A TV Series, A Confectionery, A Song

“Neil, how come you usually write about things you enjoy, rather than about those that, in your opinion, bite the big one?” I asked myself the other day.

“Well,” I answered, “I’ve ripped into people I loathe. Trump and Putin, primarily. And I’ve discussed situations that worry me or piss me off. But there’s no denying that my natural orientation is to comment about aspects of life that ring my bell.”

“I understand,” I replied. “There’s no reason right now for you to mess with your natural orientation. So, let’s take a look at some of your recent bell-ringers. And, maybe, your readers then will tell you what they’ve been into of late. Ding dong, ding dong, ding dong!”

Okay! First up is a miniseries my wife and I watched two months ago: Escape At Dannemora, seven episodes in length and available on Paramount+ and elsewhere. It had been on our to-be-viewed list for a couple of years. Fortunately, we finally got around to it. It bowled us over. I place Escape in the pantheon of miniseries I’ve encountered, along with The Queen’s Gambit, Anxious People, The Investigation, Godless and a handful of others.

Escape At Dannemora came out in 2018, three years after the true events from which it draws its inspiration. Set in the town of Dannemora, in rural upstate New York, the show aims its beam at David Sweat and Richard Matt, convicted murderers imprisoned in Dannemora’s Clinton Correctional Facility, and at the married prison employee (Joyce Mitchell) who became emotionally and sexually involved with them. Ultimately, Mitchell helped them escape from jail.

Escape At Dannemora is not a docuseries. Anything but. All, or nearly all of its dialogue is imagined. After all, it’s not as though conversations between Sweat, Matt, Mitchell and the story’s other principals were recorded. And what dialogue! Completely realistic. No artificial ingredients. I’d never heard of the scriptwriters (Brett Johnson, Michael Tolkin, Jerry Stahl), to whom I now publicly tip my hat. As I do to Paul Dano (Sweat), Benicio del Toro (Matt) and Patricia Arquette (Mitchell), the actors who employed the scripted words to create characters as nuanced as French pastries. Ben Stiller directed the production with economy and precision. As couldn’t be more obvious, I highly recommend this show.

My dad loved halva, a moist, semi-sweet treat that, as I learned from doing a bit of research for this piece, originated well over a thousand years ago in Persia (present-day Iran). Unlike him, I wasn’t infatuated with the product, but ate it now and then while growing up. Halva disappeared from my diet, though, when I was in my 20s, maybe earlier, for reasons I’m not sure about. Possibly my obsessions with pizza and Cheez-It crackers left no room for halva, a product that isn’t easily found in stores in my country (the USA), and which the majority of the world’s population likely never heard of.

And probably I’d never have had halva again were it not for my pals Cindy and Gene, who bestowed sesame-based halva, the variety I am familiar with, upon me and my wife Sandy twice in the last several months (there are other types of halva in addition to sesame-based, as the Wikipedia article, the link to which is in the above paragraph, explains).

“This a weird gift,” I thought to myself when I saw what Cindy and Gene had presented to us on the first occasion. Man, how wrong I was!  Halva was the perfect gift. That wouldn’t have been the case with the too-dense halva made by the Joyva company, the brand I knew in my youth. But the halva they’d chosen, from the Seed + Mill firm, is incredible. Its sesame paste is perfectly balanced with chocolate and salt. And the texture, light and slightly granular, is wonderful. Hallelujah, I’ve been blessed!

And finally: Some songs have the power to bring you up short and make you say, “Holy shit, this is fantastic!” I Want To Know, by the quite obscure rhythm-and-blues group the Gay Poppers, did such to me two weeks ago when the tune burst forth from SiriusXM Radio’s Carolina Shag channel.

I Want To Know came out in 1960, and the Gay Poppers were from North Carolina, USA. Not much else about the song or about the group can I find online. Except that the recording at some point became popular in parts of the dance-club world. It makes me want to dance, because its beat won’t quit, and because the Gay Poppers’ vocal prowess damn well is off the charts. Without further ado . . .

A Nice Day

Twelve days ago, after paying our bill at Barbuzzo, a restaurant in downtown Philadelphia, Pennsylvania, USA, my wife and I exited the establishment and then walked a few blocks to Jefferson Station. There, we caught a train that returned us to our suburban town. Halfway between Barbuzzo and the station I said to Sandy, “This was a nice day.” I wasn’t the least bit surprised when she said she had been thinking the same thing.

Yup, our worries and woes were in hiding during the five and a half hours we spent in Philadelphia that Thursday, first at The Philadelphia Flower Show and then at Barbuzzo. I don’t know, maybe I’d been sprinkled with a heavy dose of magic dust before leaving home in the early afternoon, because I was cool, calm and collected in Philly, as relaxed as when I’m drifting off to sleep. Even the substantial crowd at the flower show didn’t bother me in the least. “Hell,” I said to myself, “everyone here has just as much right as I do to get up close and personal with the exhibits.” What? I, whose nerves often are easily jangled, actually felt that way? I did. I sure would love to be in such an at-ease frame of mind far more than I normally am. Will the transformation occur before my time expires on Planet Earth? Well, “miracles” are known to happen. But I’m not holding my breath.

I’ve been living in or near Philadelphia since the mid-1970s, but for decades never paid any attention to The Philadelphia Flower Show, a famed annual event. In 2016, though, almost on a whim, Sandy and I decided to go. I liked the experience, and now have attended five times. This year’s production, which ran for nine days, was as sweet as summer fruit, despite being held in a non-descript hall large enough to accommodate a number of jumbo jets.

Each year’s flower show has a theme, 2024’s being United By Flowers. I’m all for unity and, like just about everyone, am pro-flowers. So, I couldn’t go wrong. Excellent flowers were almost everywhere in the exhibits area. Ditto for other forms of flora. Sandy and I spent two and a half hours admiring the many installations, doubling back at times to re-examine the five or six that had particularly wowed us. We spent an additional 30 minutes wandering around the vendors section, where more products than you could shake a stick at — and not just horticultural items — were for sale.

Besides the beauty and creativity on display, was there anything else about the show I liked? Affirmative. I admired the diversity of people in attendance. They ranged in age from those that hadn’t yet reached their first birthday to old f*ckers such as me. A wide range of races and cultures were on the scene. And numerous folks with mobility issues didn’t let the enormity of the hall keep them away. Wheelchairs, motorized scooters and canes abounded.

Around 5:00 PM, Sandy and I heard dinner’s call. So, we bade farewell to the flower show and made our way to 13th Street. Philadelphia’s restaurant scene is amazingly strong, and a four-block-long section of 13th Street is one of the prime destinations for restaurant goers. We couldn’t get into Darling Jack’s Tavern, our first choice. But 50 feet away was Barbuzzo, an Italian eatery we’d passed many times but had never frequented. In we went. The place was mobbed, dimly lit and looked cozy. Could they accommodate us? Sure, but only at the chef’s counter, where two stools apparently had been waiting to greet our rear ends.

Happy with our perches, we watched meals being cooked five feet away from us, in pans sitting atop the burners of a stove as solid as an army tank. The burners’ flames, and those from the nearby wood-fueled pizza oven, kept us good and warm. I kept glancing at the oven, whose fury fascinated me. Its portrait was the only photo I took in the restaurant.

We kept things simple at Barbuzzo, whose menu ranges wide, opting for a salad, a Margherita pizza, beer and wine. Everything was delicious. And, before we knew it, it was time to head home.

At 8:06 PM, we arrived at Jefferson Station, giving us very little time to catch the 8:10 train. If we missed it, we would have had to wait an hour for the next one. F*ck that! But we didn’t miss it. Moving quickly through the waiting area and down the stairs, we reached the train platform just as the 8:10 was pulling in. Nice.

Walking Around While Looking At Things . . . It’s What I Do!

What you’re now reading is another of my walking around while looking at things stories, this time an examination of my escapades last week on the day after Valentine’s Day. I’ve written scads of such stories since inaugurating this website in 2015. Hell, they probably account for one-third of my output. And why is that? Well, because walking around while looking at things is one of the activities I most like to do. It’s part of my fabric. Has been for decades. But I didn’t consciously realize that until the recaps of my mini-adventures started flowing naturally and happily from my keyboard four years ago. Yeah, writing sometimes teaches you about yourself. Learning is good!

Butler Avenue, Ambler, Pennsylvania

The 15th of February began in a cloud-covered, uncertain fashion in the Philadelphia suburbs where I reside. However, all signs, as indicated on the all-knowing weather.com, pointed towards bright skies and warm temps in a handful of hours. Itching to stretch my legs and to feel the Sun upon my wrinkled, age-spotted visage, I gathered my iPhone, a water bottle and a packet of trail mix, and jumped into my car when it became apparent that the weather prediction was correct. Eight miles later, at a few minutes past noon, I parked across from the public library in Ambler, Pennsylvania. The game was on! Another edition of walking around while looking at things was about to start.

For sure, in my neck of the woods there aren’t a whole lot of towns worth walking around in, including my own. That’s because most are uninviting, not looking like towns at all. What they do look like are hodgepodge collections of strip malls, large shopping centers, office buildings and residential sections. Eh!

Butler Avenue

Ambler, however, is a different story. It boasts a long, traditional main drag, Butler Avenue, that is filled with old and not-so-old structures containing eateries, non-food-related businesses of all manner, an art house cinema (Ambler Theater) and a stage theater (Act II Playhouse). And there are streets of interest that run perpendicular to Butler Avenue, including the misnamed Main Street, which decidedly is secondary to Butler. Whatever, much of Ambler, whose history dates back to the early 1700s, looks like a true village. The town, by the way, is named after Mary Johnson Ambler, a civic leader during the mid-1800s.

Bar on Main Street
Tattoo parlor on Butler Avenue

Now, my walk around Ambler wasn’t a walk for the ages. It was on the mild side, on the casual side. But a good walk it was, about three miles in length and nicely invigorating. Meandering from here to there as instinct and whimsy called, I enjoyed the hell out of the unseasonably warm temperature (58°F/14°C) and soft blue heavens, as I kept my eyes open for interesting sights, including good-looking women. Hey, it’s every girl’s dream to have a wrinkled, age-spotted geezer looking her over, right? Don’t answer that!

Houses on Main Street
Church door on Lindenwold Avenue

And, of course, I took photos of that which seemed worth documenting, such as street scenes, sharp buildings and signs, and the most interesting door that I could find in town. It belongs to Calvary United Methodist Church.

Ambler Boiler House, on Maple Street

Did I stumble upon anything I hadn’t expected to run across? Indeed I did. Near the town’s railroad tracks I saw a huge, smokestacked old building, now known as Ambler Boiler House. It’s an office building, but once was a power plant for the asbestos products factories that, for about 100 years, had been Ambler’s industrial core. Due to health concerns and governmental regulations though, asbestos, a carcinogen, eventually went out of favor, as well it should have. As a result, almost needless to say, Ambler’s fortunes fell swiftly, reaching a low point in the late 1980s when the remaining segment of its asbestos industry went kaput. That low point didn’t budge for many years.

Act II Playhouse, on Butler Avenue
Ambler Theater, on Butler Avenue

These days, though, Ambler is a lively place. Its revival can be pegged to the birth of the Act II Playhouse in 1998 and to the rebirth of the Ambler Theater in 2003, and to the restaurants that opened in their wake. My wife and I have been to Ambler probably about 150 times during the 21st century. And that’s mostly because of the cinema and the eateries. Many a night we’ve caught a movie and stuck around for dinner.

Ours is a world full of problems. Humans are skilled at creating problems, whether intentionally or not. In Ambler the main problem is the mountains of asbestos waste materials that were dumped in the southern end of town over many decades. The federal government has dealt with, and is still dealing with the situation. The asbestos is contained, supposedly, and poses no immediate threat, supposedly. But who really knows? (You can read a very good article about the situation by clicking here).

The Pizza Box, on Butler Avenue

Me, I become trembly and irritable when thinking about or confronted with problems too much. That’s one of the reasons why I favor walking around while looking at things. And it’s also one of the reasons why I enjoy sitting in pizzerias, where I can ingest my favorite food while letting my mind wander. Speaking of which, two-thirds of the way into my stroll through Ambler, I noticed The Pizza Box, a cute-as-a-pin establishment that I’d never paid attention to before. Inside I went, and was glad that I did, because the two slices of traditional pizza that I ate were very good. They helped ease my worried mind over the next half hour, as I further poked around Ambler before walking back to my car.

The above paragraph would have been a good one with which to end this essay. However, during the day that followed my mighty stroll it dawned on me that I, an ambler, had ambled in Ambler. And that many amblers amble in Ambler every day. It would have been oh so wrong of me not to point this out. Thanks for reading. Goodbye till next time!

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Santa Fe Pleased Us Just Fine

My wife Sandy and I had been itching for a good while to stretch our traveling legs, to go somewhere we’d never been that’s far from our suburban Philadelphia environs. But where? “How about here? How about there?” we pondered.

Santa Fe, New Mexico

Well, in the end we left here and there for another day, as the answer was right at hand. My brother (Richard) and sister-in-law (Sara) moved to New Mexico several months ago, after occupying space in California for 30 years. Santa Fe, New Mexico’s capitol, was their new home. Sandy and I wanted to see them and also were more than happy with the idea of poking around Santa Fe and other parts of NM, a state full of deserts, soft-colored hills, mountains and mind-boggling rock formations. New Mexico it would be.

Ergo, late last month we spent eight days in the Land Of Enchantment, as New Mexico is called by some, unpacking our bags chez Richie and Sara and doing our best to be good houseguests. I think we succeeded in the latter, but, as with much of life, who really knows? Anyway, we passed mucho hours wandering around Santa Fe with them, occasionally without them, taking in a good deal of sights and the general swing of things. I’ll leave New Mexico’s natural landscapes, which we also visited, for a future story or two. My typing fingers are all set to concentrate solely on Santa Fe right now. Away we go.

Turns out that Santa Fe, a sweet place whose buildings primarily are adobe-style and low to the ground, is high as hell. By which I mean that this city of 80,000 humans lies in the high desert, 7,200 feet above sea level. That’s up there. The air is dry and fairly thin and, when a drought is on, as is currently the case, the sun is unrelenting. Drinking lots of water throughout the day, therefore, is pretty much a must even if you’re the indoors type, unless you enjoy the effects of dehydration. As is slathering on lots of sunscreen and donning a hat if you plan to spend more than 20 minutes outdoors.

I took to Santa Fe from the get-go. I liked its look, an amalgam of the influences of indigenous peoples and of the Spanish, who conquered and colonized enormous chunks of the Americas starting in the 1500s. Adobe, adobe everywhere. The earth colors made for a soothing experience. As did Santa Fe’s overall quietness, the lack of a mad rush of residents and tourists. Motor traffic gets fairly rough on certain avenues at certain times of day, but for the most part cars and trucks don’t interfere with the easy-going feel of the city’s central sections.

At right, Richie and Zella

A number of my walks through town were in the company of two individuals: my brother and Zella, who is Richie and Sara’s large dog. Zella is a Bouvier, a breed I’d never heard of till making Zella’s acquaintance several years ago in California. Zella doesn’t use sunscreen or wear a hat in Santa Fe, though I urged her to. She took offense at my suggestion, indicating that she doesn’t look good in hats and, in no uncertain terms, that I should go f*ck myself. Naughty doggie. However, Zella does imbibe a sensible amount of H2O throughout the day. Smart doggie.

Zella received a good deal of attention from pedestrians during these walks, far more than I did. And she was made right at home at a shop we passed one morning, a dog-loving establishment that has a Dog Bar, just outside its front door, where water and treats are at the ready.

One afternoon, Sandy, Richie and I were plopped on a bench in the Santa Fe Plaza, a park in the center of downtown. Zella wasn’t with us. We were eating chicken fajitas that we bought from a food stand at the park’s southeast corner and were watching the world go by. You never know what you might see in parks, which is part of the fun of hanging out in them. That afternoon a bubble-blower, probably a Plaza regular, showed up. With a net-like bubble-making device he filled the air with soap bubbles, some of them really big. The fajitas were tasty, the soap bubbles were captivating. Sandy and I agreed that we were feeling fine.

Cafes, restaurants, boutiques, art galleries, crafts galleries, museums . . . Santa Fe has them in quantities far beyond what you’d expect in a small city. It’s one of the major art centers in the USA, which was fine with me, as I’ve been popping into galleries and museums for nearly all of my life.

Left to right: Sandy, Sara, Richie

Appropriately enough, Sara and Richie took us to Museum Hill, a part of town that, also appropriately enough, is home to several museums, including the Museum Of International Folk Art. Our group of four headed to the Hill one afternoon for lunch at a café. We then entered MOIFA, an astonishing place. Sara had been there before and decided to go back to the café to read a book. Richie wasn’t a first-timer either, but he was in the mood to see the collection again.

Mexican musicians

And what a collection! I spent time mainly in the Girard wing, which houses folk art from all over the globe that one couple (Susan and Alexander Girard) accumulated during the mid-1900s. They donated their collection to the museum in 1978.

Mexican village

The Girard wing contains dozens of exhibits that are recreations of village scenes and of everyday life, all populated with miniature renditions of people, houses and appropriate accoutrements. The two exhibits that rang my gong the most were Mexican-themed, one of a village in all its colorful glory, the other of musicians having the times of their lives in a crowded three-level performance area.

Georgia O’Keeffe, Trees In Autumn 1920/1921, oil on canvas, Georgia O’Keeffe Museum, Gift of the Burnett Foundation

You can’t go wrong in the Georgia O’Keeffe Museum either. It’s one of the many museums in Santa Fe that are not part of the Museum Hill complex. I’m a fan of O’Keeffe’s paintings and had a tip-top time looking them over. On her canvases, O’Keeffe captured the essence of the landscapes and objects before her — be they mountain scenes, vast deserts, or flowers only inches away — with bold shapes and intense colors.

O’Keeffe lived in New Mexico for part or all of every year starting around 1930 until her death in 1986. For much of that period she made her home on a property in the desert about 60 miles from Santa Fe. She attained huge fame in her lifetime, and her reputation since then hasn’t waned. Deservedly.

Andrea Fisher Fine Pottery store

Nor can you go wrong in Andrea Fisher Fine Pottery, one of the many shops that I entered. I don’t know if I’ve ever been in an indoor space of any kind whose every item struck me as beautiful. But that’s what happened at Fisher, which carries Native American ceramics both old and new. Magnificent stuff, beautifully proportioned, colored and decorated, in styles that date back numerous centuries. I should have made a purchase. Man, I can be dumb as shit.


Okay, I can’t leave without talking a little more about food. Sara is an excellent cook. She and my brother fed us deliciously. And on a couple of nights the four of us ventured out for dinner, hitting the jackpot on one of those excursions when we had terrific pizzas at Pranzo Italian Grill. Sandy’s and my Margherita pie, with added olives, is pictured above in the forefront. Its extremely thin and charred crust was a model for how pizza crusts should taste and look.

Good trips are good for the soul. Sandy and I had a very good trip, spending quality time with family, gathering new experiences, seeing sights worth seeing and dining well. We’re fortunate folks.

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The Stairs And I: An Exercise Story

Yo, reading fans, listen up! It’s shout-out time, because if it weren’t for Janet Sheridan, the hunk of wordage that you’re staring at right now wouldn’t exist. If you end up not enjoying this story, then blame Janet, not me!

Now, Janet is the talent behind an excellent website to which she has given the name Aunt Beulah. You’ll have to go over to Janet’s place (clicking here will direct you to it) to find out why she titled it as she did. Janet is a witty and agile writer. Her essays about her life are well worth your time.

In a piece that she published on April 15, Janet talks about her experiences over the years with exercising. I added a comment to her article in which I indicated that I don’t particularly love to engage in regimented exercise, but that for a long time I’ve consistently performed one form of same. Lucky for me that I read Janet’s essay. If I hadn’t, nor posted a comment, then I wouldn’t have been sparked to write an opus of my own on the subject.

Zipley parking garage

Here’s what I said in the comments section of Janet’s essay: “I’m not as devoted to exercise as you. But I’ve been doing the following for years: Three or four times a week I climb (without stopping) the 130 steps in a parking garage near my home. Doesn’t take too long, which I like (because I’m lazy!).”

Damn right I’m lazy. And I’ve gotten to the age (70) where, in my biased opinion, there’s no shame in being that way. Hell, after decades of mowing the lawn, raking leaves, vacuuming rooms, shoveling snow, etc., etc. — all of which I continue to do, extremely reluctantly  — about the only things I actually want to break a sweat over anymore are chowing down Cheez-It crackers late at night while sitting on my sofa as I twiddle the few strands of hair remaining on the crown of my head, and devouring slices of pizza at lunchtime at pizzerias.

Excuse me while I catch my breath . . . that was a long sentence.

Oh yeah, and walking. I like to go out for walks, as regular readers of this publication are aware. If it weren’t for the walks I take and write about, this here blog would be only half the size that it is. But I don’t think of walking as exercise. That’s because it gives me love, not pain. Not only that, walking doesn’t raise my heart rate to the level at which I wonder if I’m going to expire within the next few seconds, which is something that true exercise, I think, is supposed to do. Expire? Me? Shit, it couldn’t happen to a nicer guy.

I now shall devote some paragraphs to stair-climbing. But before I do I’m going to head out the door to the parking garage I mentioned. I’ll climb the stairs there and also snap some dazzling photos that I’ll place in this story. Is there anything better than looking at pictures of a parking garage and of its stairwell? Talk about excitement! I’ll be back at my keyboard fairly soon, hoping to complete this noteworthy essay in two or three more writing sessions. Till then, peace, sisters and brothers.

As promised, I’m back. Not only did I climb the stairs and push the button quite a few times on my iPhone’s camera, I subsequently went to a local pizzeria for a couple of slices. So I’m now typing away on a full, satisfied stomach.

Near the bottom of stairwell

Turns out I was in error when I said to Janet that the parking garage I frequent contains 130 stairs. On my jaunt up its stairwell an hour and a half ago (that is, at 12:30 PM on April 18), I paid strict attention to the number of stairs. There are 135 of them, and they are spread out over 15 half-flights. It was an uneventful climb. For some reason I was out of breath merely a bit by the time I reached the top. Usually I’m panting like a lost soul desperate for water in the Sahara and wondering if I’m going to expire. And, as always, I was glad that my workout was quickly accomplished, this time in around a minute and a half. Not only am I lazy, but exercise bores me. Those are the main reasons why I settled on the stair-climbing regimen that has been part of my life since the late 1990s. Boom, boom, boom and each session is over.

When the idea came to me to climb stairs as an easy way, hopefully, to keep in halfway-decent shape and strengthen my cardio system, I was working in an office tower just outside of the heart of downtown Philadelphia. I pounded the stairs therein countless times until I retired from my job in 2009.

The top of stairwell

But I knew that I needed to maintain a minimal exercise program after saying goodbye to paid employment, and not too much later I found the solution. Hallelujah, I would continue to climb stairs because only a mile and a half from my suburban house was the Zipley parking garage, the newest and tallest of several parking garages surrounding Abington Hospital. I felt right at home at Zipley. Why not? In mid- 2010, just before beginning to ascend the Zipley stairs, I became a member of the AH family when I started two volunteer assignments at the hospital, assignments that I continue to perform to this day.

View from middle of stairwell

Well, there’s only so much you can say about stair-climbing and parking garages, right? Yes indeed, truer words never were written. I can sense more than one pair of eyes glazing over, and that includes mine. But before I bring this story to its natural conclusion, let me add that I’m somewhat in awe of people like Janet Sheridan who conscientiously exercise for several or more hours each week. Me, I’m an incredible slacker compared to them, as I devote about six or seven minutes weekly to stair climbing. Water finds its own level, as we all know. And that’s mine.

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Before, During And After Lunch: Slices Of Life And Of Pizza

I’ve been thinking recently about the nature of this blog. Not a whole lot, but enough to see that my stories — when you look at their sometimes straight, sometimes wavering and sometimes loopy as hell strokes — paint a pretty good picture of what I’m about. I’m not one to reveal all. I’ll never write a word, for instance, about the time, 40 years ago, when I went undercover in Nepal to help bring down the notorious Himalayan gang of bank robbers that dressed themselves in highly-convincing yeti costumes. Or about my space-boot shopping spree with Neil Armstrong a few days before he blasted off for the Moon. But I reveal plenty, I think.

Basically I’m a simple guy who does simple things. Well, simple cum lopsided things often might be a more accurate description. And for the last two and a half years I’ve been writing about them. My articles peer at, for the most part, typical days for yours truly, show what my interests are and have been, and show who has accompanied me (and whom I’ve accompanied) on this journey through what we affectionately call life.

Slices of life. Yeah, that’s what I usually find myself describing. And now that I’ve expended nearly 200 words in trying to establish a degree of context for this current opus, I’ll turn my attention in that direction. “Yo, you better, pal,” I hear a few voices saying. “Our time is limited. We’re this close to closing out your article and checking out some YouTube videos of skateboarding kangaroos.”

Right, right, ye whose attention span is shorter than Donnie Trump’s fuse (but not shorter than his dick). Here we go.

Last Friday I found myself heading north from my suburban Philadelphia abode. My car, having a mind of its own, drove itself two and a half miles to an establishment that ranks high on my ladder of places where I like to grab a bite for lunch. In fact, it probably is my favorite lunchtime eatery in my neck of the woods. And that’s because, speaking of slices, I believe that the slices of pie that one purchases at Nino’s Pizzarama are damn good. A card-carrying fool for pizza, I down them there two or three times a month (and I go to other pizza joints throughout each month too).

I ordered a slice of regular pie and one of Sicilian. They hit the spot regally, though I was slightly disappointed in the regular’s crust. Too chewy. The pie needed to have been left in the oven for another 20 or 30 seconds to become as crispy as it itself was hoping to become. Such is the life of pie.

While munching away, I couldn’t get out of my head a song I’d heard on the radio during my northward trek. It’s a very beautiful recording, one that I instantly became attached to soon after its release in 1968: Hickory Wind, by The Byrds. As always, it sounded wonderful.

Hickory Wind comes from Sweetheart Of The Rodeo, a magnificent country-rock album. The Byrds, famed for earlier numbers such as the psychedelic nugget Eight Miles High and the folk-rock staple Turn, Turn, Turn, had undergone some significant stylistic and personnel shifts by the time it was waxed. Three of the five original members were gone and new guys, most notably the space cowboy Gram Parsons, who helped push the band partly into country-music territory, were on board. Parsons is one of rock and roll’s legendary names, not only for his big musical talents, but for his wild and wooly and troubled life. He died of a drug overdose in 1973.

Gram Parsons is credited with having written Hickory Wind in 1968 with his musical compadre Bob Buchanan. (There is a dispute over the song’s authorship, by the way. Some claim that a little-known folksinger named Sylvia Sammons composed it, and that Parsons stole it from her. The truth never will be known, it seems.) It has been recorded by many since then, but The Byrds put it out first.

What a song. Wistful and melancholy, it stands you up straight and makes you think about the times when loneliness and an aching heart might have ruled your days. That’s Gram singing lead. In the car I melted as I listened to his yearning voice and to the sad, sad notes coming from Lloyd Green’s pedal steel guitar. Man, you want to be in a happy mood when you’re eating pizza. But me, I sat at one of Nino’s tables in a contemplative frame of mind, not fully able to concentrate on the powers of sweet tomato sauce, excellent melted cheese and could-be-better crust.

There’s much to be said for contemplative, though. It’s a state that can be good for the inner being, helping us to put things in perspective and, if we’re lucky, softening our defenses. On the way home from Nino’s I turned on the radio and found myself on the receiving end of another helping of such as Horace Silver‘s Lonely Woman filled the car. Silver, whose rich 60-year career in the jazz world ended with his passing in 2014, composed and recorded Lonely Woman in 1963. It came out in 1965 on his most famous album, Song For My Father.

There’s little I need to say about the song. It is subdued and righteous and should be better known than it is. A trio (Horace on piano, Roy Brooks on drums, and Gene Taylor on bass) perform Lonely Woman, Horace having decided that the tune would benefit if saxophone and trumpet, which appear on the majority of his recordings, sat this one out. Less sometimes is more. What’s more, Horace plays straight through Lonely Woman’s seven-minute length, having further decided that neither a bass solo nor drum solo were appropriate. Hats off to that.

Slices of life. Slices of pizza. I’m sure a spot-on connection could be drawn between them, and that slice-y metaphors are out there ripe for the picking. Those with bulbs brighter than mine would have no trouble drawing and picking. Which is why I now shall quietly exit the stage, before long to return with another tale of the sublimely simple. Till then, amigos . . .

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Darkened Skies, Beautiful Philadelphia

img_0891 At about 8:30 PM on the first Friday of the current month, my wife Sandy and I exited Capofitto, an Italian bistro cum gelato/sorbetto (ice cream/sorbet) store that we like. We’d downed a pizza-centric meal there, capped off with scoops of cappuccino gelato and peach sorbetto. Pretty damn good for sure. Capofitto is in the heart of Philadelphia’s Old City section, whose roots go back powerfully to Colonial days. No doubt the block on which Capifitto resides, a length of Chestnut Street, was trod upon countless times by any Founding Father you can name, not to mention his romantic partner(s), as was just about every Old City block. I find it très neat to think about that. Old City is a cool part of town.

“What next?” we asked ourselves. Should we go back to our home in the burbs? Nah, the night was young. And quite dark, as the Sun had set an hour earlier and neither moonlight nor starlight was apparent to me. Essentially, Old City was being illuminated by electric lights, and in a muted manner. Which I enjoyed. Everything seemed dreamy and atmospheric — the semi-ancient brick buildings, the stone-paved streets. I felt as though I was on a movie set. I asked Sandy if she’d like to go for a walk. She said yes, and off we went down Chestnut Street toward nearby Penn’s Landing, a large swath of Philadelphia’s Delaware River waterfront. The night not only was young, it also was calling. 

img_0894Like the Founding Fathers, Sandy and I have moseyed along Old City’s arteries many times. That’s an activity that doesn’t get old. We keep coming back for more. And this being a night whose effects I actually was paying attention to, which isn’t always the case, I felt myself getting into the scene more than usual. “Holy brotherly love,” I murmured to myself when, half a block from Capofitto, I turned around and saw the huge and perfectly-sculpted United States Custom House, which went up in the 1930s, glowing warmly in its white lights. “That’s gorgeous.” Indeed it was. I snapped its picture, the first of many that Sandy and I would snap as we investigated Philadelphia under darkened skies.

img_1546In a flash we were at Penn’s Landing, a once unassuming and still developing stretch of territory that city officials have been master-planning and trying to force into glorious bloom for over 50 years. To put it another way, the keys to unlocking Penn’s Landing’s full potential as a tourist and city resident draw have yet to be discovered. But it’s getting there, as we shall see. First thing you notice at night when you enter Penn’s Landing near its northern end, as Sandy and I did, is the Ben Franklin Bridge, which connects our nations’ first capitol with Camden, New Jersey. The bridge is massive and grand and, when skies are black, a visual wow. Why? Because years ago someone had the sterling idea to string colorful, Christmassy lights along it. Sandy and I looked at the bridge long and hard and, as on many nights before, we liked what we saw.

The park's LED lights (center right) seen from a distance.
The park’s LED lights (at right) seen from a distance.

I must have realized this on past visits too, but that night I was taken by the low-wattage illumination in most parts of Penn’s Landing. Just like in Old City. Philadelphia — and I’m all for this — ain’t aiming for a Times Square type of lighting blitz. A feeling of intimacy, I think, is the result throughout most of the city. And that casual, relaxed spirit was true even in the section of Penn’s Landing that the masses have discovered and turned into a destination. I speak of Spruce Street Harbor Park, which drew closer as Sandy and I headed south along Penn’s Landing’s walkways. At night we couldn’t and wouldn’t have wanted to miss it, because the possibly thousands of color-shifting LED lights hanging from its trees were superb and put us under a spell. And we didn’t need to don shades . . . yes, the lights dazzled, but subtly.

img_1552Spruce Street Harbor Park, loaded with things to do, overlooks Penn’s Landing’s marina, which I never used to think much of because I’d rarely if ever notice anything interesting going on within it. And the grounds of what is now the park, which opened for business in 2014, once were as bland and barren as an unbuttered slice of white bread, except for a grove of trees and a monument to Christopher Columbus. That, at least, is the way I remember the area. But all that has changed. Lo and behold, SSHP has become, I’d guess, the most popular place to hang out in all of Philadelphia. The governmental folks who orchestrated the park’s development birthed a phenomenon, a winner that has far exceeded in popularity anyone’s expectations.

img_0926img_0911Designed to have a summery sort of ambience, the attractions at Spruce Street Harbor Park have a limited run each year, though I wouldn’t be surprised if the powers that be are brainstorming ideas that would keep the park open most or all months. Yeah, more is better, guys! This year, SSHP’s season began in early May and will end on September 25. At the very least, why not open the gates in mid-April and close them in mid-October? Sounds like a plan to me. Anyway, the place was mobbed the night Sandy and I visited. With good reason. It has a low-key, breezy combination of things going for it, besides the groovy LED shafts whose color blips rise and fall regimentally.

 

img_0920img_1557There are hammocks dangling between trees; tables and chairs of different sizes and shapes scattered all around; a boardwalk lined with food shacks; craft beer stands; an indoor arcade; restaurants floating in the marina; a bocce court . . .  you get the picture. Among other pursuits, folks lounged, strolled, stuffed their faces and watched others lounge, stroll and stuff. And played their parts peacefully and politely. The nitwit factor at Spruce Street Harbor Park and the rest of Penn’s Landing and, come to think of it, in Old City, was nil that night. Do hypnotic lights amid semi-darkness induce commendable behavior? I don’t really know, but there might be something to that.

 

Alas, all good things that first Friday evening, for Sandy and me anyway, came to an end. To a train station in central Philadelphia we eventually proceeded. And, not long after that, at our abode’s doorstep, a mere handful of miles from one of the city’s borders, we arrived.

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(All photos, except that of the United States Custom House, by Sandra Cherrey Scheinin. If you click on any photo, a larger image will open)

You Gotta Like These People: A Review Of Meet The Patels

A few nights ago my wife Sandy and I went for the umpteenth time to the Ambler Theater, an art house cinema in the Philadelphia suburbs that I’ve praised often on this website. We were accompanied by our excellent pals, Cindy and Gene. They are Philadelphians understandably loathe to drive to the burbs, or anywhere, for fear of the nightmare that sometimes awaits them hours later when they return to their congested neighborhood and attempt to find a parking space. I hope they are not still circling their surrounding blocks these several days later. If they are . . . well, that’ll learn ’em.

We saw Meet The Patels at the Ambler Theater.
We saw Meet The Patels at the Ambler Theater.

The movie we went to see was Meet The Patels. It is a delightful concoction, a documentary so breezy and cheerily assembled that I urge all of good spirit to take it in. For those not of good spirit, watching it maybe will help them find a better path in life.

 

 

Nonetheless, I left the Ambler Theater not at all sure if I would comment online about Meet The Patels. Sure, I enjoyed the documentary very much. Sure, it’s worth writing about. But: 1) Hundreds of reviews of this movie already have been penned. 2) I didn’t seem to have any wondrous insights to disseminate. 3) Etc.

On the other hand, my blog is a voracious master, compelling me to keep it fed.

Words of wisdom attached to a wall at Randazzo's Pizzeria.
Words of wisdom attached to a wall at Randazzo’s Pizzeria.

Fresh out of ideas and inspiration, I sauntered into Randazzo’s Pizzeria the day after watching Meet The Patels. It’s a decent joint a mile or two from my abode. As I waited for my pizza slices to heat in the oven I took a look at one of the walls. It was covered with knick-knacks and photographs. One of the knick-knacks caught my attention and got me thinking. It was a depiction of an Italian chef standing next to a chalkboard on which were written very sage and pithy statements: “A pinch of patience; a dash of kindness; a spoonful of laughter; and a heap of love.”

Those are words not to be taken lightly. They truly are meaningful. They are a good recipe for life. And they illuminate what, to me, Meet The Patels is all about.

And thus a pizzeria inspired me to sit down and type this report. Meet The Patels concerns a family of four, the Patels. Natch. Husband and wife, India-born Vasant and Champa, moved to the States decades ago for better opportunities than they saw available at home. They became accustomed to the American Way, but hung on strongly to their native customs and values. Stateside they produced two children, Geeta and then Ravi. Now young adults, the siblings are highly Americanized, yet cognizant and appreciative of the Asian culture that undeniably runs through their veins.

All four Patels, as best I could tell, reside in California. Mr. and Mrs. P occupy a roomy home. Geeta and Ravi, touchingly, share a comfortable apartment. How many adult siblings live together? Few, by my experience. In this documentary, Geeta and Ravi seem to pull it off easily.

On to the plot. Meet The Patels spins the tale of Ravi’s search for a wife. Having recently broken up, after a two year romance, with a white girl named Audrey, 29-year-old Ravi somewhat reluctantly agrees to allow his parents to try and find a suitable match for him. Only thing is that Mom and Dad never knew about Audrey. Ravi was too embarrassed ever to tell them that he had dated a female of the non-Indian-American persuasion. Mom and Dad, successful products of an arranged marriage — arranged being the norm in India — were under the impression that their 29-year-old son was kind of a relationship tyro. And that his unstated goal was to settle down with someone who shared his ethnic background. Coolly they convince Ravi to allow them to employ slightly updated versions of traditional Indian matchmaking methods to identify and locate a mate for him. Said mate is to come from the large pool of well-educated and fine-tempered Indian-American and Indian females that Ravi’s parents are confident exists. Let the games begin.

Meet The Patels is a movie that originally wasn’t meant to be a movie. As a lark, Geeta began filming Ravi’s wife-seeking adventures. After a while she and Ravi realized that fun and wisdom were to be found in the raw footage. Light bulbs went off in their heads and a project was born. They are credited as Meet the Patels’ directors, and along with two others as the writers. The movie doesn’t mention this, but it turns out that the story and filming took place about seven years ago, after which various snags held things up big time. Last year, finally, the movie was completed and became a darling of the film festival circuit. It’s playing now in a modest number of theaters. Ravi was an actor landing a handful of movie and TV roles while Meet The Patels was filming. These days he is a pretty big presence on the small screen. He’s currently in two series, Grandfathered and Master Of None

Meet The Patels moves fast and furious, Geeta handling most of the camerawork in an engagingly amateurish home movie mode (she claims she never learned how to operate her camera, or frame scenes, properly). The film intersperses animated sequences, scripted and nimble, to explain and give oomph to the plot. The plot doesn’t require more elucidation from me. No spoiler alerts here. What really matters are the lessons about human behavior and relationships to be gained from the flick (and from the Italian chef’s chalkboard). To wit, the four principles in Meet the Patels are endearing, warm and loving. They respect each other and get along famously. They are open (excepting Ravi’s concealment from Mom and Dad of Audrey’s place in his life, but we’ll forgive him that) and open to change. They smile a lot, laugh a lot. These are folks you’d want to be friends with.

Sandy, Cindy, Gene and I all left the theater feeling good. Amen.

(Photos by Sandra Cherrey Scheinin. If you click on a photo, a larger image will open)

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A Meditation On Pizza

Pizza, pizza, pizza. For how long have you been a part of my life? Why do I adore you so? Have my feelings about you changed over the years? And most importantly, where the heck can I find really good examples of you? These are questions I am about to answer. They also are questions to which I will return in future articles on this blog.

Some people write about politics or religion or nanomechanics. I have yet to address those and other heady subjects, and probably never will. I don’t have the smarts for that. I’m not too sure I have the wattage to say anything dynamic about pizza either, for that matter. I’m a preschooler compared to the Einsteins out there whose knowledge of and insights into the world of pies are dazzling. But I’m not embarrassed to lay out some thoughts and observations. Take it away, Neil.

Pizza is my favorite food and has been for 40 or so years. I grew up on Long Island, and it was there in the early 1960s that my pizza habit began. The habit grew, and somewhere in the early 1970s became pretty well an obsession. I was living on Long Island for part of that decade, and in Manhattan and Philadelphia at other times. In all of those locales the pizza was similar. I, and I’m sure most people, didn’t spend a lot of time discussing pizza in those days. Basically, you ate it and you liked it. There were only two varieties back then, regular (a round pie that I suppose now would be referred to as New York style) and Sicilian (a square pie whose crust was thicker and chewier than the regular pie’s). You could get mushrooms or pepperoni with the former if that was your wont.

By the late 20th century though, pizza became a complicated subject with a nomenclature that I can’t keep straight. New York style, Chicago style, Neapolitan, Margherita, thin crust . . . on and on it goes. And then there’s the whole matter of toppings. We live in an age when figs, pineapple, you name it, are fair game to bake atop a pie. For ease of discussion I’m going to keep this essay focused on the type of pizza I like best, the humble round darling composed of crust, cheese and tomato sauce. No toppings.

In the 1970s regular pizza seemed a-ok to me. It was chewy and floppy, often heavily laden with cheese and tomato sauce and usually dripping with oil. That variety is alive and well to this day. Its top makers, such as Di Fara (in Brooklyn) are truly famed. I’ve never had a Di Fara slice, but I gather that that establishment has taken the regular (aka New York style) pie to a new level, probably by using higher quality ingredients than those I grew up with. I wish that Di Fara would open a branch near me. While I wait two or three millennia for that to happen, I’ll instead continue to visit a couple of places in the Philly burbs that make New York style pizza similar to what I devoured years ago. The quality varies from visit to visit at these parlors, but I can’t complain too much. I like their wares fairly well overall, though I now have better alternatives.

There’s something about pizza that strikes a chord with my elemental self. It’s not a fussy or complicated product. The three main components seemingly were created to join blissfully together to make taste buds swoon. But as I’ve learned over the last 20 years, a great gastronomic marriage can become even greater. In other words, pizzas better than those I knew in my youth and middle age exist in this world. Di Fara’s baby is an example. In the USA, pizzas have reached rarified heights of deliciousness.

I’m not talking about all pizzas by any means. Most American pies still are very ordinary, maybe way too heavy on the cheese or cursed with a cardboard crust or hampered by an indifferent tomato sauce. However, new pizza orientations have taken hold in many establishments, and the one I’m especially all for is this: Thinner and charred crust. High quality cheeses and tomato sauce in balanced proportions. Oil in moderation, not cascading from each slice like a waterfall. This is not New York style pizza, though I’m a bit uncertain as to the name(s) it has been given by the pizza intelligentsia.

The above paragraphs are a long lead-in to my recent visit to Anthony’s Coal Fired Pizza, a chain with a branch in Horsham, PA, not far from my home. My wife Sandy and I dropped in on a hot August Saturday night. We’d been there before, each previous visit knocking our socks off. I know of a few places in Philadelphia with pizzas that match my updated criteria for excellence. In the burbs, Anthony’s is the one and only that I’ve discovered.

Our lovely salad at Anthony's Coal Fired Pizza.
Our lovely Italian salad at Anthony’s Coal Fired Pizza.

Anthony’s has a small menu. I’d guess that pretty much everything on it is swell. Sandy and I, though, have had only the Italian salad and what Anthony’s calls its traditional pizza. Both are so good we order them again and again. The other night the salad was fine as usual. Crisp lettuce, chick peas, tomato and hard boiled egg wedges, all glazed with a tart light vinaigrette dressing. Simple and satisfying.

Our majestic pizza pie at Anthony's.
Our majestic pizza pie at Anthony’s.

The pizza came on a flat wood throne. Visually the pie was beautiful — you have to love those darkened areas, the basic color palette. Tastewise, beautiful too. The cheeses, mozzarella and romano, were earthy, the plum tomato sauce bright and lively. And the crust’s charcoal bite brought me joy. I’m an easy guy to please, given the right circumstances. At Anthony’s I was a happy eater. Good salad and superb pizza. And a hoppy brew to wash them both down, Arcadia Brewing Company’s Cheap Date Pale Ale. There was nothing more I needed or desired.

I’ve previously written about Capofitto, a fine joint in Philadelphia serving up blackened soul-satisfying pies. I know that pizza greatness extends far beyond Capofitto and Anthony’s. Fussy me will continue to search for pizzas way above the pedestrian, and will report back now and then as I discover them.

(Photos by Sandra Cherrey Scheinin. If you click on a photo, a larger image will open)

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A Winning Dinner And A Fashionable Movie

Figuring out last minute Saturday night plans at home in the burbs recently, my wife and I were surprised to find dinnertime slots available on OpenTable for Capofitto, a hot newish Italian restaurant in Philadelphia’s wonderful Old City section. This is a place we’d read about when it opened last autumn. It sounded good and also intriguing, as it contains a ten ton pizza oven that was built by three Italian masons on site from bricks and other materials boated over from Italy. Clearly this is an establishment that takes its pizza seriously, which makes me smile. Quickly we made an OpenTable reservation, shot off to a suburban train station, and rode the rails into Philadelphia. After dinner we planned to catch a movie, Dior And I, at the Ritz Bourse art house cinema, one block from Capofitto. We silently congratulated ourselves for developing such an efficient plan for the evening.

Capofitto's dining room.
Capofitto’s dining room.

Capofitto (233 Chestnut Street) is a good looking place, fairly wide and very long, comfortable but not too fancy. Housed in a building about 115 years old, its modern décor somehow gives off the vibes of a traditionally-decorated Italian eatery. The restaurant is owned by Stephanie and John Reitano, who have placed a geletaria in the front room. This is understandable, as the Reitanos blessed Philadelphia earlier this century with a scattering of mucho popular gelato cafés. Capofitto expands the culinary parameters of the Reitano empire.

Icelandic White Ale
Icelandic White Ale

The first important question is: What beer did I order?  An Italian one would have been appropriate, but for the fact that Capofitto’s beer menu listed a brand I’d never heard of before, from a country I’d never given any thought to as a beer producer. Iceland of all places. Next time at this sweet restaurant I’ll drink Italian, but this night it had to be Einstök brewery’s Icelandic White Ale. This is a wheat beer whose label implies that the brewers toss orange peels and coriander into the vat. I noticed those flavors, but unexpectedly I also found a substantial hint of celery wafting up to my nostrils. Must have been the hops, weird dudes that can impart all manner of tastes and aromas to beer. Regardless, the ale had bite and was refreshingly bubbly and I liked it a lot.

Capofitto's pinoli salad and focaccia bread.
Capofitto’s pinoli salad and focaccia bread.

What then did we have for dinner? Pizza of course, preceded by a pinoli salad. Pinoli? That’s pine nuts to you and me. My wife and I shared both the salad and pizza. The salad was misnamed, being composed largely of shredded fennel and orange slices, and brought to life with a fine milky dressing and ricotta cheese. And with some toasted pinoli too. We thought much of the salad, though a lot more pinoli wouldn’t have hurt. With the salad came focaccia bread, very good indeed.

Our gorgeous pizza.
Our gorgeous pizza.

Our pie, a margherita to which we added salty black olives, was fabulous. The pie crust’s body was thin and crisp, its puffy rim chewy in a satisfying way. The entire crust was heat darkened and blistered here and there, the good quality wheat’s earthy flavor shining through. It’s not every pizza whose wheat catches your attention. My wife and I sighed contentedly as we munched away. This was one of the best pizzas I’ve had in recent years.

Capofitto's oak-burning pizza oven.
Capofitto’s oak-burning pizza oven.

The pizza oven, by the way, is a beauty. I looked it over for a few minutes. Capofitto feeds it wood, oak to be more precise, and it reaches very high temperatures, 900 degrees Fahreinheit or higher. Miraculously it bakes a pie in about 90 seconds.

Now, Capofitto has a large menu. Pizzas, salads, cold meats, cheeses, a few pasta dishes. I’d be surprised if most everything on it isn’t good to excellent. But after the pizza we were stuffed enough and didn’t eat anything more, not even the gelatos that brought the Reitanos their initial fame. We will return to Capofitto, at which time we’ll explore sections of the menu we didn’t get to. For now, on to the movie.

The poster for Dior And I outside the Ritz Bourse.
The poster for Dior And I outside the Ritz Bourse.

No one, most notably my wife, would describe me as a fashionisto. I am aware of trend-setting looks and high fashion, but the road sort of ends there. But like most anything, the world of high fashion, if explained and presented properly, will jump to life even for the mildly interested. At the Ritz Bourse my wife and I, as planned, watched Dior And I. Well-paced and well-developed, it is a documentary about the cloistered world of haute couture. It is very good, worth seeking out. Three out of four stars, I’d say.

Dior And I, directed by up and comer Frédéric Tcheng, follows the travails and successes of Raf Simons during the initial phase of his new job in 2012. For in April of that year, Simons, who had made his name in men’s fashion design, was hired by Paris’s world famous House of Dior as creative director for its women’s lines. Lucky Raf’s first big project began immediately. He had all of eight weeks to design and present Dior’s 2012 fall-winter haute couture collection. A snap, right?

The documentary begins with Raf’s first day at work, when he is introduced to the seamstresses and other staff now under his direction. Throughout the film Simons appears shy, which makes me wonder how he managed to rise to so high a creative and managerial position. Turns out that the House’s founder, Christian Dior, possessed traits similar to Simons’s. The private Dior was a reticent man, uncomfortable with the public demands of his occupation. Simons is aware of the founder’s bearings. On camera he says that he once began reading Dior’s memoir, only to put it down forever after a short while because he recognized too much of himself in Dior’s personality.

Wait, this is a spoiler alert: At the end Simons triumphs, a survivor of the strained nerves and pained expressions that accompanied him during his test by fire. The haute couture show, held on July 2, 2012 in a majestically flowered Parisian mansion, is a hit. There the movie ends. Today, almost three years later, Simons is still on the job. He undoubtedly has grown more comfortable in it.