A Not-Socially-Distanced Story

It’s funny, or maybe not, how my wife Sandy and I have changed our ways of thinking and acting during the it-better-end-soon pandemic era. Scared quite shitless when the era began in the USA in mid-March, we hunkered down, staying home nearly all of the time. We ventured out only to take walks, to buy provisions at supermarkets and to take out meals from restaurants. Right from the start, mask-wearing and social distancing were parts of our regimen. We wore disposable gloves when shopping, washed our hands regularly and used hand sanitizer profusely. None of this was unique to us, obviously. Most people were scared quite shitless, and took the same safety precautions that we did.

Thankfully, Sandy’s and my anxiety levels have subsided since then, mostly due to the easing of the lockdown in Pennsylvania, the state that we call home. As a result, we’re getting out of the house a lot more than we did a few months ago (we dine outdoors at restaurants frequently, for example), and are feeling better about things because of that. But the f*cking coronavirus, which ain’t going away any time soon, is still very much on our minds. Yes, we’ve ditched disposable gloves (hand-sanitizing and hand-washing make them superfluous, I think). But, in general we continue to follow safety guidelines.

“In general?” I hear a few voices ask. Right, 99% of the time we haven’t deviated from the guidelines. But the remaining 1% of the time we have, and that’s because we have pals named Cindy and Gene. When we’ve been with them recently, social distancing among the four of us has gone out the window.

It all began on an innocent day: the fourth of September. Sandy, myself, Cindy and Gene met up at the Philadelphia Museum Of Art, which only two days before had reopened after almost six months of coronavirus-precipitated closure. Masked, we began to wander the galleries together. Before we knew it, Sandy and I were practically shoulder-to-shoulder with our friends instead of the recommended six feet apart. If masks weren’t required in the museum, the four of us probably would have yanked ours off within minutes. Never fear, the yankings took place a couple of hours later when we all settled around a small table on the patio of a café near the museum. There we sat, ate and talked, a foot or two away from one another.

Now, none of us four ever will be mistaken for a wild and crazy type. What, then, caused the two couples to say goodbye to social distancing and mask-wearing when in each other’s company? In my case, I think it was because it somehow just felt like the natural thing to do. Subconsciously, I apparently had been as ready as could be to have normal interactions with these two close friends. And I knew that Cindy and Gene routinely follow the coronavirus guidelines, and trusted that they had determined, as best they could, that they were virus-free.

Let the good times roll! That’s what they continued to do in Cape May, a sweet, seaside, beachy town at New Jersey’s southern tip, about 110 miles from my suburban Philadelphia abode. There, Cindy had rented a condo for the Saturday-to-Saturday week that straddled late September and early October. At Cindy’s invitation, Sandy and I came down to stay with her for the final three of those days. Gene, who was needed at his and Cindy’s Philadelphia home for most of the week, arrived one day after Sandy and myself.

Yeah, we all had a great time together. We social-distanced from other people, but not among ourselves. We wore masks in Cape May’s stores and when walking on visitor-crowded streets, but otherwise not. Our time together passed quickly. Sandy and I were delighted to be on a mini-vacation in a popular area that we’d been to only once before, halfway to forever ago.

Cape May is a lovely place. It is filled, primarily, with old, well-maintained houses, hotels and other structures, all exuding strong character. And Cape May’s public beach, beside the Atlantic Ocean, is wide and lengthy. I, who hadn’t strode on a beach or seen ocean waters since a vacation last year on Cape Cod, Massachusetts, was damn well thrilled to do so once again. And I also was damn well thrilled to walk through the woods and around the marshlands of Cape May Point State Park. They were a sight for sore eyes.

Well, hopefully Cindy and Gene and Sandy and I will be able to continue our undistanced get-togethers. I’m already looking forward to our next one, whenever that might be. And by the way, I’m sure that what the four of us have done is anything but rare. Worldwide, undoubtedly, plenty of people, who otherwise adhere to coronavirus-related safety guidelines, at times are meeting up with trusted relatives and friends in a normal, pre-pandemic manner. I’d be very interested to hear your thoughts about this and/or related topic(s).

Okay, that’s about it, girls and boys. Be well. Adios till next time.

(All of the photos were taken in Cape May, New Jersey, USA)

Autumnal Thoughts, Autumnal Tunes

Planet Earth, which we humans increasingly have been making a mess of since the Industrial Revolution began in the late 1700s, nonetheless has remained reliable in various ways. It keeps on spinning, for one thing, and traveling around the Sun, for another. Good thing that it does, no? If those movements were thrown out of whack, we, along with every entity taking up earthly space, would be goners in a couple of blinks of an eye.

Well, as we know, on the 22nd of September those good ol’ reliable movements brought about the autumnal equinox and the vernal equinox in, respectively, the northern and southern hemispheres. This was due to the Sun being directly above the equator, by the way. For me, a resident of the north, this event officially marked the beginning of my favorite time of year — fall — and prompted me to gather some thoughts about that season. Here they are, along with a few recordings that capture fall’s cozy, mellow essence. Damn straight, I’m in an autumnal mood!

This is the main reason why I like autumn as much as I do: I was born in late October, smack in the heart of fall. And my birthday has been lovingly acknowledged and celebrated, by one combination of people or another, every year of my life. Over time it became only natural for me to associate autumn with my birth anniversary. How could I not, seeing that autumn never fails to whisper frequent reminders in my ear about the approaching big day? And when that day arrives, autumn, behind the scenes, is one of the celebrants. Yeah, autumn loves me, and I therefore love autumn back, you dig?

Hatboro, Pennsylvania

To meld with autumn righteously and timely, on its first day this year I took a long walk through Hatboro, a cute town a few miles from where I live in the Philadelphia suburbs. I headed there with the newly-hatched season fully on my mind. The mid-day temperature was lovely, about 73° F (23° C), the skies were as blue as you could hope for, and a light breeze ruffled the few strands of hair that remain on the crown of my head. In other words, the day was pretty damn well ideal. How sweet it was not to be sweating like a pig, which I had done numerous times during walks in the just-departed summer. Autumn weather suits me just fine.

Produce Junction (Hatboro, Pennsylvania)
Hints of gold in a tree in Hatboro, Pennsylvania

Hatboro was starting to get its autumnal mode in order. For instance, I saw scarecrows on a couple of porches and in a couple of store windows, and I gazed with admiration at the arrays of pumpkins in Produce Junction, a store on Hatboro’s main drag. But there was little evidence of fall in the billions of leaves within Hatboro’s boundaries. Only in a smattering of trees did I notice a changing of the color guard, such as in a tree outside of Produce Junction. Hints of gold decorated that specimen, harbingers of full-blown color transformations yet to come. I’m eagerly awaiting mid-to-late autumn’s golds, russets, burgundies and ambers. That palette grabs me powerfully each year, yet tenderly. Yes, autumn is a period of beauty that goes down as satisfyingly as comfort food.

As I walked through Hatboro, I pulled some autumn tunes out of my memory bank and let passages of them play silently in my head. I’ve always loved Autumn Almanac, by The Kinks, and Van Morrison’s Autumn Song. They provided part of my stroll’s soundtrack. As did Harvest Moon, a Neil Young composition that quite a number of musicians have covered. Young’s version is special. It makes me go limp with wonder, so beautiful do I find it. In Hatboro, those songs, and a few others, kept me company excellently.

Back home later that day I did some research into fall-themed songs, discovering Eva Cassidy’s live rendition of Autumn Leaves (music by Joseph Kosma, English lyrics by Johnny Mercer). With vocals emanating from Cassidy’s most-private chambers, this performance would break the hearts of all but the stoniest. And I reconnected with Autumn Serenade (music by Peter DeRose, lyrics by Sammy Gallop), off the album that the famous saxophonist John Coltrane recorded in 1963 with the not-so-famous vocalist Johnny Hartman. A bit more research would have revealed many others, so deep a hold has autumn maintained on songwriters past and present.

Rather than overload this essay with YouTube presentations, I’ve decided to limit the recordings to three. I think you’ll enjoy the following Young, Cassidy and Coltrane/Hartman works. Be well, boys and girls. And, as I usually mention, please don’t be shy about adding your comments.

Some Of This Year’s Pix: A Photography Story

Ah, the wonders and the ease of digital photography. I mean, you’ve got to love it. No mess and no fuss, which is precisely the way that little ol’ me, who is lazy as shit, likes things to be.

What’s more, digital photography can be quite addictive, as half or more of the world’s population is fully aware. I’m definitely addicted. In spurts, anyway. I don’t take pictures of every damn thing I do or of every place I go, but, ever since obtaining my first smart phone in 2015, I’ve snapped more than enough. And a fair number of those shots have found their way onto the pages of the publication that you now are reading. Man, writing stories for this site usually drains the hell out of me. But snapping pix for it with my phone? That’s a gas, gas, gas!

And so, the other day I decided to have a look at the hundreds of photos from 2020 that sit quietly and patiently in my phone’s storage room. I did so with the idea in mind to put a small bunch of them on public display for the first time. Fortunately, there were enough that struck me as worthy. Thus, this essay became a go. That brought a nice big sigh of relief because, as I’ve noted semi-regularly over the last few years, story ideas don’t exactly spew from me with the force of volcanic eruptions.

Miles Table (Philadelphia, Pennsylvania). January 15, 2020
Abington, Pennsylvania. March 21, 2020
Willow Grove, Pennsylvania. May 29, 2020

Are there any connective tissues holding these photos together? I suppose so, since they portray scenes that appealed to me sufficiently to try and capture them. For instance, I’m into color juxtapositions, arrays of angular shapes, and unexpected elements. And all of those are to be found in some of the pictures, such as the one taken in front of Miles Table, the Philadelphia café where my pal Gene and I ate lunch one January day.  The reflections in Miles Table’s windows intermesh giddily with the interior of the shop. Dig that crazy tree cozying up to a prim and proper table! You don’t see that every day.

Photo taken in Willow Grove, Pennsylvania on June 2, 2020
Georgian Bakery And Café (Philadelphia, Pennsylvania). January 10, 2020
Photo taken in Willow Grove, Pennsylvania on June 22, 2020

On the other hand, I also enjoy simplicity, and there was a sweet simplicity to the early-evening cottony sky that I photographed from my house’s deck. We’ve all seen skies like this one mucho times before. But we never grow tired of them, because they are both calm and majestic. They give us pause.

My house (Willow Grove, Pennsylvania). May 24, 2020

And, speaking of my house, how could I resist the photo of the rhododendron bush that sits in my front yard? I tell you, that plant preened exuberantly this spring, something that it never had done before during the 15 years that my wife Sandy and I have lived here. To my mind, this was proof that flora can be unpredictable in their moods and actions, sometimes behaving wonderfully and sometimes not. Humans, take heart in that! Every entity on Planet Earth is complicated as hell, not just us.

I’ll leave you with some thoughts related to the selfie that I took a few weeks ago at the Michener Art Museum, a medium-sized and excellent museum in Doylestown, Pennsylvania. It is named after the famous author James Michener, who, in the 1980s, donated tons of money to help establish the institution.

Because of the coronavirus pandemic, the museum closed its doors in March of this year. But the pandemic situation improved in Pennsylvania over time, allowing some cultural facilities to re-open. The Michener did so on July 20.

Sandy and I, who are museum lovers, were as happy as two masked people could hope to be, because we last had been at a museum in January. Being able to visit the Michener helped to create the illusion that the world was spinning towards normality. Anyway, we spent an hour looking over the exhibits. One of them, which displayed works that various artists created in recent years in reaction to climate change, kept us rapt.

But, as much as anything that day, I liked looking at oil paintings by Fern Coppedge (1883-1951), who lived much of her life not far from Doylestown. A number of her works are in the museum’s collections. Sandy and I have visited the Michener pretty frequently this century, and both of us have come to admire Coppedge’s art very much. Bold, tastefully-arranged colors. Strong brushstrokes. Depictions of scenic old towns and beautiful natural landscapes. I mean, what’s not to like?

Photo taken in Michener Art Museum (Doylestown, Pennsylvania). August 25, 2020

So, natch, it was in front of a Coppedge oil painting that Sandy and I positioned ourselves to grab the selfie, an art form whose mechanics I haven’t come close to mastering. Yeah, the painting appears to be drunkenly crooked in the photo, but that’s kind of charming, don’t you think?  Coppedge, who wasn’t a stickler for perfect balance, probably wouldn’t have minded a bit. And I bet that she’d have dug the contrasts and connections that our masks and tilted heads established with her painting. This photo will remain a fine reminder to Sandy and me of a very good day during the Pandemic Era.

(Please don’t be shy about adding your comments. Thanks.)

In Search Of Yellows: A Walking Story

I’m nothing but amazed that I’ve sat myself down at a keyboard to begin the composition of this essay. It’s 11:31 AM on a weekday morn, a mere 27 minutes after I completed the walk around my neighborhood that I shortly will comment upon. I mean, I usually take forever to get enough thoughts together to write a story. What’s more, I usually take forever to come up with story ideas in the first place. So, I better keep pecking away before constipation sets in.

What, another walking story?” I hear a few of you crying in dismay. “Spare us, Neil! You’ve done dozens of them already. Can’t you think of anything else to write about?”

Believe me, I feel your pain, but what can I do? As I just indicated, I don’t exactly generate story ideas like Donald Trump generates lies. Anyway, I like to walk. Always have, because walking is the best way to see what’s going on around us. And the hodgepodge of ruminations and observations that I come up with after wandering around one locale or another is among this publication’s primary fuels.

But I can’t say that I especially love to walk in my suburban Philadelphia neighborhood. My neighborhood is none too fascinating, as is true for suburbs in general. Although I regularly pound its pavements, I do so mostly for health reasons, exercise presumably being beneficial to one’s bodily systems. Once in a while, however, I have an additional motive, and today I put such into play. “Yellows, Neil, yellows,” I said to myself at the start of the walk. “You’ve had it in the back of your mind to look for shades of yellow during a neighborhood walk, probably because yellow was your favorite color when you were a kid, and to turn the experience into an article. Today you shall do so!”

Yes, sir!” I responded silently. “I hear you loud and clear. Yellows it will be!”

To begin, I want to tell you that there ain’t a lot of yellows in my neighborhood. In fact, there’s a paucity of many colors. The greens of nature are what rule here, as they do in much of the world, at least when trees are in leaf. But your faithful and determined correspondent wasn’t deterred. My eyes in constant motion, I spotted enough examples of yellows to illustrate this piece decently. And I did so in a mere 34 minutes. I could have extended the walk beyond that time, but was pretty sure that I’d exhausted the yellow possibilities. And it’s a good thing that I came home when I did. You see, as I entered my house after completing my rounds I thought that the blazing Sun and moist air hadn’t gotten to me very much. Wrong! My sweat glands, in a delayed reaction, suddenly erupted, causing my tee shirt, mostly dry only seconds before, to cling to me amorously. Man, I was shvitzing like a frigging pig! I’m happy to report that the A/C system, and the cool water that I washed off with, quickly set me right.

Okay, it’s time to mention the highlights of today’s trek. The first involves sunflowers. A year ago, on a neighborhood walk, I was delighted to find that a family two blocks away from my residence was a lover of sunflowers. They’d planted a load of the gangly, happy plants on a long narrow strip of their property. And a week or two ago I  noticed that sunflowers were strutting their stuff anew there. Needless to say, I strode down that block this morning to snap the yellow beings’ portraits. Of the various yellow objects in my neighborhood, they are my favorites by far. Indeed, I am a total sucker for sunflowers, thanks to Vincent van Gogh, their greatest immortalizer.

As for the second highlight: On various walks over the last couple of months I’d seen a yellow truck shining proudly and vividly. It always was in the same spot, five blocks from my house. It was there again today. This truck adds needed pizazz to a sleepy block, and makes me wonder why more people don’t buy vehicles of eye-popping color. Like I’m one to talk, though. My wife and I own two cars that are conservative as shit, one of them dark grey and the other dark blue. Next time we’ll go for cars aflame in . . . what? Neon yellow, that’s what!

Well, the blogosphere’s overseers are whispering to me that this article has gone as far in a yellow direction as it needs to go. And I know better than to cross them. But, as usual, I’ll let the piece marinate for a few days, and do plenty of tweaking, before depressing the Publish button. Take care, everybody. And please don’t be shy about adding your comments!

Will We Stay Or Will We Go? (A Cape Cod Story)

I’ve written an awful lot of pieces that revolve around Cape Cod, the narrow 65-mile-long stretch of land, and its surrounding waters, in southeastern Massachusetts. Which is fitting. This publication, after all, is a personal narrative more than anything else, and Cape Cod has played a major part in my life for years.

A small section of the enormous dunes in Provincetown, Cape Cod

In 1998 my wife Sandy and I vacationed on the Cape for five or six days, not knowing what to expect. We had researched Cape Cod, of course, and determined that it seemed to be a place that we’d relate to nicely, but the proof would be in the pudding. Well, we had a grand time, and decided that we would return the following year to soak up more of the Cape’s vibes.

Baker’s Pond (Orleans, Cape Cod)

The trip in 1999 sealed the deal. We were, and remain, smitten. For us, much of what Cape Cod has to offer (beautiful sands, waters, marshlands and forests; sweet villages; good eateries, museums, art galleries, music venues, cinemas, theater companies and more) comprise a damn near perfect package. We’ve returned again and again, usually for one vacation annually. We’ve been there in every season but summer, which is when Cape Cod is jammed with vacationers and visitors. F*ck jammed! We’ll stick with autumn, which has been our preference for the last ten or so years. In autumn, jammed doesn’t come into play.

Wellfleet village (Wellfleet, Cape Cod)

As the years went on, the lengths of our visits increased. In total we’ve spent somewhere in the vicinity of nine months on the Cape, a healthy chunk of our life together. Sandy and I think of Cape Cod as our second home. And, overall, we like Cape Cod more than we do our permanent home, which is the Philadelphia suburbs. We’ve thought of moving to our seaside paradise, but nixed the idea for two reasons. First, health care availability is limited on Cape Cod, but bountiful in the Philly region. When it comes to health care, we are fans of bountiful. Second, we don’t know anyone on Cape Cod. We ain’t spring chickens, and trying to create a good social life there would be a bigger challenge than we’re up to.

Marshland (Orleans, Cape Cod)

Friends, Romans and countrymen, it now has taken me about 400 words to get to the reason I am composing this opus. Here it is at last: Though Sandy and I are undecided as to whether we will visit our favorite place in 2020, it’s doubtful we will.

Hot Chocolate Sparrow café (Orleans, Cape Cod)

Why? Because of the pandemic. On Cape Cod we spend an average of eight hours daily away from our cozy rented house, immersing ourselves in various combinations of the environments and venues that I listed a few paragraphs ago. Yes, this fall we’d be able safely to stroll on beaches and pick our way though forests and around marshlands. Not too many people show up in those locales in autumn, and it would be easy to keep our distance from those that do. But it would be risky to enter restaurants, cinemas and all the other indoor places that help to make Cape Cod special for us (and many might be closed anyway, for pandemic reasons, by government mandate). Too much possibility of coming in contact with coronavirus microbes.

Rock Harbor, at Cape Cod Bay (Orleans, Cape Cod)

What it boils down to is this: With greatly limited options on Cape Cod I’d end up spending way more of my waking hours than usual in the rented house. There I’d watch the tube, work on sudoku and crossword puzzles, scratch my balls, and twirl the five strands of hair that remain on the crown of my head. Shit, that’s what I do at home. I don’t need to travel 360 miles to duplicate those activities somewhere else. Even if that somewhere else is the Cape. For similar reasons, Sandy is leaning towards staying home too.

Our kite in action at the Atlantic Ocean (Cahoon Hollow Beach, Wellfleet, Cape Cod)

Oh well. C’est la frigging vie. Maybe we’ll end up on Cape Cod anyway. You never know. For now, I’ll picture myself on the Cape’s sand-cliff-backed Atlantic Ocean coastline. Nobody besides Sandy is in view. I’m scanning the skies, the sands and the cliffs, letting their essences flow into me, and also gazing at the ocean, a powerful, mesmerizing beast. I’ve done exactly that, in reality, many dozens of times. It’s as close to experiencing pure bliss as I’ve ever come.

Chatham Orpheum Theater (Chatham, Cape Cod)

And I’ll imagine the kicks that Sandy and I get from flying our kite at the ocean or at Cape Cod Bay. And the quiet awe that fills us when watching sunsets. And the fun we have while wandering the cozy, quirky streets of Provincetown village. And the thrills that climbing up and down the enormous, otherworldly dunes on Cape Cod’s far end gives to me.

Provincetown village (Provincetown, Cape Cod)

Man, I could go on and on about activities such as these. But that’s enough. I will say this though: Until 1998 (the year in which I turned 51) rolled around, it never had occurred to me that there might be a somewhere with which I’d bond profoundly. I’m a fortunate son of a gun that it happened.

(Please don’t be shy about adding your comments or about sharing this piece. Gracias. All of the photos are from recent years.)

The WordPress Gods Were Looking Out For Me: Art On Wheels, Part Six

And so, here I am again with yet another essay centered around my quests to find and photograph commercial vehicles that are adorned with fine designs. This story is the sixth installment of what will remain an ongoing project (assuming that I continue to stay above ground, that is). What, like I’ve got something better to do with my time than to troll streets and the parking areas of shopping centers and strip malls for handsome trucks, vans and cars? I don’t! At my advanced age I ain’t interested in reaching for the brass ring, goal-and-activity-wise, you dig? Not that I ever was, to tell you the truth. Thus, no novels will I be writing. No corporations will I be starting. No applications to graduate schools will I be submitting, unless there’s a PhD program out there that would accept a doctoral thesis titled An Unambitious F*cker’s Aimless Thoughts.

In other words, trolling suits me just fine.

Frustratingly, it hasn’t been easy finding an adequate number of beauties for this story. Five hunting trips, each of an hour or more in length, brought forth only six vehicles whose images I deemed worthy of inclusion. I want and need one more pleasing photo, but I’ve had my fill of intensive hunting. I’m very confident, though, that an object of my desire will present itself during my normal activities over the next few days (I’m typing these words on the 20th of July). Lucky number seven surely is heading my way!

I didn’t run into a numbers problem during the creation of this series’ previous installments. In fact, for most of them I bagged enough useable photos during only one or two expeditions. Which was amazing, considering that the vast majority of commercial vehicles have little, indifferent or no artwork upon their bodies.

What accounted for the change in numbers? Partly it was just one of those things. A cold streak, if you will. But I’m pretty sure that the good ol’ coronavirus was the main reason. Although many stores and offices are open in my area (I live near Philadelphia), the pandemic has harmed business here, as it has everywhere. Decreased demand for goods translates into fewer deliveries. There weren’t as many chances, as a result, for me to cross paths with good-lookers.

Luckily, part of the shortfall was made up by artistic vehicles of the non-delivery type. The Omni Comp car, for example. It belongs to a computer repair store in my town and is used, I assume, by the workers there for service calls. That car is cute as a button, no?

And how about the van owned by Noble Dentistry, whose office is in a town nearby to mine? The van’s greens and blues are oh so dreamy. But why does ND need a van? For mobile dental services? Uh uh. Their website makes no mention of that. I suppose the practice’s owners simply want to have a sharp vehicle parked in front of their building in the hopes of catching the eyes of some potential patients.

My favorite hunk of metal and glass, though, is of the delivery sort. It’s a truck that was delivering Canada Dry beverages to a Wawa food market near my home. As with Noble Dentistry’s van, greens and blues rule on the truck, only much more profoundly and on a significantly larger scale. Man, it was hot as hell on the day I walked around Canada Dry, admiring it from various angles. Its soothing, refreshing facade cooled me down, though that was mostly in my head. In reality, I continued to sweat like a pig.

With that, I’ve come to the end of my commentary. But only for now. I shall resume the narrative when beauty number seven reveals itself to me. Don’t go away!

I’m back! It now is the 21st of July. Two hours ago I returned home from a dental appointment in Philadelphia’s congested Mayfair section. Because traffic was lighter than usual — another consequence of the pandemic — I arrived ten minutes before my appointment time. I parked on one of the neighborhood’s countless rowhouse-filled blocks and silently said something along these lines to myself: “Might as well walk around for a couple of minutes before going to the dental office. There’s a decent chance I’ll spot a sweet vehicle parked on the street.” Turns out there was a 100% chance, for on Frankford Avenue, a shopping mecca, I saw a vision in red and white: a Meadow Gold dairy truck that was making a delivery to one of the stores nearby. It’s a great beauty, colorful and wonderfully designed. But I still have to go with the Canada Dry truck as my favorite, because of the loving way in which its greens and blues resonate with me. Meadow Gold, you are a real close second.

Naturally, I snapped Meadow Gold’s picture and gave deep thanks to the WordPress gods for looking out for me. They wanted me to bring this story to a satisfactory conclusion, of that I have no doubt.

Well, that’s about it. As I do with all of my stories, though, I’ll let this one marinate for a few days and tinker with it compulsively. Thanks for reading. Please don’t be shy about letting me know which vehicles you like the best, or about anything else. Goodbye till next time!

Getting Closer? Yes And No

Man, in the early days of coronavirus I wouldn’t have guessed that this microbial demon would find its way into as many of my essays as it has. Its omnipresence and dangers, though, have made it impossible for me to ignore, in my everyday life and as a writer. Alas, truer words than these rarely have been spoken: We need an effective vaccine sooner than ASAP!

It’s anything but new news when I observe that in a mere handful of months the virus has impaired our world in oh so many ways. Hundreds of thousands of people have died at the villain’s hands, and that count will rise and rise. Livelihoods have disappeared. Economies have been derailed. And that which is normal behavior for most of us — having a fair amount of close contact with fellow members of our embattled species — has become, for the most part, a big no-no. We can, of course, be physically near to those who we are confident are non-contagious, assuming that we are confident that we meet that criterion too. But to anyone else? Yo, it’s risky!

It’s natural to wonder about the extent to which close contact will return after our savior, a good vaccine, rides in from whatever lab ends up creating it. That’s assuming the savior is creatable. It better be. Anyway, will the general populace go back to their merry old ways? You know, crowding into elevators, sharing joints, rocking out shoulder-to-shoulder at concerts, spilling their guts to friends seated near them at bars and cafés, etc., etc. (As we know, some people, against expert advice and governmental guidelines, are doing these sorts of things already. Spikes in coronavirus have resulted. Those folks just don’t want to keep their distance from one another!)

I’m betting that a full return never will happen. Maybe we’ll level off at about 75% of where we were, but no more than that. I mean, coronavirus has brought home the fact that microbes don’t always play nice, that unfriendly bacteria and viruses could be anywhere, and that cutting back a little on your potential contact with same might be a wise way to live your life.

For example, as many already have noted, the handshake has an uncertain future. Shit, that’s no big deal. To a decent extent, pre-virus, handshakes already had been replaced by fist bumps, elbow taps and other far-less-germy forms of greeting. I’m cool with that. But some also are predicting that hugs won’t be as common as once they were. Hugs? That is a big deal, and I’m not cool with it. Me, once the pandemic is no more, I’m going to give a nice big hug, if they want me to, to every pal and relative that I get together with. That will be a damn good way to celebrate the nightmare’s demise.

Well, like all good boys and girls, I’ve been trying to keep at least six feet away from nearly all homo sapiens. (The one exception to this regimen is, of course, my wife Sandy.) Doing so is frustrating, for sure. So, when the idea hit me the other day to get real, real close to something — in this case, certain inhabitants of the non-human sphere — I jumped at it.

Thus, a couple of days later, while walking around my neighborhood in the Philadelphia suburbs, I gave flora, stone walls, traffic sign posts and other objects a good looking over from way within spitting distance. Then I snapped their portraits, some of which are plastered on this page. Photographically-speaking, I dug the close-up approach and probably will venture out on a similar mission in the foreseeable future.

But, during the trek and after, I couldn’t stop thinking about human physical closeness, and decided that it would be appropriate to illustrate this story with songs that touch upon aspects of that wide subject. No doubt there are thousands and thousands that fit the bill. I’m going to go with two that popped into my head pretty much right off the bat. These great recordings, which more or less represent opposite sides of the closeness coin, remind me, as if I need any reminding, that I’m anxious for the day when once again I’ll be able to talk with people from a normal distance. And to pass within a whisker or two of strangers on the sidewalk as I nonchalantly walk from here to there. I present to you, then, The Temptations singing I Can’t Get Next To You, and Ol’ Blue Eyes’ heart-melting rendition of The Nearness Of You.

Till next time, gals and guys. Stay safe, as the saying goes. And, by the way, please don’t be shy about adding your comments.

 

A Doors-Filled Story

I like to roam, to stretch my legs in a variety of locales while checking out the surroundings. And in recent years I often have turned my leg-stretching excursions into essays for this publication. These mini-adventures, thankfully, get me away from my living room sofa, upon which I spend hours upon hours each week engaged in questionable activities. Namely, staring into space, scratching my balls and twirling the five strands of hair that remain on the crown of my head.

Yeah, yeah, yeah, I know that I’ve mentioned that sofa routine many times before on these pages. Can’t seem to stop myself from writing about it, though. What can I say? Would you prefer that I describe the nightly visitations paid to me by space aliens, and how I cured the aliens of toenail fungus? Nah, I didn’t think so.

Anyway, this article now will concern itself with doors. That’s what I was in search of when, on the penultimate day of May, I roamed the streets of Jenkintown, a nice village three miles south of Willow Grove, the town that I call home. Both communities are in the Philadelphia burbs.

Doors had been in the back of my mind as a story idea since 2017 or so, after I discovered that there are a goodly number of WordPress writers who launch door-oriented pieces into cyberspace on Thursdays. Their leader is a guy named Norm, who began a Thursday Doors theme in 2014 (click here to see Norm’s website). And so, I’m going to follow the leader by pressing the Publish button for this story during the opening minutes (in my time zone) of Thursday, June 18.

Concentrating on Jenkintown’s doors was right in my wheelhouse. After all, on walking excursions here and there during the last few years I’ve sometimes kept my eyes on alert for specific subjects: the color green for instance, shadows, store and street signs. Doing that kind of thing helps to make life interesting for me. On a low but real-enough level, it’s like a research project or detective work. It’s fun, basically.

King’s Corner pub
Private residence

I hit Jenkintown’s sidewalks at around 11:30 in the AM and concluded my mission at a quarter past noon. I might have stayed out longer than I did were it not for a vivid Sun that was getting a thrill from making me schvitz most admirably.

Grace Presbyterian Church
My Jewel Shop

I walked along most of the blocks in Jenkintown’s business district and along a sampling of its residential streets. One thing I realized is that the vast majority of doors in Jenkintown are vanilla. That is, non-threatening standard concoctions of wood, glass or metal, or a combination thereof. Yet, I deemed some of them as absolutely photograph-worthy, because of the decorations on or near them, or because of their silent commentary upon our present times.

Uptown Event Center

Take the Uptown Event Center’s door, for example. How many ordinary, metal-framed glass doors such as this are in the world? Many tens of millions, no doubt. Yet, it looks as sharp as can be, flanked as it is by a lady singer and a sax man. Cool. Very cool.

Velvet Sky Bakery

And what could be plainer than the opened door of Velvet Sky Bakery? It stands out, though, in a major way. With a table holding disinfectant wipes and hand sanitizer beside it, it’s a reminder that we live in the days of coronavirus. This is a door through which you do not enter. You place your order from the sidewalk, pay when the items are brought to you, and walk away.

Immaculate Conception Church

On the other hand, sometimes you cross paths with grandeur, such as the front doors of Immaculate Conception Church. Lovely creations of golden brown wood, they are all the more impressive thanks to the elegantly-chiseled stonework that surrounds them.

Sprinkler room door

And then, in a category all its own, there’s a sprinkler room door, which is attached to the back of a building that I otherwise didn’t make note of. As of this writing it’s my favorite door in Jenkintown. That deep, deep color. That monolithic presence. Man, the door is the definition of gravitas.

We’d be in trouble without doors. I suppose that humans invented them in caveman days. Maybe way before that. Maybe later. Whatever the case, they provide protection from the elements and from members of the fauna categories, and they help to give us privacy. Right, duh! There are all kinds of philosophical interpretations that might be made regarding doors too. But I ain’t exactly Jean-Paul Sartre, so for me to go beyond the kiddie end of the pool in those matters would be a huge mistake. I will say this though: The Doors — and I’m referring to the rock and roll band — took their name from The Doors Of Perception, a book by Aldous Huxley that praises the use of psychedelics to open the mind’s doors, thus expanding one’s insights. I’m all for allowing more of life’s possibilities to present themselves. But there’s no need for psychedelics. For example, who knows what realms you’ll travel to when, non-medicated, you listen to Break On Through (To The Other Side), the opening track of The Doors’ first album, from 1967. Let’s find out:

(Please don’t be shy about adding your comments or about sharing this essay. I thank you.)

Colors, Colors, Colors!

Philadelphia, Pennsylvania

Colors, colors, colors! I’m in the mood to write about colors — big, bold combinations of them — and to look at those combos in the eight photographs that decorate this article. Who, after all, doesn’t like snazzy hues that are having a ball playing together? They can make your day.

Manhattan, New York City
Philadelphia Flower Show (Philadelphia, Pennsylvania)

And before I go any further, I have to say that the pictures, all of which I took in recent years, send tingles from my head to my toes. But wait, I’m exaggerating. The truth is that the tingles don’t come close to reaching my toes. Due to my advanced age, the best they can do is terminate one foot above my groin, where they paddle around for a second or two and then go poof! Shit, such is life.

Abington, Pennsylvania
Cape Cod, Massachusetts

Where was I? Yeah, I’m a sucker for vibrant color displays. Always have been. Like just about everybody, for instance, I’ve dug fireworks for almost as long as I can remember. Circa 1954, when I was very young and living in Brooklyn, my parents took me to the roof of a tall apartment building on our block. There, along with a bunch of other families, we watched fireworks exploding in the skies above the Atlantic Ocean near Coney Island Beach. The fireworks were several miles away from where we stood, appearing small at that distance, of course, but I found them groovy. Colors, colors, colors.

Philadelphia, Pennsylvania

And in my adulthood, which has been a work in progress for over 50 years, my admiration of fireworks has done nothing but grow. I always get close to the displays, as I like having the shifting shapes and colors in my face as much as possible. Many communities in the USA, including Philadelphia and various towns surrounding it, set off fireworks on July 4, which is America’s Independence Day. My wife Sandy and I live near Philly and have attended many Fourth Of July shows in that city or in its burbs.

What’s more, for a long time Philadelphia has gone one step further by ushering in each New Year with fireworks on the city’s Delaware River waterfront. Sandy and I love those shows too. As long as the outside temperature isn’t an ass-freezer, we go. The fireworks photo included with this story was snapped in Philly on the final evening of 2019. Right, we didn’t freeze our asses off.

Cape Cinema (Cape Cod, Massachusetts)

The other photograph that I’ll expend some words on is the one from Cape Cinema, a movie theater in the Massachusetts town of Dennis, on Cape Cod. My wife and I have vacationed almost annually on Cape Cod since 1998. And Cape Cinema has become one of our must-go-to entertainment venues. It shows good movies. And, incredibly, it is blessed with a swirling, otherworldly artwork that covers every inch of its auditorium’s ceiling and much of the auditorium’s walls.

Is there another theater in the world such as this? If so, I’m unaware of it. Created by Rockwell Kent and Jo Mielziner in 1930, the enormous mural (which was painted on canvas strips that then were glued to the interior surfaces) blows my mind every time I see it. Which is often, because I’ve been to this theater at least 35 times. The mural depicts mythological creatures and heavenly objects, but the subject matter hardly matters to me. No, what I’m interested in is allowing the feast of colors and patterns to intoxicate me, which they always do. I get lost in them. Cape Cinema is magical.

Edinburgh, Scotland

Yet, here’s the thing: As much as I love to be around color extravaganzas, there are limits to how often. Lengthy exposures to them on a regular basis (or to any forms of excitement, come to think of it) would cause my system to overload, to beg for mercy. Of that I have no doubt.

And so, if I were forced to make a choice, color-wise, between flash on the one hand and mellowness on the other, the latter would win hands down. To cite an example of mellowness, there’s almost nothing I’d rather do than stand, facing the water, on a sandy ocean coastline on a clear day. Hundreds of times I’ve done exactly that, drenching myself in the tans below me, the teals in front of me, and the great expanse of baby blue overhead. The palette in such a setting soothes, man, soothes. No, I wouldn’t be pleased about eliminating bouncy, bright color schemes from my life, but I would if I had to. I have a feeling that most people would choose the same as me.

Thank goodness that none of us has to make that choice, though. There’s a vast number of colors out there. And there’s a time and a place for each of them. Say hallelujah, girls and boys! Amen.

(Comments are welcomed, as is the sharing of this article. Mucho gracias.)

(If you click on any photo, a larger image will open in a separate window.)

Looking For Signs While Walking Around On A Sunny Morning

It will come as no surprise to some of you when I mention that for several years I have been turning out shitloads of written product that revolve around my taking walks in one locale or another. The present opus is yet another example of same. When, moaning and groaning and writhing, I birthed this website five years ago, I wouldn’t have guessed that essays along that line eventually would become my go-to form of expression. But that’s what has occurred, and I’m down with it. I mean, I like walking around while examining my surroundings. Always have. But I didn’t consciously realize it all too much until this publication began finding its comfort level. And so, I tip my hat to the writing process, because it has helped to give me a halfway-decent sense of who I actually am. And who is that, you ask? Don’t ask!

There I was, then, on Thursday the 9th of April, sauntering along the long stretch of blocks that comprises most of Hatboro’s business district. (Hatboro, an old-fashioned-looking town, of which there are way too few in my region, is two miles from Willow Grove, the non-descript burg that I call home. Both Hatboro and Willow Grove are in the suburbs near Philadelphia, Pennsylvania, USA.)

I arrived in Hatboro at about 10:30 AM and departed 45 minutes later. The skies were as blue as blue can be, the temperature was mild, and a sweet breeze caressed my cheeks and those of the people that I saw. Due to the coronavirus situation, those people were few in number, and all stores in Hatboro (and throughout much of Pennsylvania) were shuttered, except for those of the sorts deemed essential by Pennsylvania’s governor. Thus, a hardware store, a pharmacy, ten or so food purveyors, and a handful of others were open for business. As for that sweet breeze, even though everyone was keeping plenty of distance between one another, hopefully it wasn’t blowing any coronavirus microbes into anyone’s eyes or mouths. But hey, I’m not here today to dwell upon coronavirus. No further mention of that demon shall I make herein.

On my person was my trusty iPhone. What, like I’d go anywhere without it? (Well, maybe to take a crap, but that’s about it.) For one thing, the phone’s camera is essential to my journalistic endeavors. And what I had in mind to do with the camera was to point it at store, street and traffic signs, and at whatever other signs caught my eye. I enjoy signs, you see. Even though I’d been in Hatboro many dozens of times over the years, I wasn’t sure what the outcome of my plan would be, as I hadn’t paid extensive attention before to the state of affairs of the town’s signage.

I needn’t have worried. From the get-go I found sign after sign that interested me. Some for their colors. Some for their designs. Some for their whimsicality. Some for the jaunty ways in which they interacted with other signs in their vicinity.

In other words, I damn well dug the time that I spent wandering Hatboro’s streets.

Unexpectedly, little was playing in my mind as I kept placing one foot in front of the other, so focused was I on the mission. I wasn’t contemplating the meaning of life. I wasn’t thinking about what other activities I’d fill up the rest of the day with. And I wasn’t analyzing the importance of signs. But, as I realized when I began to gather my thoughts for this essay, signs are important as hell. They provide all sorts of information, and succinctly. We’d be lost without them, would have little clue about what’s going on. Man, signs are essential to human society, don’t you think? Yup, that’s why there are so many signs in Hatboro, just as there are in every town and city. We’re builders, creators, doers. And the oceans of signs in the world prove, reflect and add to that.

Okay, I’m just about signed-out. It’s time for me to have a nice big glass of milk and some warm chocolate chip cookies, and take my afternoon nap. I can hear my sofa calling me. “Lie down, you creaky geezer, lie down,” it’s cooing. “You need your beauty rest. Only problem is, you ain’t got any beauty left. Tough crap. Such is life!”

Thanks for joining me on my passage through Hatboro, girls and boys, and for gazing at a selection of the photos that I took there. By the way, seeing that I usually mention several things at the ends of my stories, I might as well mention them again. Namely, please don’t be shy about adding your comments or about sharing this article. And if you click on any photo, a larger image will open in a separate window. Till next time!