Flora Galore!

I’m fairly certain I’ve mentioned in at least one or two earlier stories that I ain’t an ace when it comes to gardening. I garden, but only in a utilitarian sense. That is, I mow the lawn surrounding my house as needed. I gather up shitloads of fallen leaves each autumn and winter and put them out for collection. I pull out weeds. I prune shrubs and trees as best I can to keep them from becoming crazily overgrown. And . . . well, that’s about it.

In other words, I don’t plant or transplant. I don’t fertilize or otherwise nurture. I don’t attempt to expand or reconfigure the placements of flora on my grounds. Thus, the grounds look more or less as they did in 2005, the year my wife Sandy (who is not a gardener at all) and I bought our house, except that several shrubs and one tree have bitten the dust since then, as have numerous flowers. Still, things look okay overall. To my eye, anyway. A facelift definitely wouldn’t hurt though, or a few changes simply for change’s sake.

So, what’s holding me back from engaging in meaningful gardening? Indifference, for one thing. And a bigger factor: It intimidates me. Meaning, I’m afraid I’d mess things up badly were I to thrust my hands into the soil. Yes, where gardening is concerned, I’m a f*cking wuss.

However, I’m happy to report that both Sandy and I are keen appreciators of other people’s efforts to create and maintain attractively designed grounds. Who isn’t? Those endeavors, after all, are artistic enterprises and expressions. It almost goes without saying, then, that we had a fine time earlier this month at the annual Philadelphia Flower Show, a famous event organized by the Pennsylvania Horticultural Society. The show began quietly in 1829 and has, over time, become a big deal. Out of ignorance, I used to thumb my nose at the Flower Show. I wised up in 2016, the first year I attended. Our visit this month was my fourth and Sandy’s fifth.

We arrived at the show, held in Philadelphia’s cavernous convention center, on the third day of its nine-day run. The show’s theme, which changes each year, was The Garden Electric. As that name implies, bold lighting was woven into many of the sights. I think that the show organizers also opted for the word electric in order to get folks psyched for the upcoming spring season’s unfoldings and blossomings.

The premises were plenty crowded. I was happy to see that mobility issues didn’t keep some people away, as canes, walkers, wheelchairs and motorized scooters abounded. Babies in strollers and carriages were on the scene too. All of which made for a welcoming environment, though the size of the crowd meant that long lines awaited Sandy and me at some of the special exhibits.

The waits were worth it, as the special exhibits, for me, were what the event was all about. (I had no interest in the sections of the floor where potted plants, sitting on tables, had been judged and awarded ribbons, or the enormous section where plants, horticultural tools and tons of other products were for sale.)

Tulips, daffodils, hyacinth
Dense vegetation near the winding path

Many of the special exhibits were either gardens or less-structured landscapes, all of their flora anchored in soil. It was easy to forget that these displays were mounted on a concrete floor. I immediately took a liking to the swath of lawn blessed by hundreds of tulips, daffodils and hyacinth, whose punchy colors rocked. And I was an even bigger fan of the mini-woods, which was dense with vegetation and alive with fragrances. I ambled along its winding path, my blood pressure dropping with every step. Soothing, man, soothing.

Part of the exhibit of wispy, tendrilled sculptures

Other special exhibits left the world of reality pretty much behind, such as the display of wispy, tendrilled sculptures, behind glass and bathed in black light. That exhibit, in fact, pleased me more than anything I saw during the three and a half hours Sandy and I spent at the show. It was very cool. Yes, there is no doubt I’ve become a believer in the Philadelphia Flower Show. If all goes as planned, Sandy and I will return for the 2024 edition.

I’m going to conclude the proceedings with a nod to a blog I enjoy: Paddy Tobin, An Irish Gardener (click here to view it). Unlike me, Paddy and his wife are masterful gardeners. The grounds of their home look great, due to their hard work and artistic vision. A stroll through Paddy’s blog will show you what I mean. Enjoy!

A Circular Story

One day, back when humans lived in caves and suburban housing developments were unimaginable, two brothers — Moan and Groan — began dragging, with ropes, a crude, enormous wooden box. Their destination, several miles away, was the adjacent caves in which they resided with their wives and children. One cave per family. The box, I hasten to add, was occupied by a wooly mammoth, which was no longer among the living. That was because Moan and Groan had punctured the crap out of it with their spears.

“Groan, this motherf*cker is heavier than hell,” Moan moaned in his native tongue, which I, a linguistic scholar specializing in commonly-thought-to-be lost languages, have translated into English for the benefit of anyone reading this article. “There’s got to be a better way to move large objects, don’t you think?”

“Moan, there is no better way. So, shut up and keep pulling,” replied Groan, groaning from exertion.

Six hours later, totally exhausted, Moan and Groan arrived home.

“We’re back,” they announced weakly at the caves’ entrances. At this, Tip and Top, the respective mates of Moan and Groan, rushed from the caves to greet the returnees. The ladies clapped their hands enthusiastically at the sight of the gigantic animal destined to feed the two families for months.

“Thank you, boys,” Tip said. “By the way, Top and I have been putting our heads together recently. We know how strenuous it is for you to bring your prey back home. Hard work indeed! But we’ve figured out something that will make the jobs much easier.”

Moan and Groan, looking at each other quizzically, were all ears. “Tell us,” they said.

Well, suffice it to say that Tip and Top had developed the wheel. And not only the wheel, but the axle too.  Wheels and axles, with large boxes atop them, would make the transport of wooly mammoths, and of a million other things, a relative breeze, explained Tip and Top. And, of course, they were right. Though it must be noted that axles, as important as they are, don’t mean shit when wheels aren’t in the picture. Yup, the wheel has proven to be one of humankind’s greatest inventions. It’s right up there with the Big Mac and Viagra. I believe we all should set aside time each day to give thanks to Tip and Top, as their genius made life easier and initiated a major awakening of human brain power.

Now, I bring all of this up because wheels have been pretty crucial for my blog. I mean, I’ve published ten editions of Art On Wheels, for crying out loud. It’s a series about my hunts for well-decorated trucks and other vehicles, and includes photographs of my captures. You better believe I had fun creating those stories. And I certainly have no plans to terminate the project (click here for the most recent entry).

Orleans, Cape Cod, Massachusetts, USA
Edinburgh, Scotland, United Kingdom

However, while examining my phone’s overflowing photo library the other day, I realized that it contains a selection of wheels-related pix that have nothing to do with Art On Wheels. Some of them, I noticed, had made their way innocently into Yeah, Another Blogger stories over the years anyway, for one reason or another. Most hadn’t, though. A softie at heart, I began to melt when I heard the unpublished ones explaining to me, between sniffles, that they felt lonely and neglected. They insisted that they wanted to be lofted into cyberspace, hoping to experience the warmth that might come from more eyes than mine gazing upon them.

Santa Fe, New Mexico, USA
Manhattan, New York City, New York, USA

“I truly understand,” I said to the photos, my eyes tearing up. “But I can’t place all of you on Yeah, Another Blogger. That would be overkill. So, I want each of you guys to examine one another closely and then vote for your ten favorite pix, excluding your own. The top-five vote-getters will be displayed in my next story.”

Willow Grove, Pennsylvania, USA

Naturally, there was some grumbling, since none of the pictures wanted to be left out. But in the end the vote took place. And I am happy to decorate this article with the winners.

In conclusion, all I can say is that, as with many things, we take the wheel for granted. Most likely we’d still be living in frigging caves had it not been invented. Thus, before I forget, I now bow down to Tip and Top. Okay, that’s accomplished. In a few minutes, then, I’m going to head to my car, because I need to run a few errands. Wheels, here I come!

Windows Shopping

I don’t know about you, but in my neck of the woods (I live a bit outside of Philadelphia, Pennsylvania, USA) there aren’t too many towns that look like towns. Mine sure doesn’t, though I suspect it did up until 70 or 80 years ago. Today it’s a mess, a hodgepodge of neighborhoods interspersed with shopping centers galore. And of those towns that do look like towns, few have thick roots going back many years. Which is one reason why I’m pleased that the borough of Doylestown, Pennsylvania lies a mere 15 miles from my abode.

Doylestown, large in size and containing a high percentage of structures erected between the mid-1800s and the early-1900s, somehow combines stateliness, quaintness and chicness casually and seamlessly. I find it to be a swell place to hang out in and to stroll around, and have been doing just that pretty regularly for decades. I dig its well-kept houses, its arthouse cinema and museums, its record store (Siren Records), its bookstores, its big collection of eateries. On a recent Monday I spent two hours on the streets and alleys, and within a few shops, of this estimable hamlet. I had a specific purpose in mind, one I hoped would result in a photographic essay for Yeah, Another Blogger. Hallelujah, my hopes have been realized!

I arrived in Doylestown at 11:00 AM under skies glowing happily in blue and white. The temperature was 50°F (10°C), quite pleasant, though not warm enough for me to wander without my winter coat. You better believe that I, an old f*cker, chill easily. Anyway, with my trusty phone’s camera at the ready, I immediately began checking out the town’s windows, as windows were to be the stars of the hoped-for story. Windows? You bet. I’m into themed walks and have reported upon any number of them for this publication. Now and then, for instance, I’ve gone in search of well-decorated motor vehicles (click here to read my latest opus about the subject). That’s the way I roll, wobbly as it may be.

Now, I’m not going to tell you that I saw any Doylestown windows with design elements that completely knocked my socks off. However, a number came close. For example, there was no denying the power of the tall, narrow windows, pointing skyward, that adorn the Doylestown Presbyterian Church. Some of them depict Biblical scenes. In retrospect, I’d have loved to view them from inside the church too, but the idea didn’t occur to little ol’ me at the time.

And I was taken with the asymmetrical positioning of the windows on a lovely mustard-colored home. Unbalanced though it may seem at first glance, to my eye the arrangement makes perfect sense. It demonstrates how components big and small can work together in harmony when the will is there. The nations of Planet Earth have yet to learn this lesson fully.

The coolest thing about windows is that they usually are reflective, and many were showing off their talents in that regard. Reflections often blow my mind, as they are real and not real simultaneously — real in the sense that they do exist, and not real because they are weightless representations, often distorted, of the physical world. In any event, I couldn’t get enough of the reflections proudly displayed in the windows of the Bucks County Administration Building, a sharp red car parked on State Street, and the Doylestown Inn.

Very cool, too, was a window I photographed while inside Siren Records, where I browsed through a box of used CDs (I bought five of them). As ordinary as the window itself is — billions upon billions of its type populate the world — the scenes surrounding it and seen through it grabbed me. The window, delighted to be trimmed in yellow and to be adjacent to a wide array of colors, provided a shimmering, kaleidoscopic view of the outside world, courtesy of a sun that glared as if there were no tomorrow.

Well, the time to leave Doylestown has arrived. But I’ve still got windows on my mind, and I’m also ready to be rocked. So, I’ll end this story with one of the best windows-centric recordings I know of. The song, written by the late Tony Joe White, is titled Steamy Windows, and has been recorded by several artists, including Tony Joe. Tina Turner more than did the tune justice, releasing a bluesy, full-steam-ahead version in 1989 that is strong enough to shatter glass. Go, Tina, go!

A Cheer For Beer

In June 2015, two months into my blogging career, I composed a paean to beer, and I’ve returned to the subject several times since then. I have my friend Cindy to thank for setting the present story in motion. Here’s why: I mentioned to her recently that, for quite a while, I’d been taking photos at home of beers, alongside their frequently snazzy cans and bottles. And that I’d been sending some of the photos (via email with a subject line reading Tonight’s beer) to a rotating selection of relatives and friends. Those folks included Cindy’s husband Gene. Cindy didn’t say that she thought this was a pretty ridiculous thing to do, as well it might be. Nope, her immediate response was, “You should write a story about that.”

Well, I mulled over her idea for a number of days, finally deciding to wax rhapsodic about beer once again. And so, I headed to my smart phone’s photo archives. There I discovered that my first documentation of a beer purchase occurred in November 2020, and that approximately 80 more beers/cans/bottles subsequently have posed for me. None of the pictures are wonderful examples of the art of photography, that’s for damn sure, nearly all of them having been snapped clumsily in my kitchen or dining room. But what the hell. They are what they are.

Despite their pedestrianism, one thing for certain is that they make me want to down a cold brew right now. I won’t, however, because it’s mid-afternoon as I type these opening paragraphs, and I drink (almost) only at night. And only five beers per week, to boot. Shit, you better believe that I’d like to be able to drink a whole lot more than that, but I’m a geezer with a sensitive system. I know my limits. Maybe that’s why I truly savor just about every quaff that goes down my aged hatch.

In the USA, where I live, the beer world started to turn into a wonderland in the early 1990s. That’s when small breweries began popping up like mad all over the States, producing styles of beer commonly known to some parts of the world, but unfamiliar to the vast majority of American beer drinkers (including me), who downed only Budweiser, Miller and other mild lagers. Around that time, also, beers from other countries began finding their way into my nation more plentifully than before. Lo and behold, I gradually learned about stouts, porters, pale ales, wheat beers and Oktoberfests, to name a few, plus lagers that put Bud and Miller to shame. With hundreds upon hundreds of American breweries each producing their takes on assorted beer varieties and sometimes developing new styles, and with varied beers arriving from overseas, a beer renaissance was under way on my side of the pond.

Over time I’ve become a beer geek. A devotee of most types of beer, I’m amazed by the deliciousness almost always awaiting me at taverns, restaurants and beer stores. And I enjoy few things better than seeking out beers that I’ve never had before, in bottles and cans and on tap. I think of this ongoing quest as a treasure hunt. It thrills and delights me. I’m not kidding when I say that the beer revolution, still going very strong in the USA, has been one of my favorite developments of the last several decades. It has made my life better.

And I can’t seem to restrain my excitement. Thus, since starting the photography project innocently over two years ago, I grab a picture of nearly every store-bought beer that’s new to me when I open its can or bottle (for instance, Iron Hill Brewery’s version of Oktoberfest, which I discovered recently). I also immortalize beers that have held, and continue to hold, a special place in my heart and mouth. Anchor Steam Beer, proudly brewed in San Francisco since 1896, though I didn’t find out about it till almost 100 years later, is a prime example of that.

What’s more, I feel compelled to share my enthusiasm. The dozens and dozens of my beer pix that have landed in a bunch of individuals’ inboxes attest to that. Do any of these people want my pictures? Do they think I’m batty to send them? Who knows? Who cares? The bottom line is that delicious beers deserve to be acknowledged and saluted. To which I add . . . olé!

Smiling Faces

The skies were depressingly grey two Saturdays ago, the wind was not gentle, and rain poured down in buckets. In other words, it was real shitty outside. I’m no fan of such conditions — except for ducks, who the f*ck is? — but I was itching to wander the aisles of a local public library, and my aged body was in need of some exercise. So, out the door I went that morning, scrambled to my car and headed off to take care of business.

Success awaited me at destination number one, the library, where I found a book I’ve wanted to read for a long time (A Year In Provence, by Peter Mayle). Next stop, Willow Grove Park, a three-story, enclosed shopping mall in the Philadelphia burbs. It’s located less than a mile from my house. I drove there not to shop but to walk its every corridor. I go for several walks each week, almost always outdoors. But when the weather truly sucks, and an exercise session is in order, I stretch my legs at this indoor mall.

And stretch them I did, for almost an hour, with plenty of bounce in my step and with an episode of The Many Moods Of Ben Vaughn, a music podcast that features a wide range of tunes, playing through my earbuds. There was a pretty good number of people at the mall, some of them youngsters lined up, in the special Christmas section, to have a chat with Santa Claus. A pretty good number, yes, but nothing much out of the ordinary, considering that the Christmas-shopping season was upon us. In fact, a third of the businesses, as I walked past them, had nobody but employees within. Can brick and mortar establishments continue to hang in there, what with the heavy body blows that online shopping delivers to them non-stop? It’s not an upbeat situation.

Being one with artsy leanings, I took a good look at the posters on display in store windows as I strode through the mall. Designed to catch the attention of potential customers, nearly all of them were great. And halfway into my walk it dawned on me that a considerable number of these artworks had something in common. To wit, they featured one or more people with smiling faces. Not just half-grins, mind you, but broad, joyful, glad-to-be-alive smiles. (A sampling of the posters illustrates this article.)

I was down with that. Absolutely. After all, what’s better than being happy and showing it too? Not much. Anyone who spends a meaningful percentage of their waking hours in that state has found a strong path in life.

When I began composing this essay several days after being at the mall, I recalled someone who would have been a natural for a store poster, as he wore a smile almost all the time. He’s the only person I’ve ever known who fits that description. I worked with Ray, for that’s his name, in the 1980s. Everyone liked him. How could you not like a guy who brought bright light to the workplace? Ray never was stressed, never was in a bad mood. Unfailingly helpful and friendly, he was nothing short of amazing.

The posters at the mall, and thinking about Ray, have made me realize that I should start smiling more than I do. I would have nothing to lose by doing so, and possibly a good deal to gain, right? There’s no doubt about it. What’s more, can you imagine how much better the world would be if everyone upped their smiling quotient? We’d be on our way to creating paradise if that ever were to happen.

With that in mind, give a listen to a song I heard at the mall, courtesy of Ben Vaughn’s podcast, if you’re in the market for something that will put a nice big smile on your face. The one tune Ben played that really jumped out at me, it’s by The Penguins, a long-defunct doo wop cum rhythm and blues vocal group. Their biggest claim to fame was Earth Angel, a syrupy ballad that became a smash hit in 1954. You hear Earth Angel to this day. On the flip side of the Earth Angel single, however, was Hey Senorita, a song so cool it’ll make you want to bounce around madly. Thanks. Ben, for airing it. Here it is:

Two Sunsets By The Bay

It’s not as if there haven’t been enough sunset stories published over the years. Shit, their numbers probably run in the tens of millions. Nevertheless, I’m unashamedly adding to the mega-glut right now. And why not? Sunsets can be spellbinding. We watch primo ones quietly, maybe even reverentially, giving them the respect that they deserve.

From my experience, clouds, more than anything, are what make or break sunsets. Our friend the Sun, when setting, needs clouds to absorb, reflect and refract its light. To make things interesting, in other words. But not too many clouds, as the Sun ain’t got a chance when sheets of clouds abound. As for cloudless skies, well, they are canvases upon which sunsets do not rise above the meh level. When the white-hot fire ball heads downward on a cloudless day, the color and pattern possibilities for the upcoming sunset are limited.

And then there’s location. Needless to say, it counts for plenty when it comes to sunsets. If you’re in the middle of Manhattan, for instance, where tall buildings thrive, you are barely going to be able to see sunsets, whatever their quality, let alone appreciate them. On the other hand, if Cape Cod Bay is nearby, as it was recently for me and my wife Sandy, you’re f*cking golden.

Cape Cod Bay, enormous and fed by the Atlantic Ocean, abuts the northern coast of Cape Cod, a lengthy peninsula that’s part of Massachusetts, USA. We were on the Cape, vacationing our asses off, for a two-and-a-half week stretch that ran from mid-October to early November. During the trip, among a host of activities, we walked and hung out on four of the numerous public beaches along the bay. Over the years we’ve been on quite a few of the Cape’s other bayside beaches too, and have yet to be disappointed. The sands are clean, and masses of seagrasses are plentiful in many sections close to shore. And the waters themselves are inspiring, partly because of their vastness. Staring out at the bay, to me, sometimes seems like staring into infinity.

Our vantage point for the first of the two great sunsets we saw on the Cape this year was First Encounter Beach, in the township of Eastham. It’s one of my favorite Cape Cod Bay beaches, possibly my top pick, though the competition is stiff. There we were on a comfortable mid-afternoon, admiring our kite as it did its carefree thing way overhead. The bay’s waters had receded profoundly, leaving many acres of mudflats in their wake. Great beauty surrounded us, and we knew it.

First Encounter Beach (Eastham, Cape Cod)
First Encounter Beach (Eastham, Cape Cod)

After reeling in the kite, we took a stroll upon the sands. Then we made our way back to our car, contemplating dinner. But it wasn’t dinnertime just yet, and sunset was scheduled to take place in about 20 minutes. So, we decided to stay, a wise decision, for we soon witnessed a sunset that we are unlikely to forget. At its beginning, and made possible by well-positioned clouds, bands and assorted streaks of oranges, golds and greys filled the western sky’s lower regions prodigiously. The greys took a back seat after a while, allowing the brighter colors to go wild. The darkening sky, at that point, was absolutely aflame. What a sight!

The second excellent sunset arrived a week and a half later at the bayside swath of territory known as Corn Hill Beach. It’s located in the township of Truro, which is far out on the Cape and, unlike Cape Cod’s 14 other townships, totally rural.

I’ve been a big fan of Corn Hill Beach since discovering it around 15 years ago. Like First Encounter Beach, it faces due west, perfect for sunset-watching. What’s more, the views from Corn Hill Beach, when you look seaward, are wide and unobstructed. A wonderful place.

Corn Hill Beach (Truro, Cape Cod)
Corn Hill Beach (Truro, Cape Cod)

Both Sandy and I agree that, as far as we can remember, we’ve never seen a sunset such as the one at Corn Hill Beach. The sunset appeared to be foggy and misty, despite the fact that nowhere else, in any direction, was fog or mist visible. Light on its feet, the sunset was the ideal partner for the bay waters moving gently beneath it.

We absorbed the sunset and its surroundings for 20 minutes, then returned, a bit downcast, to Corn Hill Beach’s parking lot. For we were fully aware of what we’d be losing soon. The natural world in all its glory is readily available on Cape Cod. Alas, back home in the grossly overdeveloped suburbs of Philadelphia, where we’d be in 48 hours, such is not even remotely the case.

Some Walks Are Better Than Others (A Cape Cod Story)

Well, another Cape Cod vacation almost has reached its conclusion, as my wife Sandy and I will be back home just as this story hits the presses. We have had a wonderful time. We’ve done a lot and seen a lot on the 65-mile-long peninsula that we think of as our second home, and which we have visited almost annually since the late 1990s.

In some important respects, Cape Cod (which is part of Massachusetts) far surpasses the suburban jungle, in Pennsylvania, where we reside most of the year. You can find genuine peace and quiet on Cape Cod, for instance, and gorgeous waters, sands and marshlands too. In our overpopulated and overdeveloped home base? Fuhgeddaboudit! If health care were better than it is on the Cape, we would consider moving there permanently.

We pursue all sorts of activities on Cape Cod. We stroll through charming villages, play mini golf, fly our kite at beaches, watch sunsets, eat and drink well at taverns and restaurants, go to movies, concerts and plays . . . holy shit, I nearly feel guilty about how good I have it on the Cape!

If I had to place one activity above the others, though, it would be immersing myself, via hikes, in the natural world, which exists abundantly on Cape Cod. These explorations usually set my mind at ease and my heart aflutter. That being the case, I try to make a walk part of my game plan for nearly every day that I spend Cape-side. Now and then I trek alone. In most instances, however, Sandy is my companion.

We’ve been on a number of especially good walks these past two weeks. Magic, or who knows what, was in the air, elevating the experiences to special heights. We oohed and aahed in unison and fed off one another’s energy. And we each made a few pretty sharp observations about Nature that wouldn’t have occurred to the other party.

One of those excellent hikes took place on the eastern coast of Cape Cod, where the Atlantic Ocean, sands and sky make beautiful music together (except when raging storms are doing their thing). They are in harmony because most of the Atlantic coastline is government-protected territory, meaning that hotels, boardwalks, amusement rides and concession stands ain’t to be found. That’s just the way I like it. Another bonus is that not too many humans are on the beaches in the off-season, which is when Sandy and I visit the Cape. I’m down with that too.

There we were, then, on the stretch of coastline known as Nauset Light Beach, located in the town of Eastham. This particular beach is one of my favorites on Cape Cod, partly because of the mighty sand cliffs that back it. The cliffs, ranging from about 30 to 80 feet in height, are part of a chain of cliffs that covers at least half of the approximately 40-miles-long Atlantic coast. They never cease to amaze me. And that day, at Nauset Light Beach, I was struck especially hard by the deep grooves and primordial shapes that storms have sculpted in them. Those storms have pummeled all the cliffs on the Cape’s Atlantic coastline for time immemorial. It’s estimated that they strip away an average of several feet of sand from the cliff-faces every year. As a result, houses and other structures at cliff-top level keep growing closer to the edges of the cliffs. Over the years, some structures have had to be relocated farther inland, and some currently are in worrisome situations. Nature, in no uncertain terms, rules. (Erosion is an ongoing process and concern on many sections of the Cape’s sandy coastlines, not just its Atlantic Ocean side.)

The skies were cloudy as Sandy and I made our way along the beach, sometimes stopping to gaze at the uneasy waters. A strong wind blew, but it didn’t bother us. On the contrary, it energized us, boosting our awareness of the surroundings. As pompous as it sounds, we came pretty damn close to becoming one with Nature, as close as suburbanites have any right to be. We absorbed the unceasing roars, gurgles and hisses of the ocean, the imposing grey skies, and the haphazard array of stones, shells and driftwood on the beach. Everything seemed perfect, exactly as it was meant to be.

Our mini-adventure at Nauset Light Beach went by in a flash. We’d have stayed longer, probably should have stayed longer. But we had other places to go, other things to do. Till we meet again, NLB!

Philadelphia Delivered Once Again: Art On Wheels, Part Ten

So, what we have here is a Philadelphia story. It is one of many I’ve penned in which The City Of Brotherly Love has starred or played a supporting role. Were it not for Philly, the contents of Yeah, Another Blogger would be pretty damn scanty.

For employment reasons I moved to Philadelphia in the mid-1970s, taking a liking to the city right from the get-go. I resided within its boundaries for about 30 years. And when my wife Sandy (whom I met in 1990) and I moved away in 2005, we deposited ourselves in a sleepy town not far at all from Philly, because we wanted to be within the city’s magnetic field.

Yeah, I absolutely dig Philadelphia. Even now, deep into my retirement years, I do one thing or another there anywhere from two to six times each month. Concerts, museums, parks, restaurants . . . the city is loaded with them and with other enticements, and I can’t resist.

One of my favorite activities is to wander around Philadelphia on foot, exploring many of its sections, not just the downtown ones. I become invigorated when pounding their sidewalks and other walking paths, no less so these days than I did during my young adulthood and middle age. I might be older than dirt, but my shoes were made for walking!

A recent Philadelphia walking adventure took place on a mid-September summer day. The weather was mild, guaranteeing that I wouldn’t sweat like a frigging pig, and the skies were a friendly shade of blue. I boarded a train in my town at 9:36 AM and found myself, 45 minutes later, inside a station in the heart of Philly. After taking care of business in the station’s men’s room, I headed for the streets. My mission was to keep my eyes open for, and to photograph, enticingly decorated vehicles. Yes, the time had arrived for me to begin creating the tenth installment of a project I’ve become enamored with: Art On Wheels.

Philadelphia’s Chinatown neighborhood, one block from the train station I exited from, is a funky, lively area replete with Asian restaurants, produce vendors, nail salons, Chinese-American attorneys’ offices, and on and on. Within moments I was strolling its streets, positive that a cool truck or two would enter my field of vision in no time. When that didn’t happen, though, I began to get an uneasy feeling that my quest for vehicular beauty was destined not to pan out.

Not to worry! Twenty-five minutes into the walk, as I crossed from Chinatown into the city’s Callowhill section, a winner presented itself to me. Has the combination of orange and white ever looked better than it does on the Harbour Textile Service truck? I think not. Bold and confident, the design proves that simplicity can pack a punch with lasting effects. The Harbour vehicle is one of my two favorites from that day.

All in all I spent three hours, interrupted by a short lunch break, on the streets of Philadelphia, my aged legs covering a total of six miles. Besides Chinatown and Callowhill, the stroll took me into four or five other neighborhoods, including Spring Garden. That’s where I made the acquaintance of La Marqueza, a gorgeous food truck that I like as much as Harbour Textile Service and maybe more. It was parked alongside Community College Of Philadelphia. Man, I gazed upon La Marqueza hungrily, allowing its vibrancy and warmth to raise my spirits. Then, off I went in search of my next victim.

By adventure’s end I’d taken the portraits of about 15 vehicles, later deciding that only five were worthy of immortalization. Ergo, those five decorate this page. The final notable one I saw belongs to Foreign Objects, a craft brewery in Monroe, New York. That truck, far from home, is endowed with delicate and wispy artwork, not at all what you’d expect a beer truck to display. All I can say is, “damn straight, I’ll drink to that!”

In closing, I’ll mention this: The first seven editions of Art On Wheels are set in the suburbs, where I had to drive all over the f*cking place to find worthy specimens. Screw that! I’d rather locate them via foot power in Philly, which is what I’ve done since then. That’s why I’m sure that at some point next year I’ll return to the city I know best for Art On Wheels, Part Eleven. I’m already looking forward to it.

A Colorful Self-Discovery Story

When, via Yeah, Another Blogger, I began launching stories into cyberspace back in April 2015, I didn’t realize that, over time, the writing process would increase my knowledge about who the hell I am. I’ve found this to be kind of neat, an unexpected bonus. After all, I’m an old f*ck who, since his teens, has been a champ at moving unsteadily through life. So, you better believe I happily embrace any aha moments that arrive. It’s good when the lights turn on.

For example, while penning an essay (Hippieish Notes From The Information Desk) a few years ago, it became clear to me that the values of the hippie era — those heady days of my youth when freedom, open-mindedness, peace, love and understanding were put into practice by millions upon millions of young folks around the world — shaped many of my basic outlooks. Somehow this truth had eluded me consciously and, were it not for writing, probably would still be lost in the extensive foggy regions of my mind.

Which brings us to colors, a subject I’ll now present as a second example of my increased self-awareness. I’ve written about colors numerous times, having devoted pieces to red, orange and the beauty of flowering trees, to cite several instances. While knocking out the first few of my color-centric opuses, I came to appreciate more fully than before that colors are really important to me. They get to me emotionally, some color schemes relaxing me, some exciting me, some causing me to stare in wonder as the words oh, wow slip from my lips.

But my relationships with colors go farther than that, for, while writing, it also dawned on me that I encourage colors to affect me, by seeking them out pretty damn often. I’d feel a bit less alive if I didn’t. “Pursuer of colors” is an occupational title that I’m proud to have on my resumé.

Well, one morning a couple of weeks ago, as my bony ass sank deeper and deeper into my living room sofa, I decided that rising to my feet might not be a bad idea. Nor would a pursuit of vibrant hues to brighten up the day. That’s why I promptly stood up, exited the house and drove a few miles to Glenside, Pennsylvania, a fine town whose commercial corridors are studded with every type of small business you can imagine. I arrived there at 9:00 AM, under soothing blue skies.

Now, in my neck of the woods, which includes Glenside, neutral colors rule: the tans, browns, greys and blacks that, in one combination or another, fill buildings, paved roads and sidewalks. And greens are dominant too, the deep greens of foliage, specifically. As much as I like those tones, they never have, and never will, send me over the moon exactly.

Of course, plenty of happier hues, the ones I was on a mission to locate, also exist in Glenside. After pounding the pavement for an hour, I found a dozen or more scenes bright enough to put a nice big smile on my face. Five of the scenes illustrate this story.

There was no denying the power of the Sunoco gas station, for certain. Its signage, an in-your-face rainbow of colors, all bursting with life, won me over from the second it came into view.

As did a subtler composition, one that centers around avocado green umbrellas. The umbrellas, belonging to a café at the Glenside railroad station, added a ton of juice to a setting that otherwise would have been described as drab, man, drab. I couldn’t take my eyes off of them.

All in all, though, I felt that there was one clear winner, a striking combination of Beauty (a dreamy mural) and the Beast (a mottled, pale-orange-tinged trestle, emboldened with wide black and gold stripes to lessen the chances that motorists will plow into it). When I saw the mural peeking out from behind the trestle, which supports overhead railroad tracks, I was taken by the incongruity of the overall display. An incongruity that totally works, however. The mural and the decorated trestle are partners. They feed off each other’s energy. The music they make together might be on the dissonant side, but despite that, it’s a composition that hits all the right notes.

A Family Gathering And A Desert Walk (My 300th Story)

It’s good to be around your relatives, is it not? Yeah, it is, but only if you like them! Well, my wife Sandy and I are crazy about my brother Richie and his wife Sara, and their oldest son Ben and his wife Amanda, and the latter couple’s two young boys. Ergo, we had one hell of a fine time recently when we gathered with this family grouping in Santa Fe, New Mexico, which is where Richie and Sara reside.

Now, being Pennsylvania denizens, Sandy and I don’t get to see the folks listed above all that often, as they live so damn far away from us. Especially Ben and company, who call Hawaii home. So, when earlier this year the Hawaiian crew decided they would visit Richie and Sara in a few months, well, Sandy and I wasted no time in making our arrangements to join the upcoming celebration. We arrived in Santa Fe, via American Airlines, on the 31st of May.

We spent three days with the entire clan and, after Ben and company decamped for Hawaii, four more with Richie and Sara. The time flew by at lightning speed, as time is wont to do. Sandy and I did all kinds of fun things with the family. You know, shooting the shit, eating swell meals, playing with the kids, going here and there and there and here, etc., etc. It almost didn’t matter what was going on, though, since everybody was just plain glad to be together.

One activity in particular rang my bell exceedingly well. It resulted from Sara asking me, soon after Ben and his crew began their journey home, if there was anything special that I wanted to do in New Mexico. “Nah, not really,” I thought to myself. But all of a sudden I realized that there was: Below the surface I’d been itching for a desert experience, one that might rival the trek through Plaza Blanca that knocked my socks off when Sandy and I visited Richie and Sara in New Mexico four years ago (click here to read about it).

Right to left: Richie, Sandy, Sara, Alfie. (This photo and the other photos are from the Nambé Badlands.)

When I told Sara that the desert was calling me, almost at once she said that the Nambé Badlands was the place to go to. Man, turns out she was spot-on correct. A day later, there the four of us were (plus Richie and Sara’s trusty dog Alfie), strolling around this stunning wilderness together. Nambé thrilled our eyes and graciously allowed our feet to take us where they might.

The Nambé Badlands is a dizzying configuration, straight out of a surrealist’s mind, of gullies, canyons, hills, level grounds, and sculptural rock formations. It encompasses a huge chunk of territory about 20 miles north of Santa Fe. Sandstone and limestone are among Nambé’s main inorganic ingredients, and a highly surprising number of juniper trees, most of them roughly ten feet in height, pepper the landscape. We arrived at 9:15 in the morning, when the Sun was already more intense than we’d have liked it to be, but less so than it was when we bid adieu to the desert an hour and a half later. The skies were painted a sweet blue, and few clouds were on display. As totally expected, we spotted not a single drop of water on the premises.

For the most part, our group hiked on dusty trails, upon which we crossed paths with a dozen or so other humans, several of whom were zipping along on their sturdy bikes. The trails were easily followed. But I couldn’t resist going off-trail a couple of times, wandering down crumbly hills to peer more closely at canyon sides and dry gully beds. I toyed with the idea of making my way down to a bed or two, but in the end chickened out, though, to tell you the truth I think I could have done it. On the other hand, climbing back up without incident probably would have been a near impossibility for me, an old f*ck whose body contains more rings than 99.99% of the trees on Planet Earth.

Yeah, hell will freeze over before I’ll be mistaken for Indiana Jones. But so what? I lost myself for a while in the Nambé Badlands, my tensions and jumbled thoughts slipping away like yesterday’s news as I grooved on the wonderland surrounding me.

With any luck, some day I’ll be back.

(Girls and boys, this is my 300th story. I’m more than stunned that I’ve typed as many words as I have since launching this publication in April 2015. If I decide to throw a party to celebrate my unlikely feat, I’ll invite you all!. Here’s another important announcement: Anyone who enjoys mysteries that have a social conscience would do well to check out Murder At The Crossroads: A Blues Mystery, which was co-written by my friend Debra Schiff. It came out this year. A lot of info about the book is available by clicking here.)