A Book, A Sunset and A Pair Of Slippers: Good Things From January

Actually, the title to this essay is incomplete, because the best thing of all from January was the departure from the presidency of lying-through-his-teeth, seditious Donald Trump. Faithful readers of this publication are aware that I despise Trump. He’s a poisoner of minds. I’m far, far from alone in being able to breathe normally now that he’s not in the White House.

But that’s enough about Trump. Let’s move on to a book I read in January that I think is awfully close to being great. It’s a slim volume too, a proper length for a reader whose attention span these days often is measured in nanoseconds. Namely, me. Flight is the novel’s name and Sherman Alexie is its creator. It follows the doings of a teen who calls himself Zits, a painful nod to the pimples that cover his face unmercifully. Zits has been dealt a pitiful hand. His American Indian father abandoned the family when he was born. And his mother, a white woman, died when Zits, an only child, was six. His life since then has been a revolving door of foster homes and youth facilities. Opening in the early 2000s in Seattle, Washington, and narrated by Zits, Flight drew me in from the get-go.

Zits is smart and funny, but exceedingly anti-social too. Basically, he’s lost. Love doesn’t factor into his life. He has no friends. A career path isn’t in sight. And he feels the pull of, but is disconnected from, his indigenous roots. He knows all of this, and possibly is open to his plight taking upward directions. However, how might such ever occur?

One day, strange business begins happening to Zits. From out of the blue he becomes a time traveler, tossed by forces unknown and unseen into the bodies of others whose circumstances make Zits examine his American Indian heritage and the ways in which American Indians have interacted with, and been treated by, the USA’s white population. On one of his journeys into the past, for instance, Zits uneasily faces complicated moral issues at the Battle Of The Little Big Horn, a gruesome confrontation, in 1876, between Native Americans and the U.S. military.

Loneliness and anger have defined Zits for many of his days. But his surreal experiences, affecting him deeply, widen his perspectives and loosen his emotions. Those experiences affected me deeply too. As did the book’s entirety. Flight felt authentic to me, including the time-travelling episodes. The dialog sparkles throughout Flight, and Zits’ thoughts and observations are sharp and alive, not wobbling for even a moment. Alexie can write. Alexie, by the way, grew up on an Indian reservation in the state of Washington. He left the reservation years ago, and has become a well-known author. The position of  American Indians in society is an ongoing theme in his works.

Is there a way to segue gracefully from Sherman Alexie to a sunset? Shit, I ain’t even going to try. Sunsets . . . man, I hardly can believe how often I’ve written about them on these pages. And I think it will be a while before I’m sunset-ed out.

My previous opus contains a few words about a magnificent sunset that I caught in December 2020. I viewed it while walking around my neighborhood. During that walk I realized that the finest spot to gaze at the setting Sun in my hood is from a corner half a block from my house. That corner provides as open a view of the western horizon as you can get in my town (I live near Philadelphia). It had taken me a mere 15 and three-quarters years of home ownership to make that discovery!

Anyway, since the eureka moment arrived I’ve moseyed to that corner a number of times to watch the Sun do its thing. And on the second of January I hit the jackpot. Most sunsets in my locale are good but not great. But as the skies darkened on the date in question, what had been a pleasant sunset transformed miraculously. Fiery oranges exploded beneath blues and greys that were not to be played with. Pale yellow shards seethed. I knew without a doubt that I was in the right place at the right time.

From sunsets to slippers? Sure, why not? For the past five or so years I was the owner of a navy blue pair of slippers that did their job just fine. Until 2019, that is, when they decided that they enjoyed sliding off my feet when I strode up and down stairs. I began to dislike them at that point, and got really sick of the f*ckers when the sole of the right-foot slipper opted to decompose, in no time developing a hole big enough to stick a corn cob through. But, lazy as I am, I hung on to the siblings rather than purchase replacements.

Finally, though, enough became enough. Last month I scouted out slippers on the internet, and bought a pair that appeared to meet my modest requirements. When they arrived at my front door I deposited the crappy ones in the trash. I adore my new slippers so far. They are comfortable, fit nice and snugly, and look damn good too. Yeah, I’m in slippers heaven. Out with the old and in with the new! Hey, that’s not always a top-notch idea, but this time it was.

(Please don’t be shy about adding your comments. Mucho gracias.)

Showing Red Some Love

I’ve said it before and I’ll say it again: My iPhone’s camera and I were made for each other. That’s because it was designed for technologically-challenged people such as I. Aim the camera in the correct direction, tap the phone’s screen to tighten the camera’s focus and to adjust the brightness level, and then press the big button. Easy f*cking peasy. And in most situations I’m pleased as punch with the images that result.

And I use the camera quite a lot. That point was brought home to me for the umpteenth time when I recently scrolled through the photos I snapped last year. I haven’t totaled the number, but four or five hundred feels about right. That’s a good deal of snapping. And a pretty high percentage of the pictures were taken with Yeah, Another Blogger in mind, because I like to jazz up most of my essays with a selection of pix.    

Well, upon examining 2020’s photographic output I came to the conclusion that I should turn some aspect of it into an entry for this publication. Display twelve photos, one from each of last year’s months, perhaps? Or select a bunch of pictures with oddly-angled components? Okay, why not? But in the end I decided to go with photos that feature, and not always prominently, the color red. I’m not exactly sure why, but after a while red was sort of jumping out at me from the photos, even though only a relative handful of them have any red elements in them. Maybe that’s why I gave red the green light. By which I mean that I don’t show red some love often enough, and the time had arrived to begin rectifying that. Which was fitting in a way, of course, as red is the color associated with love.

Cape May, New Jersey. October 2020

 

Willow Grove, Pennsylvania. May 2020

And when I say red, I’m talking about bold reds. Not necessarily fire truck red, but not too far from that vicinity. I looked online at color charts a little while ago and was surprised to see colors listed as shades of red that I don’t consider to be reds at all. Pinks, for example, and salmon, and hues that I think of as being in the brown family. Whatever. Nice bright reds are what I’m sticking with for this essay. 

Willow Grove, Pennsylvania. January 2020

 

Jenkintown, Pennsylvania. May 2020

You have to love those varieties of red, right? I mean, they’re truly eye-catching. Yet they are anything but ubiquitous in nature. You see bright reds in some flowers and produce and on some birds, yes, but almost nowhere else in the natural world that I can think of. I suppose you could say the same for bright yellows, oranges and purples too, but that’s outside the purview of this little story. (Yellows, oranges and purples, sue me for ignoring you! See how far that will get you.)  Yeah, greens, blues, greys, whites, browns and tans rule when it comes to nature. That’s just the way it is.

Ambler, Pennsylvania. December 2020

What’s more, you don’t come across a startling amount of traditional reds in the man-made world either. STOP signs, certain traffic lights, Coca-Cola vending machines and a smattering of motor vehicles are red, and red is used pretty often as a decorative touch on other objects. Bold red lipstick isn’t uncommon, and a modest number of people dress in red now and then. But, it seems to me, the use of red doesn’t go much beyond all of that. 

Shit, I’m starting to feel sorry for red. Excuse me for the next few hours . . . I’m going to paint both sides of every door of my house bright frigging red!

Okay, I’m back. And I chickened out. My doors remain as they were. Neutral colors, you dig?

Willow Grove, Pennsylvania. December 2020

I’m now going to turn my attention to the sunset photo above. It comes from a series of pictures of a sunset and of Christmas lights that I snapped one day last month in my neighborhood (if you click here, my story about those sights will appear). The sunset that late afternoon was glorious, its colors spreading from the west to cover a large portion of the sky. I was facing north, looking at the sweeping colors, when I took this picture. And I took it because, as spectacular as the skies were, the red STOP sign commanded attention and admiration too. I applauded and acknowledged the sign by including it in the scene. I showed red some love.

Is it clichéd of me to stretch a theme wildly by saying that showing love is where it’s at in all aspects of life? For we know that there can’t be too much love in a world where darkness and hate always have been powerful realities. Yes, it is clichéd, but no matter. Concluding this essay in such a manner seems like an appropriate thing to do. Thanks for reading, girls and boys. If you have any comments, please don’t be shy about adding them. Adios till next time.

(My many photos from 2020 include about 40 that have red in them. I chose six of those for this story.) 

A Routine And Musical Story

Well, it was déjà vu all over again yesterday morning, seeing that I did the things that I do just about every morning. First, the preliminaries: I woke up. Amen to that! Then I headed to the bathroom to take care of urgent business, upon the conclusion of which I threw on some clothes.

At that point the morning routine began: I entered the kitchen to pour myself some freshly-brewed coffee (it was waiting for me because I’d loaded the coffee maker before I went to bed, setting its timer to begin the brewing process at 6:30 AM). With a cup of java in hand I walked into the living room and sat my bony ass upon one of my closest friends, the sofa. Next, I opened my laptop computer and brought to its screen BrainBashers, a site containing sudoku and other puzzles. Still only half awake, I had a go at two sudokus. Then I went back into the kitchen to swallow my daily regimen of assorted pills. Finally, I ate breakfast.

Yup, the same pattern morning after morning after morning. Holy crap, I’m a boring, regimented f*cker, aren’t I? Don’t answer that! Here’s the thing, though: I’m okay with the routine, as two of its components (coffee-drinking and sudoku-attempting) relax and comfort me. They don’t give me anything resembling major charges, for sure, but relaxation and comfort count for something.

On the other hand, there’s nothing about my late night routine that comforts me, let alone rings my chimes. This is what it entails: I put ground coffee and H2O in the coffee maker and set its timer for a 6:30 AM start. My wife Sandy places medicinal eyedrops in my eyes, to ward off glaucoma. Then, in the bathroom, I spend ten minutes cleaning my teeth and gums fastidiously, to ward off periodontal disease.

Yup, the same pattern night after night after night. Holy crap, I’m a boring, regimented f*cker, aren’t I? Don’t answer that!

Fortunately, that’s not the whole picture. Yes, hum-drum routines partially rule me, as is true for just about everyone, I think. But this aged boy, who has more wrinkles on his face than are found in a pound of prunes, hasn’t forgotten how to put some spice in his life. And television and music are two of the main outlets that I turn to when I need doses of spice. I wrote about TV recently, so the only thing I’ll say about that subject now is that my latest obsession is Borgen, a taut and fascinating political drama series from Denmark. Netflix carries it.

Okay, then. It’s time to devote a few words to my main passion, music.

For about 50 years I’ve been a music junkie. One of my aims during that time has been to discover music that is new to me. These days, an assortment of terrestrial and satellite radio channels help me in that quest. On them, I continuously hear great tunes from the past and present, many of which I never heard before. The following three, along with several others, stood out for me during 2020 and were released that year too: Lilacs, by Waxahatchee (that’s the alias that Katie Crutchfield uses for her musical projects); And It’s Still Alright, by Nathaniel Rateliff; Cold, by Chris Stapleton.

Some lowdown on the artists: Waxahatchee, Rateliff and Stapleton established solid musical careers in the  2000s. That’s especially true for Stapleton, who has become a huge star. Millions of country, rock and pop music fans are into him. Rateliff, several notches below Stapleton on the success ladder, attracted loads of followers this century with his rocking rhythm and blues band Nathaniel Rateliff & The Night Sweats, which is on hiatus (Rateliff currently is doing his thing without the band). And Waxahatchee, a darling of the indie rock world, probably would like to break through to a wider audience, and probably isn’t holding her breath waiting for that to happen.

The songs appear on the artists’ latest albums. The lyrics of each are contemplative and piercing. Sonically, the recordings mesmerize me. I become putty in their hands, all too glad to have them take me to places deep inside myself. Is Cold my favorite of the three? Sometimes I think it is, so commanding is Stapleton’s voice. But when I give Lilacs or And It’s Still Alright an additional listen, I’m not so sure. I can make a case for each of them as being the best new song that I heard in 2020.

That’s enough commentary. Here comes the music. As I often mention, please don’t be shy about adding your thoughts. Gracias. Till next time!

What Do I Know? Good Question

Five or six times each week, for half an hour or so, I haul my sorry ass along the streets of one neighborhood or another, usually my own. I engage in this walking routine for fitness purposes and also just to get out of the frigging house during these pandemic-constricted days. I sure as hell am not a lover of regular exercise, but I’ve come to tolerate it for one reason: I listen to music podcasts as I stride along. Music, as we know, helps to keep boredom at bay. Duh!

One podcast that I often dial up is Downtown Soulville, hosted by a guy who calls himself Mr. Fine Wine. The program appears each week on New Jersey radio station WFMU, and then, luckily for me, is transformed by one form of magic or another into the podcast format.

Downtown Soulville is damn fine. During each episode, Mr. Fine Wine spins soul and rhythm and blues recordings, all of them on 45 RPM singles from his incredibly huge collection of same. He doesn’t talk too much during his shows, which is the way I like it, so song after song after song (most of them from the 1950s, 60s and 70s) hit the airwaves.

When I first started listening to Downtown Soulville I was struck not only by how very few of the recordings I’d ever heard before, but also by how very many of the artists I’d never heard of. This kind of shocked me, because, although I no longer try too hard to keep up with what’s going on in the various sections of the music world, for decades I did, waving my music-junkie flag proudly. I was, and am, into rock, jazz, soul, R&B, blues, reggae, Brazilian, African, classical, folk, and more musical genres. So, how was it that hundreds of soul/R&B singers that Mr. FW has thrown my way, such as Sugar Pie DeSanto, Billy Watkins and Mel Williams, were new to me?

The conclusion that I came to was that, despite being well-informed about music, in a very real sense I don’t know shit about that subject compared to what there is to know. That was a sobering thought. And eventually it set in motion a sequence of questions and answers. To wit: If my knowledge about music is limited, what does that say about me regarding every other subject you can name? Well, I know even less about them than I do about music, in most cases incredibly less. But, okay, does that really matter? Yes, it does, since acquiring knowledge is a worthy goal. Sure, but nobody can imbibe everything, right? True, and, what’s more, it’s exhausting to try to. Indeed, but that notwithstanding, aren’t there things you’d love to understand more about?

The answer to that question is a no-brainer: Damn straight!

For instance, how come I Don’t Wanna Be A Doofus No More, the personality-enhancing potion that George Clooney gifted me with a few years ago (click here to read about it), isn’t helping me anymore? Man, that elixir cured me of being a schlemiel for the good long while that it worked. Clooney, I’m going to sue you if you don’t rectify this situation!

And how come Alicia Keys, Halle Berry and Jennifer Lawrence haven’t gotten back to me regarding the messages I left with their agents? What, the ladies have something against hanging out with a dorky septuagenarian? Did they somehow learn that I Don’t Wanna Be A Doofus No More no longer is having salutary effects upon me?

And, though not as pressing as the issues that I just mentioned, what’s the deal with the universe? Specifically, how did it begin? Yeah, yeah, there’s the Big Bang theory and all, but here’s the thing about that: If all the matter that became our universe once was contained in an impossibly-compressed chunk of whatever, as the theory states, where the f*ck did that chunk come from? Did it always exist? Is it possible for something to always exist? Boys and girls, truer words than the following rarely have been written: I sure as shit don’t know.

I tell you, all of this mental work is tiring me out big-time. Having reached my deep-thoughts limit, there’s little doubt that my living room sofa, and naptime thereupon, await me. Before I sign off, though, let me say that I’m always glad to receive readers’ comments, so please don’t be shy about adding yours. Goodbye, then, till next time. I’ll leave you with the songs that I heard on Downtown Soulville the other day by the aforementioned Sugar Pie DeSanto, Billy Watkins and Mel Williams. Hope you enjoy them.

 

A Doors-Filled Story

I like to roam, to stretch my legs in a variety of locales while checking out the surroundings. And in recent years I often have turned my leg-stretching excursions into essays for this publication. These mini-adventures, thankfully, get me away from my living room sofa, upon which I spend hours upon hours each week engaged in questionable activities. Namely, staring into space, scratching my balls and twirling the five strands of hair that remain on the crown of my head.

Yeah, yeah, yeah, I know that I’ve mentioned that sofa routine many times before on these pages. Can’t seem to stop myself from writing about it, though. What can I say? Would you prefer that I describe the nightly visitations paid to me by space aliens, and how I cured the aliens of toenail fungus? Nah, I didn’t think so.

Anyway, this article now will concern itself with doors. That’s what I was in search of when, on the penultimate day of May, I roamed the streets of Jenkintown, a nice village three miles south of Willow Grove, the town that I call home. Both communities are in the Philadelphia burbs.

Doors had been in the back of my mind as a story idea since 2017 or so, after I discovered that there are a goodly number of WordPress writers who launch door-oriented pieces into cyberspace on Thursdays. Their leader is a guy named Norm, who began a Thursday Doors theme in 2014 (click here to see Norm’s website). And so, I’m going to follow the leader by pressing the Publish button for this story during the opening minutes (in my time zone) of Thursday, June 18.

Concentrating on Jenkintown’s doors was right in my wheelhouse. After all, on walking excursions here and there during the last few years I’ve sometimes kept my eyes on alert for specific subjects: the color green for instance, shadows, store and street signs. Doing that kind of thing helps to make life interesting for me. On a low but real-enough level, it’s like a research project or detective work. It’s fun, basically.

King’s Corner pub

Private residence

I hit Jenkintown’s sidewalks at around 11:30 in the AM and concluded my mission at a quarter past noon. I might have stayed out longer than I did were it not for a vivid Sun that was getting a thrill from making me schvitz most admirably.

Grace Presbyterian Church

My Jewel Shop

I walked along most of the blocks in Jenkintown’s business district and along a sampling of its residential streets. One thing I realized is that the vast majority of doors in Jenkintown are vanilla. That is, non-threatening standard concoctions of wood, glass or metal, or a combination thereof. Yet, I deemed some of them as absolutely photograph-worthy, because of the decorations on or near them, or because of their silent commentary upon our present times.

Uptown Event Center

Take the Uptown Event Center’s door, for example. How many ordinary, metal-framed glass doors such as this are in the world? Many tens of millions, no doubt. Yet, it looks as sharp as can be, flanked as it is by a lady singer and a sax man. Cool. Very cool.

Velvet Sky Bakery

And what could be plainer than the opened door of Velvet Sky Bakery? It stands out, though, in a major way. With a table holding disinfectant wipes and hand sanitizer beside it, it’s a reminder that we live in the days of coronavirus. This is a door through which you do not enter. You place your order from the sidewalk, pay when the items are brought to you, and walk away.

Immaculate Conception Church

On the other hand, sometimes you cross paths with grandeur, such as the front doors of Immaculate Conception Church. Lovely creations of golden brown wood, they are all the more impressive thanks to the elegantly-chiseled stonework that surrounds them.

Sprinkler room door

And then, in a category all its own, there’s a sprinkler room door, which is attached to the back of a building that I otherwise didn’t make note of. As of this writing it’s my favorite door in Jenkintown. That deep, deep color. That monolithic presence. Man, the door is the definition of gravitas.

We’d be in trouble without doors. I suppose that humans invented them in caveman days. Maybe way before that. Maybe later. Whatever the case, they provide protection from the elements and from members of the fauna categories, and they help to give us privacy. Right, duh! There are all kinds of philosophical interpretations that might be made regarding doors too. But I ain’t exactly Jean-Paul Sartre, so for me to go beyond the kiddie end of the pool in those matters would be a huge mistake. I will say this though: The Doors — and I’m referring to the rock and roll band — took their name from The Doors Of Perception, a book by Aldous Huxley that praises the use of psychedelics to open the mind’s doors, thus expanding one’s insights. I’m all for allowing more of life’s possibilities to present themselves. But there’s no need for psychedelics. For example, who knows what realms you’ll travel to when, non-medicated, you listen to Break On Through (To The Other Side), the opening track of The Doors’ first album, from 1967. Let’s find out:

(Please don’t be shy about adding your comments or about sharing this essay. I thank you.)

Justice, Equality And Peace

It’s late morning on the third of June as I begin to type this essay. It’s not the essay that, up until June 2, I was planning on writing. That one will have to wait till next time. No, even though I’m not a particularly incisive observer of, nor commentator upon, societal and political matters, I feel compelled to lay down some thoughts about what’s been happening in my country (the USA), and in other parts of the globe as a result of George Floyd’s murder by a police officer, Derek Chauvin, in Minneapolis, Minnesota. George Floyd, who was unarmed and handcuffed during the incident, was black. Chauvin, who has been fired from his job and charged with murder, is white.

Did anyone predict or expect that, in the wake of Floyd’s killing, hordes of people would take to the streets to denounce systemic racism and police brutality against blacks? I’m not sure, but I’m guessing not. Once put in motion, though, the protests expanded to locations far from Minneapolis. That includes Philadelphia, where I lived for decades, and which is very near to the town that my wife and I now call home.

I’ve watched television coverage of the marches and demonstrations, and of the violent turns that some of those gatherings took. The looting and property destruction that have taken place sadden and sicken me. Ongoing behavior such as that can deeply damage society, and can make conditions far worse than they already are. Fortunately, for the moment anyway, looting and destruction have lessened greatly, and peaceful protests continue.

Where will the protests lead? What will they result in? Will they result in anything, for that matter, or simply peter out as the energy and indignation that fuel them slowly evaporate? I hope that such will not be the case, because it’s undeniable that racism in the United States is alive and well, that many folks in this country don’t want equality-for-all to become an absolute given. The existence of white supremacy groups, and the continuing efforts by more than a few members of the Republican party to suppress the vote of minorities and of the marginalized, are two examples of this. The USA has a long way to go.

And what of the possibility that the protests explode into mayhem, uncontrollable violence, even civil war? I don’t discount this idea at all. Anything might happen, a frightening thought.

Barack Obama, in a level-headed and insightful essay about the Floyd tragedy, states what he believes should be the responses to it. Click here to read the piece. He urges us to vote out of office those elected officials with stone-age mentalities. And he focuses his exhortations on the young, who he says are the ones that must lead the efforts to make the world a better place. Here are a few of his thoughts: “The point of protest is to raise public awareness, to put a spotlight on injustice, and to make the powers that be uncomfortable; in fact, throughout American history, it’s often only been in response to protests and civil disobedience that the political system has even paid attention to marginalized communities. But eventually, aspirations have to be translated into specific laws and institutional practices — and in a democracy, that only happens when we elect government officials who are responsive to our demands.”

We can only hope that Obama’s way forward will prove to be the chosen path. His commentary, of course, would be lost on Donald Trump, who doesn’t care about the whys behind the reactions to Floyd’s death. That’s only to be expected from he who is callous, narcissistic, vindictive, a pathological liar and a thug. If Trump deploys federal troops, all bets are off.

At about 8:30 PM on June 2, I slipped outside to the deck at the rear of our house. Very unsettled by George Floyd’s death and the violence that partly filled its aftermath, I needed to decompress. That’s what happened as I stared at the dense foliage, listened to the birds and scanned the heavens.

Much of the sky was heavy with clouds, so almost no color emerged from the sunset. Bummer. But I was in luck anyway, because twenty minutes after I took my place on the deck I looked to the east and saw a vivid Moon rising, It seemed to have come from out of nowhere. Possibly it had been hidden by now-dispersed clouds. The Moon, as bright as a powerful LED light, was stunning. It made me feel somewhat hopeful.

As did Peace, a song recorded by the Ornette Coleman quartet in 1959. It played over the radio as I brushed my teeth two hours after Moon-watching. It wasn’t coincidental that WRTI, Temple University’s radio station, played this composition. That evening, the station was attempting to offer comfort to its listeners.

None of us knows with any degree of certainty where we are headed, but may justice and equality for all, and peace (it goes without saying), be intrinsic parts of the destination. And of the journey that takes us there.

(Please don’t be shy about adding your comments or about sharing this essay)

TV, I Bow Before Thee!

Like everyone, I’m anxiously awaiting the day when a vaccine is created that puts an end to the pandemic that has sent us into the twilight zone. It will be fabulous to ditch the f*cking masks and gloves that make us look like weirdo safe crackers. Better yet, getting together with friends and relatives will be back on our agendas, and the outlook will be fair or better for those businesses that were able to survive the dark times. Until that day arrives though, the overall picture, I believe, will continue to be anything but pretty.

Fortunately, life has been okay for me and my wife Sandy since coronavirus struck our part of the USA in March (we live near Philadelphia). Nowhere near as okay as it used to be, but okay enough. You adapt as best you can, after all, and try to deal with reality decently.

Among other things, the pandemic has forced me to make major adjustments to time allocation, as many of what had been my normal, much-enjoyed activities are only memories right now. That’s because, for health and safety reasons, my volunteer jobs were suspended and most of the usual outside-the-home entertainment choices that Sandy and I indulged in (socializing, cinemas, music venues, restaurants, museums) are unavailable, for now anyway.

So, how have I, a lazy septuagenarian, been filling the 16 or so hours of freed-up time each week? Well, for one thing, the living room sofa and I see more of each other than ever before. Upon its sensuous cushions I while away the time, alternating between scratching my balls and twirling the five strands of hair that remain on the crown of my head. Yes, I’m proud to report that my fellas are hanging in there okay, considering my advanced age, and that the strands of hair look damn studly. Thanks for asking!

Now, the scratching and twirling account for about nine of the 16 hours, and largely are confined to mornings and afternoons. What about the other seven hours? In a word, television. You see, in early April I really began to miss the kicks I’d been getting for ages at concerts, cinemas, etc. This ol’ boy needed to get entertainment from somewhere. And I wanted to do that with Sandy, my partner in kicks-experiencing for lo these many years. Television was the obvious outlet.

It’s not that I’m a stranger to the tube. In fact, I once was a highly dedicated viewer. But that ended about 12 years ago. Since then I’ve watched TV mostly in shortish sessions and mostly late at night, compulsively and expertly flipping channels. That pattern now has expanded. Yeah, I’ve retained the late night regimen. But, in addition, several evenings a week at around 8:30 or 9:00, Sandy and I head upstairs to our bedroom, which contains the bigger and better of the two TV sets in our home. We then proceed to lose ourselves for an hour or more. Doing so is nothing new for Sandy, who always has racked up admirable numbers of evening hours in front of the home screen. But, as noted, it’s been more than a while for me.

And you know what? I love it! Laughing, gasping, oohing and aahing together has been fun. Together, of course, is the operative word.

And what have we watched? Good movies, such as The Two Popes, The Wizard Of Oz, Saving Mr. Banks,  and Standing In The Shadows Of Motown. And a not-so-good one, Roma, which won an Oscar as 2018’s best foreign language film but which left me blank.

And entertaining series, two of them (Modern Family and Curb Your Enthusiasm) on network and premium-channel television. The others (Sherlock; Lilyhammer; After Life) were on Netflix, which has become one of my greatest pals. Man, we tore through the Netflix series zestfully, usually chowing down two episodes per sitting (no binge-watching for us, though. Maybe Sandy has the energy for that, but I don’t). And we’ve only scratched the surface of what the Netflix library holds.

Yes, without a doubt we’ll keep watching TV together till outside-the-house entertainment opens up, and probably not stop even then. I’ve learned that there’s a whole lot to be said for TV togetherness. I used to know that, but had forgotten. So, at least one positive development has come out of the pandemic.

Girls and boys, in conclusion let me say this: The last few months have been disorienting to most, probably all, of us. What adjustments have you needed to make as a result of coronavirus’ far reach? How do you spend the extra hours that you might have found yourself with? Finally, which shows and movies have you been watching on TV? I’d be glad to hear your thoughts about any or all of these items.

How Glad Was I When The Kinks, The Byrds And Willie Nelson Visited Me Last Month? Very!

As everyone knows, billions of words are written each day about coronavirus, the f*cking demon that has done an excellent job of turning our world to shit. Among those words are repeated recommendations to be in touch with friends and relatives more often than usual. Most of those contacts, by necessity of course, must be via phone and internet rather than in person. We can thank the demon for that.

Good advice, right? Damn straight. After all, we have an innate need for human contact. And if ever there was a time for maintaining, strengthening and even expanding ties, this is it. Expanding? Sure. Now’s your golden opportunity, for instance, to pick up the phone and call that first cousin that you haven’t spoken to in eons because you’ve never particularly gotten along with him and because he absolutely pissed you off big-time by not inviting you to his son’s wedding 25 years ago.

“Guess who this is?” you should say before he has a chance to get a word out of his mouth. “It’s your favorite cuz, that’s who. The pandemic situation has convinced me that I should reach out to you, you loser. You better believe that I haven’t forgotten how you snubbed me all those years ago. Adios, baby. Nice talking to you!”

Okay, that attempt at communication possibly could have been handled more agreeably. But don’t sweat it! There are far more important things to worry about these days.

To continue: So far during the pandemic I’ve done nicely in the keeping-in-touch part of life, though expanding my ties has yet to become a part of the picture. I speak regularly with a good number of my friends and relatives, more regularly than I did in the pre-coronavirus era, and have enjoyed all of those conversations. But what I enjoyed even more were the occasions when old friends of the sonic variety unexpectedly visited me. For it was in late April, over a two-day period, that I heard on the radio three songs that I truly love but had forgotten all about.

Each recording brought a couple of tears to my eyes and made my grizzled heart go all soft and mushy. I sang along with them. I vowed never to let them disappear again, a pledge I plan to keep. No doubt, I’m a happier, more contented individual now that, after long absences, Sweet Lady Genevieve (by The Kinks), Have You Seen Her Face (by The Byrds), and Blue Eyes Crying In The Rain (by Willie Nelson) have reentered my life. And that, by the way, is the order in which I heard them last month.

The songs came out on albums in 1973, 1967 and 1975, respectively. The album titles, again respectively, are Preservation Act I, Younger Than Yesterday, and Red Headed Stranger. I own copies of those albums, for crying out loud. Don’t ask why I hadn’t given any of the platters a spin in a zillion years. Mea culpa.

Each song possesses a personality distinct from the other two, but they have something in common with 90% of all songs ever written. That is, in one way or another they address the prime human emotion. Love. Sweet Lady Genevieve, composed and sung by The Kinks leader, Ray Davies, is a plea for forgiveness and a promise to become faithful and true. Have You Seen Her Face presents a not overly clear-thinking guy who suspects he’d be wise to pursue a certain beguiling lady whom, perhaps, he is destined to bond with. As for Blue Eyes Crying In The Rain, here we have the tale of someone who fully realizes that the love affair of his life has reached its end, and that he never will get over the breakup.

Yeah, to me each of the recordings is something special. Sweet Lady Genevieve’s melody, with its leaps and twists, is irresistible. And the lyrics? Well, the eloquence of the opening line — Once under a scarlet sky, I told you never-ending lies — makes it clear that you’re about to hear a cleverly-spun story. There are many, including me, who consider Ray Davies to be a songwriting giant.

Chris Hillman, who played electric bass in The Byrds, wrote both the music and lyrics for Have You Seen Her Face. Yes, the lyrics are messy, but little matter, considering how freely, almost giddily, the melody unfolds, and how the trippy guitar solos will lift you right out of your body.

And what about Blue Eyes Crying In The Rain? For one thing, Willie Nelson, an ace songwriter, didn’t compose the work. It was written in 1945 by the late Fred Rose, a musician, songwriter and music industry executive. The lyrics are direct and profound, the music likewise. Willie Nelson recognized all of this. His vocals, accompanied by spare instrumentation, will break your heart.

Little more do I need to add, except to mention that The Kinks and The Byrds, iconic rock bands, no longer are functioning units. Haven’t been for years. Many of their once-members, though, remain active musicians. As does Willie Nelson, a mere lad of 87.

And so, without further ado, here are the songs that resonated with me so well recently. Oh, just one more thing: I’d be happy to hear your comments about this article.

Colors, Colors, Colors!

Philadelphia, Pennsylvania

Colors, colors, colors! I’m in the mood to write about colors — big, bold combinations of them — and to look at those combos in the eight photographs that decorate this article. Who, after all, doesn’t like snazzy hues that are having a ball playing together? They can make your day.

Manhattan, New York City

Philadelphia Flower Show (Philadelphia, Pennsylvania)

And before I go any further, I have to say that the pictures, all of which I took in recent years, send tingles from my head to my toes. But wait, I’m exaggerating. The truth is that the tingles don’t come close to reaching my toes. Due to my advanced age, the best they can do is terminate one foot above my groin, where they paddle around for a second or two and then go poof! Shit, such is life.

Abington, Pennsylvania

Cape Cod, Massachusetts

Where was I? Yeah, I’m a sucker for vibrant color displays. Always have been. Like just about everybody, for instance, I’ve dug fireworks for almost as long as I can remember. Circa 1954, when I was very young and living in Brooklyn, my parents took me to the roof of a tall apartment building on our block. There, along with a bunch of other families, we watched fireworks exploding in the skies above the Atlantic Ocean near Coney Island Beach. The fireworks were several miles away from where we stood, appearing small at that distance, of course, but I found them groovy. Colors, colors, colors.

Philadelphia, Pennsylvania

And in my adulthood, which has been a work in progress for over 50 years, my admiration of fireworks has done nothing but grow. I always get close to the displays, as I like having the shifting shapes and colors in my face as much as possible. Many communities in the USA, including Philadelphia and various towns surrounding it, set off fireworks on July 4, which is America’s Independence Day. My wife Sandy and I live near Philly and have attended many Fourth Of July shows in that city or in its burbs.

What’s more, for a long time Philadelphia has gone one step further by ushering in each New Year with fireworks on the city’s Delaware River waterfront. Sandy and I love those shows too. As long as the outside temperature isn’t an ass-freezer, we go. The fireworks photo included with this story was snapped in Philly on the final evening of 2019. Right, we didn’t freeze our asses off.

Cape Cinema (Cape Cod, Massachusetts)

The other photograph that I’ll expend some words on is the one from Cape Cinema, a movie theater in the Massachusetts town of Dennis, on Cape Cod. My wife and I have vacationed almost annually on Cape Cod since 1998. And Cape Cinema has become one of our must-go-to entertainment venues. It shows good movies. And, incredibly, it is blessed with a swirling, otherworldly artwork that covers every inch of its auditorium’s ceiling and much of the auditorium’s walls.

Is there another theater in the world such as this? If so, I’m unaware of it. Created by Rockwell Kent and Jo Mielziner in 1930, the enormous mural (which was painted on canvas strips that then were glued to the interior surfaces) blows my mind every time I see it. Which is often, because I’ve been to this theater at least 35 times. The mural depicts mythological creatures and heavenly objects, but the subject matter hardly matters to me. No, what I’m interested in is allowing the feast of colors and patterns to intoxicate me, which they always do. I get lost in them. Cape Cinema is magical.

Edinburgh, Scotland

Yet, here’s the thing: As much as I love to be around color extravaganzas, there are limits to how often. Lengthy exposures to them on a regular basis (or to any forms of excitement, come to think of it) would cause my system to overload, to beg for mercy. Of that I have no doubt.

And so, if I were forced to make a choice, color-wise, between flash on the one hand and mellowness on the other, the latter would win hands down. To cite an example of mellowness, there’s almost nothing I’d rather do than stand, facing the water, on a sandy ocean coastline on a clear day. Hundreds of times I’ve done exactly that, drenching myself in the tans below me, the teals in front of me, and the great expanse of baby blue overhead. The palette in such a setting soothes, man, soothes. No, I wouldn’t be pleased about eliminating bouncy, bright color schemes from my life, but I would if I had to. I have a feeling that most people would choose the same as me.

Thank goodness that none of us has to make that choice, though. There’s a vast number of colors out there. And there’s a time and a place for each of them. Say hallelujah, girls and boys! Amen.

(Comments are welcomed, as is the sharing of this article. Mucho gracias.)

(If you click on any photo, a larger image will open in a separate window.)

Looking For Signs While Walking Around On A Sunny Morning

It will come as no surprise to some of you when I mention that for several years I have been turning out shitloads of written product that revolve around my taking walks in one locale or another. The present opus is yet another example of same. When, moaning and groaning and writhing, I birthed this website five years ago, I wouldn’t have guessed that essays along that line eventually would become my go-to form of expression. But that’s what has occurred, and I’m down with it. I mean, I like walking around while examining my surroundings. Always have. But I didn’t consciously realize it all too much until this publication began finding its comfort level. And so, I tip my hat to the writing process, because it has helped to give me a halfway-decent sense of who I actually am. And who is that, you ask? Don’t ask!

There I was, then, on Thursday the 9th of April, sauntering along the long stretch of blocks that comprises most of Hatboro’s business district. (Hatboro, an old-fashioned-looking town, of which there are way too few in my region, is two miles from Willow Grove, the non-descript burg that I call home. Both Hatboro and Willow Grove are in the suburbs near Philadelphia, Pennsylvania, USA.)

I arrived in Hatboro at about 10:30 AM and departed 45 minutes later. The skies were as blue as blue can be, the temperature was mild, and a sweet breeze caressed my cheeks and those of the people that I saw. Due to the coronavirus situation, those people were few in number, and all stores in Hatboro (and throughout much of Pennsylvania) were shuttered, except for those of the sorts deemed essential by Pennsylvania’s governor. Thus, a hardware store, a pharmacy, ten or so food purveyors, and a handful of others were open for business. As for that sweet breeze, even though everyone was keeping plenty of distance between one another, hopefully it wasn’t blowing any coronavirus microbes into anyone’s eyes or mouths. But hey, I’m not here today to dwell upon coronavirus. No further mention of that demon shall I make herein.

On my person was my trusty iPhone. What, like I’d go anywhere without it? (Well, maybe to take a crap, but that’s about it.) For one thing, the phone’s camera is essential to my journalistic endeavors. And what I had in mind to do with the camera was to point it at store, street and traffic signs, and at whatever other signs caught my eye. I enjoy signs, you see. Even though I’d been in Hatboro many dozens of times over the years, I wasn’t sure what the outcome of my plan would be, as I hadn’t paid extensive attention before to the state of affairs of the town’s signage.

I needn’t have worried. From the get-go I found sign after sign that interested me. Some for their colors. Some for their designs. Some for their whimsicality. Some for the jaunty ways in which they interacted with other signs in their vicinity.

In other words, I damn well dug the time that I spent wandering Hatboro’s streets.

Unexpectedly, little was playing in my mind as I kept placing one foot in front of the other, so focused was I on the mission. I wasn’t contemplating the meaning of life. I wasn’t thinking about what other activities I’d fill up the rest of the day with. And I wasn’t analyzing the importance of signs. But, as I realized when I began to gather my thoughts for this essay, signs are important as hell. They provide all sorts of information, and succinctly. We’d be lost without them, would have little clue about what’s going on. Man, signs are essential to human society, don’t you think? Yup, that’s why there are so many signs in Hatboro, just as there are in every town and city. We’re builders, creators, doers. And the oceans of signs in the world prove, reflect and add to that.

Okay, I’m just about signed-out. It’s time for me to have a nice big glass of milk and some warm chocolate chip cookies, and take my afternoon nap. I can hear my sofa calling me. “Lie down, you creaky geezer, lie down,” it’s cooing. “You need your beauty rest. Only problem is, you ain’t got any beauty left. Tough crap. Such is life!”

Thanks for joining me on my passage through Hatboro, girls and boys, and for gazing at a selection of the photos that I took there. By the way, seeing that I usually mention several things at the ends of my stories, I might as well mention them again. Namely, please don’t be shy about adding your comments or about sharing this article. And if you click on any photo, a larger image will open in a separate window. Till next time!