The Day I Came THIS CLOSE To Sort Of Meeting John Lennon

Was I going through a period of temporary insanity back in 1973? Had the gates regulating the flow of my positive emotions gotten stuck in the closed position? Well, yeah, that’s not too far off the mark I guess. It was a long time ago, and I have trouble enough figuring out the current status of my state of being. But I’m not totally clueless when it comes to identifying where I was at, mentally and emotionally speaking, in my days of yore.

Photo by Bob Gruen

Yes, my recollections may be on the spotty side. Still, there’s no denying the fact that my brother Richie and I were standing on Broome Street (in Manhattan’s SoHo neighborhood) one morning or afternoon in May or June of 1973, when John Lennon, unaccompanied and moving briskly, walked past us. I was living in SoHo, and Richie, a student at Columbia University, resided way uptown.

Out of the corner of my eye I’d noticed Lennon approaching. Richie saw him too. Yet we were blasé about the situation. Neither of us made eye contact with or said hello to the guy we’d worshipped, who had been one of our ultimate heroes only a couple of years before.

I won’t speak for Richie, but I will for myself. “Yo, schmuck! What the hell was wrong with you, Neil?” I just heard myself asking myself.

Hey, give me a break! I was (pretty) young.

I recall this incident every great once in a while, but hadn’t in ages until Thursday of last week. As I was brushing away that morning’s breakfast, hardened like cement on my teeth, Lennon’s song One Day (At A Time) came on the radio and, for reasons unknown, it instantly brought me back in time. And I knew for sure that John Lennon was to be the key for the story you presently are reading when, a few hours later, I heard a radio disc jockey sorrowfully mention that the following day (December 8) would mark the 37th anniversary of John’s death. As nearly everyone knows, he was murdered by a crazed, miserable asshole outside the apartment building in which he lived with Yoko Ono on Manhattan’s Upper West Side.

There are reasons why John Lennon and I more or less crossed paths. Here goes.

That long-ago spring found me, four years post-college, floundering magnificently in the game of life. My romantic prospects were nil. My meaningful career prospects were niller. My bank account had a few bucks in it, but basically was pitiful.

Pretty much unanchored, I sublet for three months, with a friend from my college years, an affordable, beautiful apartment on Broome Street in the up-and-coming SoHo section of lower Manhattan. I spent my time traipsing around the city, checking out the neighborhoods and low-cost entertainment and picking up temp work to bring in a smattering of bucks. Those were the days when you could eat cheaply, a slice of pizza being available for a mere 25¢, and when a person might devote a lot of hours to worrying that his personal compass wasn’t pointing in a good direction.

John Lennon wasn’t having the easiest time of it either back then. The U.S. government was doing its best to try and deport him. And he and Yoko were having big marital problems. Somewhere I’d heard or read that they were separated and that John was living in SoHo. I never knew any details of his domestic situation while I lived on Broome Street, but I kept half-expecting to see him around.

See a Beatle on the street? Man, once I’d have fainted if that ever came to pass. I mean, I’d been an incredibly major Beatles fan. I lived and breathed Beatles for years. But strangely, a year or two after their 1970 dissolution, their aura began to dissipate. I still kept up with each Beatle’s doings, but the magic spell they’d had me under was no more.

Yep, John had plenty to worry about in 1973. But his woes didn’t stop him from doing what he did best: Writing songs and making music. Undertaking a bit of research last week, I discovered that he entered a Manhattan studio in July 1973 to record his Mind Games album. Most likely he was writing some songs for that record when I saw him on Broome Street. And the kicker is this: One Day (At A Time) comes from Mind Games. There’s a real chance that the lovely song that set this story in motion might have been partially playing in his head when our near-encounter took place.

Some stories need a moral and/or reason for being, and this is one of them. I therefore pose this question: If I knew then what I know now, would I have acted differently? Answer: Damn straight, boys and girls. I ain’t exactly deep on the path to enlightenment in these latter stages of my life, but I sure have a few bits more sense than did my more youthful self.

For example, if there’s anything I’ve learned over the years it’s that being friendly to people right and left is the way to go. It won’t kill you. Or so I’m told. If I’d had my head on straighter in 1973 I’d have smiled at John Lennon and said “Hey, man. Thanks for all the great music you’ve made,” or “Hello, John. Fancy meeting you here.”

Lennon likely would have saluted Richie and me and thrown a “It’s a pleasure, gents” type of remark at us while continuing on his way. And if something along those lines had taken place, I’d now have a hell of a better tale to tell than the one I own. Or, come to think of it, maybe not . . . as with all aspects of life, it depends on how you look at things.

(Please don’t be shy about adding your comments or about sharing this article)

Advertisements

Looking At Love: A Musical Story

It was about 8:30 on a recent Saturday morn. Breakfast having slid down my throat 15 minutes earlier, I was in position on the living room sofa where I was thumbing through the newspaper, absentmindedly twirling the handful of hairs on my head into poor facsimiles of ionic columns, and listening to the radio. In other words, per usual, I wasn’t doing much. But that’s the way I often like it.

The radio station generating tunes in my house was WXPN, the stellar music provider from Philadelphia that has sparked me to compose any number of stories since my blog’s inception in April 2015. I’ve given XPN a ton of free publicity on these pages, but that’s a-ok. They deserve it.

WXPN likes to keep things mellow on much of Saturday and Sunday mornings. Appropriately, they named the show that airs during those hours Sleepy Hollow. You ain’t going to hear anything by Albert Ayler or Public Enemy or The Sex Pistols on the Hollow. James Taylor and Billie Holiday and Conor Oberst you will. Nice and easy does it, as Frank Sinatra once sang.

And that’s fine with me. And with my wife Sandy. We’re of the sort who like to ease slowly into the day. Sleepy Hollow is the proper conduit for such.

There I was, then, having constructed two unstable ionic columns and working on a third, when a lovely song caught my attention. A few numbers later another beauty made my eardrums sigh. And, it being my lucky day, a third tune, sweet as it could be, soon entered my living room. I’d never heard the songs before. Right away I suspected that I was going to write about them.

The songs in question are Cold As Canada, Time Will Tell and Love Had To Follow. Paul Kelly, Gregory Alan Isakov and Ron Renninger, respectively, are their composers and singers. I’ve given each song repeated listenings on YouTube since that fateful Saturday morning and have not lowered my estimations of their qualities. They are real good works of art.

I think these songs grabbed hold of me because of their sonic similarities. Each is spare in instrumentation, and each singer handles his words gently. Plenty often that formula results in sappy drivel, but not in the case of the Kelly, Isakov and Renninger opuses. And what I realized, after first hearing them, is that they concern themselves with the most powerful and basic of human emotions, and the one that I’d guesstimate about 75% of the non-instrumental songs ever written either touch upon or are fully consumed with.

Sisters and brothers, we’re talking about love.

Yeah, love. I’m not exactly issuing any news bulletins when I say that love can be as present as air, as elusive as a yeti or as slippery as a shapeshifter. It might be hot, it might be tepid, it might barely register a reading on the Celsius or Fahrenheit scales. What can you say? . . . Love’s usually complicated.

We get three differing discussions of love in my Sleepy Hollow songs. Cold As Canada, tender and sorrowful, an ideal vessel for Paul Kelly’s nasal, Dylanesque voice, is about a gal whose love for her guy has faded a whole lot. Unhappily cold, she’s leaving him, knowing that, as Kelly writes, there’s “no good way to say goodbye.” There isn’t.

Cold As Canada, which comes from Kelly’s 2012 album Spring And Fall, is a straightforward and humble work, its melody clean and pure. Kelly, a gent of 62 with a four-decades-long career in place, is a major star in his native Australia and can rock vigorously. But rock he doesn’t on this song or on quite a few others in his large oeuvre.

Now, I’m a sucker for a waltz, especially one with an unusually beguiling melody. Which means that Time Will Tell doesn’t want to give up occupancy in my brain. If there’s a lovelier, more wistful tune out there, I’d eat my hat if I owned one. And you know what? A few days ago I almost rolled off my bed when I heard Time Will Tell in a Subaru television ad. Huh? How did Subaru come across this song? Whatever, I’m glad that what I imagine are decent bucks have landed in Isakov’s pockets. It’s a struggle for most musicians to pay the rent.

What we have in Time Will Tell is a lyric open to interpretation. The words are seductive and vivid, but somewhat cloudy at the same time. Blowing the clouds away, however, I’ve decided that the story concerns a couple, two good folks who have been together for a long time and, as good folks sometimes do, are wondering if their common path is separating. It might be, but not too seriously. Their love is destined to get back on track. “Time will tell, she’ll see us through.”

Time Will Tell, from 2013’s The Weatherman album, is not dissimilar to much of Isakov’s output. He’s a folkie at heart, a mystical one who has attracted a lot of fans and has sold a lot of tickets. At 38, he’s two decades into his career and seems to have found a good, solid path to mosey down.

What, then, of Love Had To Follow? This is an easy one to decipher, even for the likes of me who couldn’t get the gist of Horton Hears A Who and How The Grinch Stole Christmas. The song is all about love at first sight, a love that lasts forever. Really, it’s that simple. I promise.

Unlike Kelly and Isakov, I’d never heard of Renninger before the Hollow brought him my way. He’s one of those guys who has been around forever (his music career began in the mid-1960s) but has never come remotely close to becoming even a wisp of a household name. But he’s still at it. Love Had To Follow is found on The Man Who Became A Song, his album of one year ago. If I owned a hat, I’d tip it to Renninger’s perseverance and love of music.

Over the centuries, hundreds of thousands, probably several million good songs have been written about love. I imagine that hundreds more were composed while I penned this article. Love . . . it makes the world, and the music biz, go round.

(Please don’t be shy about adding your comments or about sharing this article)

I Didn’t Expect To See THAT!

One of the things I like about writing stories for this here website is that the process sometimes leads me to examine the way I live my life, to notice my tendencies and to become more aware of my likes and dislikes. In other words, I’ve come to get a better, more organized sense of who I am since I began pecking away at my computer’s keyboard two and a half years ago, launching this blog into heavenly cyberspace.

And who am I, you ask? Holy crap, you think I’m nuts enough to lay myself bare in this article? Well, maybe I am that nuts, but I’m going to restrain myself. Instead, I plan to leave all of the juicy details for the blockbuster memoir that I’ve just now decided to begin work on soon. Do, Re, Mi Mi Mi Mi Mi will be its title. In it you will learn all there is to know about mi . . . I mean, me.

Gentle readers, I apologize for the detour. Where was I heading? Ah yes . . .

Surprises. Pulling my thoughts together while writing stories has made me fully realize that I like surprises. The good ones, that is. Not the bad, an example of which would be having Donnie Trump knock on my door on Halloween night and yell BOO! at me at the top of his lungs. That miserable motherf**ker wouldn’t even need to wear a devilish costume. In civilian garb he’s more than frightening enough.

Good surprises came my way quite a few times during the Cape Cod vacation that my wife Sandy and I indulged in last month. They weren’t of the knock-your-socks-off variety, but I found them hip in a modest sort of way. And here’s the thing: Sandy and I have explored Cape Cod’s territory so relentlessly over the 20 years that we’ve been vacationing there, I no longer expect to come upon something that I deem to be cool and that I also haven’t seen or experienced in ages, if ever. But as they say, you never know. Let’s take a look at the two incidents that startled my eyes the most.

Sandy and I were in Provincetown in mid-afternoon on the twelfth day of October, ambling along Commercial Street, one of the town’s two main drags. The air was warm and the Sun, though fairly low in the sky, was ridiculously bright. I must have been lost in a daydream, for it was only at the last minute that I became aware of a very large orange and black object, a school bus, taking up all kinds of space in fairly narrow Commercial Street and also in Law Street, the really narrow side street from which the vehicle’s driver was attempting to make a right turn.

The driver was in a tough situation. If he had continued to bear right he’d have delivered a mighty blow to the building occupied by kmoe, a high-class wares establishment. How would the driver, who had only inches of wriggle room, get out of his predicament? Would he get out of it? I was fascinated by the spectacle. It struck me as not only comical but bordering on the surreal, giddily out of place in quaint, artsy, cute-as-a-button Provincetown.

Well, if it had been me behind the wheel, I shudder to think what might have ensued. No doubt Provincetown soon would have been saying a eulogy for the picket fence across Commercial Street from kmoe and/or for the shrubbery a breath away from the bus’s rear. And kmoe itself would have had to close for extensive renovations.

In the end, thankfully, all was happily resolved. With assistance from a good Samaritan who took up position in the middle of Commercial Street and provided verbal and hand-gesture guidance, the bus eventually was freed. Hallelujah!

Why in the world, though, had the bus been on Law Street? Provincetown has more skinny streets than Imelda Marcos has pairs of shoes, and they ain’t welcoming to anything bigger than a pickup truck. The bus driver must have been zoning out or simply in the mood to add some dollops of excitement to an otherwise placid day. I’ll never know.

Sixteen days later I decided to go for a fairly long hike along some Atlantic Ocean sands. The rented house that Sandy and I called home, in the town of Orleans, is oh so close to the ocean, so I stuck my feet into a pair of sneakers and headed out the door.

By way of an ocean inlet I reached Nauset Beach in a handful of minutes. It was a lovely day, on the warm side, and the ocean waters, in the midst of low tide, were pretty calm. I strode southward with little in mind except to enjoy the views and to nod and smile like a good neighbor at whomever I crossed paths with. And I had my eyes open for seals, as they commonly cruise in the ocean on their way to the sand islets, just offshore Cape Cod’s southeastern coast, that serve as safe havens for them. I didn’t notice any of those creatures though. I did, however, dig the sight of a small group of seagulls that were in shallow water, a pebble’s throw beyond the mud flats left behind by the low tide. They seemed very cool, calm and collected.

After 30 or 40 minutes of all of this I made the command decision to reverse direction and find my way home.

It was during this return journey that I noticed a couple of folks sloshing around in the mud flats. Throwing aside all concerns about dirtying my bright white sneakers — hey, I’m nothing if not a manly man! — I began to slosh around too, enjoying the heck out of the day. I moseyed northward in the flats, and with each step my admiration for their soppy, primitive beauty grew. They needed to be documented, so I pulled out my iPhone and got its camera ready. I positioned myself just so, the Sun to my back, and was about to press the button. But what was that dark image that had entered the scene? I blinked twice before realizing that it was my shadow, a shadow of someone readying to snap a photograph.

Was it possible that I’d never noticed my own shadow on a beach before? If I had, I didn’t recall the prior occasion(s), which isn’t too unbelievable considering the sieve-like consistency of my cranium’s contents. In any case, I recognized the fact that the design, a most unexpected addition, enhanced the loveliness of the mud flats. I pressed the iPhone camera’s button. And it is with the resultant photograph that I now take my leave of you.

Till next time, amigos.

(Don’t be shy about adding your comments or about sharing this story. Thanks,)

(If you click on the photos, larger images will open in separate windows)

A Monumental Provincetown Story

Let no one declare that I don’t follow up on my threats, for here I am at my writing desk penning another story about Cape Cod, just as I intimated I might do in my previous essay (click here). For those of you who have read more than enough about the Cape on these pages over the last two years, now’s a good time to turn your attention to a different sort of activity, such as sending one of Hallmark’s What The Hell Is Wrong With You? cards to Donnie Trump. But please promise to return to check out what I have to say next time around . . . unless it too turns out to be a Cape opus. In which case I give you my permission to send one of those cards to me.

Provincetown’s village section (as opposed to Provincetown’s enormous and mostly uninhabited areas of beaches, woods, marshes, sand dunes and sand valleys that separate the village from the Atlantic Ocean) — that’s what I had in mind to write about after strolling along many of its streets for several hours a couple of weeks ago. I was in P-Town, as those in the know call it, during my wife Sandy’s and my annual Cape Cod vacation. Our home base was Orleans, about 25 miles away.

I meandered very contentedly, snapping a bushel or two of photos and figuring I probably would have little problem turning the excursion into a blog-worthy piece. But as one and then two and then three days following the jaunt went by, no satisfactory story slant entered my mind.

Remarkably, panic-prone me didn’t panic. Instead I took a few deep breaths, dropped to my knees and prayed to the blogging gods for assistance. “Get up, you schmuck, before you hurt yourself! Did you forget that you’re about as flexible as a baseball bat?” they immediately shouted at me. I rose slowly, creaking like an ancient wooden chair. “Okay, that’s better. Listen, you definitely should write about your Provincetown amble. But put the Pilgrim Monument near the center of the story, because you’ve always loved the Monument more than anything else in Provincetown. That’s the best advice we can give you.”

Hey, they were right. The Pilgrim Monument, located just two blocks from Provincetown village’s central area, is a stunner. And when I’m Cape-side it’s in my thoughts or pleasing my eyes a fair amount of time. That’s because I admire its enormous size and equally enormous aura. I mean, it’s got presence up the wazoo and seems almost supernatural to me, so unlikely is it in appearance compared to all that surrounds it. The Pilgrim Monument is the stolid, solid and protective alien creature that Provincetown and the rest of Cape Cod didn’t know they needed until it was erected in the early 1900s.

Provincetown village is charm personified. And it was made for strolling. Lovely, sea-sidey houses abound. As do more-polished abodes with beautiful gardens, and art galleries and food venues ranging from grab-a-bite to haute-cuisine. Not to mention funky stores of one kind or another that, with the galleries and eateries, run along Commercial Street, P-Town’s main shopping drag, and to a lesser extent along the village’s other lengthy artery, Bradford Street. And you’d have to possess a heart made of granite not to be beguiled by Provincetown Harbor, whose waters are fed by gargantuan Cape Cod Bay. The harbor is but a stone’s throw from Commercial Street.

The small and smaller streets in Provincetown, which occupies the far tip of Cape Cod, never cease to amaze me. Some are half-hidden, some little more than cubby holes — good luck ever finding those again if you fail to jot down exactly where they’re located. All of that suits me just fine, as I’m a fan of the whimsical. I’m also a fan of  peace and quiet, and things were real tranquil during the day in question. Artsy, open-minded and gay-friendly Provincetown, population around 3,000, is overrun with visitors and vacationers during the summer, but not so in autumn, which is when Sandy and I plant our temporary roots on the Cape.

Fifty minutes into my exploratory venture, I caught a glimpse of that which the blogging gods suggested I focus on. Despite its being 252 feet from toe to head (it’s by far the tallest structure on vertically-challenged Cape Cod), and perched on a hill to boot, you can’t see the Monument from everywhere in town. Trees and buildings, though nowhere near as tall as the Monument, commonly obscure the view. But as I got closer to the old soul, I sought out perspectives that partly or fully brought it into my field of vision. I especially liked the way the Monument, three or four blocks away at that point, stretched its torso above a Gulf gas station’s sign on Bradford Street.

Funny thing about the Pilgrim Monument. It was created to honor the Pilgrims who voyaged in 1620 from England aboard the good ship Mayflower and helped colonize these here United States. They made their first landfall in what would later be known as Provincetown, before moving on soon after to a permanent home, across Cape Cod Bay, in Plymouth.

You’d think, then, that the Monument’s basic design or at least its adornments would acknowledge the Pilgrims or the Mayflower or the European settlement of the States. A plaque near the Monument takes care of those matters, but not the Monument itself. The decision was made to pattern the Monument after a bell tower that was built in the 1300s in the hilly, landlocked Italian town of Siena. Huh? Wha? An Italian tower in a bohemian New England fishing village? But as it turns out, for me anyway, the Monument’s fish-out-of-water aspect, not to overlook its stateliness, makes it the brightest star in town.

There are other reasons why I enjoy the Monument as much as I do. I find it more than cool that the tower is visible from miles away along certain sections of Cape Cod Bay. Though it’s only twig-sized from those vantage points, I feel good knowing that it’s there. And more than once I was gassed to see the big guy poking up its head while I was scampering in the aforementioned Provincetown sands just outside the village.

But more than anything, I get kind of weak in the knees when I’m near the Monument at night. When the Sun goes down, lights illuminate the giant. I don’t know, I guess I’d have to say that the nighttime Monument is one of the finest sights I know of, not only beautiful but curiously otherworldly. As my afternoon in Provincetown segued into night, I stared more than once at the Monument. And took a couple of pictures. One of them is the money shot.

(Don’t be shy about adding your comments or about sharing this story)

(If you click on any photo, a larger image will open in a separate window)

A Grunion Story

A few weeks ago I was at a suburban Philadelphia branch of the Weis supermarket chain. Nice store. Big, well-lit and damn fine when it comes to offering a sweet selection of beers. Beer shopping usually is my main reason for entering Weis’s doors. I’ve dropped a lot of dough there in that pursuit.

What I buy, being a beer snob, are brews other than Budweiser and Miller and their milquetoast cousins. Over the last 25 years I’ve developed a love affair with more flavorful brews: the bright and piquant in taste; the murky and dense; and the bitter as hell, to cite a few. And Weis is a mecca for such goods.

So there I was, eyeing Weis’s beer shelves with deep interest. I’m always on the hunt for beers I haven’t had before, and I came upon one that day. It was an example of a pale ale, which is a common species of bitter beer that breweries like to tweak and play around with. Its maker was Ballast Point Brewing Co., a San Diego-based enterprise I was slightly familiar with, and the name on the label was Grunion Pale Ale. Grunion? The word rang zero of my bells. What’s more, the label pictured two fish writhing on the sands. What the f*ck was that all about? I hadn’t a clue. I bought a bottle of it, natch, along with a bunch of other brews, and went on my merry way.

Not many days after that I brought the unopened, fish-labelled bottle with me when my wife Sandy and I joined two of our top friends, Liz and Rich, at a Thai restaurant in the Philadelphia burbs. The place is a BYOB. Rich asked me what beer I’d arrived with. I showed him the bottle.

“Ah yes, grunion,” he said. “They are tiny fish that crawl out of the ocean to mate on beaches in southern California. They are quite amazing.”

I stared at him in disbelief. “Are you kidding me?” I finally asked. “You actually know what grunion are? And you know about their sex lives? How is this possible? I doubt if you’ve ever been fishing in your life.”

“What can I say?” Rich coyly intoned. “Some of us are blessed with the gift of extensive knowledge.” Those weren’t his exact words, but they are close enough.

I looked at Sandy and at Liz. I asked them if they’d ever heard of grunion before. The answer was no. I then proceeded to begin drinking the beer. It was delicious. Bitter, slightly citrusy from the hops used in its creation, and not the slightest bit fish-flavored(and that’s because grunion are not used in the brewing process. They only are on the label!).

Twenty-four hours later Sandy and I were at dinner in downtown Philadelphia with two more of our top pals, Cindy and Gene. The conversation, profane and giddy, went all over the map. After a while I started recapping the previous evening’s beer story.

“Can you believe it?” I said to Cindy and Gene. “Rich actually heard of grunion. Have either of you?”

“Not me,” said Cindy. However, Gene, a polite and non-bragging sort, had this to say: “Oh, I know about grunion. They are tiny fish that crawl out of the ocean to mate on beaches in southern California.” Those weren’t his exact words, but they are close enough.

I stared at Gene in disbelief. “Man, you’re a city boy,” I said. “Why do you know about grunion? Seems to me that they’re as obscure as can be.”

“Well, when I was younger I used to read a lot about animals,” he said.

I guess he did!

I firmly believe that in the greater Philadelphia region, whose human population exceeds the 6,000,000 mark, you’d have to search far and wide to find people who could tell you what grunion are. Yet, on successive evenings I’d broken bread with two of them. Talk about infinitesimal odds. If only, after all these years of knowing Rich and Gene, dashes of their brain power had made their way over to me.

Anyway, since those two grunion-centric meals I’ve done a bit of research into grunion. Not much, because I’m not the scholarly type, but enough to get a feel for the subject. Grunion, it seems, come in two similar but somehow different varieties. Type One lives in the ocean waters off of southern California. Type Two inhabits the Gulf Of California in the Mexican region known as Baja California. And indeed both types do crawl out of the water to mate. They do this at night during certain months of the year. You can read about grunion by clicking here.

And you can witness grunion doing their slithery, entwining beach thing by clicking below. Thanks to this YouTube video we might learn some new sex positions from the grunion spectacle. Hey you!!! You’re blocking my view!!! Sit down!!!

Alas, it’s time for me to wrap up these proceedings. Before doing so, though, I’ll add that Ballast Point Brewing Co. was founded by a bunch of cool guys. They like to fish almost as much as they like churning out beers, which is why they name most of their products after fish and other occupants of the seas, and picture said creatures on many of their labels. I’m on the lookout for Ballast Point’s beers now that I’ve sampled Grunion Pale Ale. Supporting those who not only are talented but lean toward the offbeat side is a good idea, don’t you think?

(Don’t be shy about adding your comments or about sharing this story. Thanks.)

I Need To Sit Down! (Tales Of A Dazed And Confused Volunteer)

On Tuesdays I man my post in a medical office building in the suburbs of the City Of Brotherly Love. The hours I put in there are of the volunteer variety, and I’ve been putting them in for the last seven years. Hey, a guy has to do something meaty when he hangs up his spikes from paid employment, or he very well might find himself hopelessly engulfed by his living room sofa. And volunteering is one of the good options for the post-career stage of life — giving back, as millions of people like to say. Yeah, that’s true — I get satisfaction from helping others at this and at my other volunteer gigs. But keeping busy is really more to the point. You’ve got to watch out for that f**king sofa, believe me. Its grip can be ferocious.

The infamous information desk

In the medical office building, which is one small part of an enormous regional health system, I stand behind the information desk from 8:00 AM until noon, doing my best to respond in an accurate and semi-intelligent manner to visitors’ questions and concerns. Though there is a chair behind the desk, I rarely sit in it. I do enough sitting at home.

“What room is Doctor Watson in?” is an example of the questions commonly asked of me. Hey, I know the answer! Do I win a prize? “Take the elevator over there,” I say, pointing my admirably-toned right index finger in the elevator’s direction, “and go up to the second floor. He’s in room 222.”

Or, “Is there a bathroom on this floor?” I’m queried frequently.

“Yes, luckily for you there is,” I answer, pointing to the niche that leads to the female or male loo, depending.

Or, “I don’t have any cash to pay to get out of the parking garage,” many people say to me, regarding the cash-only policy of the multi-level structure behind the medical office building. “What should I do?”

“Well,” I’d like to say, “how about wising up and carrying some money with you at all times? You never know when you’ll need it, genius.”

But instead I tell them that the cashier will ask them to fill out a form so that a bill can be sent their way, and then will raise the gate to let them out.

Another fascinating view of the desk.

None of this sounds too exciting, right? But I like the job, you know. Lots of people come up to me during my shifts, and that volume of situations keeps me on my toes and agrees with me just fine. Still, I get a bigger charge when the unexpected, in addition to the usual, occurs, and once in a while that happens. Now, keep in mind that I medicate myself with LSD on a daily basis, the better to stay in touch with my innermost self, so possibly neither of the following incidents took place two Tuesdays ago. But I’m more than certain that they did.

I was behind the info desk, absentmindedly stroking the three remaining strands of hair on the crown of my head, when a suspicious-looking, middle-aged guy burst in through the main entrance. I say suspicious because a sizeable firearm was poking out of the waistband of his jeans.

“Where’s the Wells Fargo bank branch around here, cuz?” he breathlessly shouted. “I’m lost, and I’m supposed to meet my three partners there in 10 minutes.”

“We’re going to hold up the place. Don’t tell nobody, okay?” he added, nodding at his waistband.

“I won’t, sir,” I said politely, somehow able to mask the panic that was threatening to turn my knees into jelly. “Your secret is safe with me. The bank you’re looking for is three blocks north of here on this same side of the street.”

“Appreciated, amigo,” the guy said as he bolted out the door to the car he’d parked in front of the building.

I took several deep breaths, regrouped and did a pretty good job of putting the incident out of my mind. Next day I read — that is, I’m quite sure I read — about the robbery. It was big news. The newspaper reported that all four participants had been captured by the police, 15 minutes after making their escape, in a nearby McDonald’s where they paid for their Happy Meals with a crisp $100 bill. Their server was in the midst of giving them change when the cops arrived. Apparently one of the bank employees had heard the robbers talking among themselves as they were exiting the bank. “I’m hungry,” one of the bad guys had said. “There’s a Mickey D’s a minute from here. Let’s go, boys. We’ll divvy up the loot after chowing down.”

That’ll teach ‘em. They should have gone to a Burger King instead. The food’s better there.

Anyway, the day’s electric jolts hadn’t ended. That’s because a real looker, somewhere in the second half of her 40s I’d say, came up to me about two hours after the pistol-packer departed. I’m a sucker for real lookers.

“Young man,” she said, eyeing me from head to toe and apparently not noticing that I am 20 or more years her senior, “I dropped my husband off an hour ago for his cardiologist appointment. Then I went shopping at the mall, and now I’m back. He was supposed to meet me here in the lobby after he was through. But he’s gone. Gone, I tell you. I think he skipped off with Susie, the physician’s assistant he’s never been able to keep his eyes off of. The girls at the front desk in the cardiology office looked high and low for him. There was no sign of my Kevin, who never checked in with them, and they couldn’t find that floozy Susie either.”

She took a few steps toward me, coming very close, and then, unbelievably, began to twirl playfully the aforementioned three remaining strands of hair on the crown of my head. “Pretty boy,” she said, “how about you and I go back to my place right now for a coffee and maybe something more? I’ve seen you here before and I’ve always liked your style. I know that you and I would find much in common, if you get my drift. I’m Lola, by the way.”

What? Nothing like this had ever happened to me. Once again I began to feel weak in the knees, not to mention in the head. “Hang on a sec, Lola,” I said. “I need to think. But first I need to sit down, which is something I almost never do here.”

I plopped into the chair behind the information desk and closed my eyes. Almost immediately I found myself in dreamland. When I woke up 10 minutes later, Lola was nowhere in sight. Maybe she’d located Kevin. Or maybe she’d found companionship with the FedEx deliveryman who makes his rounds in the building at about 11:30 on Tuesday mornings. Probably I’ll never know. Whatever, I headed for the parking garage, got into my car and made my way home. I’d had enough excitement for one day.

(If you enjoyed this story, then don’t be shy about adding your comments or about sharing it. Thanks.)

Time For A Checkup

Soon after I hit the Publish button last week in the very wee hours of Wednesday morning, sending yet another of my numerous music-related narratives into the ethers, I also hit something else. Namely, the sack. Not a grand number of hours later I arose, all bright eyed and bushy tailed, which to tell you the truth isn’t a pretty sight. I mean, I don’t know about you, but my tail hasn’t been looking too good for the last 30 years.

Anyway, an hour later, over breakfast, I began thinking about what I might write for the following week’s article, which is the one you are reading right now. I let my mind wander. And when nothing came of that I focused on a few specific story ideas that I’d been contemplating for a while. But the time seemed not quite right for any of those to flower. Uh-oh, the clock was ticking. If I failed to produce, who knows what ghastly consequences might result?

Dr. Mel Ifluous (in a playful mood)

Beginning to panic a bit, sensing sweat beads making their way onto the palms of my hands, I suddenly realized that a more pressing concern than story writing was attempting to stare me in the face. Somehow I’d forgotten that this blog’s two-year anniversary had arrived. Which meant, of course, that a two-year checkup was highly in order. Dashing to the phone I dialed the number of my internist, Dr. Mel Ifluous. His office manager answered. After I explained the situation to her, stressing its urgency, she squeezed me in for an appointment the following day. Dr. Ifluous is a wonderful physician, perceptive and sharp. I knew I’d be in good hands.

At 11:00 AM Thursday I was ushered into Dr. I’s examining room. A few minutes later he entered. We shook hands.

“Neil, it’s good to see you. How are you feeling?” Dr. Ifluous asked while thumbing through my medical records. “Hmmm, you were here three months ago complaining about sunburnt ear lobes, an inability to look at any and all green vegetables, and pains in your fingers from prying off the caps, using only your digits, of the 20 or so bottles of beer you drink each day. I take it that my prescriptions and suggestions didn’t solve the problems. Otherwise you wouldn’t be here right now.”

“Dr. Ifluous, to the contrary. I’ve followed your advice and, for the first time in decades, I’m feeling fit as a fiddle. My ear lobes, as you can see, are as pale white as the rest of my body. I now eat arugula and its kin and green beans like they’re going out of style. And I’m down to 12 bottles of beer per day, which has made all the difference in the world to my fingers. Doctor, I thank you.”

“This is good news, Neil. Why then, though, are you here?”

“Doctor, I made this appointment not for me, but for my blog. You see, I began the blog almost exactly two years ago, and I’ve written quite a few articles for it during that time. Two years is a long stretch, Doctor. Things can go wrong. Basically, I’m worried about the blog. I’m uncertain about its health. It needs a checkup.”

“I understand, Neil. I understand. What exactly are your concerns? I look at your stories now and then and I have to tell you that they seem alright to me.”

“It’s very nice of you to say that, Dr. Ifluous. But I’m not so sure. What’s bothering me more than anything are the topics I write about and the tone I take. Wouldn’t you say that my stories seem kind of light and fluffy? That too many of them are just plain loopy? And that my impressionistic ruminations about music, art and nature really aren’t making any kind of difference? Doctor, I’ve been thinking that I should move in headier directions and start writing about politics, science, religion, philosophy, not to mention the complexities of human relationships. The blog might be far superior if I did.”

Dr. Ifluous gave his chin a thoughtful rub, adjusted his eyeglasses and then laid my medical records on his desk. Looking deep into my eyes he said, “Neil, I’ve known you for a long time and, to be honest, you’ve never struck me as a PhD sort of guy. What do you know about philosophy, for instance? Tell me a thing or two about Kierkegaard and Sartre.”

“Well, Doctor, they both lived in Europe, right? I’m fairly sure about that. And Sartre, I think, smoked cigarettes by the truckload. Anything more I’d have to take a look at Wikipedia — that’s what it’s there for, you know.”

“Very deep, Neil, very deep. And please expound upon human dynamics.”

“Uh, that’s a complicated area. One thing I’m confident in saying is that life is like a checkout counter . . . you’re usually on line in one way or another.”

“Huh? I have no idea what that means. Neil, sit back and take a deep breath. Good. Now, listen to me. Go home, take two aspirin and don’t call me in the morning. Your blog is healthy. It is what it is meant to be. So, tell me . . . what’s your next story going to be about?”

“Doctor Ifluous, I wish I knew. Once I sit down to write a piece the writing process goes pretty smoothly. But before that, trying to come up with something to write about — that’s the tricky part.”

“Neil, keep on truckin’. That’s all I can say.” With those words of wisdom, Doctor Ifluous got up from his chair and left the room, with me on his heels. A weight had been lifted from my shoulders.

 

(Don’t be shy about adding your comments or about sharing this story. Thanks.)

Up, Up And Away (High As A Kite On Music)

As I barrel down the highway that before year’s end will bring me to the road marker labeled The Big 7-0, assuming that I don’t kick off before then, I mean it when I say that I consider myself a fortunate guy. I’ve got a couple of biggies to worry about — who doesn’t? But for the most part I’m rolling along pretty nicely, doing most of the sorts of things that gave me a bang years ago, and still getting a bang from them. Such as palling around with my wife Sandy and with other pals; poking around in the great outdoors and in cities that have zing and depth; downing good foods and beers in taverns and restaurants.

And listening to music, which I’ve left for last to give it the space it deserves. And that’s because music sometimes takes me to realms — excellent realms — that otherwise I wouldn’t be setting foot in. Music, like nothing else, can get me high as a kite. Well, pot can get me high as a kite too, but I haven’t smoked any in, what? . . . 30 years? It’s a habit I dropped that maybe, to tell you the truth, I’d be interested in picking up again. But that’s another story.

It’s not as if listening to music always is a transporting experience for me, though. At home I usually am struggling with a Sudoku puzzle or thrashing through the Web as tunes play on the stereo, so the musical vibes sink in only partially. And in the car I make a modest effort to keep my eyes on the road, even if a great song is trying to liberate me.

Nor does music always lift me to the skies at concerts. A week and a half ago, for example, Sandy and I went with friends to see Peter Mulvey, a solid singer-songwriter who put his palette of emotions on display in a small space in Philadelphia. I dug him, but I remained Earthbound. Here’s why:

Volume. I need a lot of volume for liftoff to occur, and the Mulvey concert, consisting of  Peter and his acoustic guitar, was merely in the middle of the decibel scale. And, usually, there’s got to be strong drumming. And, usually, long and soaring solos from an electric guitar, though their counterparts from a piano or saxophone also might do the trick.

Hallelujah! High volume, crashing drum strokes and gorgeous guitar work soon came my way, because Sandy and I headed to Bethlehem, Pennsylvania 15 hours after the conclusion of the Mulvey show. There, in an arts center built on the grounds of the defunct Bethlehem Steel Corporation, day three of the three-day Blast Furnace Blues Festival was marching on. We stayed for five hours, catching three acts and gazing at the rusting Bethlehem blast furnaces through the music room’s huge windows, before taking to the roads once again.

The Lee Boys, Victor Wainwright, Ana Popovic . . . I wasn’t familiar with any of them before arriving in Bethlehem. If you like rip-roaring music, then these guys probably are for you. They all bring the noise, and then some, with skill and soul. And they all tour a lot, so they might show up in your corner of the world.

None of the acts plays straight-blues-all-the-way by any means, though their underpinnings are heavily molded from the blues. The Lee Boys mostly serve up gospel tunes, though you might have a hard time recognizing them as such, heavily wrapped in funky R&B drapery as they are. Victor Wainwright is a sweet-toned shouter who can put a little gravel in his voice, a suspendered showman who loves feeling close to his audience almost as much as he loves to pound out red hot boogie woogie licks on his keyboard. And Ana Popovic is, at heart, a rock and roller. She sings well, but it’s her string work that you go to see her for — she’s an electric guitar goddess.

Sandy and I took seats 25 feet from the stage. The place was mobbed. The audience was pumped. And when The Lee Boys, the first group we saw that day, tore into their opening number I tipped my hat to the guy twisting and sliding the sound board’s dials. He had the music pouring out loud, really loud, but not so utterly powerfully that my ears ever felt like they were in danger. I was bopping with the beats, pounding the heel of my left foot up and down like a piston. And then the magic carpet rides began when Roosevelt Collier slid into the first of his lengthy, involved pedal steel guitar solos. Dreamy at times, growling at others, stuttering and whooshing, his electric journey rushed inside me. Closing my eyes I became lost in the sounds, bouncing my head back and forth gently, uncontrollably, as they swept me along, swept me upward, seduced me. When his solos reached their ends in each Lee Boys tune, it took me a few moments to decompress.

I’m not sure why the same didn’t happen during Victor’s set. He and his band were on fire, and Pat Harrington, the electric guitarist, tore into his instrument like a demon. But for reasons unknown, my eyes remained open throughout the wild ride. Which isn’t to say that I didn’t groove madly. I did, but I didn’t levitate.

But I floated and communed once again when Ana and her gang took the stage. Ana’s electric guitar solos saw to that. This girl can play. Pulling on the guitar strings almost maniacally, she had them snarling, moaning, pleading, testifying. Ana took me to regions even loftier than those where Roosevelt Collier had wafted me. Amen.

Yeah, music can be a temporary cure for what ails us. Me, I love rising into the clouds, feeling gravity and neuroses slip away. Whenever it happens I’m grateful. And amazed that my body is able to latch onto and meld with invisible good vibrations. One of these days maybe I’ll figure out how to transfer some of what I feel when afloat into my regular daily regimen. Whatever, this I do believe: Get your kicks while you can, kids, because you never know when the final curtain will descend.

Here now are videos from the Blast Furnace Blues Festival:

 

(Photos by Sandra Cherrey Scheinin)

(Please don’t be shy about adding your comments or about sharing this article with others)

California Stars: A Song To Make Better A Cold And Icy Day

Well, here I am at my writing post on the afternoon of the Ides of March. That’s a date that proved to be a real bad one for  Julius Caesar but hopefully will be benign for yours truly. It’s cold outside, as in 23°F, and my suburban community is weighed down with billions of tons of icy snow that fell from the heavens yesterday. This white stuff is so dense it won’t be going away anytime soon. There’s nothing like a late winter storm to disrupt gleeful thoughts of approaching springtime. Yippee-yi-o-ki-yay, baby.

Earlier today I published one of the oddball stories that, if I had any degree of fame, I would be famous for. Or maybe infamous. Anyway, it partly was about the dilemmas that confront me and surely a fair number of other scribes when it comes to figuring out what in the world to write about. Happily, I am not conflicted about the direction that the present essay shall take. After I kicked around several bushels-worth of slippery notions, things fairly quickly coalesced. Meaning, I have decided to spend some words on a song that is good for cold, ice-laden days such as today. This tune is good for any day, really. It is among my fave recordings of all time, and I think it will elevate my mood as I press forward with this narrative. The song of which I speak is California Stars, a joint production of Billy Bragg, the band Wilco and the late singer and songwriter Woody Guthrie. A better companion I could not hope for. Here it is:

California Stars came out in 1998 on the Bragg/Wilco album titled Mermaid Avenue. Mermaid Avenue is the result of a project that Nora Guthrie (Woody Guthrie’s daughter and Arlo’s sister) put into motion. Her father, who bid adieu to Planet Earth in 1967, had left behind scads of completed lyrics that he hadn’t gotten around to recording. Their accompanying music might have existed in Woody’s head, but those melodies and harmonies never will be known, as Woody was unable to notate music. Nora asked Billy Bragg, a British singer-songwriter, to sift through the lyrics, pick those that wowed him and put them to music. Bragg brought the Wilco fellows aboard to help with the composing, playing and recording processes.

Now, the entirety of Mermaid Avenue is great. I was left kind of breathless when I first spun the CD soon after its release. But one song in particular of its 15 went straight to my heart. California Stars, of course. And I tell the truth when I say that every time I’ve heard California Stars since then, and that’s probably close to 100 times, its effect has been the same.

To me it is a perfect creation. Woody’s lyrics are sweet and simple. In two verses they tell the tale of a discontented someone, likely Woody, who pines for a more idyllic life with his female mate. The California stars of which he writes are the beautiful things that, along with her touch, might help soften his woes. Here’s the second verse:

I’d like to dream my troubles all away
On a bed of California stars.
Jump up from my star bed and make another day
Underneath my California stars.
They hang like grapes on vines that shine
And warm the lovers glass like friendly wine.
So, I’d give this world just to dream a dream with you
On our bed of California stars.

Gorgeous, Woody, gorgeous. But to be honest, I’m certain that Mr. G would have been unable to put his words to music as lovely and endearing as that composed by two of the Wilco boys, Jeff Tweedy and the late Jay Bennett (he passed away in 2009). Clearly captivated by Guthrie’s images, they found the essential combination of notes to encase the lyrics in. Seductively childlike, their work allows Woody’s poem to rise into the clouds and beyond.

And that’s where the song takes me whenever I pay it a visit. A short while ago, in the name of research for this piece, I listened five times to California Stars. Talk about multiple pleasures. And, as if the lyrics and music aren’t fine enough, I began to think that the song’s arrangement and instrumentation and Jeff Tweedy’s lead vocals are the keys to its star power. That’s a discussion that undoubtedly would go on for days, maybe eternally, among the song’s devotees.

I mean, Jeff Tweedy was born to sing this song. He’s a salt of the Earth kind of guy who quietly burrows inside lyrics, finding their core — loneliness or optimism or whatever the case may be. He does this straightforwardly, unaffectedly, an approach that in his hands is right on target. In California Stars, loneliness and optimism are entwined in Guthrie’s vision. Tweedy does the words proud.

Looking down at my star bed this afternoon I flowed with Tweedy’s calm voice. And I rode the gentle waves formed by a yearning and shimmering lap steel guitar, a grinning piano and a bobbing electric bass guitar. And when a fiddle started fiddling joyfully for a few seconds after the second stating of the second verse, I drifted even higher. Miraculously, those instruments touch the skies more than they might have. The elemental drumming pattern that Ken Coomer sagely locked himself into saw to that — a steady and unbroken string of thud-thuds never sounded so good. Sometimes things come together in mysteriously ideal ways. That is the story with California Stars.

Whenever California Stars draws to its close, as it inevitably must, it takes me a few moments to gather myself. I open my eyes (they’d been shut, you dig, the better to float) and begin my return to what passes for reality. And as this story too now nears its conclusion I’ll add another thought about endings: When I’m on my way out, breathing my last, I’d like to be serenaded with California Stars. The Mermaid Avenue version, needless to say, as there have been others in its wake. That’s the way to go.

 

(Notes: Wilco has seen musicians come and go over the years. Of its six current members, only two remain from the Mermaid Avenue days — Jeff Tweedy and bass player John Stirratt. As for Billy Bragg, his career is going strong. Ditto for Wilco’s.)

The Book Within Me

Some people think big. Big hopes, big dreams and big efforts to make those hopes and dreams come true. Me, not so much. I think modest at best, small more often than not. It’s just my basic nature, and always has been.

dulcolax-imagesMy great pal Alan, though, has a different opinion about my abilities. For example, he has urged me a few times to write a book. He, one of the handful of faithful who to my amazement truly seem to enjoy at least some of the stories I’ve been lobbing into cyberspace via this blog, believes I have it in me to design and bring forth a thriller. He has suggested that the plot be set on Cape Cod, a region I know well. Alan is a dreamer. Does he have any idea how I often strain and sweat like the King Of Constipation to squeeze out a blog entry of a mere 1,000 or so words? Alan, if you’re reading this, believe me when I say that daily doses of Dulcolax wouldn’t make those articles emerge any easier. So, a book, you say? Hey, man, are you joking? My inner strength and energies would have to quadruple before I’d be able even to begin entertaining the notion. Basically, fuhgeddaboudit.

Hmmm, on the other hand maybe I speaketh too hastily. I often do. No doubt writing a book is an alluring idea. Could it be that Alan is on to something? Has he peered deep into my core, à la Superman, and spotted an alternative me? As in the bestselling me. The me whose tightly wrought and pulsating fictional offering projects me into television and radio studios presided over by the likes of Charlie Rose, Terry Gross and Jimmy Fallon. Yeah man, I can dig it! Who wouldn’t? I mean, the royalty checks will be pouring in. The invitations to swank A-list parties will arrive by the dozens. Gorgeous girls will mob me on the streets. Yeah, I definitely can dig it.

OK, Alan, you’ve convinced me. The book is within me. Somewhere. I think. All I have to do is birth it. What should the first step be? Oh right, there needs to be a plot. Well, in that regard I’ll try not to think about what another of my great pals Dave once said. He and I went to high school with Arthur Agatston, who years later became famous as the author of The South Beach Diet books. Dave was wowed by Arthur’s success. “Neil, I’d write a book too,” Dave said to me back then, “except for one thing: I’ve got nothing to say.”

img_0370Ouch! Like I mentioned I’ll try not to think about Dave’s insightful comments. I’ve got plenty to say, don’t I? And placing the action on Cape Cod, a 70-mile-long spit of land filled with villages, sands, marshes and trees, surrounded on three sides by majestic, endless waters, is certain to inspire my writing. Think, Neil, think. What’s the most unusual and intriguing aspect of The Cape you’ve come upon over the years? I know — the dune shacks, those 20 or so primitive structures scattered among the ridiculously huge dunes of The Cape’s outer regions. Folks like Eugene O’Neill and Jack Kerouac and Jackson Pollock used to squirrel away in the shacks, seeking their Muses and churning out product. These days the shacks are in governmental hands, and are rented to modern-day hardy and artistic types (click here to read about the dune shacks). The shacks are isolated, not easy to find. The perfect scene of a crime.

Ah, the crime. What shall the crime be? Who will be the perpetrator, and who the victim? And what will be the reason that the crime occurred? You know, I believe it’s all coming together for me. Suddenly I’ve been zapped with a giant squirt of inspiration. Here goes:

img_0383I’m going to model the narrator/possible victim upon myself. Why not? I’ve gotten up close and pretty personal with several of the dune shacks over the years, walking around them, peering inside through their windows and admiring their no-facilities ambience. And for years I’ve been dreaming of the day when I’ll be spending substantial time in one of the shacks and its surrounding desert-like wilderness. Oh, the joy of peeing and dumping in sand pits or in the Atlantic Ocean! My life needs a major dose of that kind of back-to-nature reality.

Anyway, getting back to the plot. The time is autumn 2016, a Monday at 9 PM. The narrator, who goes by the nickname Cod Man, has been living for seven weeks in a shack located close to where the dunes peter out and meadows of beach grasses take over. A hop, skip and a jump beyond the grasses is the roiling Atlantic. Cod Man’s stay, per the rental agreement, is slated to end in one week. That situation is making Cod Man very nervous, because he had been confident that his shack experience would result in the creation of the book he’d put on the back burner for the past 10 years. Instead, the book, a novel about a Pennsylvania man whose world falls apart when his dog abandons him to take a job as chief mascot in Moscow’s Grand Hotel Trump, simply isn’t coming together. The reams of paper upon which Cod Man has been writing are, he fully knows, filled with dreck. “Holy crap!” Cod Man yells from his wobbly writing desk. “I’ve been out here for two months and have zilch to show for it. I’m bummed. Totally bummed.”

Moments later comes a pounding on the shack’s door. Standing outside in the moonlit night, a loaded pistol in his right hand, is Dick Hedd, Cod Man’s next door neighbor in Pennsylvania. Dick has tracked down Cod Man and is out for revenge. You see, three years earlier a friendly two-man game of Scrabble at Cod Man’s house had gone highly sour when Cod Man, upon throwing down two seven-letter words (halfwit and jackass) in the course of the evening, began to gloat. His gloating grew louder and wilder, reaching insane heights. Dick Hedd, certain that the seven-letter words were meant as commentaries on his personality, fumed. He stormed out the door before game’s end. And he never forgot or forgave Cod Man’s arrogance. The gents hadn’t talked since then. All the while, Dick waited patiently for his moment to avenge the foul deed. Among Cape Cod’s dunes that moment had arrived.

Little more need I say at this point. I have the book’s remaining plot lines worked out quite well. Everything fits. Everything is meaningful and believable.

Now all I have to do is write the entire story. Soon I shall begin.

 

(Don’t be shy about sharing this article or about adding your comments. Thanks.)

(Cape Cod photos by Sandra Cherrey Scheinin)