An Old Guy’s Photography Story

Hallelujah! The creation of this story has allowed me to take it easier on myself, to give myself a bit of a breather from the more involved pieces that I normally launch into cyberspace. Two thumbs up for that! I’m an old guy, you see. My gas tank empties a lot quicker than it used to. My mind wanders into spaces that it barely can squeeze out of. And let’s not overlook the discomfort that two of my private parts (the globular ones) are currently causing me. Because of all of the above, yesterday I came this close to throwing in the writing towel for a while. Meaning, I was set to let lots of time go by, a month or more, before attempting to produce a fresh entry for this website.

Ambler, Pennsylvania. February 15, 2019
Philadelphia,, Pennsylvania. March 16, 2019

But no! In the end I couldn’t let that happen. For one thing, the CEO of the blogosphere, Tammy Whammy, wouldn’t stand for it. I’ve been on a short leash with Ms. Whammy for the last year and a half. Hell, she has made it perfectly clear to me that she is displeased about the decreasing frequency with which I’ve been posting articles during that period. And I’m not thrilled about it either. But I’m an old guy. My gas tank empties a lot quicker than it used to. Ah crap, I already said that, didn’t I? Let’s move on.

Philadelphia. April 11, 2019
Jenkintown, Pennsylvania. April 13, 2019

When I press the Publish button for this story, nearly two weeks will have passed since my previous opus appeared. Fairly lengthy gaps like that now are not uncommon for me (in my peppier days I graced the ethers weekly with new material). Will the wait have been worth it? Maybe so, if you like to look at photographs. For that’s what this piece basically is: a collection of photos that I took during the first half of the current year. None of them have appeared previously. More important, I like them.

Philadelphia (near the Philadelphia Museum Of Art). May 1, 2019
Edinburgh, Scotland. May 23, 2019

Yeah, scrolling through my photos was about all I had to do to birth this article. Didn’t have to engage in much thinking or research. I’m down with that! But, I have to admit, during the writing sessions I did spend a few hours contemplating my navel, which, for reasons that my doctors are at a loss to understand, has drifted three inches southward since early 2018. “Don’t worry about it, though, Neil,” they’ve all said to me. “You’re old. It’s just one of those things.”

Edinburgh. May 28, 2019
Edinburgh. May 28, 2019

All right then, what we have here are ten photographs. I’ve placed them chronologically. Five were taken in daylight and five after the Sun set. I’m partial to those nighttime shots, especially the final four of them. The mysteries and moodiness that they contain are irresistible to me. Location-wise, four photos are from Philadelphia, two from the Philadelphia suburbs, and four from Edinburgh, Scotland. Those locales are where my ass has spent most of its time so far in 2019.

Edinburgh. May 29, 2019
Philadelphia’s Awbury Arboretum. June 23, 2019

Speaking of Scotland, my wife and I were there in May, as some of you know. Miraculously, I was able to churn out three stories about our Scottish sojourn. They came out in June. That was a lot of writing. A lot of taxation on my senior citizen brain. I’ve heard about old dudes who, from out of the blue, become all Rambo-like, able to face life’s challenges powerfully and expertly. Maybe something like that is what happened to me, scribe-wise, with the Scotland pieces. But now I’m back to my regular old-guy self. And as it turns out, even though I didn’t have to work too hard to compose this essay, my battery is practically drained. I need a snooze. Nothing I can do about it. Repeat after me: “C’est la f*cking vie!”

(Please don’t be shy about adding your comments or about sharing this piece. I thank you.)

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A Trip To Scotland, Part Two: Food And Beverage Time!

Soon after publishing A Trip To Scotland, Part One, I pretty well decided that Part Two of my wife Sandy’s and my recent adventures would be all about Edinburgh’s wonderfully beautiful Princes Street Gardens and the very astonishing Scottish Highlands. You know, nature stuff.

But things can change rapidly when least you expect them too. “Yo, Neil!” I said to myself when I sat down to begin composing this opus. “Many things got you stoked during your sojourn in Scotland. And, obviously, you can’t write about them all. I mean, this ain’t a memoir you’re creating here. But a few food and beverage items impressed the hell out of you and Sandy, and they’re practically begging you to devote a bit of wordage to them. Would it kill you to do that? Nope, it wouldn’t. Well, hopefully that last statement is true.”

Who am I to argue with myself? Princes Street Gardens and Scottish Highlands are now being rudely shoved aside by yours truly. Food and beverage have won out. But worry not, nature fans. The Gardens and the Highlands will be featured prominently, and possibly exclusively, in Part Three.

Sandy and I ate and drank awfully well while in Scotland. Plenty of salmon, plenty of beef, plenty of cheese. Not to mention plenty of beer and wine. Our meals often were hearty, and always were satisfying. You can’t ask for much more than that.

Haggis (Photograph credit: foodfolio/Alamy)

Yet I regret one thing, culinarily-speaking: I should have given haggis a try, even if only one or two forkfuls. Haggis is maybe the quintessential Scottish dish, after all. In one or more of its various permutations, it was on the menu of nearly every eating establishment we settled into.

But I didn’t. Haggis, a fairly complicated preparation of minced, cooked ingredients, contains oats, which I like. It also usually contains lamb or calf lungs, hearts and livers, none of which I’m eager to ingest. One or two forkfuls of haggis, however, wouldn’t have killed me. Well, hopefully that last statement is true.

Here, then, are a few of the various dining experiences that made a deep impression on me. All took place in Edinburgh.

Let’s start with coffee, a beverage that I down every single morning without fail. Sans coffee, I’m no good. Never did I expect to, but I had the second-best coffee of my life at the Southern Cross Café, where Sandy and I ate breakfast five times during our eight day vacation (the best coffee I’ve ever had was in Rome). SCC offers several styles of coffee. What we drank were large cupfuls of their Americano, which is made with espresso. Rich, fragrant, slightly sweet, it was delicious.

Scones at Mimi’s Little Bakehouse

When it comes to scones, the one I ate at Mimi’s Little Bakehouse one afternoon wasn’t the second best I ever encountered. It was the best. Sandy had a scone there too, and she thought it the greatest. The scones I’d previously had in my life were squat, dry and crunchy. Teeth, watch out! And I liked them. Mimi’s scones, however, were tall and unlikely to chip the choppers. Nicely airy, yet proudly firm, our scones came to our table warmed. They were delicate in taste, and comforting as a warm blanket. We spread butter and raspberry preserves on them. My brother, after I sent him a picture of the scones, asked for my opinion about them. Perfection is what I told him.

Bowl at top contains stovies. Bottom plate contains steak and ale pie.

At Deacon Brodie’s Tavern for dinner, Sandy and I ordered traditional Scottish food. Stovies for her, steak and ale pie for me. Stovies is a stew that always contains potatoes. Pieces of beef often are in the mix, as was the case with Sandy’s order. My entrée, loaded with potatoes and beef and an ale-infused gravy, was encased in a nifty crust. Ah yes, we enjoyed our choices very much. Home-style cooking is hard to beat.

Still, the steak and ale pie wasn’t the top dinner that I had. That honor goes to the two dishes I consumed at the Whiski Bar & Restaurant. Sandy sampled them that night and was so impressed, she ordered them when we returned to Whiski several nights later.

A lousy photo of 1) a bowl with a few remaining drops of Cullen skink and 2) part of a smoked salmon platter

I’m talking about Cullen skink, and a smoked salmon platter. I was in an adventurous mood during the first visit to Whiski, because I sure as shit had never heard of Cullen skink before. Skink, I later learned, means soup. And Cullen is a Scottish village where this creamy chowder, made with smoked haddock, potatoes and onions, originated. Man, it was something else. And I mean that in a good way. Salty and alive with flavor, it went down the ol’ gullet smoothly and happily. As tasty a soup as I’ve ever eaten.

And the smoked salmon presentation? Superb. Scotland is known for its salmon, of course. Whiski took a large piece of fine, crusty bread and topped it with baby greens, capers and thick slices of smoked salmon, dressing the bread lightly with crème fraiche and a salty sauce. After eating the soup I figured that the next course would inevitably be a bit of a letdown. It wasn’t. In fact, I might have swooned over the salmon creation more than I did the Cullen skink.

Okay, that’s enough oohing and aahing. Still, before I bid you adieu I have to tell you that my mouth has been watering for the last 10 minutes as I relived the Whiski Bar experience. That makes me realize, though I really didn’t need any reminding, what an excellent trip Sandy and I had. Food and drink aren’t always standout occurrences on vacations. When they are, it’s a bonus. I don’t know if I’ll ever get back to Scotland. But if we plan another visit to that land, I’ll look forward to being very well fed.

(Don’t be shy about sharing this piece or about adding your comments. Gracias.)

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Walking Around While Looking At Things . . . It’s What I Do!

What you’re now reading is another of my walking around while looking at things stories, this time an examination of my escapades last week on the day after Valentine’s Day. I’ve written scads of such stories since inaugurating this website in 2015. Hell, they probably account for one-third of my output. And why is that? Well, because walking around while looking at things is one of the activities I most like to do. It’s part of my fabric. Has been for decades. But I didn’t consciously realize that until the recaps of my mini-adventures started flowing naturally and happily from my keyboard four years ago. Yeah, writing sometimes teaches you about yourself. Learning is good!

Butler Avenue, Ambler, Pennsylvania

The 15th of February began in a cloud-covered, uncertain fashion in the Philadelphia suburbs where I reside. However, all signs, as indicated on the all-knowing weather.com, pointed towards bright skies and warm temps in a handful of hours. Itching to stretch my legs and to feel the Sun upon my wrinkled, age-spotted visage, I gathered my iPhone, a water bottle and a packet of trail mix, and jumped into my car when it became apparent that the weather prediction was correct. Eight miles later, at a few minutes past noon, I parked across from the public library in Ambler, Pennsylvania. The game was on! Another edition of walking around while looking at things was about to start.

For sure, in my neck of the woods there aren’t a whole lot of towns worth walking around in, including my own. That’s because most are uninviting, not looking like towns at all. What they do look like are hodgepodge collections of strip malls, large shopping centers, office buildings and residential sections. Eh!

Butler Avenue

Ambler, however, is a different story. It boasts a long, traditional main drag, Butler Avenue, that is filled with old and not-so-old structures containing eateries, non-food-related businesses of all manner, an art house cinema (Ambler Theater) and a stage theater (Act II Playhouse). And there are streets of interest that run perpendicular to Butler Avenue, including the misnamed Main Street, which decidedly is secondary to Butler. Whatever, much of Ambler, whose history dates back to the early 1700s, looks like a true village. The town, by the way, is named after Mary Johnson Ambler, a civic leader during the mid-1800s.

Bar on Main Street
Tattoo parlor on Butler Avenue

Now, my walk around Ambler wasn’t a walk for the ages. It was on the mild side, on the casual side. But a good walk it was, about three miles in length and nicely invigorating. Meandering from here to there as instinct and whimsy called, I enjoyed the hell out of the unseasonably warm temperature (58°F/14°C) and soft blue heavens, as I kept my eyes open for interesting sights, including good-looking women. Hey, it’s every girl’s dream to have a wrinkled, age-spotted geezer looking her over, right? Don’t answer that!

Houses on Main Street
Church door on Lindenwold Avenue

And, of course, I took photos of that which seemed worth documenting, such as street scenes, sharp buildings and signs, and the most interesting door that I could find in town. It belongs to Calvary United Methodist Church.

Ambler Boiler House, on Maple Street

Did I stumble upon anything I hadn’t expected to run across? Indeed I did. Near the town’s railroad tracks I saw a huge, smokestacked old building, now known as Ambler Boiler House. It’s an office building, but once was a power plant for the asbestos products factories that, for about 100 years, had been Ambler’s industrial core. Due to health concerns and governmental regulations though, asbestos, a carcinogen, eventually went out of favor, as well it should have. As a result, almost needless to say, Ambler’s fortunes fell swiftly, reaching a low point in the late 1980s when the remaining segment of its asbestos industry went kaput. That low point didn’t budge for many years.

Act II Playhouse, on Butler Avenue
Ambler Theater, on Butler Avenue

These days, though, Ambler is a lively place. Its revival can be pegged to the birth of the Act II Playhouse in 1998 and to the rebirth of the Ambler Theater in 2003, and to the restaurants that opened in their wake. My wife and I have been to Ambler probably about 150 times during the 21st century. And that’s mostly because of the cinema and the eateries. Many a night we’ve caught a movie and stuck around for dinner.

Ours is a world full of problems. Humans are skilled at creating problems, whether intentionally or not. In Ambler the main problem is the mountains of asbestos waste materials that were dumped in the southern end of town over many decades. The federal government has dealt with, and is still dealing with the situation. The asbestos is contained, supposedly, and poses no immediate threat, supposedly. But who really knows? (You can read a very good article about the situation by clicking here).

The Pizza Box, on Butler Avenue

Me, I become trembly and irritable when thinking about or confronted with problems too much. That’s one of the reasons why I favor walking around while looking at things. And it’s also one of the reasons why I enjoy sitting in pizzerias, where I can ingest my favorite food while letting my mind wander. Speaking of which, two-thirds of the way into my stroll through Ambler, I noticed The Pizza Box, a cute-as-a-pin establishment that I’d never paid attention to before. Inside I went, and was glad that I did, because the two slices of traditional pizza that I ate were very good. They helped ease my worried mind over the next half hour, as I further poked around Ambler before walking back to my car.

The above paragraph would have been a good one with which to end this essay. However, during the day that followed my mighty stroll it dawned on me that I, an ambler, had ambled in Ambler. And that many amblers amble in Ambler every day. It would have been oh so wrong of me not to point this out. Thanks for reading. Goodbye till next time!

(As I always say, please don’t be shy about adding your comments or about sharing this article. Thanks.)

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This Is My 200th Story! Will It Be My Last?

Image by Karma Willow Designs

It’s amazing! They said it couldn’t be done! I’m going to throw a party to which you all will be invited. I’m going to hire a sky-writing plane to fly over Manhattan and cover the heavens with this announcement: Neil Scheinin, a grand slacker, somehow has written 200 stories for his blog. A miracle has occurred!

And after all of that I might just hang up my writing boots forever. Why? Because writing mentally exhausts me. I mean, after I finish a piece I’m so limp you’d have no trouble folding me up and squeezing me into a goldfish bowl. I’ve gone through this 200 times now. Maybe that’s enough.

And if it is enough, that wouldn’t be so bad. With writing no longer on the menu, I’d devote the extra time on my hands to my living room sofa, where I’m already spending an average of 10 hours a day. The sofa is where I do my best kind of work anyway, you know. By which I mean that I am a master at twirling the handful of hairs remaining on the crown of my head while stuffing my maw with boxfuls of Cheez-It crackers. I love my sofa. My gratitude for having the comfiest place in the world to rest my ancient ass is eternal.

To write or not to write, that is the question. Making the decision isn’t easy. Which is why I’ve recently sought guidance from three individuals. The first conversation took place a week ago. It was with my esteemed editor, Edgar Reewright.

“Neil, the exorbitant fees that you pay me for my services are crucial to my financial stability,” Edgar screamed over the phone after I laid out my thoughts. “Do you hear me? Crucial, I say. My stable of writers has been shrinking like a Greenland glacier. Without you on board I don’t know what I’d do! Oh, why was I born? Why was I born? I should have listened to my parents and majored in philosophy in college. If I had, then I’d know the answer to ‘why was I born?’ Shit, maybe it’s not too late. Where are those volumes of the collected works of Plato and Aristotle that I occasionally glanced at years ago? Ah, I remember. They’re under my dog’s mattress, firming it up. Spot! Spot! Get off your bed! Daddy needs to get something.”

“Later, Edgar,” I said. “I’ll be in touch.”

Edgar’s situation is no joke. Though not many people depend on me, he definitely does. Conversely, my psychiatrist, Dr. R. U. Forereel, is someone upon whom many people depend. Including me. The day after I spoke with Edgar I attended my bi-weekly session with Dr. Forereel.

“Doctor,” I said to her after seating myself in her patients’ chair, “I know that we normally discuss issues that have their roots in my misspent childhood, such as why in my 71 years of existence I’ve never once bonded with a cat. If I weren’t so sphinxlike, maybe by now we’d have uncovered an answer or two to that one. My bad! But today I need your opinions about my creative outlet. I’ve been writing steadily for almost four years, as you know. My next story will be my 200th, a true milestone. But I’m weary, doctor. Writing has taken its toll on me. I’m thinking of ending my career.”

Career?” Dr. Forereel immediately exclaimed. “What career? Neil, the essays and other pieces that you produce are trifles, no? And you receive how much in payment for them? Wait, let me guess. The answer begins with a z and ends with an o and has an e and an r in the middle. Am I right? Neil, what you do with words amounts to nothing more than a hobby, a way to pass the time. There’s nothing wrong with that, of course, but it’s important to look at things realistically. I have no couch in my office for my patients, only a chair. But you, Neil, have a wonderful couch at home, as you’ve told me many times over the years. Take further advantage of that sofa. It’s one of your very best friends. Writing means little in comparison to the peace of mind that your sofa brings.”

At the end of the session I thanked the good doctor and then went to my car. Her advice echoed through my mind continuously during the drive back home.

Later that day I poured out my heart to my wife Sandy. Edgar Reewright had implored me to continue writing. Dr. Forereel had said, basically, “why bother?” What were Sandy’s feelings?

“Listen,” she began, “it’s entirely up to you. But I’ll say this: At least you’re not getting Cheez-It crumbs all over the couch when you’re at your writing desk. So that’s a good reason, in my opinion, for you to keep turning out your stories. However, there are how many projects around the house that you’ve never gotten to? Twenty? Thirty? Seems to me that starting a blog might be what you came up with to avoid doing what needs to be done around here.”

Valued readers, I’m in a quandary. I’m going to have to look deep within myself over the next several days. There’s plenty for me to ponder. Maybe I’ll be back on these pages. Maybe I won’t. Time, as always, will tell.

(Yo! Despite the uncertainties presented above, please don’t be shy about adding your comments or about sharing this story. Mucho gracias.)

The Story That Almost Wasn’t: A Sculptural Walk Through Philadelphia

“When things go awry, write the f*cking story anyway.” — Benjamin Franklin, Philadelphia, October 2, 1774

Leave it to Ben to get me back on track. Last week I happened upon the above quote in Mr. Franklin’s excellent book, Good Advice For Those Who Probably Are Too Damn Dumb To Know They Need Some Good Advice. Franklin published Good Advice in May 1775 at the behest of his friend Thomas Jefferson, a future American president. A few months earlier Jefferson had lit a fire under Franklin by saying this to him: “Ben, you’ve been talking about compiling some of your recent sayings into a book. F*cking do it already!” I tell you, I like the robust way that Ben and Tom talked.

If I hadn’t been thumbing through that little-known volume in a local library, the story you’re currently reading wouldn’t exist. Thank you, Benjamin. I’ve always believed the multi-talented Mr. Franklin to be the most accomplished and remarkable American of all time. And never, certainly, did I expect that he would kick my ass into gear.

For a year or more I’d had it in my mind to stroll through Philadelphia’s central sections, looking at and taking photos of my favorite outdoor sculptures. And, it goes without saying, turning the adventure into a story for my online abode. When the 6th of December rolled around last year I decided that the time had arrived. Despite it being a windy and cold day, into the city I headed from my suburban town. I was feeling good and was ready for action.

I arrived in Philadelphia with a list of the works I planned to visit. They comprised a tiny percentage of what’s out there, because Philadelphia, and not just in its central region, is loaded with outdoor sculptures. Many of them, natch, are of war heroes atop horses. Civic leaders, natch, also are well-represented. Me, I dig those sorts of fare — statues if you will — when they’re done stylishly. But I’ve always been more drawn to sculptures that are less standard and full of flair and vigor.

Bolt Of Lightning, by Isamu Noguchi

My first sculptural stop would be in the city’s Colonial-era section, at 6th and Race Streets, near where Franklin lived and even closer to where he is buried. There, in the middle of a traffic rotary often crazy with vehicles going to and from the Benjamin Franklin Bridge, stands Isamu Noguchi’s 101-foot-tall Bolt Of Lightning. It commemorates Franklin’s kite-flying experiment, during a thunderstorm in 1752, that showed the connection between electricity and lightning. Yes, Ben was the man.

In retrospect, the Bolt Of Lightning situation that I encountered should have tipped me off that the day might not turn out as hoped for. I wanted to dodge the whizzing cars and climb onto the rotary, where I’d get some up-close-and-personal photos of the very cool sculpture. But, wouldn’t you know it, a police car was parked beside the rotary. Sure as shit, if I had tried to reach the Bolt a police car door would have opened and I’d have been told to get the hell out of there. So, from a hundred feet away I took what images I could.

Milord La Chamarre, by Jean Dubuffet
Paint Torch, by Claes Oldenburg

After that I walked and walked, grabbing shots of artworks I’ve loved for years. Jean Dubuffet’s Milord La Chamarre, for instance, which is a wild and wooly vision of a nobleman, and Claes Oldenburg’s giant representation of a paintbrush balanced on the tip of its handle. Claes’ sculpture, Paint Torch, is appropriately placed, as it sits beside The Pennsylvania Academy Of The Fine Arts.

The Bond, by James West
(Ben Franklin on left, George Washington on right)

In front of the Masonic Temple, on my way to the Oldenburg work, I passed James West’s The Bond, a lifelike and life-size sculpture of Ben Franklin and George Washington, the USA’s first president. The guys, both of whom were Masons, are happy to see each other and are admiring Washington’s Masonic Apron. I probably had walked past this piece before but hadn’t really noticed it in a meaningful sense. At once it leaped onto my list of faves.

Brushstroke Group, by Roy Lichtenstein
Rock Form (Porthcurno), by Barbara Hepworth

Yeah, things were going swimmingly. But in the latter half of my stroll, my phone’s battery did something it never had done before. It went dead. I went into a public library and plugged the phone into an outlet, eventually resuscitating it. Then I continued my trek, a few minutes later reaching the Rodin Museum, on whose grounds sits my number one outdoor sculpture. Its English title is The Burghers Of Calais. The creation of Auguste Rodin, a Frenchman, it is stunning. A memorial to bravery and a profound depiction of anguish, the sculpture shows leaders of Calais, in the mid-1300s during war between France and England, gathering to face their death. The men had volunteered to be executed by English hands in lieu of a threatened killing of their city’s entire population. The intervention of the English queen, at some later point, saved them.

The Burghers Of Calais, by Auguste Rodin

I planted myself in front of The Burghers, aimed my phone’s camera at it and pressed the button. Voilà, a pretty good shot. Then I moved to a different spot to take a photo from another angle, got the camera ready, and . . . the screen went dark! The frigging battery had died a second time. An attempt at revival, via an electrical outlet inside the Rodin Museum, failed. Disgusted, I made haste to Suburban Station, within which trains that go to my little town may be found.

My mission had not been accomplished. Rodin’s sculpture required multiple photos, I felt, to capture its complexity. What’s more, two other sculptures on my list were left waiting for my visit. They had to be part of my write-up. A dejected semi-perfectionist, I threw the outdoor sculpture story idea into my cranium’s rubbish bin and left it there to decompose.

Seven weeks later, thankfully, I encountered Ben Franklin’s words of wisdom, the ones that are placed at the top of this essay. And I also encountered my wife Sandy’s comments when she was looking through the photos on my phone (the phone, by the way, somehow bounced back to life on December 7). “I like the sculpture pictures that you took last month,” Sandy said.

Looking at them again, so did I. And thus I decided to write the f*cking story anyway, a story that has some warts and holes but will have to suffice. As everybody knows, not everything turns out the way you want it to. You’ve got to roll with the punches and get on with life. That’s what big boys and big girls need do, a truth I’m not always great at keeping in mind.

(Please don’t be shy about adding your comments or about sharing this piece. Gracias!)

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A Colorful But Awfully Flimsy Story

Some stories coalesce properly, their meaningful themes presented intelligently, their aims met, their pacing expertly handled. Such stories have a powerful reason for being.

And then there are those stories that don’t have any good reason for being at all, such as the one I’m attempting to bang out right now. Holy crap, sweat beads are pouring from my brow, straining so hard am I to create product out of the thinnest threads of inspiration. My editor, Edgar Reewright, whom you possibly might recall from his previous appearances on these pages (click here and also here, for instance), couldn’t believe how low I was reaching when I tried to convince him that it didn’t matter if I published a pretty pointless article, considering that an infinitesimally small percentage of the human population ever reads anything I pen anyway.

“Edgar,” I said to him over the phone recently, “I’m shit out of decent story ideas. But I have to publish something, you know. Can’t let too many days elapse between articles, right? Right.”

And then I quickly summarized for him what I had in mind. I was met with dead silence for 15 seconds after I stopped talking. Finally Edgar spoke.

“Neil, you’re out of your friggin’ skull if you green-light this piece. It’s ridiculous. It’s dumpster-worthy. I want no part of it. You’re on your own with this one, cowboy.” And he hung up. Brusquely.

I took a deep breath. Tried to steady my nerves. And decided that, yes, the next day (February 11) I would proceed with my plan by beginning the writing process. Which is what I’m doing right now, as today indeed is the 11th. On what date I’ll complete the opus and punch the Publish button, I can’t say yet. But it will, of course, be well before Hell freezes over, unless that event occurs within the extremely near future.

The saga began a few hours before I dialed Edgar’s phone number. I was sitting on my living room sofa, trying to come up with something to write about, when I picked up The Philadelphia Inquirer’s sports section and began perusing the box scores of the previous day’s National Basketball Association (i.e., professional) games. In the distant past, when I was one of the way too many sports fanatics stomping around on our blue planet, I not only read the box scores every day during the pro basketball season, I also knew who just about every player was. My fanaticism having dissolved long ago, these days I’m familiar with maybe one out of six basketballers. But I continue to read the box scores nonetheless. What, like I have anything better to do?

Lo and behold, when I reached the final box score on the page, a synopsis of the February 9 game between the Houston Rockets and the Denver Nuggets, my eyes were drawn to an oddity in the Houston listings. What the listings contained was something I can’t remember ever coming across before during the countless hours I’ve spent in my life studying box scores from various sports. To wit, the final three surnames listed for Houston, meaning the gentlemen who were the last three to enter the game for the Rockets, were Green, Black and Brown. Wow! Three colors in a row! I had no idea who the players were (it turns out that their first names, respectively, are Gerald, Tarik and Markel), but that didn’t matter. What did matter was that I, story idea-wise, now had something to work with. Colors would lead me to good places I naively assumed.

Maybe, I mused, I’ll package the green/black/brown coincidence with a discussion of my favorite colors then and now (yellow when I was a kid, blue in my adulthood), some thoughts on the insanely huge numbers of colors described and displayed in Wikipedia articles (click here, here and here to see them), and somehow bring the proceedings to a tuneful conclusion with entertainment by musicians whose names are those of colors.

But on second thought all of that seemed too much, too ungainly. What, after all, do I have to say about the infinity of colors out there? Not a whole lot, except that it’ll drive you crazy when you’re trying to decide which color to choose for your living room or bedroom walls. Too damn much choice, as is the case with nearly everything nowadays.

And so I was left with music. Poor, pitiful me. Down to the dungeon I lumbered. It is there that I store my vinyl album collection, not to mention my world-class collection of pet spiders. I’ve got about 1,000 albums in all. And about 700 spiders. I’d decided to search for color names among the vinyl platters, which hold a nostalgic and esthetic spell over me, rather than from my sizeable trove of CDs. That’s because vinyl album covers have a whole lot more charm than their CD counterparts.

On the way down the stairs I further decided that I wanted color names that were surnames, not first names, in order to continue the pattern established by Monsieurs Green, Black and Brown. And I didn’t want to duplicate the colors already taken by the basketball guys. Thus, Red Garland (jazz pianist) and Pink Anderson (blues singer and guitarist) were out, as were James Brown, Jackson Browne and Al Green.

Patient readers, let me cut to the chase. I found only three musicians who met my goofy criteria. I selected one album by each. The musicians were jazz artists. I use the past tense because all of them, sadly, are gone. Only one (Horace Silver) is fairly well-known to the general public. The other two, Don Cherry and Michael White, decidedly aren’t, especially White. Silver, a prolific composer and hard-working band leader, played straight-ahead jazz. Cherry, one of my musical heroes, was an adventurer. His trumpet forays often would blister the atmosphere. White, who wielded an electric violin, possessed a mindset somewhat similar to Cherry’s. As a side note I’ll add that Horace and Don were major talents. Michael was good, but certainly not great.

Here then are three YouTube videos. Each offers a track from one of the albums whose front covers I’ve ever so lovingly photographed for this article.

A basketball box score. And three weirdly-chosen musicians. Yup, that’s what this story is all about. Don’t say I never did anything for you.

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