Art On Wheels, Part Eight (Thank You, Philadelphia)

A tad more than four years ago I was inspired to pen a piece for this publication that revolved around beautifully decorated motor vehicles. Pen it I did (click here), not expecting to return to the subject matter multiple times. However, as fate would have it, return I did. Yup, there’s no denying that I get kicks from seeking out and writing about art on wheels.

In each of the previous installments of this ongoing tale, I discovered most of my victims in the suburbs of Philadelphia. That was a matter of convenience, because I’m a suburbanite. However, for the current installment I decided to say “f*ck, no!” to the burbs and say “f*ck, yes!” to the City Of Brotherly Love itself. As a result, on the 16th of August I climbed aboard a train that took me from my little town to the city that I know better than any other.

As summer days go, it was a good one. The temperature was not oppressively hot. More important, the partly cloudy skies were blocking the Sun a good deal, which was absolutely A-OK with me. “And why is that?” you ask. Well, it’s because I instantly begin to sweat my aged ass off when I’m under an unobstructed summer sun!

Arriving in Philadelphia at 10:30 AM, I spent three hours, interrupted by a lunch break, striding along many of its central section’s innumerable blocks. When I began the scouting expedition I wasn’t confident that I’d spot enough good-looking vehicles to illustrate this story adequately. The trucks/vans/buses gods must have been sitting on my shoulders, though, because vehicles of interest entered my field of vision right from the get-go.

The first one I saw came in the form of a Peter Pan interstate bus, which was in the loading area of a bus terminal one block away from the train station that I had exited only minutes earlier. It’s a winner, futuristic in design and hues, and pretty much the epitome of confidence and cool. There’s no doubt in my mind that this bus is not to be messed with. Woe to whomever might even consider the idea.

Then, a minute after taking Peter Pan’s portrait I turned onto Arch Street, where a lovely Rosenberger’s food truck was zipping along. With no time to waste, I pointed my phone’s camera, pressed the button and hoped for the best. Happily, the picture came out clear instead of blurry.

I was on a roll. It continued on 12th Street not long after the Rosenberger’s encounter. There, two impossible-not-to-notice Philadelphia tour buses were parked a few feet apart from one another. Those vehicles are as explosively colorful as just about anything within Philadelphia’s borders. Man, it would be an honor to ride around town, seeing the sights, in either of them.


All in all, I snapped pictures of 15 motor vehicles during my trek. There were a few others I’d have liked to photograph, but they were on the move and eluded me. This page contains the portraits of nine of the fifteen.


The most invigorating aspect of my Philadelphia expedition was its by-chance nature. Shit yeah, it felt good to kick off the shackles of my structured and regimented life for a while and simply move from here to there, as loose as a goose, letting happen whatever might happen. I had no idea in advance where any decorative vehicles might be. And they sure as hell had no idea where I might be. Basically, I was on a very unpredictable treasure hunt without a treasure map in hand.

I was, of course, damn well pleased to locate as many eye-catchers as I did. The final vehicle that posed for me was a snazzy Dynatech van. After that I searched in vain for 20 minutes, and then began to run out of gas. The time had arrived to think about seating myself on a train that would bring me back to my little town.

Philadelphia has made my day so many times over the years (I lived in Philly for about 30 years before heading to the burbs in 2005). Once again it hadn’t disappointed.

(Please don’t be shy about adding your comments. Mucho gracias.)

Words From A Philly Fan

I’m proud and relieved to say that I am fully vaccinated against coronavirus, the microscopic beast that, for us humans, likes nothing better than to cause pain and death and to make an unholy mess of things. And though there are plenty of unknowns about what the future holds, for the vaccinated and unvaccinated alike, I’m proceeding on the assumption that the two doses of Moderna I received have done their job. In other words, protected me from developing COVID.

That’s why, earlier this month and for the first time since the pandemic began, I packaged together activities that used to be semi-regular parts of my repertoire. Namely, I hopped aboard a train, a means of transport that I deemed too risky to use pre-vaccination, and rode it for an hour from my suburban town to a station in the heart of Philadelphia, the city I know better than any other. Then, upon arrival, I took a substantial walk through The City Of Brotherly Love’s streets.

(Yeah, I could have driven into Philly at pretty much any time during the past year, but said drive is a major pain, as is finding somewhere to park in the sections I like to walk around in.)

Vivid sunlight greeted me as I exited the train station at 10th and Filbert Streets. With no game plan, no specific destinations in mind, I looked this way and that, shrugged, and let my legs and feet take me where they would. Three and a quarter hours later — a chunk of time that passed almost in a flash — I had walked upon a fair number of central Philadelphia’s blocks, covering about four and a half miles in all.

Philadelphia’s Chinatown neighborhood

The area that I traversed on the Friday in question forms a large rectangle and includes a host of neighborhoods. Among them are Chinatown, Old City, Society Hill, South Street and Center City West. Old City and Society Hill, by the way, encompass much of what was within the city’s boundaries during its emergence as a major player in the 1700s. Reacquainting myself with these and other Philadelphia neighborhoods felt damn good, though my absence didn’t seem as long as it actually had been. What surprised me more than anything was that, despite all the walking I’ve done in central Philadelphia over the years, I probably never had been on some of the blocks that passed beneath my feet. For instance, had I ever before walked past or seen the enormous mural that proclaims WORK UNITES US on a building that is close to both Chinatown and Old City? I think not.

Philadelphia’s Old City neighborhood
Philadelphia’s Society Hill neighborhood

Well, the conditions were as fine as any I might have dialed up. The skies were a sweet blue, the temperature mild, and a healthy number of young ladies strolling around looked superb. Within the eastern half of the rectangle that I visited, the sidewalks were not particularly crowded. Its Old City and Society Hill areas normally teem with tourists, but not now, needless to say. Add to that the fact that mucho workers who used to be on the streets during their lunch hours are now working from home, another consequence of the virus. I saw quite a few more people, however, within the rectangle’s western half, mainly because of cafes and restaurants whose outdoor tables, in the Rittenhouse Square neighborhood, were packed. But not as many as I would have a year and a half ago.

Philadelphia’s South Street neighborhood
Philadelphia’s Center City West neighborhood

All in all, COVID has put Philly, and just about all American cities, I suppose, in a hell of a hole. For one thing, Philadelphia never will return to its former self should working-from-home remain a significant way of doing business. I mean, can you imagine the ripple effects that will occur if the city’s office buildings, whether modest or skyscraping, become half vacant, or worse, permanently? Man, I’m very worried about this.

Philadelphia’s Rittenhouse Square neighborhood
Philadelphia’s Rittenhouse Square park

However, all is not lost. The city has much going for it. Deep history. Parks galore. Handsome buildings several centuries old. Modern skyscrapers tantalizingly sleek. I saw examples of all of that during my walk. What’s more, during the last 25 or 30 years Philadelphia’s restaurant scene became world-class and its cultural offerings exploded in number. Restaurants, in general, have hung in there fairly well during the pandemic, though there have been casualties of course. And culture is slowly returning as pandemic restrictions are being relaxed more and more.

No doubt about it, I’ll head back to Philadelphia a bunch of times pretty soon. To trek again. To dine. To take in movies and rock and jazz concerts. I dig the city a whole lot, as if you couldn’t tell. If I didn’t, I’d have moved to another region long ago.

(Please don’t be shy about adding your comments. Gracias.)

Looking Up Is Where It’s At: A Springtime Story

When my phone rang at 10 AM on April 27, I knew that I would be in for a scolding. That’s because the name displayed on the phone was none other than Dooitt Orr Else, the no-nonsense CEO of the blogosphere. I’d never had the pleasure of speaking with Mrs. Else, but I knew all about her. Bottom line: she does not suffer fools gladly.

I answered the call. “Hello, can I help you?” I asked, my voice trembling.

“Help me? I doubt it, fool. But you can help yourself. Listen, mister — and, by the way, this is Dooitt Orr Else speaking — it has come to my attention that you have yet to publish an article that centers around spring 2021. What is the matter with you? You’ve written about past springs, have you not? The answer is yes. Therefore it will be unacceptable if you allow the present season to vanish into your rearview mirror without comment.”

“Sir, you have fallen short of the contractual obligations that you entered into with WordPress. Get to work on a spring-related article or I shall be forced to revoke your writing privileges. Not that anyone would mind if I did. Over and out!”

Holy shit, that conversation, if you can call it that, left me worried. I mean, what the hell would I do with my freed-up time if I no longer were allowed to hurl my words of quasi-wisdom into cyberspace? Man, I don’t want to learn how to do yoga. And I don’t want to learn how to bake. Hence, the next day I took to the streets to see what spin I might put on spring 2021.

A lovely day it was when I began the adventure soon after breakfast. On the hazy side, yes, but there’s a charm to haziness. And the temperature was very comfortable, so I knew that I wouldn’t start sweating like a pig as I pounded the sidewalks. My plan was to admire and investigate the flora on some of the blocks in my neighborhood and also on some in a nearby area, as nature had begun to come alive gloriously several weeks earlier. Most deciduous trees were fully in leaf. And many of their flowering varieties were strutting their stuff. But what would be my focus? I wasn’t sure when I left the house, but two minutes later I knew.

I knew, because I decided to photograph a pine tree on a home’s front lawn, but not from a distance. Instead, I got real close to the densely-needled beauty and looked up. What a view! No pavement, no houses, no electrical wires were part of the scene. Nothing but the tree and the sky. The template for the walk, and for the story that you now are reading, immediately fell into place. I would look upward frequently and see what was to be found.

The natural world, needless to say, is infinitely complicated in terms of design, structure, materials, color, and in terms of every other aspect that one might think of. We reside on a planet that is an absolute wonderland. These facts are what hit me the hardest as I wandered along, stopping here and there to peer heavenward through tree branches. The branches, the leaves and needles, the blossoms on those trees so adorned, interplayed at wild angles, combining to form intricate canvases, canvases that shape-shifted whenever I changed position even slightly. Add to this the play of sunlight and the calmness of the sky . . .  the sights were truly stunning.

What’s more, most of the canvases looked like works of modern art to me, swaths of colors and in-your-face immediacy being major parts of their hearts and souls. But I also enjoyed the more delicate constructions, especially the unassuming manner in which one tree, with a smattering of white petals on its thin branches, met the sky.

For the past 18 months I’ve been walking my ass off in my and other neighborhoods, most of them in the Philadelphia burbs, doing so for health reasons and also to get off the living room sofa often enough so as not to take root on it. I’m a lazy guy at the core, though, not one who is thrilled about engaging in regular exercise sessions. But I plan to maintain the routine for as long as I am able. And looking up will help. As the title of this opus says, that’s where it’s at. Sometimes, anyway.

Okay, Mrs. Else. I’ve met your demand. Don’t call me again anytime soon!

(Please don’t be shy about adding your comments. Gracias.)

Going To Pot?

A recent Tuesday found me hauling my wizened ass around my hilly neighborhood for half an hour, something that I do on a lot more days than I care to. By which I mean that the frequent treks usually are not particularly exciting. However, brisk walking, and the huffing and puffing induced by climbing hills, supposedly are good for you. Thus, I’ll continue to haul said ass diligently, in the hopes that the pace at which the sands in my hourglass fall to the bottom will be nice and slow as a result.

As it turned out, though, the neighborhood walk had several things going for it that made it a good deal better than tolerable. I’m referring to three songs that came my way via The Many Moods Of Ben Vaughn, a podcast, as I pounded the hood’s blocks. I’d heard these recordings, all of them great golden oldies, many times before. But, quite unexpectedly, I was hearing them with fresh ears.

Specifically: How was it possible that I’d never fully noticed the gleeful whooping that saturates Double Shot (Of My Baby’s Love), by the Swingin’ Medallions? Or the fact that the instrumentation on Peggy Lee’s delicious rendition of Fever comprises nothing more than an upright bass, finger snaps, spare drumming and, of course, Peggy’s voice? Or that there is wispy vocal harmonizing, seemingly from a galaxy far, far away, on T. Rex’s Mambo Sun?

The answer, I think, is that I was in a state of heightened awareness, allowing me to pick up on the above. And I’m glad that I did, as I’m a sucker for beauty and wonder, and seek them out religiously. Yup, that’s who I am and what I do.

As strong as my orientation and inclinations are, though, there was a time when beauty and wonder struck me with even more force than they do now. I’m referring to a lengthy stretch of years that began during the heart of the hippie era. Back then, a major key to my finding enhanced enchantment in the world was — and I’d be surprised as hell if any readers guess incorrectly — marijuana, a product beloved by millions upon millions over the centuries. I wasn’t anything resembling an around-the-clock stoner. I picked my moments. But in toto I spent a goodly number of enjoyable hours in the arms of cannabis-created highs.

Not recently though. Nope, pot hasn’t been part of my life for many years. (I gave up cigarettes in 1985 and, though I can’t pinpoint the year, probably nixed cannabis around the same time, not wanting to have smoke of any kind enter my lungs.) But I’m reconsidering that position. Maybe it’s time for me once again to become a pot man. That’s what I started thinking about soon after hearing the songs mentioned above. I realized that if I had been agreeably stoned that Tuesday, not only would the previously-unnoticed aspects of the recordings have jumped out at me, I’d have been easing myself into the flow and taking in just about everything around me. Ah, how great it would have been!

I’ll absolutely be judicious in cannabis’s use, however, should I once again indulge. As there’s no denying that I’m an old guy with a sometimes-erratic system, there’s a real chance that strong strains of cannabis would wallop me upside (or should I say inside?) my head, rather than mellow me out. Hence, my game plan would be to take only one or two tokes of a mild variety of pot, and be satisfied with wherever they lead me, even if it’s not to the heights of yore. I’d do this once or twice per week at first, and see where it goes from there. Well, we shall see if this scenario some day comes to pass. I’m betting that it will.

In a moment I’m going to roll into a metaphorical joint the thoughts I’ve enclosed on this page and mentally puff away on them with gusto. But before I do, let me leave you with YouTube offerings of the three songs that inspired the reverie you’ve been reading. They have the power to improve your day. Oh wow, man . . . they’re outta sight!

 

A Case Of The Winter Blues

Man, not only did I wake up feeling kind of blue on the 15th of February, several hours later my funk was still hanging around. Knowing that I needed to take some action I picked up the phone to call my psychiatrist, Dr. R. U. Forereel. But a second later I thought better of it, because, after all the many years that I’ve been spilling out my guts to her, I knew what she would say.

“Are you for real, Neil?” Dr. Forereel would have replied to my explanation of the situation. “Why are you wasting my time over such a trivial matter? Everybody gets the blues now and then. Get off your scrawny rump, Neil, and go for a walk. That’s all you need to do to start feeling better.” And then she’d have hung up abruptly. And, hopefully, would not have sent me a bill for the brief phone session.

Yeah, the first half of February, blessing my part of the globe (I live near Philadelphia, Pennsylvania) with lots of snow, ice and cold temperatures, was a big pain. Having lived with those kinds of conditions for most winters of my life, I’m used to them. And, normally, I grin and bear them.

This year, though, slowly but surely winter’s assaults got to me, and I became symptomatic on the 15th. Seeing that my usual morning activities (drinking coffee, doing sudoku puzzles and scratching my balls) weren’t dissipating the blues at all, I decided to take the advice that Dr. Forereel would have offered. Thus, at around 10:30 I bundled up real good. Then I fired up an episode of The Many Moods Of Ben Vaughn, an excellent music podcast, on my phone, stuck earbuds in my ears and headed out the door to stroll around my suburban winter wonderland.

Wonderland? Nah, anything but. Sure, everything looked nice and idyllic right after the first of several snowstorms in early February. But, by February 15th, examples of beauty in my neighborhood were few and far between. That was only to be expected, of course, as snow plows had done their thing two or three times, piling ungainly mounds of snow and ice along the sides of every street. And sidewalk and driveway shoveling had added to the mess. An exception was the Willow Grove Bible Church, which was a pretty charming sight. Overall, though, I gave a rating of anywhere from meh to crap to just about every scene that met my eyes.

Plus, the grey skies weren’t doing anything to lift my spirits either. Ben Vaughn, on the other hand, was. I’ve written about Ben before. Each episode of The Many Moods contains an impressive mixture of musical genres. As I strode along my neighborhood’s blocks on the 15th, the tunes that poured through my earbuds improved my mood. Especially, by far, the hard-rocking ones. In fact, when I’d left the house I instinctively knew that in-your-face drumming was what I was in need of. Fortuitously, during the first 20 minutes of Ben’s show I heard three songs that featured such. They put pep and purpose into my steps. They got my juices flowing. No doubt it would be a good idea now for me to present them. Here then, via YouTube, are rad rockers by Mott The Hoople (“All The Way From Memphis”), Chuck Berry (“Almost Grown”), and Nick Lowe (“Half A Boy And Half A Man”). My humble story continues below them.

But you know what? The uplifting effects of my 45-minute walk didn’t have staying power. When I arrived back home I was feeling no more than 30% better than I did when I began the trek. Shit, it was just one of those days. I suppose that the pandemic was feeding my blues too. My wife and I, like just about everybody, have been limited in our activities since coronavirus reared its ugly head last year. But at least we were able to eat outdoors at restaurants and entertain friends outdoors at our home when the weather was decent.

We can’t do the same when it’s cold outside. And, because we are cautious when it comes to the virus, indoor dining and indoor entertaining definitely are off our schedules. What a drag, drag, drag.

Anyway, I’m a sucker for happy endings. They sure as hell make life seem better. And I’m going to present one to you. Yes, for reasons unclear to me, my skies began to brighten around 5:30 PM on February 15th. And by 7:00 PM I was back to being my normal self. You know, a grumpy, head-halfway-up-his-scrawny-ass septuagenarian. I haven’t always been a septuagenarian, but grumpy and head-halfway-up-his-scrawny-ass have been pretty accurate descriptions of me for years. Yo, nobody’s perfect!

(Please don’t be shy about adding your comments. Gracias.)

A Doors-Filled Story (Second Edition)

It’s easy and normal to take doors for granted, though they are, of course, super important. I mean, where the hell would we be without them? Climbing in and out of windows, thats where. And who would want to do that?

But doors do have major fans. For example, a fair number of WordPress scribes write about them, maybe in recognition of their crucial value. Or maybe because certain doors are true works of art. Whatever the reasons, it is de rigeur for those scribes to launch their doors-centric essays into cyberspace on Thursdays. Why Thursdays?  Because . . . well, I sure as shit don’t have a clue. It just became one of those things to do, I think.

The ringleader of Thursday doors articles was a guy named Norm (here’s the link to his blog), who began the project in 2014 but recently gave up his duties. A responsible and caring sort, he didn’t simply walk away. No, Norm nimbly passed the baton to Dan Antion, the mastermind behind the blog called No Facilities. Authors of doors-related pieces now are asked to post notices of their latest opuses on Dan’s site rather than on Norm’s. And that’s what I’ll be doing today, which is Thursday in my time zone, as this is a story about doors.

I published my first doors narrative in June 2020, taking a look at doors in Jenkintown, and decided to examine those in Ambler for my second effort. Both Jenkintown and Ambler are cute, traditional-looking villages in the suburbs of Philadelphia, Pennsylvania, and are pretty close to Willow Grove, the not-too-cute town that I call home.

A few weeks ago I spent about 70 minutes scouring many of Ambler’s streets. I was in search of doors that made a big impression on me, though I wasn’t sure which types those would be when I began the expedition. As you’d expect, the vast majority of doors that I passed were the kinds you’ve seen millions of times before. Standard wooden ones on houses, for instance, and standard glass/metal ones on commercial properties. Most of them were perfectly nice and well-maintained, for certain. But, vanilla.

So, how about doors that might be described as elegant or artistic? Surprisingly, Ambler seemed to be lacking in them, for I noticed but two. One belonged to a church, the other to a restaurant. Now, I could have placed their photos on this page and devoted a couple of hundred words to various aspects of their worthiness. However, I’ve chosen not to, as the five doors that resonated with me during my walk were way humbler. And weathered and disheveled too, to one degree or another. What’s more, the word dilapidated also applies to two of the five (the white door with a big empty space next to it, and the cardboard-stuffed black door upon which the sturdy lavender-hued door closes). I liked all of the outsiders aplenty when I spotted them and, in examining their portraits a short while ago, I like them no less now. They have tons of character. They’ve been through a lot and have stories to tell. And they probably go unnoticed by most everyone, but so what? They’ve entered my heart, which contains a warm spot for the underappreciated. Yeah, I’m a f*cking softie.

And which of the specimens do I choose as my favorite? Tough decision, but I’m going with the wooden swinging doors. Man, crude though they are, they exude down-to-earth charm and nonchalant confidence, characteristics I’d be proud to call my own. But I’ll never be as cool as those doors are, Shit, I’m well into my septuagenarian era. So, if it hasn’t happened yet, it’s not about to now. But an old guy can dream, can’t he? Damn right he can, and will.

Is any essay about doors truly complete without a nod to The Doors, the explosive, brooding and trippy rock band that burst into the big-time in 1967? The answer is no, at least when it comes to my offerings. Thus, I shall leave you with a recording by The Doors that has one big thing in common with the doors I’ve written about above. To wit, it is underappreciated. Wintertime Love, performed in a flexible waltz time, finds the band behaving all happy and tender, something they weren’t particularly known for doing. The song appears on their Waiting For The Sun album, which hit the marketplace in 1968. Here it is. Thanks for reading. Thanks for listening. And please don’t be shy about adding your comments. Till next time!

A Doors-Filled Story

I like to roam, to stretch my legs in a variety of locales while checking out the surroundings. And in recent years I often have turned my leg-stretching excursions into essays for this publication. These mini-adventures, thankfully, get me away from my living room sofa, upon which I spend hours upon hours each week engaged in questionable activities. Namely, staring into space, scratching my balls and twirling the five strands of hair that remain on the crown of my head.

Yeah, yeah, yeah, I know that I’ve mentioned that sofa routine many times before on these pages. Can’t seem to stop myself from writing about it, though. What can I say? Would you prefer that I describe the nightly visitations paid to me by space aliens, and how I cured the aliens of toenail fungus? Nah, I didn’t think so.

Anyway, this article now will concern itself with doors. That’s what I was in search of when, on the penultimate day of May, I roamed the streets of Jenkintown, a nice village three miles south of Willow Grove, the town that I call home. Both communities are in the Philadelphia burbs.

Doors had been in the back of my mind as a story idea since 2017 or so, after I discovered that there are a goodly number of WordPress writers who launch door-oriented pieces into cyberspace on Thursdays. Their leader is a guy named Norm, who began a Thursday Doors theme in 2014 (click here to see Norm’s website). And so, I’m going to follow the leader by pressing the Publish button for this story during the opening minutes (in my time zone) of Thursday, June 18.

Concentrating on Jenkintown’s doors was right in my wheelhouse. After all, on walking excursions here and there during the last few years I’ve sometimes kept my eyes on alert for specific subjects: the color green for instance, shadows, store and street signs. Doing that kind of thing helps to make life interesting for me. On a low but real-enough level, it’s like a research project or detective work. It’s fun, basically.

King’s Corner pub
Private residence

I hit Jenkintown’s sidewalks at around 11:30 in the AM and concluded my mission at a quarter past noon. I might have stayed out longer than I did were it not for a vivid Sun that was getting a thrill from making me schvitz most admirably.

Grace Presbyterian Church
My Jewel Shop

I walked along most of the blocks in Jenkintown’s business district and along a sampling of its residential streets. One thing I realized is that the vast majority of doors in Jenkintown are vanilla. That is, non-threatening standard concoctions of wood, glass or metal, or a combination thereof. Yet, I deemed some of them as absolutely photograph-worthy, because of the decorations on or near them, or because of their silent commentary upon our present times.

Uptown Event Center

Take the Uptown Event Center’s door, for example. How many ordinary, metal-framed glass doors such as this are in the world? Many tens of millions, no doubt. Yet, it looks as sharp as can be, flanked as it is by a lady singer and a sax man. Cool. Very cool.

Velvet Sky Bakery

And what could be plainer than the opened door of Velvet Sky Bakery? It stands out, though, in a major way. With a table holding disinfectant wipes and hand sanitizer beside it, it’s a reminder that we live in the days of coronavirus. This is a door through which you do not enter. You place your order from the sidewalk, pay when the items are brought to you, and walk away.

Immaculate Conception Church

On the other hand, sometimes you cross paths with grandeur, such as the front doors of Immaculate Conception Church. Lovely creations of golden brown wood, they are all the more impressive thanks to the elegantly-chiseled stonework that surrounds them.

Sprinkler room door

And then, in a category all its own, there’s a sprinkler room door, which is attached to the back of a building that I otherwise didn’t make note of. As of this writing it’s my favorite door in Jenkintown. That deep, deep color. That monolithic presence. Man, the door is the definition of gravitas.

We’d be in trouble without doors. I suppose that humans invented them in caveman days. Maybe way before that. Maybe later. Whatever the case, they provide protection from the elements and from members of the fauna categories, and they help to give us privacy. Right, duh! There are all kinds of philosophical interpretations that might be made regarding doors too. But I ain’t exactly Jean-Paul Sartre, so for me to go beyond the kiddie end of the pool in those matters would be a huge mistake. I will say this though: The Doors — and I’m referring to the rock and roll band — took their name from The Doors Of Perception, a book by Aldous Huxley that praises the use of psychedelics to open the mind’s doors, thus expanding one’s insights. I’m all for allowing more of life’s possibilities to present themselves. But there’s no need for psychedelics. For example, who knows what realms you’ll travel to when, non-medicated, you listen to Break On Through (To The Other Side), the opening track of The Doors’ first album, from 1967. Let’s find out:

(Please don’t be shy about adding your comments or about sharing this essay. I thank you.)

Looking For Signs While Walking Around On A Sunny Morning

It will come as no surprise to some of you when I mention that for several years I have been turning out shitloads of written product that revolve around my taking walks in one locale or another. The present opus is yet another example of same. When, moaning and groaning and writhing, I birthed this website five years ago, I wouldn’t have guessed that essays along that line eventually would become my go-to form of expression. But that’s what has occurred, and I’m down with it. I mean, I like walking around while examining my surroundings. Always have. But I didn’t consciously realize it all too much until this publication began finding its comfort level. And so, I tip my hat to the writing process, because it has helped to give me a halfway-decent sense of who I actually am. And who is that, you ask? Don’t ask!

There I was, then, on Thursday the 9th of April, sauntering along the long stretch of blocks that comprises most of Hatboro’s business district. (Hatboro, an old-fashioned-looking town, of which there are way too few in my region, is two miles from Willow Grove, the non-descript burg that I call home. Both Hatboro and Willow Grove are in the suburbs near Philadelphia, Pennsylvania, USA.)

I arrived in Hatboro at about 10:30 AM and departed 45 minutes later. The skies were as blue as blue can be, the temperature was mild, and a sweet breeze caressed my cheeks and those of the people that I saw. Due to the coronavirus situation, those people were few in number, and all stores in Hatboro (and throughout much of Pennsylvania) were shuttered, except for those of the sorts deemed essential by Pennsylvania’s governor. Thus, a hardware store, a pharmacy, ten or so food purveyors, and a handful of others were open for business. As for that sweet breeze, even though everyone was keeping plenty of distance between one another, hopefully it wasn’t blowing any coronavirus microbes into anyone’s eyes or mouths. But hey, I’m not here today to dwell upon coronavirus. No further mention of that demon shall I make herein.

On my person was my trusty iPhone. What, like I’d go anywhere without it? (Well, maybe to take a crap, but that’s about it.) For one thing, the phone’s camera is essential to my journalistic endeavors. And what I had in mind to do with the camera was to point it at store, street and traffic signs, and at whatever other signs caught my eye. I enjoy signs, you see. Even though I’d been in Hatboro many dozens of times over the years, I wasn’t sure what the outcome of my plan would be, as I hadn’t paid extensive attention before to the state of affairs of the town’s signage.

I needn’t have worried. From the get-go I found sign after sign that interested me. Some for their colors. Some for their designs. Some for their whimsicality. Some for the jaunty ways in which they interacted with other signs in their vicinity.

In other words, I damn well dug the time that I spent wandering Hatboro’s streets.

Unexpectedly, little was playing in my mind as I kept placing one foot in front of the other, so focused was I on the mission. I wasn’t contemplating the meaning of life. I wasn’t thinking about what other activities I’d fill up the rest of the day with. And I wasn’t analyzing the importance of signs. But, as I realized when I began to gather my thoughts for this essay, signs are important as hell. They provide all sorts of information, and succinctly. We’d be lost without them, would have little clue about what’s going on. Man, signs are essential to human society, don’t you think? Yup, that’s why there are so many signs in Hatboro, just as there are in every town and city. We’re builders, creators, doers. And the oceans of signs in the world prove, reflect and add to that.

Okay, I’m just about signed-out. It’s time for me to have a nice big glass of milk and some warm chocolate chip cookies, and take my afternoon nap. I can hear my sofa calling me. “Lie down, you creaky geezer, lie down,” it’s cooing. “You need your beauty rest. Only problem is, you ain’t got any beauty left. Tough crap. Such is life!”

Thanks for joining me on my passage through Hatboro, girls and boys, and for gazing at a selection of the photos that I took there. By the way, seeing that I usually mention several things at the ends of my stories, I might as well mention them again. Namely, please don’t be shy about adding your comments or about sharing this article. And if you click on any photo, a larger image will open in a separate window. Till next time!

A Springtime Walk To Try And Take My Mind Off Of Things

I’ve been doing a little of this and a little of that of late, most of it nothing to write home about. You see, my routine has been thrown way off as a result of coronavirus. Yours probably has been too. Due to that health catastrophe, my volunteer jobs have been suspended and the places I like to hang out in — restaurants, movie theaters, music venues, to give some examples — have closed their doors, leaving me with shitloads more time on my hands than I’m used to. I’ve yet to use that time productively.

But my situation counts as absolutely nothing compared with the state of affairs worldwide. Tens of millions suddenly are without paychecks. Countless businesses and institutions very well might collapse. And people are succumbing in scary numbers to coronavirus. Holy crap, holy crap, holy crap. I have a sinking feeling. And when I say sinking, I mean sinking.

What will become of us? To try and protect ourselves, and to try and contain the virus, we stay in our homes as much as possible, practice social distancing when we leave the house, wash our hands numerous times each day, and use antiseptic wipes on potentially-suspect objects and surfaces. But, looking at the big picture, will any of that make much difference ultimately if an effective vaccine and/or other effective medical treatment isn’t developed in the very foreseeable future? Or if coronavirus doesn’t peter out on its own? I’m normally a fairly optimistic guy, but my answer is no. After all, in the twinkling of an eye, life as we know it has been turned on end. And right now there’s no reason to think that things won’t disintegrate far more than they already have.

“Yo, Neil,” I hear at least a couple of you yelling, “you’re bumming us the f*ck out! That’s enough, partner. Knock it off!”

I hear you, believe me. I’ve been bumming myself the f*ck out too, and for quite a while, as you can tell. Which is why, when I went for a walk on March 21 to try and take my mind off the current state of affairs, I had a potentially uplifting purpose in mind. The night before, driving home after buying take-out food from a restaurant, I’d noticed that some flowering trees around the corner from my house had burst into color. Thus, my plan on the 21st was to check out the flora in my suburban Philadelphia neighborhood and also in a neighborhood of a nearby, bordering township.

Now, walking is one part of what-had-been-my-routine that the coronavirus calamity hasn’t disrupted. Since early January, for personal health reasons, I’ve been hitting the pavement, in one locale or another, four or five times each week. Thirty minutes or more each session. That’s the most exercise I’ve gotten in years. And, knock on wood, so far I’ve enjoyed the regimen more than I’d have guessed I would.

Anyway, I embarked on the trek at about 1:30 PM. The skies gleamed, their blues a welcome sight for eyes in need of perking up. As I figured would be the case, green leaves hadn’t sprouted anywhere, though budding was in progress. Green’s domination over the browns of winter was another week or two away from taking place.

But, damn straight, some flowering trees were doing their thing, and that made a big difference. We’re talking magnolia and cherry trees, I think, and maybe a pear tree of one sort or another (I wouldn’t bet my life on those statements though, because I’m almost as dumb as dirt when it comes to identifying flora). Whatever, although the flowering tree performance normally doesn’t begin till early April or later, the milder-than-average temperatures that we’d had in the winter months pushed up the schedule. I let the trees’ pink, red and white petals grab me. The colors felt pretty good.

Other splashes of springtime colors were around. I spotted a few azaleas showing off their purple plumage. Forsythia bushes, which had opened in my region two weeks prior, looked damn fine in their mustard yellow. And the smattering of ground-level flowers on the properties brightened things up a bit too, especially the patch of small, yellow wildflowers in one yard.

What really struck me though, in this time of coronavirus precautions, was that I saw far more people than I’d expected to, which gave the afternoon a sense of normalcy. For instance: a father with his two young daughters, all on bikes; two middle-aged guys shooting hoops with a kid on a sidewalk basketball set-up; people sitting in their yards; four or five ambitious sorts hammering and sawing away, in their driveways or garages, at one project or another.

All told, at least 40 people crossed my field of vision during the hour I spent wandering around. I exchanged hellos with a bunch of them. None of them, or me, was doing anything that, virus-wise, might be problematic. That’s what medical people say, anyway. It’s okay to be outside, according to the experts, as long as you keep your distance from others.

And so, I recorded another entry in my Book Of Walks. The excursion was a good one. As spring progresses, the walks, I believe, will become even better. Lots more flowering trees and shrubs to gaze at. Lots more colors to absorb. Hats off to all of that.

(Comments are welcomed. Ditto for sharing this article.)

My Favorite Color Once Was Yellow, Now It’s Blue. What’s Yours?

A couple of stories ago I reported that, for health reasons, I recently started going out on half-hour walks four or five times each week. A lot of the walks have taken place in my remarkably hilly neighborhood. In early February, while hauling my ass up and down slope after slope, I listened to a podcast that I like quite well. The podcast, Music From 100 Years Ago, is hosted by easy-going and real knowledgeable Brice Fuqua, and the episode that played from my earbuds was called Yellow Music (click here to find it, if you like).

Now, I’d chosen this particular episode, one of many that I’ve heard in Music From’s archives, because the word yellow had jumped out at me and set my mind in motion. As I readied to begin that walk, I fondly remembered that yellow was my favorite color when I was a wee lad. Yellow was a good choice of color for me back then. It’s cheerful and packed with energy, like most little kids. I still dig yellow, but for a long time haven’t been in love with it to the extent that I was millions of moons ago. That’s especially true these days, seeing that I ain’t especially cheerful and packed with energy anymore. Ah, the joys of getting old!

I don’t know when yellow ceased to be my fave. Probably when I was more or less ten years old. For the next 35 or so years I didn’t have a favorite color, not consciously anyway. During that time I was a fan of just about every color, something that has remained true to this day.

But somewhere in the 1990s I began to notice that I was particularly attracted to blue, or should I say blues, because various shades of blue pleased me just fine. I suppose that blue will remain my favorite for the rest of my life. I’d be shocked and awed, for instance, if on my death bed my final words were something like these: “Listen, after all this time I’ve decided that I like green more than blue. Who’d have thunk it? Okay, it’s time for me to go. Goodbye, cruel world!”

And I’m not alone in my pick. Surveys have determined that blue is the favorite color of more people than any other. So, why blue? Well, I’ve given this some thought and have come up with some notions. For one, I suspect that the preference has to do with the prevalence of blue. In daylight, when the heavens above aren’t cloud-covered, it’s blue that dominates our world. Duh! And who can resist a blue sky? It smiles upon us with a twinkle in its eye and with welcoming embraces. We’ve probably come to think of blue as a healthful force.

Blue comforts us. It helps us to vibrate at a beneficial pace. You can’t say the same for all colors, I think. You better watch out for orange, red and yellow, among others, for example. They just might bop you in your frigging nose or get your hormones racing way faster than you’re in the mood to deal with. And though white, black and the rest of the neutrals might possess blue’s healthful qualities, they lack the factor that, to me, sets blue apart from them: prettiness. Blue has just enough in the looks department to keep you more than interested.

Still, what do I know? There’s no right or wrong when it comes to color preferences. I’d be very interested to learn what colors are favored by this article’s readers.

The time has arrived to insert a couple of photographs of my once and current favorite colors. The explosive painting below hangs in my living room. It’s from Haiti and won my heart when I saw it in a Philadelphia art gallery in the 1980s. There are a variety of giddy yellows in there.  As a child, all of them would have enthralled me.

I have no doubt which shade of blue rates highest on my scale. It’s the blue of a late-morning sky, a soft but rich blue. Looking at the photo below, which I took on February 16, I can feel my blood pressure dropping to an acceptable level. Healthful is right.

Let’s get back to Brice Fuqua, a guy with wide musical ears who builds each of his broadcasts around a theme. The theme for Yellow Music is songs with yellow in their titles. During my walk, the number that got to me the most was one I’d never heard before, Yellow Dog Blues. W. C. Handy wrote it in 1915. The version that Brice played, sung by the fabulous Bessie Smith, came out in 1925. The song is about a heartbroken lady who is desperate to find out where the love of her life has disappeared to.

Yes, it’s very appropriate to this essay that Yellow Dog Blues contains in its title the colors that have stood out the most for me in my life. Thank you, Brice, for enabling me to bring the present proceedings to a vaguely logical conclusion.

(As always, comments are welcome and appreciated. And please don’t be shy about sharing this story. Mucho gracias.)