”

July 4, 2021 (Abington, Pennsylvania)

Three seconds later I was proven wrong, as the skies lit up with wonderful shapes and colors and thunderous sounds erupted. For the next 25 minutes Sandy and I oohed and aahed. In the end, we were in the right place at the right time.

(Please don’t be shy about adding your comments. Gracias.)

A Sunflower Story

What the hell is wrong with you, Neil?” my unsubtle editor Edgar Reewright shouted into the phone a couple of weeks ago. He had called moments earlier with a special request — he wanted me to compose a story about sunflowers — and I had balked at the idea. “I mean, what do you have against sunflowers? Just about everybody likes sunflowers, right? Right. Furthermore, if they were good enough for Vincent van Gogh, who, unlike yourself, was a genius, then they damn well are good enough for you.”

“Neil,” Edgar continued, “have I ever asked anything of you before? Other than demanding high payments to compensate me for the extraordinary pains I take to make your writings intelligible, the answer is no. I haven’t been myself the last few weeks, so a bright, cheerful piece about the sunniest of flowers probably will boost my spirits. Write it!”

“Listen, Edgar,” I said. “I’ve got nothing against sunflowers. On the contrary, I love them. I mean, they’re just adorable. Big and grinning, and their gangly stalks are so improbable. They’re like dogs that want nothing more than to please you, that know they’re goofy and would have it no other way.”

“So, what’s the problem, Neil?”

“Well, it’s just that I’ve written quite a few nature-related articles the last several years. I don’t want to overdo it, you know.”

“Overdo it? Neil, you can’t go wrong with nature. And I highly doubt if you have anything better to write about right now, anyway.”

“Oh yeah? Listen, Edgar, I’m planning to do a piece on the wonders of napping. I’ll explore its ins and outs: how I position my head just so on the living room sofa before nodding off, for instance. And how I awake 10 or 15 minutes later with glazed eyes, uncertain where the hell I am. Edgar, I’m one hundred percent certain that the readers of that article will be enthralled. My exciting revelations will have them panting for more.”

A few seconds passed. And then Edgar had this to say: “A short while ago I asked, ‘what the hell is wrong with you, Neil?’ And I was right on the money, because a better question hasn’t been posed anywhere in the world today! Napping? You’ve got to be kidding me! Listen up, haven’t I always strived to help you create agreeable product?”

“Yes, that’s very true, Edgar. I don’t know how you do it, but you whip my reportage into decent shape.”

“Thank you, Neil. Even though I’ll never figure you out, I have to admit that anybody who unashamedly uses a clunky word like reportage in conversation can’t be all bad. Okay then, I strongly recommend that you drop the napping idea and move on to sunflowers. Are we on the same page?”

We were.

Thus, during three walks in the latter half of July, in my neighborhood and in nearby towns, I kept an eagle eye out for sunflowers, and found about 15 homes on whose grounds they were displayed. Having strolled past hundreds of houses, though, I was a bit surprised by the low percentage that carried this form of joyful flora. But little matter. Every sunflower that I saw smiled at me. They truly were glad to see me, and the feeling was mutual.

But you know what? Despite the time I spent with real-life sunflowers, I have to admit that I much prefer a particular Vincent van Gogh sunflower painting over them. Vincent painted sunflowers a dozen times, and one of those oils hangs within the Philadelphia Museum Of Art, where I have passed hundreds of hours. (I’ve lived in Philadelphia or its suburbs for most of my adult life.) It very well might be the most popular art work in the museum. It certainly is one of mine.

Vase With Twelve Sunflowers, by Vincent van Gogh (image credit belongs to Philadelphia Museum Of Art and to vggallery.com

Vincent had the abilities to find the hearts and souls of his subjects, to bring his subjects alive in both traditional and unexpected ways. And he did exactly that when he painted the canvas in question in 1889. It is glorious and imbued with vigor. It has deep stories to tell. Sunflowers never have looked so good.

(My editor has been getting on my frigging nerves big-time. So, you know what? F*ck him! I won’t allow Edgar to edit this article. I’m going to press the Publish button right now. Please don’t be shy about adding your comments. Mucho gracias.)