Look Up, Young Man!

When the phone rang at 8:15 AM on Wednesday of last week I reached for my blood pressure pills and popped not one, but two. Ordinarily that’s a big no-no. But somehow I knew who was calling. And since said individual has the talents to launch my diastolic and systolic readings halfway to the Moon, a medicinal overload was a necessity. On the fourth ring I picked up.

“Good morning, Edgar,” I said to Edgar Reewright, my blog’s editor. “It’s always a pleasure.”

“Cut the small talk, Neil,” Edgar said, “and let’s get down to business. Neil, I know you. Right now, I’m more than certain, you’re at the dining room table with a cup of coffee and a buttered, toasted bagel and your vial of blood pressure pills in front of you. And you’re doing your damnedest, without much success as usual, to solve The Philadelphia Inquirer’s crossword puzzle.”

I gulped. Heavily.

“I’m fed up with having to remind you of your responsibilities,” Edgar continued. “The five or six people who look at your blog — your wife, your criminal defense attorney, your proctologist’s mistress and a couple of others that I haven’t been able to identify — have come to expect one stab at an article from you each week. And my gut feeling is that you’re planning to let them down, that you’re all set to take a week off. Neil, this is unacceptable. There are dozens of stories out there waiting to be written. Get off your unbalanced ass and start working.”

Holy crap, not only is Edgar annoying, he also was correct. And so, after politely ending my conversation with him, I gathered myself and my thoughts together, pondered this and pondered that, and eventually came up with a story idea. Look Up, Young Man! would be its title. And central Philadelphia would be where I would attempt to make it blossom.

Thus in early afternoon I boarded a Philadelphia-bound train in the suburbs, arriving in the fair city’s central section an hour later.

“Look up, Neil,” my parents used to say to me when I was a kid walking along with my eyes aimed downward. I must have been suffering from a lack of confidence in those days, reluctant to meet the world head on. Not that I’m bubbling over with confidence all these many decades later. Anyway, I don’t stare at the ground anymore when I’m strolling around. I look straight ahead or side to side.

But upward? Well, like anybody, I do some of that. But consistently for a couple of hours or more? Nah, I couldn’t recall ever doing that in my life. It’s not exactly a world-class notion, but it had appealed to me when it jumped into my mind a few hours earlier. I liked its simplicity, its openendedness. Who knew where or what it would lead to?

Pow! Moments after exiting the train station and stepping onto Market Street I gaped at what to me is one of the iconic outdoor sculptures in Philadelphia. It’s a giant replica of an electric guitar, and it rotates, as if on a spit, 15 feet above the ground at the corner of 12th and Market Streets. It’s hard not to notice this symbol of the Hard Rock Café, which is housed within one of the classic stone buildings that once belonged to the long-defunct Reading Railroad.

But I wanted to look higher than 15 feet. So I crossed to the south side of Market Street and, lifting my eyes to the skies, took in the first of five or six incredibly tall construction cranes that I’d come across during the afternoon. As I usually do when staring at one of these amazing machines, I wondered how in the world it stays balanced and how in the world anybody is able to manipulate its movements so precisely. Good thing it’s not me at the controls.

I was off to a good start. And one block later the good start continued when a sweet juxtaposition caught my eye. Philadelphia is famed for the several thousands of murals painted on the sides of buildings, and a great one adorns the lower reaches of a 16-or-so story office building near the corner of 13th and Market Streets. The mural is titled The Tree Of Knowledge. A ladder, a good item to have if you’re planning to pluck some information and wisdom from a tree, comprises a major part of the composition. I sidled up nice and close to the wall and looked up. The office building’s windows took on a new aspect, flowing gently in streams towards the heavens. And the ladder? It led the way to the levels above. I was tempted to climb it and see what happened.

Forty-five minutes later another mural, Reach High And You Will Go Far, crossed my path where 20th and Arch Streets meet. It too is a beauty, painted on the side of a three-story structure. Only a fool would argue with its message. I couldn’t get up close and personal to it though, as I had with The Tree Of Knowledge, because it is fenced-in. But I remembered to look up. And what I saw behind the mural, one block to its east,  was a giant tower, the under-construction Comcast Technology Center, that will top out at over 1,100 feet when completed next year. It is destined to become Philadelphia’s tallest building by about 150 feet. Reaching high, for sure.

All told I spent two and a half hours roaming the streets, covering several miles-worth of territory. I spent much of the time in the areas where the city’s skyscrapers are most concentrated, and also walked along many blocks whose buildings are of normal size. My eyes darted here, there and everywhere, but I kept my mantra — look up! — firmly in the front of my mind. The patterns up above formed by contrasting buildings, the wonderful reflections of sky and surrounding edifices in way-up-there glass sheathings and windows, the loving details carved into stone not far above ground level in stately three-story homes . . . all of these made me smile.

I admired the words etched above the entranceway to The Alison Building, a calmly regal structure that faces one of the city’s finest parks, Rittenhouse Square. On an ordinary day, with my eyes looking straight ahead, I wouldn’t have noticed them. “He that soweth bountifully shall reap bountifully” they read. Hmmm, sounds like something that Benjamin Franklin might have said, I guessed. Incorrectly, of course. The phrase comes from the Christian Bible. Ben, though, probably knew and liked the statement, one you definitely can’t argue with.

My stroll ended alongside Philadelphia’s City Hall, an impossibly ornate hulk smack dab in the center of town. This monolith took around 30 years to build, finally opening for business in 1901. I’ve never been able to decide whether I like its exterior design or not. Some days I do, some days I don’t. It depends on how receptive to over-the-top decoration my mood is. As I approached City Hall from the south I naturally had to look at its highest point. Namely, the hat sitting atop the giant statue of William Penn, who more or less was Pennsylvania’s and Philadelphia’s founder in the late 1600s. That hat rests 548 feet above the ground, which made City Hall the tallest building in the city until 1987, when the first of Philadelphia’s now-numerous sleek, modern skyscrapers was erected.

Well, it almost was time to call it a day. I made my way to a subway station and rode a sub into South Philadelphia, an enormous area filled mostly with row houses. There I met two of my bestest pals, Mike and Jeff, for dinner at a pub. The hours of looking up had ended. Beers and some grub were the next things on the agenda.

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A Trip To Fallingwater

I’ve done a fair amount of traveling during the 69 years I’ve taken up space on Planet Earth. Been to Asia (Nepal). And to the Middle East (Israel). And to North Africa (Egypt). And to various countries in Europe any number of times. And I’ve been here and there in the States and Canada. How about Pennsylvania, then, the state I’ve lived in since my late 20s? Well, I’m nicely familiar with its greater Philadelphia region, which is my home territory, but outside of that orb I haven’t ventured all too much. And in the last couple of years I’ve been thinking about what I may have been missing. A trip to Ohio via the Pennsylvania Turnpike that my wife Sandy and I made a few weeks ago drove the point home pretty decisively. “Wow, look at all these mountains and farms. Who knew?” I said to Sandy more than once during that westward journey. “It’s time to explore Pennsylvania. Let’s do plenty of that before the sands of time run out on us.” Those weren’t my exact words, but they are close enough.

Smartly, we had already planned a day and a half of discovery in the Keystone State. On the way back from Ohio (you can read about the Ohio visit by clicking here) we drove to Uniontown, a less-than-flourishing community nestled in southwestern Pennsylvania, where we had booked a hotel room. The following day, Monday, would be our visit to Fallingwater, a Frank Lloyd Wright-designed home that has become a tourist destination. Neither Sandy nor I had ever been in southwestern Pennsylvania before.

To be honest, I feel a little guilty writing about Fallingwater. It’s not as if the world needs any more mentions of the place, as the 2,400,000+ Google results for Fallingwater obviously prove. But what’s a blogger to do? I considered typing an opus about what I ate for breakfast this morning (strong coffee, and Wheaties with blueberries), but opted instead for Wright’s creation. Nobody wants to read about my breakfast, not even me, no matter how delicious it was. Fallingwater it is.

To summarize Fallingwater’s history: Edgar Kaufmann, a department store magnate who lived in Pittsburgh with his wife Lillian and son Edgar Jr., commissioned the famed architect Frank Lloyd Wright to build a weekend/vacation home for the family. The house was to be set within the enormous, heavily-forested swath of land that the Kaufmanns owned in the Allegheny Mountains. That plot was (and is) about 50 miles from Pittsburgh. Wright completed his design in 1935. Two years later the house was in place, and two years after that a guest house, uphill from the main residence and connected to it by a short cement span, went up. In 1963, some years after the death of his parents, Junior donated Fallingwater and the family’s mountain acreage to the Western Pennsylvania Conservancy, a land and water protection organization. The Conservancy opened the buildings and grounds to the public in 1964, and before long Fallingwater caught on. Really caught on. To date, upwards of 5,000,000 visitors have toured the facilities. For a place that some might describe as being in the middle of nowhere, that’s genuinely impressive.

Photo by Sandra Cherrey Scheinin

And here’s why they keep on coming: Fallingwater’s exterior looks better than just about any house that you’ll ever see. It is sleek, lovingly tiered, rustically handsome and highly imaginatively laid out. And the house’s placement is, as they say, unparalleled. It is built atop and alongside boulders, a few of which poke out into the living spaces. And, rather incredibly, it is perched above a descending stream at the point where the waters – you guessed it – fall over rocks. A waterfall! A modest waterall, to be sure, but beautiful nonetheless. Fallingwater, a looker in an admirable, peaceful way, communes righteously with the natural environment that surrounds it. Harmony definitely prevails.

After breakfast on Monday, Sandy and I jumped into our car and drove the 25 miles, half of them along winding country roads, that separate Uniontown from Fallingwater. Our tour, scheduled for 11:00 AM, began on time. Twenty or so folks were in our tour group. The guide, alas, informed us that photography wouldn’t be allowed within the house. Nor would touching of the objects. Bummer. The interior shots I’ve included in this humble essay, therefore, are photos that I’ve snatched off the Internet. By the way, Fallingwater’s room arrangements and furnishings have been left pretty much as they were when Junior turned over the keys to the Western Pennsylvania Conservancy.

Photo by Jeffrey Neal

Most of the tour took place inside, as opposed to outside, Fallingwater. My memory being duller than a butter knife, let me pass on a few recollections before they fade into oblivion. First, I dug Wright’s color scheme. Earth tones predominate. They make for a calming, comforting experience, which without doubt was his intention. And I was surprised to learn that Wright designed not only Fallingwater’s structure, but many of its objects – desks, cabinets, chairs and tables. And they are beautiful. The guy was something else. Was there anything he couldn’t do? Well, he couldn’t walk on the waters of the stream flowing beneath the house, right? Or maybe he could.

Photo by Brad Ford

I noticed a couple of broad wooden desks, wedged into corners, that have portions of their tops neatly cut away so as to allow windows to swing open. Brilliant idea! And I spent some time in Junior’s bedroom looking over the smallish but swell collection of books on his shelves. They reflect an open and bright mind. Among them are the 10-volume set of The World’s Best Essays, a long-forgotten collection published in 1900. I’d have loved to pull out one or two of the volumes to take a look at the wisdom contained therein. But that wouldn’t have been a wise move, as the tour guide might have dragged me off the premises by the few strands of hair remaining on my head had I attempted to satisfy my innocent desire.

The one-hour tour over, Sandy and I headed down a trail that paralleled the stream and led into deep forest country. Rhododendron bushes grew in numbers you’re unlikely to see elsewhere. Oak and maple trees flourished, as did a variety of evergreens. It felt good to get lost, metaphorically, in the woods for a while. Take more forest walks is something I’ve added to my to-do-soon list. Forests don’t exist in my paved-over home area, but a few are within reasonable driving distance.

The next morning we drove home, southwestern Pennsylvania before long disappearing from our rear view mirror. Now, I’m not going to say that this rural region of Pennsylvania is a must-see destination. For those who groove on mountain hiking or fishing or rafting, it’s absolutely A-OK. For those not of that persuasion but who are passing through the area or taking in the sights in Pittsburgh, here’s the thing: You could do a lot worse than make the drive to Fallingwater. Sandy and I agree that Fallingwater made our trip worthwhile. The place is a beaut.

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Carol, Goodbye

There we were – my wife Sandy and I – zooming westward along the Pennsylvania Turnpike two Fridays ago. We were on our way to Ohio, its Cleveland area, for a reunion of some members of Sandy’s side of the family. We see a few folks from her clan regularly, but not so for the others. The occasion promised to be a somewhat reflective one, in that it was a gathering in honor of Carol, one of Sandy’s and my cousins who, in her mid-60s, died several months ago in Arkansas. There, for decades, she had made her home with her husband Mike. Carol’s brother lives with his wife near Cleveland, and it was said brother and his spouse, Steve and Carolyn, who organized the celebration of Carol’s life.

The gathering turned out to be wonderful. Thirteen folks, including Sandy and I, made up the group. Everyone was glad to be with one another. Lots of hugs and kisses were exchanged during the three days we were together. Lots of good food was consumed. Happy chitchat glided effortlessly through the air. And on Saturday, in memory of Carol, we all piled into our motor vehicles and drove to downtown Cleveland to attend a Cleveland Indians baseball game, the signature event of the family members’ weekend.

When it comes to Carol, only one thing could have been more appropriate than our visiting the Indians, and that would have been our attendance at a Philadelphia Phillies baseball game. Carol, as big a baseball fan as I’ve ever known, grew up in the Philadelphia region and at an early age became infatuated with the Phillies. That infatuation gripped her for the rest of her life. But through her brother, another baseball aficionado, she came to love the Indians too. During visits to Steve and Carolyn over the years she went to a good number of Indians games. If only she could have been with all of us that recent Saturday. In her element, she’d have had a blast.

45 minutes before game time
45 minutes before game time

I was pretty well stunned by the beauty of Cleveland’s  stadium, Progressive Field, when it came into view moments after I walked out of the parking garage. Intimate, with narrow outfield foul territory areas, it was modestly populated at 3:30 PM, forty-five minutes before game time. Hordes of fans soon would arrive. The outfield grasses, green as can be and meticulously groomed, looked magnificent. The enormous scoreboard flashed excitedly with bright-colored messages. With no rain in sight, the day held much promise.

Steve and Carolyn had gone whole hog by renting a suite for the family. I’d never been in a baseball suite before, and, you know, I have to say that it ain’t a bad way to go. A guy could get used to it. There was a buffet area within the room, a frig stocked with beer and a big screen TV for those who chose to watch the game artificially. And, best of all, a clean bathroom.

Photo taken from within the suite

And there was a door that led out to the open air, to a balcony of sorts that held a dozen chairs. The suite was halfway down the third baseline, and from the balcony the view of the game was fine. As were its sounds. I was amazed by the high decibel level of pitched balls crashing into catchers’ mitts. Man, pitchers these days throw hard. Harder, I think, than ever before. Boom, boom, boom, indeed.

Shadows enter the infield!
Shadows dominate the infield!

Well, the game passed pleasantly, though the final outcome wasn’t favored by Cleveland rooters, the Minnesota Twins winning the battle by the score of four runs to two. Like most of the family members I paid only half-attention to the game, spending much of the time wandering into the suite for food and beverage or talking about this or that with one person or another. Or fixating on the heavy, menacing shadows that began to cover the infield midway through the proceedings. How a batter can see a ball well enough to hit it under those shadowy conditions is way beyond myopic me. Carol, though, would have watched the action on the field with an eagle eye. You have to if you’re going to document the step-by-step developments throughout a game on a scorecard, something that few people know how or would want to do. Carol, though, knew how, and did. She was a true lover of the game.

Now, there was much more to Carol’s life than baseball. She was someone of wide mind and interests. But baseball is what many of us who knew her think of when we think of Carol. I mean, in Arkansas she subscribed to a special major league baseball television channel so that she could watch Phillies games. And at family gatherings it wasn’t unusual for her to be wearing a Phillies jersey.

It was fitting, therefore, that a few hours after the game ended, back at Carolyn’s and Steve’s home, everyone adjourned to a large room in which a piano resided. Steve and Carolyn possess excellent musical talent. And Mike, though not in their class music-wise, is a free-spirited singer, liable to burst into song at any given moment. Carolyn sat down at the piano and Steve placed his violin on his shoulder. Their young-adult son, also in possession of musical gifts, picked up a violin too. Next thing you knew a most rousing version of Take Me Out To The Ball game was under way, Carolyn hitting the keys hard and exuberantly, Mike singing with startling gusto and the two violinists fiddling away like their lives depended on it. Everyone else in the room was singing or humming along, and when the song reached its conclusion they burst into loud applause. It was by far the best rendition of Take Me Out To The Ball Game that I’ve ever heard.

Another good person has left the planet. Carol, goodbye. We miss you.

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Love, The Lovers, And The Race Street Pier

There are coincidences, and then there are coincidences.  The latter type are so weird and unexpected even a fervent skeptic such as myself might be led to murmur a mighty “Mmmmm, I wonder . . .

The most potent examples of unusual coincidences that I’ve personally come across began making their appearances not long after my wife Sandy and I moved into our suburban Philadelphia home. We set down stakes here in 2005 and soon met quite a few of the occupants of other houses on the block. Some of the adults lived alone, but most were couples of the heterosexual variety, with children. Proverbially happy couples, I believed. That’s why you could have knocked me over with a sturdy feather when next-door neighbor Tony [his and all other neighborly names have been changed to protect the innocent and/or guilty] told me in 2006 that his wife Diane had moved out and that they were divorcing. Huh? Well, you rarely really know what’s going on behind closed doors, right? I was sorry to see Diane go.

A few years later things went south fast for the next-door folks on the other side of our house. Tom and Nicole each let me know that they had decided to divorce, but that in the interim they would remain within the same abode. That arrangement went on for a while. Then Nicole moved away. The finalized divorce followed. Sandy and I scratched our heads, amazed that a second couple had gone down for the count.

Well, four years ago love disintegrated once again on my street. The victims were Bob and Yvonne, the pair living directly opposite from Sandy’s and my front door. They too remained within their abode, how I don’t know, while the wheels of divorce spun. A year later they sold their house, each moving elsewhere. Their divorce became legal soon after that.

Holy crap, what was going on? Had Sandy and I moved into Divorce Epicenter? Well, maybe, because the pattern continued. The new occupants of the house directly across the street saw to that. A year and a half after moving in, Horace moved out. Joan is still there. But there’s little chance of the two getting back together. They have divorced.

Incredible, no? But what can you say? Love is a complicated emotion. It ain’t easy to manage. It can be strong as granite. Or not.

A new movie, The Lovers, is a shining example of all of that, except for the granite part. Sandy and I watched it on the big screen a few weeks ago. It isn’t playing in many theaters anymore, but if it hasn’t yet made its way to Netflix and the like, undoubtedly it will before long.

Azazel Jacobs, who has had a nice cinematic career but has yet to hit it big, wrote and directed The Lovers. In the movie, Michael (Tracy Letts) and Mary (Debra Winger) are a very confused, long-married couple that has grown apart. They have tired of one another   Yet they live together. And, strangely, they sleep together, though on opposite sides of the bed, never touching for most of the movie. Each has found romance outside the home — Michael with Lucy (Melora Walters), and Mary with Robert (Aiden Gillen). Both Michael and Mary have promised to their flames that they will move in with them. But first they will have to spill the beans to their legal mates. That process is slow. Painfully slow. And it becomes complicated by the fact that far along the way Mary and Michael rediscover some smidgeons of the feelings that ages ago had brought them together.

Now, I liked The Lovers. But it sure paints a cynical picture of the human heart. Love comes. Love goes. Love can’t make up its mind. Love roils and muddies the waters. Is this the way it is out there for a hefty percentage of people in the real world, or merely a broad and comic exaggeration? I’m not someone with good answers to those questions. But I will say this: Twelve years ago I sure as hell wouldn’t have believed it possible for four couples living within spitting distance of me to call it quits.

That’s enough about love partly or fully on the rocks. It’s time to turn our attention to that which might have the power to keep love whole. And in Philadelphia I know of no better medicine for such than a visit, at night after the stars have come out, to the Race Street Pier. It’s a former commercial dock that has been repurposed and transformed, an example of tax dollars well-spent. Now it’s a public park, full of trees and lawn areas and wide walkways. It opened six years ago. The Benjamin Franklin Bridge, which spans the Delaware River, connecting Philadelphia with Camden, New Jersey, towers above the park. When darkness has fallen the bridge looks magnificent, glowing with thousand of lights that decorate its length. What a sight.

Race Street Pier and Benjamin Franklin Bridge.

Sandy and I were on the pier a few weeks ago with our pals Cindy and Gene. The skies were clear, a perfect breeze tousled our Sassoon-worthy hairdos, and the bridge presented a commanding presence. For an hour we chatted while looking at the bridge, the boat traffic on the Delaware River and the lights in Philadelphia and Camden.

Race Street Pier is mutedly lit at night, and it’s not overrun with visitors. A more atmospheric and romantic urban place in which to spend some moments you’d be hard-pressed to find. The four of us fell under the evening’s spell, that’s for certain. And the spell was powerful, irresistible. Eventually, though,  we had to leave, what with early morning hours fast approaching and our internal gas tanks running a bit low. We said goodbye to Race Street Pier, till next time. The two couples then bid one another adieu and made their ways to their respective homes.

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Here Comes The Night

When not at home I spend many hours erect, most of them devoted to walking around here and there or, occasionally, impersonating a cigar store Indian in front of Wawa and 7-Eleven food markets. At the home front, though, it’s a different story. There, when not sleeping, I sit. Mostly I rest my bony ass on the living room sofa, my assigned chair at the dining room table, or the chair I’m occupying at this moment while pecking away at a computer keyboard. And sometimes I move outdoors to a chair on the large wooden structure that is seven feet above ground and bolted to the rear of my house. The existence of said structure was a prime reason 12 years ago that my wife Sandy and I decided to buy our house. Shepherded around from home to home by our real estate agent, I took one look at the deck and kind of fell in love with it. I’d never before considered owning a deck, but instantly that became an idea I wasn’t going to discard. A month or two later the house with deck became ours.

Now, I’ve given lots of time to the deck since moving in, but in the last year I’ve fallen down on the job. Somehow I pretty well forgot that the deck was there. How is that possible? Sandy didn’t forget, but that’s because she isn’t an idiot, unlike me. She lolls on the deck many mornings. It’s such a lovely creation. And its aims are pure: to provide pleasant views for our eyes and what passes for fresh air for our lungs.

Thankfully, times have changed. So, brothers and sisters, gather around. I’m here to announce that those days of neglect have ended, as I’ve headed out to the deck, usually at night, a lot in the past couple of weeks. I’m hooked once again on deck usage. Hallelujah! My sinful ways shall be no more!

I slipped outside to the deck at about 8:40 PM on Monday last week. The Sun had dipped below the horizon 10 minutes earlier. Plenty of light, though, remained in the skies. I took my seat beside the glass and metal table that takes up much of the deck’s floor space and placed upon it my tools for the night: a portable radio, a box of Cheez-It crackers and a glass of iced tea. The afternoon had been killer hot, with temps reaching well into the 90s Fahrenheit. But the night, what with the Sun gone and a calm but steady breeze doing its thing, was comfortable.

I decided to pay attention to what was happening around me, something I often avoid doing for fear of discovering more than my nearly-filled-to-capacity brain can handle. I looked up. Wow! The clouds were beautiful, set against a sky that quickly was turning from baby blue to deeper shades. And the trees filling and surrounding my backyard appeared more solid and wise than normal. The scene was quiet for the most part because, for reasons unknown, humans were not to be heard, nor were barking dogs. Maybe the canines and their masters were all indoors watching must-see TV shows such as The Real Housewives Of Beverly Hills and Chrisley Knows Best. Whatever the reasons, I wasn’t complaining.

There were noises though. I astonished myself by noticing four different patterns of birdsong. Needless to say, however, there was no way I knew which species were involved. I have a hard enough time trying to visually identify a bird, let alone its tune. Hell, I’d barely recognize a cardinal if one were to fly up beside me and give me a loving peck on the cheek. “Ouch, you bright red motherf**ker, that hurts!”

Odd thing is that at about 9:00 PM, when darkness was filling the air, the birds stopped chirping away. Do they go to sleep when light has faded? That’s something I never thought about before. And, once again, it’s something I do not have any answers to. I hope that somebody out there will clue me in.

The small white dot is Jupiter

A few minutes after nine o’clock I spotted a bright light finding its way into open space from behind a neighbor’s enormous tree. It sat in the sky all alone and seemed to be slightly larger than a star. Therefore, I brilliantly concluded, it was a planet! And, as I learned the following day by speaking with astronomer Derrick Pitts at Philadelphia’s Franklin Institute, the orb was Jupiter, which is very visible at night this time of year in my region of the globe. I went inside to get my binoculars. Back on the deck I pulled them from their pouch and took a look at the gleaming spot. That view didn’t much improve anything. I did, nonetheless, admire the bold whiteness a bit more than I had with my naked eye. I’m going to ask Santa Claus to bring me a telescope later this year. I could use one.

The dimmer dot is Arcturus. The brighter one is Jupiter.

And the nighttime show continued. The Moon hadn’t yet risen, but another bright object, dimmer than Jupiter, was higher in the sky and east of that bad boy planet. It was the star Arcturus, Mr. Pitts told me the following day. Arcturus is one of the brightest stars in the Northern Hemisphere’s night sky. Natch, I’d never heard of it before.

Well, I had had a fine time staring into space and letting my mind wander the celestial pathways. Dozens of Cheez-Its had gone down my gullet very admirably, the iced tea had refreshed, as it’s supposed to do, and the songs on the radio had provided excellent company. And so I picked up my belongings one hour after entering the deck and returned to the bosom of my home. I was in better form emotionally and mentally than before my outdoors adventure began.

This article now is nearing its end. I’ve said just about everything I wanted to say. Which, admittedly, isn’t all that much. Nobody is going to confuse me with Henry David Thoreau, clearly. Such is life. What’s more, I hear the call of the wild. I can’t resist. It is quite dark outside at this moment. I will stop typing. To the deck I’m going to go.

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Philadelphia To The Rescue

Two Saturday mornings ago I was in the kitchen of my suburban Philadelphia home, contemplating the whys and wherefores of the universe. My wife Sandy was fastened to the living room sofa, absentmindedly wandering around the web on our laptop computer. If somebody had painted our portraits that morning they could have done worse than to title each canvas Inertia. Now, inertia is a weirdly compelling phenomenon. I’m quite familiar with and knowledgeable about it, as I spend half my waking hours within its grasp. If I were able to bottle it I think I’d become crazily wealthy. I mean, people once spent millions upon millions of dollars on pet rocks, didn’t they?

Luckily for us, our great pal Gene dialed our number around 11:00 AM. Sandy picked up the phone and spoke with him for a few minutes. After hanging up she told me what Gene had to say.

“Gene and Cindy [his wife] went to the Rittenhouse Square Fine Art Show yesterday. He says it’s very good. He recommends that we go.”

“Yo!” I exclaimed, just like most Philadelphia aficionados are prone to do. “Gene has the right idea. Let’s go into Philly to check out that show and then we’ll see where the city’s polluted winds carry us after that.”

Two hours later we closed our eyes, clicked our heels three times and thought magical thoughts. That formula always works. Within seconds we were at 18th and Walnut Streets in Philadelphia’s central section. We crossed the street and walked into Rittenhouse Square, a gorgeous one-square block park that dates back to the late 1600s. From what I’ve read, in those days and for many ensuing years the park wasn’t looking all that good. In the early 1900s it was redesigned and infused with trees and shrubs in a pretty extraordinary manner, bringing it up to the high standards set by parks in Paris and other European cities.

Neither Sandy nor I had been to the Rittenhouse Square Fine Art Show in at least 20 years. It’s an annual affair that began in 1928, making the most recent event the 90th consecutive one. That’s staying power. The show used to be an open-air display. That’s why I was surprised to see that most of the paintings and sculptures were under cover, housed within 143 tent-like booths ringing the perimeter of the park. Don’t know in what year the show’s organizers brought in the tents, but it was good thinking on their part. Now the show can go on even if it rains.

One hundred and forty-three booths holding the works of professional artists? Holy crap, that’s a big amount. And the total doesn’t include the 18 booths in the center of the park that were devoted to the output of student artists. Sandy and I looked at nearly every single booth’s contents, I think, though at the time I’d have guessed that I’d encountered maybe 60 or 70 booths. It was a couple of days later, when reading the show’s brochure, that I learned the true numbers at the park.

Well, what can I say? I’m an art lover, but in trying to catch a glimpse of everything I didn’t act like one, doing little more than to throw a glance at most of the offerings. I made super-quick judgments, deciding in a flash whether or not an artist’s oeuvre was worth my spending a bit of time with, and coming to the madly incorrect conclusion that most weren’t. That’s not the way I behave in museums, where I linger in front of and analyze the works. Oh well, clicking my heels must have set my limited-attention-span mechanism afire. Or perhaps I was just being my usual half-crazed self.

Still, now and then I did stop to smell the roses. For instance, I liked the stylish, black and white, Art Deco-ish drawings by Anastasia Alexandrin a lot. And the same went for the madcap animal sculptures by Scott Causey. And also for John Pompeo’s sturdy, excellently-balanced paintings of landscapes and barns.

Anastasia Alexandrin and her artworks
Scott Causey’s sculptures
John Pompeo and his paintings

And what I liked as much as or more than all the art works was the park itself. It felt great to be among trees and shrubbery and lawn areas exploding in myriad shades of green. And to walk the wide pathways of an elegantly symmetrical park that hordes of Philadelphia’s citizens and visitors love to be in. Rittenhouse Square is a winner, one of the city’s brightest spots.

The day wasn’t over. After taking a pause that refreshed, Sandy and I decided to make our way to West Philadelphia, an enormous swath of Philadelphia’s territory, where, in the area known as University City, the second annual West Philly Porchfest was in full swing. Porchfest is an idea that was born 10 years ago in Ithaca, New York. Since then it has turned into reality in quite a few towns and cities in the States and in a handful of locations outside the USA. I wrote about last year’s West Philly Porchfest, and you can read the article by clicking right here.

To hold a Porchfest, you need a lot of porches. And in University City porches reign. It was on those structures that musicians gathered to fill the air with song. I’d estimate that around 150 acts hit the stages (i.e., porches) throughout the day two Saturdays ago. I kind of fizzled at the art show, but I got my act together at Porchfest and let the vibes enter me in an intelligent manner.

Mountain music jam session
Ditto

Between 4:00 and 6:00 PM, Sandy and I wandered around, program schedules in our hands. We checked out eight or so acts. The quality of the music was hit or miss. What we ended up liking the best was a mountain music jam session taking place on a quiet, leafy block of Walton Avenue. Fifty or so folks were soaking in the sweet sounds on the sidewalks and in the street. Most musicians at Porchfest, which presents many genres of music, amplified their instruments. But the mountain music jammers didn’t. No matter at all. I crept nice and close to the porch and got swept away by the sometimes gritty, sometimes aching and lonesome notes spilling from the musicians’ mouths and instruments. They were as casual and unassuming a group of performers as ever you’ll see, no different than the players strumming, picking and singing at their homes in mountain hollows in the southern states where this soulful, addictive music was born many years ago. I thought that Cameron DeWhitt killed on the banjo, that Jordan Rast fiddled like a demon, in a good sense, and that Peter Oswald set a firm footing with his cello work (Yep, a cello. It’s not the typical mountain music instrument, but at Porchfest it fit in just fine). Applause, applause.

Audience at mountain music jam session

Come 6:00 PM, Sandy and I were getting hungry. Our dinner in a West Philadelphia hot spot (Dock Street Brewery) was good. But, as my mind is starting to wander and your eyes probably are getting tired from reading this story, I’ll skip the dinner write-up. I’d bid you all adieu right now had I not one more thing to add. Namely, at the train station in West Philadelphia where we boarded a choo-choo that took us back to the burbs, we were taken by a view of central Philadelphia, some of its tall towers beautifully aglow. The picture was too pretty a one not to snap. Snap it I did:

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Across The Bridge And Back

When you’re comparing physical challenges, walking across the Benjamin Franklin Bridge, in both directions, ain’t exactly on a par with scaling Mount Everest. Or bungee jumping off the rim of the Grand Canyon. Or even playing a round of golf, for crying out loud, assuming you’re walking (instead of riding) the course and hauling around your bag of clubs on your very own shoulders. But in my little world, tackling the BFB is challenging enough. Well, maybe it’s not all that challenging. But it’s certainly different. And I knocked it off my do-it-already list last week. That list now has only 897 items on it. If I am reincarnated enough times I’ll get to most of them. Unless, that is, I come back over and over again as a sloth. Which, if it happens, wouldn’t surprise me.

Walking the bridge was an idea that appealed to me the moment I heard about it, which was a few months ago on a late-night local television show. “Yeah,” I thought to myself, “that’s right up my alley. I’ll get some fresh air. I’ll see some sights from a new perspective. And it’s something, I suppose, that not all that many people do. I’m ready to go!” But I ended up waiting till winter said goodbye and pleasing temperatures arrived. When the 3rd of May rolled around, with its expected high of 65°F, I hopped aboard a train that took me from my suburban town into downtown Philadelphia. I arrived in the city in the early afternoon.

The Ben Franklin Bridge, a massive and profoundly complex structure, as suspension bridges by nature are, opened for business in 1926. It spans the Delaware River,  in effect eliminating that watery divide between Pennsylvania and New Jersey. The bridge’s bases are in Philadelphia and Camden, cities occupying territory in Pennsylvania and New Jersey, respectively. To reach the bridge’s pedestrian walkway (the bridge has walkways along its northern and southern lengths, but only the southern one currently is open), I passed Christ Church Burial Ground, at the corner of 5th and Arch Streets, where none other than Mr. Franklin himself is laid to rest. And then, 100 feet later, I strolled past the hulking United States Mint. Philadelphia is full of unexpected, wacky juxtapositions like that, which is one reason I like the city so much.

Half a block north of the mint I began my bridge adventure, for it is there that elevated lanes, for humans with motorized vehicles and for those without, start their ascent. Those lanes are segregated, though the walk sure would be highly intriguing, not to mention truly challenging, if they weren’t. I might run that notion past Philadelphia’s and Camden’s mayors. I’d never noticed the walkway before, despite having been in its vicinity half a million times over the years. It is there plain as day.

First thing I realized was that I should have worn more than a light shirt beneath my light jacket, because the winds were blowing pretty damn good, chilling my semi-ancient bones to a degree I wasn’t thrilled with. The second thing I realized was that within a matter of seconds I was 15 or more feet above ground. I looked to my right and watched a construction crew clearing the ground for what will eventually hold a fancy condo or rental complex. Who’d want to live beside a bridge’s entrance ramps is beyond me, but lots of things are beyond me.

At this point I had the equivalent of eight or so blocks-worth of walkway to navigate before reaching the Delaware River’s western shoreline. The views were wonderful. I looked down upon 3rd Street, 2nd Street, Front Street and others, all of which I’m very familiar with and which were part of Philadelphia’s heart in its colonial days. Those are beautiful and quaint arteries, as many colonial era buildings remain there. But from high up I wasn’t paying attention to any specific structures. What grabbed me were the wild patterns, the crazy quilt formed by building sides and rooftops and signage in this non-high-rise section of the city.

By the time I reached the water’s edge I was 140 or thereabouts feet above both ground and water. The Delaware is about half a mile wide here. I watched a ship heading south on the river and, if I had been wearing one, would have held onto my hat as the winds did their thing. And I looked out at Camden, a depressed city that is trying to bounce back. It’ll be years, maybe never, before Camden is invited to any C-list, let alone A-list, parties.

On I trod, crossing the river and entering the area above Camden’s lands. Despite the winds I was enjoying the trek. Patches of blue played peekaboo with the clouds and it felt good to give my legs a very good stretch.

I stopped to admire the sights many times during the journey, to smell the roses as those wiser than me say, but between those moments of quasi-bliss I maintained a pretty brisk walking pace. Cars and trucks by the shitloads whizzed by in their delegated lanes 20 feet below the pedestrian walkway, but not a lot of humans shared space with me on the avenue I’d chosen. During the hour and a half that I spent on the bridge I encountered no more than 30 people. Like me, most of them were lone wolves out for a stroll or perhaps on their way to work or to home. A few cyclists passed me, as did half a dozen joggers. And I saw two couples enjoying the day with their leashed dogs. For the most part, though, I had the bridge to myself. It was a fine place in which to space out a bit, to tune into good frequencies, to haul out that sense of adventure that I don’t want lying dormant for extended periods of time.

That’s Philadelphia

On the eastward leg of the journey I stopped just a bit short of the stairway that brings one down to Camden’s soils and asphalt. There I turned around and started back to where I had entered the walkway in Philadelphia, a mile and a half away. Much to my amazement, a bicyclist surprised me on the middle of the bridge. He was a scraggly-haired, middle-aged guy. He slowed down beside me. “Can you help me out?” he asked. “I need some money to get the train to Doylestown.” Doylestown? Was he really planning to board a train, with his bike, going to Doylestown, which is 30 miles from where we were? It hardly mattered. I figured it wasn’t a great idea to piss off someone on the middle of a bridge, what with nobody else within eyesight or earshot. I reached into my back pocket and pulled out my coins. “Here’s all the change I have,” I said. “It’ll help you a little.” He thanked me and went on his way.

Can’t say I’ve been hit up before by a panhandler on a bridge. Then again, I haven’t walked upon many bridges in my life. Maybe panhandlers are common sights on spans with heavy pedestrian traffic, such as the Brooklyn Bridge. Anyway, before too long I reached the BFB’s western terminus. I’d had a fine time. On to the train station I headed to catch a ride back home.

 

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Spring 2017 Revisited

What were the odds that I’d be writing about spring for the second time in three weeks? Well, if you had asked me that question even one week ago I’d have said “slim, very slim.” But it turns out the odds were 100%, because here I am penning another paean to the greenest of seasons.

To begin, there I was on the afternoon of April 24, denting, as usual, my favorite of the living room sofa’s three cushions. Such a comfortable spot it is. In fact, when I expire I’d like a memorial plaque to be placed on that cushion. It should read as follows: Neil Scheinin certainly made quite an impression. Here’s proof: He sat for so many hours on this sofa, the sensuous shape of his buttocks is forever recorded directly below. May Neil’s rear end, and his other parts, rest in peace.

Once in a while, however, I do rise from my throne to meet and greet the outside world. And once in a while said excursions involve taking a pretty good look at what passes for nature in my home territory. To wit, the wondrously paved-over, built-upon lands of suburban Philadelphia. My first investigation of Spring 2017’s unfolding, which took place on April 11 (click here to read it), was less than a smash. Few maples and oaks and their brethren had sprouted much, if any, new greenery. And blossoms on flowering trees and bushes were in short supply too. Two days later, though, driving around my region, I’d noticed that things were getting better, that spring was starting to look more like spring. It was a call to action.

But I’m not a man of action. I waited a week and a half, until April 24 rolled around, before once again making my way into the wilderness. As with my previous springtime stroll I would be a seeker of colors other than green. Hell, I’m cool with green, but there’s just so damn much of it out there. Enough’s enough, don’t you think? What’s more, variety’s the spice of life. And I’d throw in another cliché if I could think of one. No, it was pale whites and pinks and soothing shades of violet and rocking reds and yellows that I was charged up to smile at. Hey, by now those hues would be popping out riotously, wouldn’t they?

Hopping off the couch and into my car, I headed to a neighborhood I was slightly familiar with in a nearby township. I parked on a leafy street studded with good-looking houses and began my walk. It was 3:00 PM.

Eureka! I struck pay dirt! I strolled along many blocks admiring the views. Dogwood trees and azalea and lilac bushes, all aflower, glowed serenely on nearly every property. Beautiful flower beds — hey man, dig those snazzy, crazy tulips! — wowed like flashy jewels. I was in heaven. Or thereabouts.

What’s more, the air was cool and comfortable, a light breeze tousling my Apollo-like tresses. And it was okay by me that the sky was overcast, as the clouds were not unhappy nor threatening. In other words I was amidst perfect walking conditions. No need to have slathered on sunscreen (I hadn’t). No chance I’d be shvitzing like a pig by the time my travels ended.

Clearly, I was in a very good mood. Things were going my way. Although I was a mere mile and a half from my home, the sights were far better than those in my own township. These homeowners not only were with it, they were into it, putting a whole lot of time, effort and bucks into creating fine outdoor canvases. Now I know where to head to decompress, other than the emergency room, when my blood pressure starts pushing 230/130.

My journey was a quiet one, decibel-wise, except for the manic dog barking its head off in a yard. Of course, that’s one too many, especially if you’re an unfortunate soul living within 150 feet of that animal and its owner(s). Other than that, everything was peaceful. None of the cars passing by hit their horns. And the only other sounds of note that I met, besides the voices of the people walking on the streets, were those of something I hadn’t encountered in a pretty long time — the whirs of a bicycle bearing down on me from behind. Deftly I stepped off the sidewalk, moving onto a front lawn, and watched a nine-or-so-year-old whiz by on his two-wheeler. “Thank you!” he yelled to me. Holy crap, I really must have been in heaven, that place of the heart and mind where I’m certain it’s a prerequisite for children to have the finest of manners. “You’re welcome!” I shouted in return.

At 4:00 PM I returned to my car. I hadn’t felt so chipper in weeks. I’ve got to get out more in the suburban version of the great outdoors.

 

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Spring Is In The Air: A Search For Colors

For the last seven years I’ve had a Tuesday morning volunteer gig at a suburban Philadelphia hospital’s medical office building. There, I man the information desk from eight o’clock till noon, helping people locate their doctors’ offices, the cleverly hidden restrooms, and ATMs so that they can pay to get out of the cash-only parking garage behind the building. Incredible to me, it seems to be de rigueur for lots of folks these days to carry nary a dollar on their persons. Plastic rules, except at the parking garage. Wouldn’t you know it, though? . . . there isn’t an ATM in the garage or the medical building. So, off on a two-block trek to the closest ATM the short-on-cash folks depart.

I was at my post last Tuesday, the 11th of April. Looking through the lobby windows I could tell that the Sun was blazing away deliriously. My iPhone said that the high for the day would be 83°F. Yeah man, that sounded fine to me, a non-Sun-worshipping guy who normally isn’t thrilled when the thermometer climbs above 74 degrees. But after all the rains we’d had in recent weeks I was psyched for a bright, overly-warm spring day.

I wasn’t alone in that feeling. Inside the medical building two humans of the male variety were taking their cues from our winged friends that undoubtedly were chirping away merrily outside. I heard one of the patients singing freely and loudly as he entered the elevator, on his way to get checked out in an upper-level doctor’s office. And I heard another whistling a happy tune as he exited the building through the main door 20 feet from the information desk. His doctor must have given him a good report. Good golly, Miss Molly, there and then I decided to have a look that afternoon at how spring was shaping up in my neck of the woods. I would be in search of colors.

I was possibly, even probably, wrong, but for a couple of weeks I’d been thinking that spring was taking its good old time unfolding in the Philadelphia region. I could have sworn that in most years, for instance, masses of forsythia were showing off their yellows by early April and that flowering trees were ablaze aplenty. But I’d noticed not too much activity so far in 2017 during my drives through the burbs, though I hadn’t really been paying strict attention to the situation for the last four or five days. “Let’s see if things are starting to get more colorful out there,” I said to myself. “I’m ready to be impressed.”

And so I spent an hour and a half in early afternoon wandering, on foot, in three of my town’s neighborhoods, including my own. These are modest areas filled with no-nonsense homes from the last century’s early and middle sections. Things are neat and tidy here, but usually not exactly eye-grabbing. But when cherry and dogwood trees and azaleas and rhododendrons and all the rest open their floodgates, watch out! The streets then, for me anyway, rise above snooziness. Charm and loveliness take over.

Alas, I’m here to report that not much out of the ordinary was happening color-wise on April 11. Bummer, indeed. In fact, many streets hadn’t escaped from their leafless winter doldrums, though here and there some trees were beginning to sprout delicate, new leafage. As expected, there were plenty of greens to be seen — lawn grasses and evergreen trees. And there was no shortage of browns, obviously, what with tree trunks all over the place. But soft colors that make you ooh and ah, and vivid colors that go pow? Well, some cherry trees were in bloom, and a smallish number of  azalea bushes were festooned with flowers tinted in strong lavender, and a far-less-than-I-expected quantity of forsythia were unfurling their yellows, and . . . that was about it. There even was a shortage of revved-up flower beds.

And yet I strolled in a contented mood. I don’t go out for walks anywhere near often enough, so the excursion put some purpose into my footsteps. I investigated block after block, taking pictures, neck craned and eyes darting everywhere in quest of color. I was surprised by how few people I passed, other than four dog walkers. Where was everybody? “Yo, genius,” a little voice inside my head muttered, “half the people are either at work or in school. And most of the others probably are at the mall, at Macy’s. Macy’s is having an incredible two-hour sale on underwear: Buy one and get six free. Genius, you’ve been wearing the same briefs for the last 15 years. Raggedy doesn’t begin to describe them. Do your balls a favor and head to Macy’s now.”

Thus, I hurried to my car, snapping the last of my photos. Macy’s, not Nature’s hues, called! Maybe in a future article I’ll report on the degree of shopping success I encountered at the mall. The world, I know, anxiously awaits that information. In any case, I’ll wind up these proceedings by saying that I hope you have enjoyed the photographs that I’ve placed on this page. Though my springtime adventure wasn’t a 10 (hell, it was more like a 4), I managed to document some decently lovely and colorful vegetative sights. Next year, perhaps, I’ll improve my timing and write a piece about spring in all its glory.

 

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Girl-Watching (A Philadelphia Museum Story)

It can take me forever to get around to tackling projects and situations, big or small. Half the time I never — and I mean never — place them in the completed bin. Hell, probably that’s the way a hefty percentage of us humans roll. I take comfort in believing that I’m far, far from being alone in excelling at procrastination.

Which is my four-sentence preface to announcing that I finally am getting around to knocking a certain something off my to-do list that has been sitting there for nearly two years. I began this blog in April 2015 and almost from the start had it in mind to write a story about La Salle University Art Museum, a little-known institution in Philadelphia on the cute campus of La Salle University. Man, my psychotherapist will be so proud of me for bringing this story idea to fruition. “Neil,” he said at our most recent session, “sometimes I think you enjoy being stuck in cement.” I pondered that for a second and then said, “You’re oh so right, Doctor Cortecks. And, believe it or not, my wife figured that out on the day we met. Which is why she nicknamed me Jimmy. As in Hoffa.” Doctor Cortecks liked that crack so much he waived the session fee.

Anyway, returning to reality, a week ago Tuesday, on a most unseasonably balmy afternoon, I decided that a visit to LSUAM was in order. I hadn’t been there in several years and was in the mood for staring at attractive objects. So, into my car I climbed and headed south from my suburban abode, pretty quickly reaching the nothing-special section of Philadelphia in which La Salle University occupies space and time.

img_1366As I mentioned, La Salle’s campus is cute. And as I walked through sections of it on my way to the museum I had my eyes open for cute girls, girl-watching being one of my fave activities despite my certified status as a semi-ancient geezer. Sadly, I saw only one or two, as the grounds were strangely low on people of either gender. But that was OK, because my plan was to check out the ladies at the art museum . . . those on display, that is. It seemed like not the worst idea in the world to take long looks at the paintings and sculptures of females, and to breeze past all the others. And that’s exactly what I did.

img_1370La Salle University Art Museum is tucked away in the basement of a nondescript building primarily filled with classrooms. The museum is small, seven or eight modestly-sized rooms and a couple of hallways, and its contents are quite good. Me, I like museums of this sort where you don’t have to spend half your life examining the wares. To art lovers in the Philadelphia region I recommend a visit. You’ll get to see beautiful stuff, from ancient times to the present, by famous folks (Tintoretto, the Renaissance great, for crying out loud; Jacob van Ruisdael; Henry Ossawa Tanner; Alex Katz) and lots of equally fine pieces by artists you’ve probably never heard of (click here to find the museum’s website).

I suppose I gazed upon 50 or 60 artworks depicting females. And as I gave some thought to my story theme afterwards, four of those depicted women tapped me on the shoulder and suggested I write a few words about them. I’m often eager to please, so I’ll take them up on it.

img_1379To begin, I was wowed by the natural charm and beauty of Father’s Return, painted around 1850 by Harriet Cany Peale, a Pennsylvanian. In the painting, two kids are excited as can be by the sight of their dad walking towards the homestead. He has been away on business or whatever, probably for several or more days. His wife, though, isn’t looking at him. Instead, her eyes are focused on and dripping with love for her young daughter held in her arms. Hey, hubby can wait! Peale swamped the painting with browns and muted greens. There’s nothing flashy except for the little girl’s orange dress and the mother’s bright lips. Amidst all of that, though, it was the mother’s eyes, nothing more than large, dark dots, that I found myself drawn to. They say a lot.

img_1384The lady featured in Maria Brooks’ The Letter shows us a gaze of another sort. Brooks, a Brit, painted her in 1884.  As the story goes, the woman in question has just read a letter from her seafaring sweetheart. And she misses him plenty, as the aching numbness in her eyes makes most clear. This to me is a really lovely painting. Its tight framing, the limited choice of colors, the way the letter reader’s faintly pink skin melds into her surroundings, are parts of an excellent balancing act. The picture made me feel kind of wistful, which is what I’m sure Brooks meant it to do.

Gazes, eyes and lips . . . we’ll wind up these proceedings with some more comments about them, because I was struck by similarities between two works, a painting from about 1930 by the American modernist Alfred Maurer, and a small wooden sculpture made at an unknown point during the 1900s by an uncredited artist in Africa’s Ivory Coast.

img_1407img_1420

Maurer’s oil, titled Woman In A Window, is heavily in debt to Cubism, the fractured take on things pioneered by Pablo Picasso and Georges Braque in the early 1900s. Sure, this lady ain’t about to win any beauty contests, but I found her loveable. She’s a happy individual. Just look at those big, smiling eyes and the lips giving out an ooh. I’m going to guess that she’s looking through the window at a fun event, maybe a parade, maybe a bunch of children playing games. And, in my view anyway, the window lady has a close relative at the museum, a sister. Needless to say that’s the woman of the African sculpture, who displays not quite but almost the same expressions as Maurer’s heroine. I saw amazement in her eyes and wonder on her lips. She’s not showing her inner feelings as much as Maurer’s gazer, but she is no less enthralled by whatever it is she’s looking at.

Well, there’s plenty to be said for spending time with works of art. They are open to all sorts of interpretations. They can make you think, make you feel swell, not so swell and everything in between. I drove home from La Salle University Art Museum with more than a few notions and emotions skipping around in my little ol’ head.

 

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