One Loser, Three Winners

As I’ve mentioned any number of times before on these pages, streaming services such as Netflix and Amazon Prime Video helped keep me sane during the days when the COVID pandemic wreaked havoc with humankind. Even though the worst is behind us, COVID-ly speaking, my addiction to the streamers hasn’t abated in the least. Man, five or more nights each week my wife Sandy and I tune in to one series or another for an hour or two. This practice pleases the hell out of me, an entertainment hound. Basically, I love it!

Sandy and I enjoy nearly all of the series we watch, partly because we do a fair bit of research before hitting a production’s Play button. We’re not about to look at anything that gets less than a strong rating on IMDB, for instance. Nevertheless, losers occasionally pass before our eyes, such as the Netflix series Marcella, a detective show whose first season we dialed up a few months ago. It’s beyond me how Marcella has garnered a 7.4 on IMDB. With way too many plotlines and riddled with ludicrous situations, it started rubbing me the wrong way in a very big way after two or three episodes. At that point I said “F*ck this!” and, with Sandy’s blessing, tossed the series aside. I’m not fabled for making good decisions, but saying bye-bye to Marcella was the indisputable proper move.

There were no complaints from me or Sandy, however, earlier this month as we polished off, consecutively, three series that kept our eyes glued to the TV screen and our emotions running high.

First up was season one of The Night Agent, released this year on Netflix. In this tale, Peter Sutherland (played by Gabriel Basso), a low-level FBI agent, becomes involved up to his neck in a murder investigation that in no time has him questioning whom he can trust. It all starts when Sutherland becomes the unwitting protector of Rose Larkin (portrayed by Luciane Buchanan), who has witnessed the assassinations of her aunt and uncle and is on the run from the killers. Why were the aunt and uncle killed? Who was behind the murders? Will Peter and Rose solve the mystery and not get whacked?  I can be a dumbshit, but by the end of the final episode I had a pretty good understanding of what the hell had been going on, which is not always the case with me and thrillers. Sandy and I hope that the already-promised season two will fly as high as the initial run does.

Next on the bill was The Diplomat, another new Netflix series (its season two also has been OK’d). A drama starring Keri Russell as Kate Wyler, the newly appointed U.S. ambassador to Great Britain, the show deftly, and in a stylized manner whose wryness agreed with me, douses its viewers with political maneuverings and negotiations.

Wyler isn’t sure she’s cut out for her new job. But from the get-go she proves that she’s got what it takes. Adept at getting her points across, she helps to avert an international crisis and likely a war by convincing the U.S. president that Iran, the presumed culprit, was not behind the attack on a British naval vessel that killed dozens of sailors. As a result, the cagey British Prime Minister, for now neutralized, doesn’t retaliate against Iran. But murky waters lie ahead nonetheless. Things are not what they seem to be, Kate learns more than once. And a seemingly innocuous situation leads to a cliffhanger of major proportions, guaranteeing that Sandy and I will return for season two upon its release.

You know, I’m a rock and roller at heart. I would have loved living the life of a rock musician. There was and is one problem, though: I have zero musical talent. So, I’ve lived that life vicariously, and continue to do so even now at my ridiculously advanced age. All of which means that I was smitten with Daisy Jones & The Six, a ten-part Amazon presentation released this year and based on the novel of the same name by Taylor Jenkins Reid.

The (fictional) saga of the titular band that, during the 1970s, rose to lofty heights and then fell apart, Daisy Jones & The Six has all that you might expect: sex, drugs and heaps and heaps of rock and roll. The series chronicles the group’s history and brings the story into sharper focus by including interviews — conducted 20 years after the band’s dissolution — with band members and their inner circle, none of whom had spoken publicly before about why the implosion took place.

Armed with good scripts and actors who do justice to the words written for them, Daisy Jones & The Six has a lot going for it. What’s more, much to my astonishment, the series made me think . . . about love’s complexities, for love in various stages of development and strength lies at the heart of the show. Billy Dunne and Daisy Jones (brought to life by actors Sam Claflin and Riley Keough, respectively), the leaders and vocalists of the band, have a contentious association at first, which mellows with time and then morphs into something far more nuanced and intimidating. I’ll say no more, except to reiterate that love and relationships damn sure can be complicated.

Thanks for reading, boys and girls. Sandy and I would be happy to learn about the shows you recommend. We’re always on the lookout for series to watch. We thank you.

Art On Wheels, Part Eleven (A Philadelphia Story)

It was a fortuitous moment for yours truly when the idea for Art On Wheels popped into my head in 2017, as this series, now comprising 11 stories, has brought me plenty of pleasure. An admirer of good-looking objects, I have become semi-addicted to tracking down attractively decorated trucks, vans and other wheeled vehicles, snapping their portraits and writing about the adventures.

This is especially true for parts eight through eleven of Art On Wheels, which are the four most recent episodes, because I initiated them by roaming the streets of Philadelphia on foot in search of prey. Prior to that, my main modus operandi had been to drive all over the frigging place in the Philadelphia suburbs (I live in those burbs), where I located vehicles in strip malls, loading docks and other non-descript places. I doubt if I’ll ever return to that method. I’d rather walk than drive, for one thing, and Philadelphia, unlike the burbs, is made for walking. What’s more, Philly is fascinating and full of energy. My suburban area doesn’t come close to fitting that description.

There I was, then, on a recent Friday morn, boarding a train in my sleepy town. Forty-five minutes later I bade the train farewell within Jefferson Station in central Philadelphia and headed outside to begin my mission. Past experience had shown me that lovingly adorned vehicles, some in motion, some parked along curbs, are not uncommon on Philadelphia’s streets. But would I encounter enough of them on my wanderings this day to illustrate a story? Was a dud of a day in store?

It wasn’t! Man, within three minutes of exiting the train station I saw, and photographed, several vehicles that passed muster: a delivery truck, a delivery van and a tour bus. I’m worried that the truck and bus might sue me or physically confront me, as I’ve decided that only the van, belonging to the Mini Melts ice cream company, is worthy of immortalization on my site. I tell you, being a beauty contest judge is cool, but there’s a darkish side to the gig.

Long walks and I agree with one another. And it was a long, zigzagging walk I took through a multitude of neighborhoods in Philadelphia, the city I know better than any other. After six and a half miles of pavement-pounding I decided to call it a day. I likely would have continued the expedition for another hour or so, but at around the six-mile mark, from out of the blue, my calf muscles cramped up outrageously. Shit, those f*ckers hurt like hell! I could barely move and had to lean against a building to prevent myself from sinking to the sidewalk. Amazingly, the pain soon mostly went away, but I wasn’t about to push my luck. So, I made my way to Jefferson Station and returned home. I’ve never had leg cramps like those before. If they ever decide to pay a return visit, I’m going to be royally pissed.

I’ve poured over the pix of the vehicles that posed for me during the trek. I’m avoiding overkill by presenting but six of the nearly 20 photos I snapped. They are the portraits I like best. My top two votes go to the trucks belonging to Allspec Construction and to Vision Furniture. They took my breath away when I crossed paths with them the other day, and their pictures continue to do so. The airiness and lightness of their designs make me say “ooh la la!”

Still, I have a clear favorite. Vision Furniture, in my book you are numero uno! Your chairs are the embodiment of happiness, barely restrained by gravity’s pull and delighted to be with one another. And your power goes beyond that: When I look at you, I hear piano music — melodies as carefree as kids at play — accompanying the flying chairs.

Well, maybe I’m getting carried away a bit. But hell, I can’t help myself. It’s the way I roll. Been doing it for decades. One thing I know for sure, in any event, is this: If Vision Furniture had been the only stellar vehicle I saw during my urban safari, I’d have deemed the day a success.

Springtime Close-Ups

Maybe it was due to global warming, or maybe Nature was just feeling antsy. Whatever the reason, spring arrived way earlier than usual this year in my neck of the woods, aka southeastern Pennsylvania, USA. Man, I saw a few trees in flower on the 22nd of March, for crying out loud. That’s at least three weeks sooner than tree-blossoming normally begins. And maples and other big boys of the non-flowering kind unfurled their greenery far ahead of schedule too.

I ain’t complaining, though. A lover of colorful spectacles, I rate the springtime performances of flora quite high on my entertainment list (though not at the lofty level occupied by autumn’s leaves-changing-color extravaganza). Thus, you’ll find me taking a number of walks each spring in which my focus is to admire colors that were unavailable during winter. I spent an hour recently in my suburban neighborhood doing exactly that. My trusty and trusted smart phone was in hand, its camera poised for action. The plan was to use the camera strictly for close-ups. Not of my face, of course, as any images of that rutted, crusty object would have shattered the f*cking camera lens. But of flowering trees and bushes? You bet! Close-ups eliminate surrounding distractions. They get straight to the heart. A close-ups day it would be.

Japanese cherry tree
Japanese andromeda

The conditions for the walk were ideal — sunny, cool and breezy. So breezy, in fact, that I had to hold on tightly to my baseball cap a few times, lest it blow off the previously mentioned rutted, crusty object. I strolled from block to block to block, getting up close and personal with cherry trees, azalea and lilac bushes, and other examples of Nature’s wonders. That didn’t happen as often as I’d have liked, however, since many lovely creations were in the middle or rears of people’s lawns. You better believe I wasn’t about to step onto those lawns, not being in the mood to have homeowners yell at me from their front doors or, worse, come dashing out of their homes to confront me. Sadly but truly, you never know what might happen these days. We sure as shit live in uncertain times.

Dogwood tree
Azalea bush

Nonetheless, the walk was a damn fine one. I felt relaxed and at peace, my head pretty much devoid of thoughts. All of which took me by surprise, as I am, for the most part, a natural-born worrier and overthinker, and good and tight in the shoulders too. Calmly on the lookout for pretty colors, I somehow had entered a near-zen state. That’s part of the magic that a Nature walk sometimes imparts to me. I could go for that degree of mental and emotional clarity and ease all the time. It’s the way to be, of that there is no doubt.

Azalea bush
Lilac bush

I haven’t inhaled spring’s charms and soothing hues all that much since the walk I describe took place. I plan to pick up the pace soon, though, because before you know it all of the flowering trees and shrubs in my area will have dropped their blossoms. I find it a shame that spring’s delicacy and soothingness don’t last for at least several weeks more than they do. If I were in charge of Nature, they would. Hell, let’s take this a few steps further: If I were in charge of Nature, violence and disease would not exist. Living things would not feed upon other living things. The world, in other words, would be a gentle and wonderful place, one in which all organisms, including humans, of course, would spend their days in fulfilling and pain-free manners.

A boy can dream, right?

What’s Up, Doc?

“Why, if it isn’t my favorite patient,” said Dr. R. U. Forereel, a not unsubtle note of sarcasm in her voice, when I entered her office last week for my monthly psychiatric session. “Have a seat, Neil. Which of your numerous problems would you like to discuss today?”

“Well, if you don’t mind, I want to talk about my recent difficulties with writing,” I said as I sat myself down in the patient chair. “I’m sure you remember that I’ve been turning out articles since 2015 for my website Yeah, Another Blogger.”

Dr. Forereel made no attempt to turn her head away from me as she rolled her eyes. “Are you kidding me? Of course I know about Yeah, Another Blogger. How could I not know, considering that you mention it every damn time I see you? Okay, tell me what’s on your mind.”

“Doctor, it’s never been a snap for me to come up with story ideas and develop them into written pieces. But the last couple of weeks have been terrible. I mean, I’ve been stuck in traffic, going nowhere, paddling against the current . . . ”

Dr. Forereel cut me off. “Enough with the clichés already. I get it! You have writer’s block, right?”

“Bingo,” I said.

Dr. Forereel paused for a long moment, playing with the several chin hairs that she’d have done well to dispose of at home. Then she began to talk again.

“Neil, I’m in the process of writing my memoirs, as you know. I have you to thank for that, needless to say. I’ve plugged away at the book religiously every night after work for the last seven months, and on weekends too, with remarkable results. No writer’s block for me. Last night I completed the section about my life at age four, the age at which it became apparent to one and all, including me, that I was not a people person. That personality trait has continued to this day, by the way.”

What?” I yelled. “After hundreds and hundreds of hours of work you’re only up to age four? At this rate you won’t finish the book for another 25 years! And if you’re not a people person, then why in the world did you pursue psychiatry?”

“Neil, the world will welcome my autobiography no matter when it is published. Of that I’m certain. And, to answer your question, a central message of the book, one that millions of people will take heart from, will be this: It’s absolutely fine to be ill-suited for one’s profession. Why waste time trying out different occupations, hoping and praying that one of them will prove to be a wonderful fit? Just grab indiscriminately at something, put your nose to the grindstone and get on with it. Whatever that it might be. Don’t you agree?”

I was dumbfounded. Which didn’t stop me from cobbling together a response. “You’ve just proven to me that you’re a remarkable theorist, doctor,” I said. “What’s more, a bad match though you might be for psychiatry, you are a wonder-worker too. Where would I, and who knows how many others, be without you? You have illuminated a few of the dark recesses of my mind over the years. Not that I feel any better as a result of that, but at least I have more to talk about with people than I used to. For that, I’m eternally in your debt.”

“So glad to be and to have been of service. You won’t mind, I hope, if I mention you by name in my memoirs?”

“Certainly not. Especially since it seems I’ll be long gone or too old to care by the time your book hits the market. You know, I must say today’s session has been unusually enlivening and enlightening, so much so that I feel the need to write up an account of what you and I have discussed this afternoon. I am totally confident that writer’s block will not be an issue. And then, with your permission, naturally, I’ll publish the story on my blog.”

“You have my blessings,” my doctor said. “After all, your previous descriptions of our encounters brought me a substantial number of new patients. They’d never have known I existed had it not been for you.”

“I’m really glad to hear that,” I replied. “And I barely can wait to get back home and put my fingers on my computer’s keyboard. Because of you, doctor, Yeah, Another Blogger will live to see another day!”

Great Performances

Last week, a few hours before placing my fingers on my computer’s keypad, I toyed with the idea of writing in depth about the world’s never-ending cavalcade of horrors: the man-made and also the ones bestowed by Mother Nature. Among those of recent vintage, Russia’s pummeling of Ukraine for the past 13 months is the first category’s undisputed leader. Earthquakes in Turkey and Syria, which killed nearly 60,000 people earlier this year, top the second.

But, seeing that I ain’t anyone’s go-to guy for news analysis or for astute political and philosophical commentary, I decided to ditch said idea and head instead in a direction I’m more in tune with. The next however-many hundreds of words, therefore, are devoted to artistic performances that recently knocked me off my aged, wrinkly feet.

First up are the acting jobs — as profound as any you could hope to see — turned in by Michael Shannon and Jessica Chastain in George & Tammy, a mini-series available on various platforms, including Showtime. The show tells the intertwined tales of George Jones and Tammy Wynette, country music stars long deceased, who loved one another to the end, despite divorcing in 1975 after six years of marriage (Jones passed in 2013, Wynette in 1998.) More than anything else, Jones’ heavy drinking caused the union to crumble. He adored Wynette but, a troubled soul, was prone to violent outbursts. Conversely, Wynette, blessed with inherent sweetness, radiated calm and light in the face of a host of personal difficulties.

My wife Sandy and I gobbled up George & Tammy last month. It got to us, really moved us. It’s not perfect, though. A few too many clichéd scenes see to that. However, Shannon and Chastain are wonders to behold, and make production deficiencies almost irrelevant. Bringing their characters to life so believably, so naturally, they elevate each episode’s script to levels the writers likely never envisioned. And, by the way, Shannon and Chastain sing damn well too. I’ll now clearly state what I’ve been implying: George & Tammy is worth your time, even if you’re not a country music fan. I highly recommend it.

Anyone who is into paintings, graphics and sculptures probably is familiar with The Barnes Foundation, a museum in Philadelphia, Pennsylvania, USA. Its collection, amassed over several decades by the late Albert Barnes, a wealthy physician, chemist and businessman who left this mortal coil in 1951, is nothing short of astonishing. The Barnes is drenched with works by Renoir, Cézanne, Soutine, Utrillo, Matisse and Van Gogh, to name but a few of the mid-1800s-to-mid-1900s artists the museum specializes in. It also showcases African masks and sculptures, ancient Greek sculptures, plus a ton of other creations. What a place!

Well, being someone who definitely is into the artforms listed above and who lives not terribly far from Philadelphia, I drop by the Barnes every few years (visiting more often than that would dampen my ability to view the collection with fresh eyes). One particular array of paintings has caught my attention on each of my last few visits, including the one I paid three weeks ago. Extending from one wall to the next, it presents four oils, three of them by Paul Cézanne and one by Vincent van Gogh. Those gentlemen, along with Claude Monet, are my favorite artists.

Cézanne and Van Gogh had the gift of getting to the heart of things, each from a different set of angles. The four oils in question — beautiful performances, if you will — are proof of this. I feel life forces simmering beneath Cézanne’s understated pallet of blues, grays, browns and greens. Van Gogh, of course, is more obviously expressive. He can’t contain his emotions.  It’s easy to spend more than a few moments gazing at his still life’s flowers and leaves, which seem ready to leap not only out of their container but off the canvas too. He painted it in 1888, one year before his death. Van Gogh, who had minimal commercial success during his life, would have been ecstatic, I’m sure, to know that in time his works would captivate people, and that he was destined to become a legend.

The final performance I’ll present is by Sarah Shook & The Disarmers, an American band that can rock like nobody’s business. Their recording Talkin’ To Myself came out a year and a half ago. It blew me away when I first heard it last year, and I dialed it up again the day before I began writing this story because I was in need of perfect, ass-kicking rock and roll. Lyrically this song doesn’t paint a happy picture but, man, sonically it’s amazing. Ferocious guitar licks and pounding drums that show no mercy surround Shook’s controlled-yet-sneering vocals. Press the Play button below if you’re ready to be jolted.

Flora Galore!

I’m fairly certain I’ve mentioned in at least one or two earlier stories that I ain’t an ace when it comes to gardening. I garden, but only in a utilitarian sense. That is, I mow the lawn surrounding my house as needed. I gather up shitloads of fallen leaves each autumn and winter and put them out for collection. I pull out weeds. I prune shrubs and trees as best I can to keep them from becoming crazily overgrown. And . . . well, that’s about it.

In other words, I don’t plant or transplant. I don’t fertilize or otherwise nurture. I don’t attempt to expand or reconfigure the placements of flora on my grounds. Thus, the grounds look more or less as they did in 2005, the year my wife Sandy (who is not a gardener at all) and I bought our house, except that several shrubs and one tree have bitten the dust since then, as have numerous flowers. Still, things look okay overall. To my eye, anyway. A facelift definitely wouldn’t hurt though, or a few changes simply for change’s sake.

So, what’s holding me back from engaging in meaningful gardening? Indifference, for one thing. And a bigger factor: It intimidates me. Meaning, I’m afraid I’d mess things up badly were I to thrust my hands into the soil. Yes, where gardening is concerned, I’m a f*cking wuss.

However, I’m happy to report that both Sandy and I are keen appreciators of other people’s efforts to create and maintain attractively designed grounds. Who isn’t? Those endeavors, after all, are artistic enterprises and expressions. It almost goes without saying, then, that we had a fine time earlier this month at the annual Philadelphia Flower Show, a famous event organized by the Pennsylvania Horticultural Society. The show began quietly in 1829 and has, over time, become a big deal. Out of ignorance, I used to thumb my nose at the Flower Show. I wised up in 2016, the first year I attended. Our visit this month was my fourth and Sandy’s fifth.

We arrived at the show, held in Philadelphia’s cavernous convention center, on the third day of its nine-day run. The show’s theme, which changes each year, was The Garden Electric. As that name implies, bold lighting was woven into many of the sights. I think that the show organizers also opted for the word electric in order to get folks psyched for the upcoming spring season’s unfoldings and blossomings.

The premises were plenty crowded. I was happy to see that mobility issues didn’t keep some people away, as canes, walkers, wheelchairs and motorized scooters abounded. Babies in strollers and carriages were on the scene too. All of which made for a welcoming environment, though the size of the crowd meant that long lines awaited Sandy and me at some of the special exhibits.

The waits were worth it, as the special exhibits, for me, were what the event was all about. (I had no interest in the sections of the floor where potted plants, sitting on tables, had been judged and awarded ribbons, or the enormous section where plants, horticultural tools and tons of other products were for sale.)

Tulips, daffodils, hyacinth
Dense vegetation near the winding path

Many of the special exhibits were either gardens or less-structured landscapes, all of their flora anchored in soil. It was easy to forget that these displays were mounted on a concrete floor. I immediately took a liking to the swath of lawn blessed by hundreds of tulips, daffodils and hyacinth, whose punchy colors rocked. And I was an even bigger fan of the mini-woods, which was dense with vegetation and alive with fragrances. I ambled along its winding path, my blood pressure dropping with every step. Soothing, man, soothing.

Part of the exhibit of wispy, tendrilled sculptures

Other special exhibits left the world of reality pretty much behind, such as the display of wispy, tendrilled sculptures, behind glass and bathed in black light. That exhibit, in fact, pleased me more than anything I saw during the three and a half hours Sandy and I spent at the show. It was very cool. Yes, there is no doubt I’ve become a believer in the Philadelphia Flower Show. If all goes as planned, Sandy and I will return for the 2024 edition.

I’m going to conclude the proceedings with a nod to a blog I enjoy: Paddy Tobin, An Irish Gardener (click here to view it). Unlike me, Paddy and his wife are masterful gardeners. The grounds of their home look great, due to their hard work and artistic vision. A stroll through Paddy’s blog will show you what I mean. Enjoy!

A Circular Story

One day, back when humans lived in caves and suburban housing developments were unimaginable, two brothers — Moan and Groan — began dragging, with ropes, a crude, enormous wooden box. Their destination, several miles away, was the adjacent caves in which they resided with their wives and children. One cave per family. The box, I hasten to add, was occupied by a wooly mammoth, which was no longer among the living. That was because Moan and Groan had punctured the crap out of it with their spears.

“Groan, this motherf*cker is heavier than hell,” Moan moaned in his native tongue, which I, a linguistic scholar specializing in commonly-thought-to-be lost languages, have translated into English for the benefit of anyone reading this article. “There’s got to be a better way to move large objects, don’t you think?”

“Moan, there is no better way. So, shut up and keep pulling,” replied Groan, groaning from exertion.

Six hours later, totally exhausted, Moan and Groan arrived home.

“We’re back,” they announced weakly at the caves’ entrances. At this, Tip and Top, the respective mates of Moan and Groan, rushed from the caves to greet the returnees. The ladies clapped their hands enthusiastically at the sight of the gigantic animal destined to feed the two families for months.

“Thank you, boys,” Tip said. “By the way, Top and I have been putting our heads together recently. We know how strenuous it is for you to bring your prey back home. Hard work indeed! But we’ve figured out something that will make the jobs much easier.”

Moan and Groan, looking at each other quizzically, were all ears. “Tell us,” they said.

Well, suffice it to say that Tip and Top had developed the wheel. And not only the wheel, but the axle too.  Wheels and axles, with large boxes atop them, would make the transport of wooly mammoths, and of a million other things, a relative breeze, explained Tip and Top. And, of course, they were right. Though it must be noted that axles, as important as they are, don’t mean shit when wheels aren’t in the picture. Yup, the wheel has proven to be one of humankind’s greatest inventions. It’s right up there with the Big Mac and Viagra. I believe we all should set aside time each day to give thanks to Tip and Top, as their genius made life easier and initiated a major awakening of human brain power.

Now, I bring all of this up because wheels have been pretty crucial for my blog. I mean, I’ve published ten editions of Art On Wheels, for crying out loud. It’s a series about my hunts for well-decorated trucks and other vehicles, and includes photographs of my captures. You better believe I had fun creating those stories. And I certainly have no plans to terminate the project (click here for the most recent entry).

Orleans, Cape Cod, Massachusetts, USA
Edinburgh, Scotland, United Kingdom

However, while examining my phone’s overflowing photo library the other day, I realized that it contains a selection of wheels-related pix that have nothing to do with Art On Wheels. Some of them, I noticed, had made their way innocently into Yeah, Another Blogger stories over the years anyway, for one reason or another. Most hadn’t, though. A softie at heart, I began to melt when I heard the unpublished ones explaining to me, between sniffles, that they felt lonely and neglected. They insisted that they wanted to be lofted into cyberspace, hoping to experience the warmth that might come from more eyes than mine gazing upon them.

Santa Fe, New Mexico, USA
Manhattan, New York City, New York, USA

“I truly understand,” I said to the photos, my eyes tearing up. “But I can’t place all of you on Yeah, Another Blogger. That would be overkill. So, I want each of you guys to examine one another closely and then vote for your ten favorite pix, excluding your own. The top-five vote-getters will be displayed in my next story.”

Willow Grove, Pennsylvania, USA

Naturally, there was some grumbling, since none of the pictures wanted to be left out. But in the end the vote took place. And I am happy to decorate this article with the winners.

In conclusion, all I can say is that, as with many things, we take the wheel for granted. Most likely we’d still be living in frigging caves had it not been invented. Thus, before I forget, I now bow down to Tip and Top. Okay, that’s accomplished. In a few minutes, then, I’m going to head to my car, because I need to run a few errands. Wheels, here I come!

Windows Shopping

I don’t know about you, but in my neck of the woods (I live a bit outside of Philadelphia, Pennsylvania, USA) there aren’t too many towns that look like towns. Mine sure doesn’t, though I suspect it did up until 70 or 80 years ago. Today it’s a mess, a hodgepodge of neighborhoods interspersed with shopping centers galore. And of those towns that do look like towns, few have thick roots going back many years. Which is one reason why I’m pleased that the borough of Doylestown, Pennsylvania lies a mere 15 miles from my abode.

Doylestown, large in size and containing a high percentage of structures erected between the mid-1800s and the early-1900s, somehow combines stateliness, quaintness and chicness casually and seamlessly. I find it to be a swell place to hang out in and to stroll around, and have been doing just that pretty regularly for decades. I dig its well-kept houses, its arthouse cinema and museums, its record store (Siren Records), its bookstores, its big collection of eateries. On a recent Monday I spent two hours on the streets and alleys, and within a few shops, of this estimable hamlet. I had a specific purpose in mind, one I hoped would result in a photographic essay for Yeah, Another Blogger. Hallelujah, my hopes have been realized!

I arrived in Doylestown at 11:00 AM under skies glowing happily in blue and white. The temperature was 50°F (10°C), quite pleasant, though not warm enough for me to wander without my winter coat. You better believe that I, an old f*cker, chill easily. Anyway, with my trusty phone’s camera at the ready, I immediately began checking out the town’s windows, as windows were to be the stars of the hoped-for story. Windows? You bet. I’m into themed walks and have reported upon any number of them for this publication. Now and then, for instance, I’ve gone in search of well-decorated motor vehicles (click here to read my latest opus about the subject). That’s the way I roll, wobbly as it may be.

Now, I’m not going to tell you that I saw any Doylestown windows with design elements that completely knocked my socks off. However, a number came close. For example, there was no denying the power of the tall, narrow windows, pointing skyward, that adorn the Doylestown Presbyterian Church. Some of them depict Biblical scenes. In retrospect, I’d have loved to view them from inside the church too, but the idea didn’t occur to little ol’ me at the time.

And I was taken with the asymmetrical positioning of the windows on a lovely mustard-colored home. Unbalanced though it may seem at first glance, to my eye the arrangement makes perfect sense. It demonstrates how components big and small can work together in harmony when the will is there. The nations of Planet Earth have yet to learn this lesson fully.

The coolest thing about windows is that they usually are reflective, and many were showing off their talents in that regard. Reflections often blow my mind, as they are real and not real simultaneously — real in the sense that they do exist, and not real because they are weightless representations, often distorted, of the physical world. In any event, I couldn’t get enough of the reflections proudly displayed in the windows of the Bucks County Administration Building, a sharp red car parked on State Street, and the Doylestown Inn.

Very cool, too, was a window I photographed while inside Siren Records, where I browsed through a box of used CDs (I bought five of them). As ordinary as the window itself is — billions upon billions of its type populate the world — the scenes surrounding it and seen through it grabbed me. The window, delighted to be trimmed in yellow and to be adjacent to a wide array of colors, provided a shimmering, kaleidoscopic view of the outside world, courtesy of a sun that glared as if there were no tomorrow.

Well, the time to leave Doylestown has arrived. But I’ve still got windows on my mind, and I’m also ready to be rocked. So, I’ll end this story with one of the best windows-centric recordings I know of. The song, written by the late Tony Joe White, is titled Steamy Windows, and has been recorded by several artists, including Tony Joe. Tina Turner more than did the tune justice, releasing a bluesy, full-steam-ahead version in 1989 that is strong enough to shatter glass. Go, Tina, go!

Streaming Services, Where Would I Be Without You?

A few months before the COVID pandemic erupted in early 2020, my wife Sandy signed us up for Netflix, a streaming service. She immediately dipped into its vast catalog of offerings, but I didn’t. This was predictable, since, for years, I’d been watching very little TV. However, when the pandemic halted the activities that until then had shaped my life significantly — such as going to concerts, movies, museums and restaurants — I was in need of high doses of entertainment. So, I turned to Netflix and HBO, another streamer, in order to fill the gaping void. (We already were HBO subscribers, because Sandy loves Last Week Tonight With John Oliver.) I’m damn glad that I did. Man, it became a five-to-seven-nights-a-week ritual, which has continued to this day, for Sandy and me to watch an hour or two together of one series or another, or sometimes a movie instead.

And the selections available to us expanded luxuriously about a year ago when we decided to give Jeff Bezos some needed cash by becoming members of Amazon Prime, one component of which is Prime Video, a streamer supreme. Around that time, too, we transitioned from HBO to HBO Max, as Max offers shitloads more series and movies than traditional HBO does. Holy crap, my mind was and remains blown by the nearly infinite mass of scripted, ad-free visual content a few clicks away from me. Though the world in many ways is a nightmare, its streaming realm is f*cking miraculous.

It was a good move on my part, at the start of my infatuation with streamers, to begin compiling a list of the series that Sandy and I jointly watch on television. After all, in a way the list is a partial record of our lives. The list also includes the series that she and I have viewed individually, but there aren’t many of those. Well, I ain’t lying when I say that the list has become really long. The number of productions that we’ve seen in tandem absolutely astounds me: 87, comprising limited series and also multi-season series of which we’ve taken in one or more seasons. Yup, though I don’t spend an inordinate amount of time in front of the tube, I’m a freaking streaming addict nonetheless. I haven’t partaken of scripted fare to this extent since I was a kid ages ago, when I feasted regularly on innumerable network-television series: Bonanza, Have Gun Will Travel, and Peter Gunn, to name but a few.

A good indication of the strength of my addiction (and Sandy’s too, it must be noted) is the fact that, as a team last month, we polished off every episode of Mo, A Very English Scandal, Entrapped, and Wednesday. We also devoured season one of The White Lotus and the first two seasons of Catastrophe (we’ll watch the remaining two seasons in February). I liked all the shows, one especially so.

The standout is Catastrophe. It initially ran on the United Kingdom’s Channel Four, ending in 2019. Prime Video started carrying it somewhere along the line. A rip-roaring rom-com that isn’t all fun and games, Catastrophe tells the mid-life tale of Sharon Morris, an Irish lass living in London, and Rob Norris, an American who hails from Boston. At the start of the show, Rob is in London on business. Friendly, frisky and 40-ish, Sharon and Rob like what they see in each other when they meet by chance in a pub, and lose no time in getting it on, repeatedly, over the next week. Rob then returns to the States where, some weeks later, Sharon phones him to announce that she is pregnant. Well, though they barely know one another, Rob moves to London, Sharon decides to have the baby, Rob proposes to Sharon, who says yes, and a married couple they become. A few hours after the wedding ceremony concludes, the unborn child silently proclaims that it is ready to meet the world ahead of schedule.

I won’t say any more about the plot. I will add this, though: Catastrophe (created by, written by and starring Sharon Horgan and Rob Delaney, who, as best I can determine, were/are not romantically involved) leaves me breathless. Its eight or so principal characters are beautifully drawn and played, its dialogue whip-smart. The show, however, is not for anyone who isn’t up for getting drenched with candid sex talk and robust sexual situations, all of which, mind you, Catastrophe presents with a twinkle in its eye. Catastrophe truly is something else.

So, that’s the latest on the TV-viewing front from my abode. Seeing that Sandy and I always are on the lookout for series and movies to watch, we’d love to learn what you recommend, on streaming services or elsewhere. Thanks!

A Cheer For Beer

In June 2015, two months into my blogging career, I composed a paean to beer, and I’ve returned to the subject several times since then. I have my friend Cindy to thank for setting the present story in motion. Here’s why: I mentioned to her recently that, for quite a while, I’d been taking photos at home of beers, alongside their frequently snazzy cans and bottles. And that I’d been sending some of the photos (via email with a subject line reading Tonight’s beer) to a rotating selection of relatives and friends. Those folks included Cindy’s husband Gene. Cindy didn’t say that she thought this was a pretty ridiculous thing to do, as well it might be. Nope, her immediate response was, “You should write a story about that.”

Well, I mulled over her idea for a number of days, finally deciding to wax rhapsodic about beer once again. And so, I headed to my smart phone’s photo archives. There I discovered that my first documentation of a beer purchase occurred in November 2020, and that approximately 80 more beers/cans/bottles subsequently have posed for me. None of the pictures are wonderful examples of the art of photography, that’s for damn sure, nearly all of them having been snapped clumsily in my kitchen or dining room. But what the hell. They are what they are.

Despite their pedestrianism, one thing for certain is that they make me want to down a cold brew right now. I won’t, however, because it’s mid-afternoon as I type these opening paragraphs, and I drink (almost) only at night. And only five beers per week, to boot. Shit, you better believe that I’d like to be able to drink a whole lot more than that, but I’m a geezer with a sensitive system. I know my limits. Maybe that’s why I truly savor just about every quaff that goes down my aged hatch.

In the USA, where I live, the beer world started to turn into a wonderland in the early 1990s. That’s when small breweries began popping up like mad all over the States, producing styles of beer commonly known to some parts of the world, but unfamiliar to the vast majority of American beer drinkers (including me), who downed only Budweiser, Miller and other mild lagers. Around that time, also, beers from other countries began finding their way into my nation more plentifully than before. Lo and behold, I gradually learned about stouts, porters, pale ales, wheat beers and Oktoberfests, to name a few, plus lagers that put Bud and Miller to shame. With hundreds upon hundreds of American breweries each producing their takes on assorted beer varieties and sometimes developing new styles, and with varied beers arriving from overseas, a beer renaissance was under way on my side of the pond.

Over time I’ve become a beer geek. A devotee of most types of beer, I’m amazed by the deliciousness almost always awaiting me at taverns, restaurants and beer stores. And I enjoy few things better than seeking out beers that I’ve never had before, in bottles and cans and on tap. I think of this ongoing quest as a treasure hunt. It thrills and delights me. I’m not kidding when I say that the beer revolution, still going very strong in the USA, has been one of my favorite developments of the last several decades. It has made my life better.

And I can’t seem to restrain my excitement. Thus, since starting the photography project innocently over two years ago, I grab a picture of nearly every store-bought beer that’s new to me when I open its can or bottle (for instance, Iron Hill Brewery’s version of Oktoberfest, which I discovered recently). I also immortalize beers that have held, and continue to hold, a special place in my heart and mouth. Anchor Steam Beer, proudly brewed in San Francisco since 1896, though I didn’t find out about it till almost 100 years later, is a prime example of that.

What’s more, I feel compelled to share my enthusiasm. The dozens and dozens of my beer pix that have landed in a bunch of individuals’ inboxes attest to that. Do any of these people want my pictures? Do they think I’m batty to send them? Who knows? Who cares? The bottom line is that delicious beers deserve to be acknowledged and saluted. To which I add . . . olé!