Autumn Colors; Biden And Trump; Three Songs By Joes

I wasn’t expecting to write about autumn for a second time this year, seeing that I pretty well summed up my feelings about this, my favorite season, in an essay that hit cyberspace only last month (click here to read it). But I couldn’t resist. How could I, when colors on many of my neighborhood’s trees finally came alive on the 9th of November? How did that even happen? It was kind of a miracle really, because the leaves had been nowhere near as vivid even the day before. And, soon after the 9th, the colors diminished greatly in effect and stature, as our woody friends were having a contest to see which ones could de-leaf themselves the fastest. Yes, I was in the right place at the right time when I took an early afternoon walk through my community on the peak day.

There’s no doubt, however, that I’d have much preferred to wander among gorgeous trees in a forest, or in a substantial wood. You can truly commune with nature in those landscapes, unlike in most of my suburban Philadelphia region, where nature has been paved-over  and tamed significantly. But forests and woods are anything but around the corner from my house. A car not being at my disposal on the 9th, a visit to anywhere not within walking distance was off the table.

I wasn’t complaining, though, because my neighborhood looked so damn good. Golds, ambers, coppers, russets and burgundies abounded, and I was pleased as punch to roam for 45 minutes, soaking up their beauty, basking in their glory, etc. In other words, I dug the shit out of the color explosions! What’s more, the temperature was perfect (72°F, 22°C) and the skies were as soothing a shade of blue as you could hope for. Days such as that one don’t come around often enough, and are rarities in my part of the globe in normally pretty-chilly November.

I almost always listen to music during the walks that, for exercise, I take each week in one locale or another. But not this time. That gave me the opportunity to do a bit more thinking than usually happens during my treks. And what popped into my head and stayed there for a while? Why, thoughts about Joe Biden, a good guy, and Donald Trump, a f*cking jerk. That’s what!

Yup, I don’t like Trump even a teensy weensy bit, he who shamelessly has been trying to steal a decided presidential election. What is there to like about someone who is a force for chaos and darkness; who sneers at democracy’s principles and structure; who emboldens white supremacists; who can’t go more than thirty seconds without lying; who is callous, vindictive, narcissistic, uncivil, unhinged and a bully? Nothing, in my opinion. Yet, roughly 74,000,000 American voters gave him the OK in the recent election. That’s a highly unsettling and sobering truth for anyone who believes in equality and progress, and is concerned about American democracy’s stability and strength. Fortuitously, for the USA and for the rest of the world, about 80,000,000 voters, and a majority of electoral college votes, went for Biden. As a result, better days, saner days, lie ahead. And, by the way, those who agree with my assessment of Trump owe a huge debt of gratitude to Biden for entering the race last year, because I’m certain that no other Democratic Party candidate for president would have beaten The Despicable One.

As I inch closer and closer to this story’s exit door, I feel compelled to conclude the proceedings with hot, steamy recordings by three guys named Joe, all of whom, sadly, are no longer with us. I’m doing this in honor of Joe Biden, who is strongly with us and poised to undo much of the damage that Trump has inflicted at home and abroad during the last four years. Yo, Joe! — you and Kamala could do a whole lot worse than to boogie down to these tunes at your inaugural balls on Inauguration Day (January 20). They’ll fill both of you with loads of energy and get the two of you even more psyched than you already are to do your new jobs.

As for Donald Trump, these songs are appropriate for him too. They would make a fine soundtrack for him to angrily shake his oversized booty to as he leaves the White House, on the just-mentioned January date, for the final time ever.

Here, then, are recordings by Joe Tex (Show Me), Joe Cocker (High Time We Went) and Big Joe Turner (Shake, Rattle And Roll). Enjoy ’em!

A Tuneful Time At The Mall (A Pandemic-Era Story)

Although I’m not much of a shopper, in at least a few respects I’m lucky to live near Willow Grove Park, a huge three-level shopping mall in the suburbs of Philadelphia, Pennsylvania. For instance, I like to go there now and then to gaze at its clean yet kaleidoscopic interior design and to marvel at the massive quantities of goods that its stores contain. I don’t think that the USA is anywhere close to being an idyllic land of milk and honey, but, as the mall demonstrates, there is no shortage of products in this country.

As things have turned out though, probably the main reason that I enjoy having Willow Grove Park close at hand is that it occasionally becomes story fodder for my blog. When I began this publication in 2015, never would have I expected that such would be the case. But I sure as shit am not one to look a gift horse in the mouth. The story that you now are reading is the result of my latest visit to the mall. That visit took place on a recent, dreary, rain-dominated Thursday.

The mall was on my mind that day mainly because I wanted to take a walk. For the past eleven months, you see, I’ve been walking regularly for health-related reasons, four or five times per week and almost always outdoors. But an outdoors trek would have been unwise, as the rains were descending not in trickles but in f*cking buckets. Striding purposefully through the mall, an enclosed structure, though? Yes!

Due to the pandemic, the businesses in Willow Grove Park (excepting its two restaurants, which were allowed to sell take-out orders), along with almost countless other businesses state-wide, were ordered by Pennsylvania’s governor to close in mid-March. The lockdown eventually was partly lifted, the mall reopening on June 26. Arriving there at 11:25 AM on the wet Thursday in question, I was curious about the mall’s state of affairs four months post-reopening. How much damage had the pandemic inflicted?

Well, while spending 45 minutes walking the mall’s every avenue and byway, I saw a fairly decent number of people shopping and wandering, possibly about the same number that you’d find on a similar off-day during normal times. As for store vacancies, there were five or six, not the many more that I was half-expecting. However, several stores hadn’t opened for the day, which was not a good sign. Possibly they were on the verge of throwing in the towel altogether.

A truly bad scene, and probably indicative of the mall’s overall financial health, was the food court. There were not many customers at all, even though it was lunch time when I walked past that busy-in-normal-times area. It was sad to see the court’s businesses doing poorly. And, of course, millions of businesses worldwide are in the same boat, due to coronavirus. On any number of occasions I’ve said the obvious on these pages, and I’ll say it again: We need an effective vaccine pronto. It’s time for the suffering to diminish significantly.

But I’m not going to end this essay on a down note. How could I, seeing that I listened to an episode of The Many Moods Of Ben Vaughn, a terrific music podcast, as I walked through the mall? It put a whole lot of pep in my step and prevented me from getting anywhere near bummed out.

In that episode, which is from September 27, 2020, Vaughn spins the original versions of songs subsequently made famous by other artists. A large bunch of them jumped out at me. But let’s limit that bunch to three. Otherwise I’ll be here all day, and nobody, including me, would be in favor of that. The three songs are Louie Louie, Boys, and Do Wah Diddy.

Here are some facts: The infamous Louie Louie, an enormous hit for The Kingsmen in 1963, was originally recorded by Richard Berry And The Pharaohs way before that, in 1957 to be precise. Berry also penned the composition. The Beatles included Boys (written by Luther Dixon and Wes Farrell) on their first album in 1963, and popularized the tune, but the initial recording was in 1960 by The Shirelles. It was the B-side of their single whose A-side was wildly popular — Will You Love Me Tomorrow? And although Manfred Mann’s 1964 version of Do Wah Diddy (a composition by Jeff Barry and Ellie Greenwich) conquered the world, the song’s first appearance was a recording by The Exciters one year earlier.

The tracks by Berry, The Shirelles and The Exciters rock, roll and rouse. Day-brighteners, they appear below. I think you’ll like ’em. Okay, boys and girls, that’s a wrap. As I almost always mention, please don’t be shy about adding any comments that you might have. Goodbye till next time!

Autumnal Thoughts, Autumnal Tunes

Planet Earth, which we humans increasingly have been making a mess of since the Industrial Revolution began in the late 1700s, nonetheless has remained reliable in various ways. It keeps on spinning, for one thing, and traveling around the Sun, for another. Good thing that it does, no? If those movements were thrown out of whack, we, along with every entity taking up earthly space, would be goners in a couple of blinks of an eye.

Well, as we know, on the 22nd of September those good ol’ reliable movements brought about the autumnal equinox and the vernal equinox in, respectively, the northern and southern hemispheres. This was due to the Sun being directly above the equator, by the way. For me, a resident of the north, this event officially marked the beginning of my favorite time of year — fall — and prompted me to gather some thoughts about that season. Here they are, along with a few recordings that capture fall’s cozy, mellow essence. Damn straight, I’m in an autumnal mood!

This is the main reason why I like autumn as much as I do: I was born in late October, smack in the heart of fall. And my birthday has been lovingly acknowledged and celebrated, by one combination of people or another, every year of my life. Over time it became only natural for me to associate autumn with my birth anniversary. How could I not, seeing that autumn never fails to whisper frequent reminders in my ear about the approaching big day? And when that day arrives, autumn, behind the scenes, is one of the celebrants. Yeah, autumn loves me, and I therefore love autumn back, you dig?

Hatboro, Pennsylvania

To meld with autumn righteously and timely, on its first day this year I took a long walk through Hatboro, a cute town a few miles from where I live in the Philadelphia suburbs. I headed there with the newly-hatched season fully on my mind. The mid-day temperature was lovely, about 73° F (23° C), the skies were as blue as you could hope for, and a light breeze ruffled the few strands of hair that remain on the crown of my head. In other words, the day was pretty damn well ideal. How sweet it was not to be sweating like a pig, which I had done numerous times during walks in the just-departed summer. Autumn weather suits me just fine.

Produce Junction (Hatboro, Pennsylvania)
Hints of gold in a tree in Hatboro, Pennsylvania

Hatboro was starting to get its autumnal mode in order. For instance, I saw scarecrows on a couple of porches and in a couple of store windows, and I gazed with admiration at the arrays of pumpkins in Produce Junction, a store on Hatboro’s main drag. But there was little evidence of fall in the billions of leaves within Hatboro’s boundaries. Only in a smattering of trees did I notice a changing of the color guard, such as in a tree outside of Produce Junction. Hints of gold decorated that specimen, harbingers of full-blown color transformations yet to come. I’m eagerly awaiting mid-to-late autumn’s golds, russets, burgundies and ambers. That palette grabs me powerfully each year, yet tenderly. Yes, autumn is a period of beauty that goes down as satisfyingly as comfort food.

As I walked through Hatboro, I pulled some autumn tunes out of my memory bank and let passages of them play silently in my head. I’ve always loved Autumn Almanac, by The Kinks, and Van Morrison’s Autumn Song. They provided part of my stroll’s soundtrack. As did Harvest Moon, a Neil Young composition that quite a number of musicians have covered. Young’s version is special. It makes me go limp with wonder, so beautiful do I find it. In Hatboro, those songs, and a few others, kept me company excellently.

Back home later that day I did some research into fall-themed songs, discovering Eva Cassidy’s live rendition of Autumn Leaves (music by Joseph Kosma, English lyrics by Johnny Mercer). With vocals emanating from Cassidy’s most-private chambers, this performance would break the hearts of all but the stoniest. And I reconnected with Autumn Serenade (music by Peter DeRose, lyrics by Sammy Gallop), off the album that the famous saxophonist John Coltrane recorded in 1963 with the not-so-famous vocalist Johnny Hartman. A bit more research would have revealed many others, so deep a hold has autumn maintained on songwriters past and present.

Rather than overload this essay with YouTube presentations, I’ve decided to limit the recordings to three. I think you’ll enjoy the following Young, Cassidy and Coltrane/Hartman works. Be well, boys and girls. And, as I usually mention, please don’t be shy about adding your comments.

I Like ‘Em! (These Are A Few Of My Favorite Things)

One thing for certain about this little old world of ours is that it holds an overwhelming amount of content geared for human discovery and consumption. Travel destinations, food stuffs, movies, automobiles, political causes, you name it . . . there’s always something for us to get excited about and sink our teeth into, if we are so inclined. Which, no doubt, nearly every one of us is. Myself included.

This story, then, shall be a look at a few things that have rung my bell quite nicely as of late. In the upcoming paragraphs I’ll expend wordage upon this motley group: a television series (Ozark), cheddar cheese, and the song (Texas Sun) that has captivated me more than any other recording so far during pandemic-plagued 2020. And I’ll be glad to hear about what has been tickling your fancies recently. So, please don’t be shy about letting me know.

Let’s start with Ozark, the Netflix series whose third season was unleashed earlier this year. My wife and I watched all three seasons over the past few months, taking a two or three week breather between each arc. (The fourth and final season is on the drawing board, but who knows when filming will be able to begin.) We became hooked almost from the get-go, as have millions around the globe. Not so one of my cousins though. When I mentioned Ozark to her during a phone conversation not long ago, she said she’d seen a few minutes of the show but that’s about all. “I don’t want to watch all those sleazy people” was more or less how she summed up her feelings about Ozark.

Sleazy? Indeed! That word damn well fully applies to many of the show’s characters. It barely indicates, though, the depths of their polluted natures.

In Ozark we learn the tale of a married couple, Marty and Wendy Byrde (played, respectively, by Jason Bateman and Laura Linney) that is ordered by a Mexican drug cartel to abandon their home in Chicago and relocate, with their two kids, to central Missouri’s Lake Of The Ozarks. LOTO, an enormous man-made lake and a popular vacation spot, is surrounded by rural territory populated with all sorts of unsavory individuals.

Why did the cartel so demand? Because Marty, a buttoned-down financial wizard who years before had agreed, foolishly, to become one of the cartel’s primary money launderers, through no fault of his own got on the cartel’s very wrong side. Via astonishingly quick thinking and quick talking, he avoided execution by convincing the cartel’s top brass that he could make and launder enormous monies for them in, of all places, the Lake Of The Ozarks. Turns out he was pretty right as rain, though establishing the mechanisms that enable that to happen send Marty and his family down hellish paths that in a million years they otherwise wouldn’t have imagined could emerge. And their ordeals gradually bring out the worst in Marty, and the scarily worst in Wendy.

I can see the show’s writers rubbing their hands gleefully as they came up with plot lines that continuously elevate the dangers and other mega-problems that Marty and Wendy must confront. What a series! Prominent cast members regularly meet their demise. Dirty-dealing and treachery reign supreme. Ozark isn’t for everybody, as my cousin demonstrates, but, if you’re not already a fan, it just might be for you.

Now on to cheese. I’ve been a cheese lover for many moons, and cheddar is one of my favorite types. But not the mild kind. I like cheddar that is bold, aggressive and memorable. Those are qualities, by the way, that yours truly sorely lacks.

But it never has been easy for picky me to find cheddars that I deem outstanding. Vermont, for instance, is famed for its cheddars, but I’ve yet to taste a Vermont cheddar that truly knocks my socks off. Thankfully, about four years ago I stumbled upon Old Croc cheddar, which is produced in Australia. The brand’s extra sharp version pleases me deeply. As does a very recent discovery of mine: Sartori’s aged and sharp cheddar. Heavy with elevated flavor, and salty, it is the first American-made cheddar to receive my seal of approval. Take a bow, state of Wisconsin! Pieces of Old Croc and/or Sartori have been my go-to lunch of late. They’re delicious as is, and even better when atop Triscuit crackers.

I wouldn’t dare eat those cheddars while listening to Texas Sun, however. That’s because the process of munching away would interfere with my ability to absorb this oh-so-fine song, which was released in February. A collaboration between vocalist Leon Bridges, who often makes soul music in the vein of Sam Cooke, and indie rock band Khruangbin, Texas Sun is a meditation on longing and lust. It is gently powered by a sweet and steady beat, and wafts upon the wings of dreamy guitar lines. I’ve heard this song many times on various radio stations, which indicates to me that it has found its way into the hearts of numerous music lovers and radio programmers. The best thing for me now to do is to get out of the way and allow you to listen. Here is Texas Sun:

What Do I Know? Good Question

Five or six times each week, for half an hour or so, I haul my sorry ass along the streets of one neighborhood or another, usually my own. I engage in this walking routine for fitness purposes and also just to get out of the frigging house during these pandemic-constricted days. I sure as hell am not a lover of regular exercise, but I’ve come to tolerate it for one reason: I listen to music podcasts as I stride along. Music, as we know, helps to keep boredom at bay. Duh!

One podcast that I often dial up is Downtown Soulville, hosted by a guy who calls himself Mr. Fine Wine. The program appears each week on New Jersey radio station WFMU, and then, luckily for me, is transformed by one form of magic or another into the podcast format.

Downtown Soulville is damn fine. During each episode, Mr. Fine Wine spins soul and rhythm and blues recordings, all of them on 45 RPM singles from his incredibly huge collection of same. He doesn’t talk too much during his shows, which is the way I like it, so song after song after song (most of them from the 1950s, 60s and 70s) hit the airwaves.

When I first started listening to Downtown Soulville I was struck not only by how very few of the recordings I’d ever heard before, but also by how very many of the artists I’d never heard of. This kind of shocked me, because, although I no longer try too hard to keep up with what’s going on in the various sections of the music world, for decades I did, waving my music-junkie flag proudly. I was, and am, into rock, jazz, soul, R&B, blues, reggae, Brazilian, African, classical, folk, and more musical genres. So, how was it that hundreds of soul/R&B singers that Mr. FW has thrown my way, such as Sugar Pie DeSanto, Billy Watkins and Mel Williams, were new to me?

The conclusion that I came to was that, despite being well-informed about music, in a very real sense I don’t know shit about that subject compared to what there is to know. That was a sobering thought. And eventually it set in motion a sequence of questions and answers. To wit: If my knowledge about music is limited, what does that say about me regarding every other subject you can name? Well, I know even less about them than I do about music, in most cases incredibly less. But, okay, does that really matter? Yes, it does, since acquiring knowledge is a worthy goal. Sure, but nobody can imbibe everything, right? True, and, what’s more, it’s exhausting to try to. Indeed, but that notwithstanding, aren’t there things you’d love to understand more about?

The answer to that question is a no-brainer: Damn straight!

For instance, how come I Don’t Wanna Be A Doofus No More, the personality-enhancing potion that George Clooney gifted me with a few years ago (click here to read about it), isn’t helping me anymore? Man, that elixir cured me of being a schlemiel for the good long while that it worked. Clooney, I’m going to sue you if you don’t rectify this situation!

And how come Alicia Keys, Halle Berry and Jennifer Lawrence haven’t gotten back to me regarding the messages I left with their agents? What, the ladies have something against hanging out with a dorky septuagenarian? Did they somehow learn that I Don’t Wanna Be A Doofus No More no longer is having salutary effects upon me?

And, though not as pressing as the issues that I just mentioned, what’s the deal with the universe? Specifically, how did it begin? Yeah, yeah, there’s the Big Bang theory and all, but here’s the thing about that: If all the matter that became our universe once was contained in an impossibly-compressed chunk of whatever, as the theory states, where the f*ck did that chunk come from? Did it always exist? Is it possible for something to always exist? Boys and girls, truer words than the following rarely have been written: I sure as shit don’t know.

I tell you, all of this mental work is tiring me out big-time. Having reached my deep-thoughts limit, there’s little doubt that my living room sofa, and naptime thereupon, await me. Before I sign off, though, let me say that I’m always glad to receive readers’ comments, so please don’t be shy about adding yours. Goodbye, then, till next time. I’ll leave you with the songs that I heard on Downtown Soulville the other day by the aforementioned Sugar Pie DeSanto, Billy Watkins and Mel Williams. Hope you enjoy them.

 

Getting Closer? Yes And No

Man, in the early days of coronavirus I wouldn’t have guessed that this microbial demon would find its way into as many of my essays as it has. Its omnipresence and dangers, though, have made it impossible for me to ignore, in my everyday life and as a writer. Alas, truer words than these rarely have been spoken: We need an effective vaccine sooner than ASAP!

It’s anything but new news when I observe that in a mere handful of months the virus has impaired our world in oh so many ways. Hundreds of thousands of people have died at the villain’s hands, and that count will rise and rise. Livelihoods have disappeared. Economies have been derailed. And that which is normal behavior for most of us — having a fair amount of close contact with fellow members of our embattled species — has become, for the most part, a big no-no. We can, of course, be physically near to those who we are confident are non-contagious, assuming that we are confident that we meet that criterion too. But to anyone else? Yo, it’s risky!

It’s natural to wonder about the extent to which close contact will return after our savior, a good vaccine, rides in from whatever lab ends up creating it. That’s assuming the savior is creatable. It better be. Anyway, will the general populace go back to their merry old ways? You know, crowding into elevators, sharing joints, rocking out shoulder-to-shoulder at concerts, spilling their guts to friends seated near them at bars and cafés, etc., etc. (As we know, some people, against expert advice and governmental guidelines, are doing these sorts of things already. Spikes in coronavirus have resulted. Those folks just don’t want to keep their distance from one another!)

I’m betting that a full return never will happen. Maybe we’ll level off at about 75% of where we were, but no more than that. I mean, coronavirus has brought home the fact that microbes don’t always play nice, that unfriendly bacteria and viruses could be anywhere, and that cutting back a little on your potential contact with same might be a wise way to live your life.

For example, as many already have noted, the handshake has an uncertain future. Shit, that’s no big deal. To a decent extent, pre-virus, handshakes already had been replaced by fist bumps, elbow taps and other far-less-germy forms of greeting. I’m cool with that. But some also are predicting that hugs won’t be as common as once they were. Hugs? That is a big deal, and I’m not cool with it. Me, once the pandemic is no more, I’m going to give a nice big hug, if they want me to, to every pal and relative that I get together with. That will be a damn good way to celebrate the nightmare’s demise.

Well, like all good boys and girls, I’ve been trying to keep at least six feet away from nearly all homo sapiens. (The one exception to this regimen is, of course, my wife Sandy.) Doing so is frustrating, for sure. So, when the idea hit me the other day to get real, real close to something — in this case, certain inhabitants of the non-human sphere — I jumped at it.

Thus, a couple of days later, while walking around my neighborhood in the Philadelphia suburbs, I gave flora, stone walls, traffic sign posts and other objects a good looking over from way within spitting distance. Then I snapped their portraits, some of which are plastered on this page. Photographically-speaking, I dug the close-up approach and probably will venture out on a similar mission in the foreseeable future.

But, during the trek and after, I couldn’t stop thinking about human physical closeness, and decided that it would be appropriate to illustrate this story with songs that touch upon aspects of that wide subject. No doubt there are thousands and thousands that fit the bill. I’m going to go with two that popped into my head pretty much right off the bat. These great recordings, which more or less represent opposite sides of the closeness coin, remind me, as if I need any reminding, that I’m anxious for the day when once again I’ll be able to talk with people from a normal distance. And to pass within a whisker or two of strangers on the sidewalk as I nonchalantly walk from here to there. I present to you, then, The Temptations singing I Can’t Get Next To You, and Ol’ Blue Eyes’ heart-melting rendition of The Nearness Of You.

Till next time, gals and guys. Stay safe, as the saying goes. And, by the way, please don’t be shy about adding your comments.

 

A Doors-Filled Story

I like to roam, to stretch my legs in a variety of locales while checking out the surroundings. And in recent years I often have turned my leg-stretching excursions into essays for this publication. These mini-adventures, thankfully, get me away from my living room sofa, upon which I spend hours upon hours each week engaged in questionable activities. Namely, staring into space, scratching my balls and twirling the five strands of hair that remain on the crown of my head.

Yeah, yeah, yeah, I know that I’ve mentioned that sofa routine many times before on these pages. Can’t seem to stop myself from writing about it, though. What can I say? Would you prefer that I describe the nightly visitations paid to me by space aliens, and how I cured the aliens of toenail fungus? Nah, I didn’t think so.

Anyway, this article now will concern itself with doors. That’s what I was in search of when, on the penultimate day of May, I roamed the streets of Jenkintown, a nice village three miles south of Willow Grove, the town that I call home. Both communities are in the Philadelphia burbs.

Doors had been in the back of my mind as a story idea since 2017 or so, after I discovered that there are a goodly number of WordPress writers who launch door-oriented pieces into cyberspace on Thursdays. Their leader is a guy named Norm, who began a Thursday Doors theme in 2014 (click here to see Norm’s website). And so, I’m going to follow the leader by pressing the Publish button for this story during the opening minutes (in my time zone) of Thursday, June 18.

Concentrating on Jenkintown’s doors was right in my wheelhouse. After all, on walking excursions here and there during the last few years I’ve sometimes kept my eyes on alert for specific subjects: the color green for instance, shadows, store and street signs. Doing that kind of thing helps to make life interesting for me. On a low but real-enough level, it’s like a research project or detective work. It’s fun, basically.

King’s Corner pub
Private residence

I hit Jenkintown’s sidewalks at around 11:30 in the AM and concluded my mission at a quarter past noon. I might have stayed out longer than I did were it not for a vivid Sun that was getting a thrill from making me schvitz most admirably.

Grace Presbyterian Church
My Jewel Shop

I walked along most of the blocks in Jenkintown’s business district and along a sampling of its residential streets. One thing I realized is that the vast majority of doors in Jenkintown are vanilla. That is, non-threatening standard concoctions of wood, glass or metal, or a combination thereof. Yet, I deemed some of them as absolutely photograph-worthy, because of the decorations on or near them, or because of their silent commentary upon our present times.

Uptown Event Center

Take the Uptown Event Center’s door, for example. How many ordinary, metal-framed glass doors such as this are in the world? Many tens of millions, no doubt. Yet, it looks as sharp as can be, flanked as it is by a lady singer and a sax man. Cool. Very cool.

Velvet Sky Bakery

And what could be plainer than the opened door of Velvet Sky Bakery? It stands out, though, in a major way. With a table holding disinfectant wipes and hand sanitizer beside it, it’s a reminder that we live in the days of coronavirus. This is a door through which you do not enter. You place your order from the sidewalk, pay when the items are brought to you, and walk away.

Immaculate Conception Church

On the other hand, sometimes you cross paths with grandeur, such as the front doors of Immaculate Conception Church. Lovely creations of golden brown wood, they are all the more impressive thanks to the elegantly-chiseled stonework that surrounds them.

Sprinkler room door

And then, in a category all its own, there’s a sprinkler room door, which is attached to the back of a building that I otherwise didn’t make note of. As of this writing it’s my favorite door in Jenkintown. That deep, deep color. That monolithic presence. Man, the door is the definition of gravitas.

We’d be in trouble without doors. I suppose that humans invented them in caveman days. Maybe way before that. Maybe later. Whatever the case, they provide protection from the elements and from members of the fauna categories, and they help to give us privacy. Right, duh! There are all kinds of philosophical interpretations that might be made regarding doors too. But I ain’t exactly Jean-Paul Sartre, so for me to go beyond the kiddie end of the pool in those matters would be a huge mistake. I will say this though: The Doors — and I’m referring to the rock and roll band — took their name from The Doors Of Perception, a book by Aldous Huxley that praises the use of psychedelics to open the mind’s doors, thus expanding one’s insights. I’m all for allowing more of life’s possibilities to present themselves. But there’s no need for psychedelics. For example, who knows what realms you’ll travel to when, non-medicated, you listen to Break On Through (To The Other Side), the opening track of The Doors’ first album, from 1967. Let’s find out:

(Please don’t be shy about adding your comments or about sharing this essay. I thank you.)

Justice, Equality And Peace

It’s late morning on the third of June as I begin to type this essay. It’s not the essay that, up until June 2, I was planning on writing. That one will have to wait till next time. No, even though I’m not a particularly incisive observer of, nor commentator upon, societal and political matters, I feel compelled to lay down some thoughts about what’s been happening in my country (the USA), and in other parts of the globe as a result of George Floyd’s murder by a police officer, Derek Chauvin, in Minneapolis, Minnesota. George Floyd, who was unarmed and handcuffed during the incident, was black. Chauvin, who has been fired from his job and charged with murder, is white.

Did anyone predict or expect that, in the wake of Floyd’s killing, hordes of people would take to the streets to denounce systemic racism and police brutality against blacks? I’m not sure, but I’m guessing not. Once put in motion, though, the protests expanded to locations far from Minneapolis. That includes Philadelphia, where I lived for decades, and which is very near to the town that my wife and I now call home.

I’ve watched television coverage of the marches and demonstrations, and of the violent turns that some of those gatherings took. The looting and property destruction that have taken place sadden and sicken me. Ongoing behavior such as that can deeply damage society, and can make conditions far worse than they already are. Fortunately, for the moment anyway, looting and destruction have lessened greatly, and peaceful protests continue.

Where will the protests lead? What will they result in? Will they result in anything, for that matter, or simply peter out as the energy and indignation that fuel them slowly evaporate? I hope that such will not be the case, because it’s undeniable that racism in the United States is alive and well, that many folks in this country don’t want equality-for-all to become an absolute given. The existence of white supremacy groups, and the continuing efforts by more than a few members of the Republican party to suppress the vote of minorities and of the marginalized, are two examples of this. The USA has a long way to go.

And what of the possibility that the protests explode into mayhem, uncontrollable violence, even civil war? I don’t discount this idea at all. Anything might happen, a frightening thought.

Barack Obama, in a level-headed and insightful essay about the Floyd tragedy, states what he believes should be the responses to it. Click here to read the piece. He urges us to vote out of office those elected officials with stone-age mentalities. And he focuses his exhortations on the young, who he says are the ones that must lead the efforts to make the world a better place. Here are a few of his thoughts: “The point of protest is to raise public awareness, to put a spotlight on injustice, and to make the powers that be uncomfortable; in fact, throughout American history, it’s often only been in response to protests and civil disobedience that the political system has even paid attention to marginalized communities. But eventually, aspirations have to be translated into specific laws and institutional practices — and in a democracy, that only happens when we elect government officials who are responsive to our demands.”

We can only hope that Obama’s way forward will prove to be the chosen path. His commentary, of course, would be lost on Donald Trump, who doesn’t care about the whys behind the reactions to Floyd’s death. That’s only to be expected from he who is callous, narcissistic, vindictive, a pathological liar and a thug. If Trump deploys federal troops, all bets are off.

At about 8:30 PM on June 2, I slipped outside to the deck at the rear of our house. Very unsettled by George Floyd’s death and the violence that partly filled its aftermath, I needed to decompress. That’s what happened as I stared at the dense foliage, listened to the birds and scanned the heavens.

Much of the sky was heavy with clouds, so almost no color emerged from the sunset. Bummer. But I was in luck anyway, because twenty minutes after I took my place on the deck I looked to the east and saw a vivid Moon rising, It seemed to have come from out of nowhere. Possibly it had been hidden by now-dispersed clouds. The Moon, as bright as a powerful LED light, was stunning. It made me feel somewhat hopeful.

As did Peace, a song recorded by the Ornette Coleman quartet in 1959. It played over the radio as I brushed my teeth two hours after Moon-watching. It wasn’t coincidental that WRTI, Temple University’s radio station, played this composition. That evening, the station was attempting to offer comfort to its listeners.

None of us knows with any degree of certainty where we are headed, but may justice and equality for all, and peace (it goes without saying), be intrinsic parts of the destination. And of the journey that takes us there.

(Please don’t be shy about adding your comments or about sharing this essay)

How Glad Was I When The Kinks, The Byrds And Willie Nelson Visited Me Last Month? Very!

As everyone knows, billions of words are written each day about coronavirus, the f*cking demon that has done an excellent job of turning our world to shit. Among those words are repeated recommendations to be in touch with friends and relatives more often than usual. Most of those contacts, by necessity of course, must be via phone and internet rather than in person. We can thank the demon for that.

Good advice, right? Damn straight. After all, we have an innate need for human contact. And if ever there was a time for maintaining, strengthening and even expanding ties, this is it. Expanding? Sure. Now’s your golden opportunity, for instance, to pick up the phone and call that first cousin that you haven’t spoken to in eons because you’ve never particularly gotten along with him and because he absolutely pissed you off big-time by not inviting you to his son’s wedding 25 years ago.

“Guess who this is?” you should say before he has a chance to get a word out of his mouth. “It’s your favorite cuz, that’s who. The pandemic situation has convinced me that I should reach out to you, you loser. You better believe that I haven’t forgotten how you snubbed me all those years ago. Adios, baby. Nice talking to you!”

Okay, that attempt at communication possibly could have been handled more agreeably. But don’t sweat it! There are far more important things to worry about these days.

To continue: So far during the pandemic I’ve done nicely in the keeping-in-touch part of life, though expanding my ties has yet to become a part of the picture. I speak regularly with a good number of my friends and relatives, more regularly than I did in the pre-coronavirus era, and have enjoyed all of those conversations. But what I enjoyed even more were the occasions when old friends of the sonic variety unexpectedly visited me. For it was in late April, over a two-day period, that I heard on the radio three songs that I truly love but had forgotten all about.

Each recording brought a couple of tears to my eyes and made my grizzled heart go all soft and mushy. I sang along with them. I vowed never to let them disappear again, a pledge I plan to keep. No doubt, I’m a happier, more contented individual now that, after long absences, Sweet Lady Genevieve (by The Kinks), Have You Seen Her Face (by The Byrds), and Blue Eyes Crying In The Rain (by Willie Nelson) have reentered my life. And that, by the way, is the order in which I heard them last month.

The songs came out on albums in 1973, 1967 and 1975, respectively. The album titles, again respectively, are Preservation Act I, Younger Than Yesterday, and Red Headed Stranger. I own copies of those albums, for crying out loud. Don’t ask why I hadn’t given any of the platters a spin in a zillion years. Mea culpa.

Each song possesses a personality distinct from the other two, but they have something in common with 90% of all songs ever written. That is, in one way or another they address the prime human emotion. Love. Sweet Lady Genevieve, composed and sung by The Kinks leader, Ray Davies, is a plea for forgiveness and a promise to become faithful and true. Have You Seen Her Face presents a not overly clear-thinking guy who suspects he’d be wise to pursue a certain beguiling lady whom, perhaps, he is destined to bond with. As for Blue Eyes Crying In The Rain, here we have the tale of someone who fully realizes that the love affair of his life has reached its end, and that he never will get over the breakup.

Yeah, to me each of the recordings is something special. Sweet Lady Genevieve’s melody, with its leaps and twists, is irresistible. And the lyrics? Well, the eloquence of the opening line — Once under a scarlet sky, I told you never-ending lies — makes it clear that you’re about to hear a cleverly-spun story. There are many, including me, who consider Ray Davies to be a songwriting giant.

Chris Hillman, who played electric bass in The Byrds, wrote both the music and lyrics for Have You Seen Her Face. Yes, the lyrics are messy, but little matter, considering how freely, almost giddily, the melody unfolds, and how the trippy guitar solos will lift you right out of your body.

And what about Blue Eyes Crying In The Rain? For one thing, Willie Nelson, an ace songwriter, didn’t compose the work. It was written in 1945 by the late Fred Rose, a musician, songwriter and music industry executive. The lyrics are direct and profound, the music likewise. Willie Nelson recognized all of this. His vocals, accompanied by spare instrumentation, will break your heart.

Little more do I need to add, except to mention that The Kinks and The Byrds, iconic rock bands, no longer are functioning units. Haven’t been for years. Many of their once-members, though, remain active musicians. As does Willie Nelson, a mere lad of 87.

And so, without further ado, here are the songs that resonated with me so well recently. Oh, just one more thing: I’d be happy to hear your comments about this article.

My Favorite Color Once Was Yellow, Now It’s Blue. What’s Yours?

A couple of stories ago I reported that, for health reasons, I recently started going out on half-hour walks four or five times each week. A lot of the walks have taken place in my remarkably hilly neighborhood. In early February, while hauling my ass up and down slope after slope, I listened to a podcast that I like quite well. The podcast, Music From 100 Years Ago, is hosted by easy-going and real knowledgeable Brice Fuqua, and the episode that played from my earbuds was called Yellow Music (click here to find it, if you like).

Now, I’d chosen this particular episode, one of many that I’ve heard in Music From’s archives, because the word yellow had jumped out at me and set my mind in motion. As I readied to begin that walk, I fondly remembered that yellow was my favorite color when I was a wee lad. Yellow was a good choice of color for me back then. It’s cheerful and packed with energy, like most little kids. I still dig yellow, but for a long time haven’t been in love with it to the extent that I was millions of moons ago. That’s especially true these days, seeing that I ain’t especially cheerful and packed with energy anymore. Ah, the joys of getting old!

I don’t know when yellow ceased to be my fave. Probably when I was more or less ten years old. For the next 35 or so years I didn’t have a favorite color, not consciously anyway. During that time I was a fan of just about every color, something that has remained true to this day.

But somewhere in the 1990s I began to notice that I was particularly attracted to blue, or should I say blues, because various shades of blue pleased me just fine. I suppose that blue will remain my favorite for the rest of my life. I’d be shocked and awed, for instance, if on my death bed my final words were something like these: “Listen, after all this time I’ve decided that I like green more than blue. Who’d have thunk it? Okay, it’s time for me to go. Goodbye, cruel world!”

And I’m not alone in my pick. Surveys have determined that blue is the favorite color of more people than any other. So, why blue? Well, I’ve given this some thought and have come up with some notions. For one, I suspect that the preference has to do with the prevalence of blue. In daylight, when the heavens above aren’t cloud-covered, it’s blue that dominates our world. Duh! And who can resist a blue sky? It smiles upon us with a twinkle in its eye and with welcoming embraces. We’ve probably come to think of blue as a healthful force.

Blue comforts us. It helps us to vibrate at a beneficial pace. You can’t say the same for all colors, I think. You better watch out for orange, red and yellow, among others, for example. They just might bop you in your frigging nose or get your hormones racing way faster than you’re in the mood to deal with. And though white, black and the rest of the neutrals might possess blue’s healthful qualities, they lack the factor that, to me, sets blue apart from them: prettiness. Blue has just enough in the looks department to keep you more than interested.

Still, what do I know? There’s no right or wrong when it comes to color preferences. I’d be very interested to learn what colors are favored by this article’s readers.

The time has arrived to insert a couple of photographs of my once and current favorite colors. The explosive painting below hangs in my living room. It’s from Haiti and won my heart when I saw it in a Philadelphia art gallery in the 1980s. There are a variety of giddy yellows in there.  As a child, all of them would have enthralled me.

I have no doubt which shade of blue rates highest on my scale. It’s the blue of a late-morning sky, a soft but rich blue. Looking at the photo below, which I took on February 16, I can feel my blood pressure dropping to an acceptable level. Healthful is right.

Let’s get back to Brice Fuqua, a guy with wide musical ears who builds each of his broadcasts around a theme. The theme for Yellow Music is songs with yellow in their titles. During my walk, the number that got to me the most was one I’d never heard before, Yellow Dog Blues. W. C. Handy wrote it in 1915. The version that Brice played, sung by the fabulous Bessie Smith, came out in 1925. The song is about a heartbroken lady who is desperate to find out where the love of her life has disappeared to.

Yes, it’s very appropriate to this essay that Yellow Dog Blues contains in its title the colors that have stood out the most for me in my life. Thank you, Brice, for enabling me to bring the present proceedings to a vaguely logical conclusion.

(As always, comments are welcome and appreciated. And please don’t be shy about sharing this story. Mucho gracias.)