A Colorful Self-Discovery Story

When, via Yeah, Another Blogger, I began launching stories into cyberspace back in April 2015, I didn’t realize that, over time, the writing process would increase my knowledge about who the hell I am. I’ve found this to be kind of neat, an unexpected bonus. After all, I’m an old f*ck who, since his teens, has been a champ at moving unsteadily through life. So, you better believe I happily embrace any aha moments that arrive. It’s good when the lights turn on.

For example, while penning an essay (Hippieish Notes From The Information Desk) a few years ago, it became clear to me that the values of the hippie era — those heady days of my youth when freedom, open-mindedness, peace, love and understanding were put into practice by millions upon millions of young folks around the world — shaped many of my basic outlooks. Somehow this truth had eluded me consciously and, were it not for writing, probably would still be lost in the extensive foggy regions of my mind.

Which brings us to colors, a subject I’ll now present as a second example of my increased self-awareness. I’ve written about colors numerous times, having devoted pieces to red, orange and the beauty of flowering trees, to cite several instances. While knocking out the first few of my color-centric opuses, I came to appreciate more fully than before that colors are really important to me. They get to me emotionally, some color schemes relaxing me, some exciting me, some causing me to stare in wonder as the words oh, wow slip from my lips.

But my relationships with colors go farther than that, for, while writing, it also dawned on me that I encourage colors to affect me, by seeking them out pretty damn often. I’d feel a bit less alive if I didn’t. “Pursuer of colors” is an occupational title that I’m proud to have on my resumé.

Well, one morning a couple of weeks ago, as my bony ass sank deeper and deeper into my living room sofa, I decided that rising to my feet might not be a bad idea. Nor would a pursuit of vibrant hues to brighten up the day. That’s why I promptly stood up, exited the house and drove a few miles to Glenside, Pennsylvania, a fine town whose commercial corridors are studded with every type of small business you can imagine. I arrived there at 9:00 AM, under soothing blue skies.

Now, in my neck of the woods, which includes Glenside, neutral colors rule: the tans, browns, greys and blacks that, in one combination or another, fill buildings, paved roads and sidewalks. And greens are dominant too, the deep greens of foliage, specifically. As much as I like those tones, they never have, and never will, send me over the moon exactly.

Of course, plenty of happier hues, the ones I was on a mission to locate, also exist in Glenside. After pounding the pavement for an hour, I found a dozen or more scenes bright enough to put a nice big smile on my face. Five of the scenes illustrate this story.

There was no denying the power of the Sunoco gas station, for certain. Its signage, an in-your-face rainbow of colors, all bursting with life, won me over from the second it came into view.

As did a subtler composition, one that centers around avocado green umbrellas. The umbrellas, belonging to a café at the Glenside railroad station, added a ton of juice to a setting that otherwise would have been described as drab, man, drab. I couldn’t take my eyes off of them.

All in all, though, I felt that there was one clear winner, a striking combination of Beauty (a dreamy mural) and the Beast (a mottled, pale-orange-tinged trestle, emboldened with wide black and gold stripes to lessen the chances that motorists will plow into it). When I saw the mural peeking out from behind the trestle, which supports overhead railroad tracks, I was taken by the incongruity of the overall display. An incongruity that totally works, however. The mural and the decorated trestle are partners. They feed off each other’s energy. The music they make together might be on the dissonant side, but despite that, it’s a composition that hits all the right notes.

Two Hours In Philly: Art On Wheels, Part Nine

Writing is a mysterious enterprise, to be sure. Story ideas, characters, themes and other writerly considerations often emerge unexpectedly from neighborhoods of the mind that you barely know about. I find that to be enchanting, to tell you the truth, because the unanticipated, if of the right sort, is nothing but a good thing, no?

Along those lines, little has surprised me more, blog-wise, than the birth of Art On Wheels. Intrepid soul that I occasionally am, I said yes to the proposition when one fateful day in 2017 a from-out-of-the-blue idea — to scour my region for attractively-decorated vehicles and to report on them — came to me. It’s an oddball activity alright, but, as it turns out, has suited me just fine, as I’m into art and also into wandering around while looking at things. So, here we are at edition number nine of the series. Who’d have thunk it? Live and f*cking learn!

For the first seven Art On Wheels stories I did 90% of the wandering via my car and 10% via my feet. I located my victims in the suburbs of Philadelphia, for the most part in loading docks, strip malls and large parking areas. But for part eight of the series, and for this ninth story, I changed my approach: I explored strictly on foot, which is my preferred mode of travel, and, ditching the burbs, opted to see what I would see on the congested streets of Philadelphia.

Not being one who enjoys freezing his ass off or getting soaked to the frigging bone, I selected a sunny and mild day, the 11th of April, for my expedition. Off I went that morning, boarding a choo-choo that transported me from my little town to The City Of Brotherly Love, where I spent two hours pounding the pavement in the Old City section and two neighborhoods to its north — Northern Liberties and Olde Kensington. All three areas indeed are pretty old: Some of the buildings went up during the 1700s and loads date from the 1800s. The 20th and 21st centuries are well-represented too, including present-day creations . . . these neighborhoods have been undergoing a new-housing boom.

But I wasn’t in Philly to concentrate on the structures that cover its soil. As focused as a hungry tiger, and moving briskly along the blocks, I scanned my surroundings carefully for wheeled constructions whose bright colors and/or stylish designs couldn’t be dismissed. I found about a dozen, fewer than I was hoping for, but enough to make my day. The portraits of six of them illustrate this page. Almost needless to say, though, more than one of the fine specimens frustrated the photographer inside of me, as they were in motion when I spotted them. “Stop, you bastard!” I nearly yelled at each of those. But they wouldn’t have obeyed even if I had opened my mouth. Alas, by the time I got my phone’s camera in position to try and immortalize them, they were too damn far away. That’s the way it goes in the big city.

I’ve examined carefully not only the photos I took on the 11th, but my opinions about them too. Initially I’d have said that the Sweetwater Brewing Company truck (above) is untoppable. You don’t run across such attention to detail and such a majestic array of colors too often, do you?

Driver’s side of graffiti truck.
Passenger side of graffiti truck.

However, since then I’ve revised my evaluation. Maybe it’s because I’m in a free-wheeling mood. Maybe it’s because I have the late artists Jackson Pollock and Helen Frankenthaler, abstractionists of a high order, on my mind. Whatever the reasons, I now am awarding the gold medal to the truck, painted deliciously with graffiti, that sat on a narrow Olde Kensington street. Its driver’s side is a testament to the power of black on white. The passenger side of the canvas, partially obscured by hand trucks and wood pallets, keeps the black on white motif going, and also explodes with controlled bursts of gold and burgundy. Does this truck belong to one of the construction workers who was hammering away very nearby? Whatever the case, its owner should be proud.

That’s it for now, boys and girls. I’d be glad to hear your thoughts about the works of art on display in this story. Till next time!

My Lips Are Sealed!

Like all good citizens, I believe in heaping praise on those who deserve it. That’s why I’m giving a real big shout-out right now to my perceptive editor, the one and only Edgar Reewright. When it comes to the writing game, I’d be lost without him. Edgar watches out for me and tries to keep me on course. Thank you, Edgar!

Edgar demonstrated his concern very recently. Last week, in fact, when I sent him, via email, a book review I’d just written that I was convinced would be a worthy addition to Yeah, Another Blogger. Twenty seconds later he called me.

“Neil, you’re out of your f*cking mind!” he said before I could say hello. “You can’t publish this piece. A few glances at it showed me that you’d be making a huge mistake if you did. You know why? It’s because you’re taking on a subject that’s totally uncharacteristic of and inappropriate for your publication.”

“Listen,” he continued, “you have a cultured, discerning audience. None of your readers would want to read your review of Nomore Limpdikk’s book Getting Hard The Aztec Way. Sure, this might be Limpdikk’s masterwork, like I think you remarked in the review, and undoubtedly it is a valuable addition to the scientific literature about erectile dysfunction. But you should stick with your flimsy pieces about the walks you take, the music you listen to, blah, blah, blah. Your readers seem to enjoy that sort of stuff, so give them what they’re used to, for crying out loud! Why is erectile dysfunction on your mind, anyway? Do you have a problem?”

“Who, me? Edgar, I’m as powerful as a bull, I’ll have you know. Or maybe not, but none of that is any of your damn business! On the other hand, you should be aware that your business is all over town. I’ve heard it through more than one grapevine that your bedroom performances, are, shall we say, lacking.”

There was a long pause before Edgar responded. He broke the silence by calling to his wife, Loretta, asking her to come upstairs and join him in his home office. I heard her footsteps growing nearer.

“Yes, dear?” she asked.

“Sweetie pie,” Edgar said to her, “I have it on good authority that the situation involving my once-mighty sword has become the talk of the town. Who have you been blabbing to? Your mother? Your loose-lipped girlfriends? Loretta, I can’t believe that you’d do this to me.”

“What are you saying, Edgar?” Loretta answered. “I never talk to anyone about our sex life. You know as well as I do, though, that you can’t keep your mouth shut when you have your goofy friends over to play pinochle. So, one of those guys must have spread the word. Maybe more than one of them.” Receding footsteps then told me that she was leaving the room.

“Edgar, are you there?” I asked ten seconds later.

“I’m here. I’m here,” he said. “But I don’t know what to do. Neil, I think I need your help.”

“Edgar, help is my middle name. It’s a good thing that I read Getting Hard The Aztec Way, because it contains information that will solve your problem. Nomore Limpdikk is a brilliant man, a researcher non pareil. If you’d done more than glance at my review, you would understand that. How is it that nobody over the last 500 years, before Nomore investigated the subject, knew that performance-challenged male Aztecs ate the leaves of the bonerium cactus in order to remedy their sexual deficiencies? The leaves contain chemicals that take effect almost instantly, and the results are startlingly good. Why, Nomore Limpdikk proves that today’s ED pills, such as Viagra, are pitiful compared to the wondrous bonerium.”

“Neil, I’m flabbergasted. And I’m relieved to learn that better days for myself are a real possibility. I’ve tried Viagra, you see, but I’m the one-in-a-million male that it has absolutely no effect upon. Bonerium cactus leaves are what I need! Where do I get them?”

“Edgar, they are hard to come by, because nobody is cultivating them commercially. Not yet. But they can be found here and there in the Mexican deserts that the Aztecs once occupied, Nomore says. And, as luck would have it, I know a guy who knows a guy who knows a guy. Well, you get the picture. Within a week a shipment of the magic leaves will arrive at your doorstep.”

“I can’t thank you enough, Neil. This is the greatest favor that anyone has done for me since my third ex-wife, as part of our divorce settlement, agreed to let me keep our collection of pet rocks. I’m going to repay you by waiving my editor’s fee for the next two years. Thank you again. And please promise me two things. First, that you won’t publish an article about erectile dysfunction.”

“I promise,” I said.

“Good. And second, that you won’t mention our conversation to anybody.”

“Edgar, my lips are sealed!”

Some Of This Year’s Pix: A Photography Story

Ah, the wonders and the ease of digital photography. I mean, you’ve got to love it. No mess and no fuss, which is precisely the way that little ol’ me, who is lazy as shit, likes things to be.

What’s more, digital photography can be quite addictive, as half or more of the world’s population is fully aware. I’m definitely addicted. In spurts, anyway. I don’t take pictures of every damn thing I do or of every place I go, but, ever since obtaining my first smart phone in 2015, I’ve snapped more than enough. And a fair number of those shots have found their way onto the pages of the publication that you now are reading. Man, writing stories for this site usually drains the hell out of me. But snapping pix for it with my phone? That’s a gas, gas, gas!

And so, the other day I decided to have a look at the hundreds of photos from 2020 that sit quietly and patiently in my phone’s storage room. I did so with the idea in mind to put a small bunch of them on public display for the first time. Fortunately, there were enough that struck me as worthy. Thus, this essay became a go. That brought a nice big sigh of relief because, as I’ve noted semi-regularly over the last few years, story ideas don’t exactly spew from me with the force of volcanic eruptions.

Miles Table (Philadelphia, Pennsylvania). January 15, 2020
Abington, Pennsylvania. March 21, 2020
Willow Grove, Pennsylvania. May 29, 2020

Are there any connective tissues holding these photos together? I suppose so, since they portray scenes that appealed to me sufficiently to try and capture them. For instance, I’m into color juxtapositions, arrays of angular shapes, and unexpected elements. And all of those are to be found in some of the pictures, such as the one taken in front of Miles Table, the Philadelphia café where my pal Gene and I ate lunch one January day.  The reflections in Miles Table’s windows intermesh giddily with the interior of the shop. Dig that crazy tree cozying up to a prim and proper table! You don’t see that every day.

Photo taken in Willow Grove, Pennsylvania on June 2, 2020
Georgian Bakery And Café (Philadelphia, Pennsylvania). January 10, 2020
Photo taken in Willow Grove, Pennsylvania on June 22, 2020

On the other hand, I also enjoy simplicity, and there was a sweet simplicity to the early-evening cottony sky that I photographed from my house’s deck. We’ve all seen skies like this one mucho times before. But we never grow tired of them, because they are both calm and majestic. They give us pause.

My house (Willow Grove, Pennsylvania). May 24, 2020

And, speaking of my house, how could I resist the photo of the rhododendron bush that sits in my front yard? I tell you, that plant preened exuberantly this spring, something that it never had done before during the 15 years that my wife Sandy and I have lived here. To my mind, this was proof that flora can be unpredictable in their moods and actions, sometimes behaving wonderfully and sometimes not. Humans, take heart in that! Every entity on Planet Earth is complicated as hell, not just us.

I’ll leave you with some thoughts related to the selfie that I took a few weeks ago at the Michener Art Museum, a medium-sized and excellent museum in Doylestown, Pennsylvania. It is named after the famous author James Michener, who, in the 1980s, donated tons of money to help establish the institution.

Because of the coronavirus pandemic, the museum closed its doors in March of this year. But the pandemic situation improved in Pennsylvania over time, allowing some cultural facilities to re-open. The Michener did so on July 20.

Sandy and I, who are museum lovers, were as happy as two masked people could hope to be, because we last had been at a museum in January. Being able to visit the Michener helped to create the illusion that the world was spinning towards normality. Anyway, we spent an hour looking over the exhibits. One of them, which displayed works that various artists created in recent years in reaction to climate change, kept us rapt.

But, as much as anything that day, I liked looking at oil paintings by Fern Coppedge (1883-1951), who lived much of her life not far from Doylestown. A number of her works are in the museum’s collections. Sandy and I have visited the Michener pretty frequently this century, and both of us have come to admire Coppedge’s art very much. Bold, tastefully-arranged colors. Strong brushstrokes. Depictions of scenic old towns and beautiful natural landscapes. I mean, what’s not to like?

Photo taken in Michener Art Museum (Doylestown, Pennsylvania). August 25, 2020

So, natch, it was in front of a Coppedge oil painting that Sandy and I positioned ourselves to grab the selfie, an art form whose mechanics I haven’t come close to mastering. Yeah, the painting appears to be drunkenly crooked in the photo, but that’s kind of charming, don’t you think?  Coppedge, who wasn’t a stickler for perfect balance, probably wouldn’t have minded a bit. And I bet that she’d have dug the contrasts and connections that our masks and tilted heads established with her painting. This photo will remain a fine reminder to Sandy and me of a very good day during the Pandemic Era.

(Please don’t be shy about adding your comments. Thanks.)

This Is My 250th Story! (Thank You, Dr. R. U. Forereel, For Making It Happen)

As usual, you’re late!” my psychiatrist, Dr. R. U. Forereel, correctly and forcefully noted. “Neil, your chronic tardiness is a sign of, of, of . . . of what? Oh, who knows, who cares? Have a seat, Neil. Let’s get started. I’m waiting with baited breath to hear what comes out of your mouth during this session. Or not.”

Gingerly I settled into the large chair that, from a distance of ten feet, faced its twin, upon which Dr. Forereel sat. This being the Age Of Coronavirus, we both were masked. “Doctor, I’m sorry,” I said. “I try my hardest to arrive at your office on time, but something always seems to come up. Today it was a freak accident. Here’s what happened: When I got into my car to drive over here I very forcefully attempted to push the seatbelt buckle into place. But somehow I misjudged what I was doing and ended up stabbing my private parts real good. Holy crap, Doctor, that hurt! I managed to stagger out of the car and back into my house, holding the damaged goods as discreetly as I could. I hope none of the neighbors saw me. Anyway, the boys and the mighty sword are all bandaged up nicely now. I’m good to go! Actually, I lie. If I have sex before the year is out, it’ll be a miracle. In any event, it’s truly amazing that I’m only 20 minutes late.”

“Your privates will be in my prayers tonight,” said my psychiatrist almost sympathetically. “They deserve better, I’m sure. Now Neil, tell me what has been weighing on your mind since our last monthly session. Don’t tell me everything, of course. My eyes will have no trouble doing their glazing-over thing if you do. So, let’s stick to a highlight or two.”

You see? That’s why I like Dr. Forereel so much: she doesn’t feed me bullshit, she’s more or less honest with her feelings, and she cuts to the chase.

“Okay, Doctor. Yes, something has been bothering me quite a lot. It has to do with my blog. You know about my blog, right?”

She shook her head in disbelief. “Of course I know about your blog. You bring it up in one context or another at almost every session! Neil, listen to me. Even though your blog is dear to your heart, I’ve tried to show you that you actually are in conflict with your writerly side. Writing puts tremendous strains upon you, and they are without a doubt unhealthy. I’m talking about the anxiety that you feel in trying to develop story ideas, and the mental and emotional exhaustion that leave you as limp as your once-mighty sword after you complete each article.”

“Neil, in my professional opinion you should change direction and not look back! Take up some other activities in writing’s place. Knitting would suit you just fine, for instance. It’s comforting, it’s creative, it’s a form of meditation, you know. And maybe it will improve your manual dexterity, so that you don’t stab yourself in your genitals ever again. What’s more, nobody in a million years would miss the trifling essays and attempts at humor that you fill your website with. Cyberspace is overflowing unmercifully with content. You should do your civic duty and help to declutter it. Stop writing, in other words!”

“Doctor, I tend to agree with you. I’m pretty well spent, but I can’t halt just yet,” I said. “You see, my next story will be my 250th. Shit, Doctor, I can’t not publish number 250. Pardon my French, by the way. Two hundred and fifty articles is a big milestone. I’d be tremendously disappointed in myself if I stopped at 249.”

“You’re kidding, Neil, right?” she asked. “There would be nothing for you to to be ashamed of were you to hang up your spurs right now. If you did, you would be demonstrating excellent sense and judgment. And 249 strikes me as such an ideally oddball number. In that sense it suits you perfectly!”

“Points taken, Doctor. But getting back to what’s been bothering me: I’ve been racking my brain to try and come up with a story idea for my 250th piece, but no luck. My mind has gone desert-like. What should I do, Doctor Forereel? Can you help?”

She looked at me long and hard, and took a few seconds before responding. Then she said this: “Neil, I doubt that I’m equipped to help you discover story ideas, unless you’re interested in writing about the deep underpinnings of your psyche that we’ve uncovered at our sessions. But they’re awfully boring, truthfully speaking, aren’t they? Nobody would want to read about them, I’m sure. Let me say, though, that part of your problem, without question, has to do with aging. Let’s face it, Neil, you’re an old f*ck — pardon my French — and writing doesn’t become easier as one’s hourglass empties and empties. That’s true for just about everything, right? Knitting excepted, of course.”

Those final comments brought me up short. Though I didn’t want to be, I was reminded that life is fleeting, no matter how long you live. My jaw sank. My eyes dropped. But my mind awakened. “Dr. Forereel,” I said, “believe it or not, you’ve just presented a fine idea to me. My 250th story will be about the preciousness of life, about how we should appreciate what we have, and that we should do our best to live joyfully. Thank you, Doctor, thank you.”

“Neil, I am delighted to have been of service. And a quick glance at the clock on the wall tells me that our time is up once again. Don’t bump your accessories into anything on your way out. They’ve suffered enough for one day. I’ll see you a month from now. And don’t be late next time!”

(Please don’t be shy about adding your comments. Dr. Forereel and I would appreciate it.)

In Search Of Yellows: A Walking Story

I’m nothing but amazed that I’ve sat myself down at a keyboard to begin the composition of this essay. It’s 11:31 AM on a weekday morn, a mere 27 minutes after I completed the walk around my neighborhood that I shortly will comment upon. I mean, I usually take forever to get enough thoughts together to write a story. What’s more, I usually take forever to come up with story ideas in the first place. So, I better keep pecking away before constipation sets in.

What, another walking story?” I hear a few of you crying in dismay. “Spare us, Neil! You’ve done dozens of them already. Can’t you think of anything else to write about?”

Believe me, I feel your pain, but what can I do? As I just indicated, I don’t exactly generate story ideas like Donald Trump generates lies. Anyway, I like to walk. Always have, because walking is the best way to see what’s going on around us. And the hodgepodge of ruminations and observations that I come up with after wandering around one locale or another is among this publication’s primary fuels.

But I can’t say that I especially love to walk in my suburban Philadelphia neighborhood. My neighborhood is none too fascinating, as is true for suburbs in general. Although I regularly pound its pavements, I do so mostly for health reasons, exercise presumably being beneficial to one’s bodily systems. Once in a while, however, I have an additional motive, and today I put such into play. “Yellows, Neil, yellows,” I said to myself at the start of the walk. “You’ve had it in the back of your mind to look for shades of yellow during a neighborhood walk, probably because yellow was your favorite color when you were a kid, and to turn the experience into an article. Today you shall do so!”

Yes, sir!” I responded silently. “I hear you loud and clear. Yellows it will be!”

To begin, I want to tell you that there ain’t a lot of yellows in my neighborhood. In fact, there’s a paucity of many colors. The greens of nature are what rule here, as they do in much of the world, at least when trees are in leaf. But your faithful and determined correspondent wasn’t deterred. My eyes in constant motion, I spotted enough examples of yellows to illustrate this piece decently. And I did so in a mere 34 minutes. I could have extended the walk beyond that time, but was pretty sure that I’d exhausted the yellow possibilities. And it’s a good thing that I came home when I did. You see, as I entered my house after completing my rounds I thought that the blazing Sun and moist air hadn’t gotten to me very much. Wrong! My sweat glands, in a delayed reaction, suddenly erupted, causing my tee shirt, mostly dry only seconds before, to cling to me amorously. Man, I was shvitzing like a frigging pig! I’m happy to report that the A/C system, and the cool water that I washed off with, quickly set me right.

Okay, it’s time to mention the highlights of today’s trek. The first involves sunflowers. A year ago, on a neighborhood walk, I was delighted to find that a family two blocks away from my residence was a lover of sunflowers. They’d planted a load of the gangly, happy plants on a long narrow strip of their property. And a week or two ago I  noticed that sunflowers were strutting their stuff anew there. Needless to say, I strode down that block this morning to snap the yellow beings’ portraits. Of the various yellow objects in my neighborhood, they are my favorites by far. Indeed, I am a total sucker for sunflowers, thanks to Vincent van Gogh, their greatest immortalizer.

As for the second highlight: On various walks over the last couple of months I’d seen a yellow truck shining proudly and vividly. It always was in the same spot, five blocks from my house. It was there again today. This truck adds needed pizazz to a sleepy block, and makes me wonder why more people don’t buy vehicles of eye-popping color. Like I’m one to talk, though. My wife and I own two cars that are conservative as shit, one of them dark grey and the other dark blue. Next time we’ll go for cars aflame in . . . what? Neon yellow, that’s what!

Well, the blogosphere’s overseers are whispering to me that this article has gone as far in a yellow direction as it needs to go. And I know better than to cross them. But, as usual, I’ll let the piece marinate for a few days, and do plenty of tweaking, before depressing the Publish button. Take care, everybody. And please don’t be shy about adding your comments!

Looking For Signs While Walking Around On A Sunny Morning

It will come as no surprise to some of you when I mention that for several years I have been turning out shitloads of written product that revolve around my taking walks in one locale or another. The present opus is yet another example of same. When, moaning and groaning and writhing, I birthed this website five years ago, I wouldn’t have guessed that essays along that line eventually would become my go-to form of expression. But that’s what has occurred, and I’m down with it. I mean, I like walking around while examining my surroundings. Always have. But I didn’t consciously realize it all too much until this publication began finding its comfort level. And so, I tip my hat to the writing process, because it has helped to give me a halfway-decent sense of who I actually am. And who is that, you ask? Don’t ask!

There I was, then, on Thursday the 9th of April, sauntering along the long stretch of blocks that comprises most of Hatboro’s business district. (Hatboro, an old-fashioned-looking town, of which there are way too few in my region, is two miles from Willow Grove, the non-descript burg that I call home. Both Hatboro and Willow Grove are in the suburbs near Philadelphia, Pennsylvania, USA.)

I arrived in Hatboro at about 10:30 AM and departed 45 minutes later. The skies were as blue as blue can be, the temperature was mild, and a sweet breeze caressed my cheeks and those of the people that I saw. Due to the coronavirus situation, those people were few in number, and all stores in Hatboro (and throughout much of Pennsylvania) were shuttered, except for those of the sorts deemed essential by Pennsylvania’s governor. Thus, a hardware store, a pharmacy, ten or so food purveyors, and a handful of others were open for business. As for that sweet breeze, even though everyone was keeping plenty of distance between one another, hopefully it wasn’t blowing any coronavirus microbes into anyone’s eyes or mouths. But hey, I’m not here today to dwell upon coronavirus. No further mention of that demon shall I make herein.

On my person was my trusty iPhone. What, like I’d go anywhere without it? (Well, maybe to take a crap, but that’s about it.) For one thing, the phone’s camera is essential to my journalistic endeavors. And what I had in mind to do with the camera was to point it at store, street and traffic signs, and at whatever other signs caught my eye. I enjoy signs, you see. Even though I’d been in Hatboro many dozens of times over the years, I wasn’t sure what the outcome of my plan would be, as I hadn’t paid extensive attention before to the state of affairs of the town’s signage.

I needn’t have worried. From the get-go I found sign after sign that interested me. Some for their colors. Some for their designs. Some for their whimsicality. Some for the jaunty ways in which they interacted with other signs in their vicinity.

In other words, I damn well dug the time that I spent wandering Hatboro’s streets.

Unexpectedly, little was playing in my mind as I kept placing one foot in front of the other, so focused was I on the mission. I wasn’t contemplating the meaning of life. I wasn’t thinking about what other activities I’d fill up the rest of the day with. And I wasn’t analyzing the importance of signs. But, as I realized when I began to gather my thoughts for this essay, signs are important as hell. They provide all sorts of information, and succinctly. We’d be lost without them, would have little clue about what’s going on. Man, signs are essential to human society, don’t you think? Yup, that’s why there are so many signs in Hatboro, just as there are in every town and city. We’re builders, creators, doers. And the oceans of signs in the world prove, reflect and add to that.

Okay, I’m just about signed-out. It’s time for me to have a nice big glass of milk and some warm chocolate chip cookies, and take my afternoon nap. I can hear my sofa calling me. “Lie down, you creaky geezer, lie down,” it’s cooing. “You need your beauty rest. Only problem is, you ain’t got any beauty left. Tough crap. Such is life!”

Thanks for joining me on my passage through Hatboro, girls and boys, and for gazing at a selection of the photos that I took there. By the way, seeing that I usually mention several things at the ends of my stories, I might as well mention them again. Namely, please don’t be shy about adding your comments or about sharing this article. And if you click on any photo, a larger image will open in a separate window. Till next time!

Who You Calling “Retired”?

A week ago I paid a visit to my long-time barber, Paul. His mission? To make presentable the three strands of hair remaining on the crown of my head. Or is it five? Hang on, I’m going to take a look in the bathroom mirror. I’ll be back in a sec.

Here I am again. It’s five. And those motherf*ckers are lookin’ good!

Where was I? Ah yes, my barber, Paul.

Now, this guy is something else. Paul’s smart. He’s goofy, approaching the world from twisted angles. He cuts hair really well. And, despite being deep into his 70s, puts in nine or more hours at the job, six days a week. Paul’s got energy up the wazoo, and makes hordes of the world’s workers, no matter what their age, look like slackers. If he hangs up his scissors one day, the town in which his barber shop is located ought to erect a statue in his honor. And the inscription on the statue should include words such as these: “Paul’s work ethic was superb. You think you work hard? Think again, homie. Compared to Paul, you probably don’t.”

During that recent visit to Paul’s establishment, he posed a question. “How long have you been retired, Neil?” he asked while contemplating how to handle those five strands of hair.

I tensed up a bit at Paul’s inquiry. Retired? I’ve got to tell you that I don’t like the sound of that word when it’s directed at me. Sure, I left my government-work career in 2009. And sure, I’m in the early stage of my septuagenarian era. But I’m not retired, at least not by my way of looking at things. I mean, I do a decent amount of volunteer work every week. And I sweat bullets turning out the stories that I launch into cyberspace, such as the one you’re reading right now. Between volunteering and writing, I’m clocking up an average of about 20 hours of work weekly. That isn’t in Paul’s league, but it ain’t bad.

Anyway, I explained to Paul that I’m still a part of the workforce, though unpaid, and then let him have a go at the strands.

Indeed, I like to work. I need the structure that working provides, and I value the physical and mental energies that work requires. And, happily, I’m a recipient of job satisfaction: My volunteer gigs — for two shifts each week I man the information desk in a medical office building — agree with me. As does writing, though in a masochistic sort of way. The bottom line is that I have no plans to ditch my occupations.

What would occur if I put my work aside? Nothing to write home about, that’s for sure. I’d have way too many additional hours to fill comfortably. I already regularly indulge in good stuff such as concert-going, museum-visiting and traveling here and there, and don’t have the urge to devote more hours to those pursuits. No, if I stopped working I’d probably spend more time than ever on my living room sofa, where I’ve become expert at idly surfing the Web, snacking, and scratching my balls to make sure they haven’t shrunk. Working’s a better alternative.

Yes, there’s a lot to be said for working. And substantial numbers of folks in my age bracket, and older, are still heavily in the game. Some of my relatives and friends who are card-carrying seniors, for example, rival or surpass Paul in the number of hours they expend on their jobs. A few of them wouldn’t have it otherwise, being in love with their chosen fields. And then there’s the childhood pal of mine who continues to work full-time as a lawyer. I was at lunch with him last month. Unlike the people I just mentioned, he’s not fully enthralled by his occupation, but he knows himself well enough not to leave it behind. “What else am I going to do?” he asked me. “Mow my lawn all day?” He thinks like me. And he likes his place in life.

On the other hand, I also have relatives and friends in the seniors camp who no longer work and are as happy as clams. They lead fulfilling lives and have no regrets about occupying the post-employment category. You can’t do much better than that. After all, whether we’re employed or not, achieving happiness and feeling fulfilled are among our top goals, right? And by our, I’m referring, I figure, to about 75% of dear Planet Earth’s human residents, not just to seniors.

Family life, social life, work, hobbies, studying, spirituality, creative endeavors . . . these and other avenues, usually taken in one combination or another, can make our goals reality, whatever our age. Different strokes for different folks, and all that. Life’s cool that way.

Okay, sermon over. Amen. Class dismissed.

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Here We Go Again: Art On Wheels, Part Five

My editor, Edgar Reewright, wasn’t pleased when I told him last week that my next story, which in fact is the one you’re now reading, would comprise observations garnered and photos taken in my pursuit of nicely decorated motor vehicles.

“Edgar,” I said to him over the phone, “you know that I get a kick out of photographing these bad boys, and maybe an even bigger kick from writing about the photo shoots. What can I say? It’s what I do.”

“Well, Neil, editing your attempts at writing is what I do. And I don’t want to deal with yet another of your Art On Wheels efforts. You’ve done four of them already. That’s more than enough. Believe me, nobody has been praying that you’d turn out a fifth. Neil, if you insist on going ahead with Part Five, then you’re on your own until you come to your senses.”

Being more than somewhat of an asshole, Edgar then hung up. Screw him! Who needs an editor anyway? Well, I sure do, come to think of it. But if this story has to be editor-less, so be it. I’ll bring Edgar back on board after I launch Part Five into cyberspace. He may not be a fan of my journalistic output, but he damn well is in favor of the monies I pay him for his expertise.

Yup, I surely enjoy an occasional quest for trucks and other vehicles whose bodies are artistically painted canvases that advertise goods or services. What’s surprising is that relatively few commercial vehicles, maybe one out of 10, fit that bill. The rest are either very plain Janes or are decorated not at all. As for the latter (the totally unadorned ones), more often than not they are monochromatic homages to one shade or another of white. Sure, there’s something to be said for going about your business anonymously. But, vehicularly-speaking, I prefer a nice amount or more of splash.

Parts one through four of this series (which you can read by clicking here and here and here and here) describe expeditions in my immediate area (I live near Philadelphia, Pennsylvania, USA). Each adventure was confined to one day, a day in which I spent a few hours trolling shopping centers, strip malls and wherever else I could safely and slowly drive my car. When I found my prey, I parked the car, exited from it, and documented with my phone’s camera the vehicle(s) that had caught my eye.

This time around, though, I took a different approach, which began on the first of this month while my wife and I were visiting The Big Apple. That evening, walking to Penn Station to catch a train that would take us part of the way home, we passed a trippy wonder of a truck that sold cannabis-infused sweet stuffs. Weed World Candies was painted in nearly every gleeful color under the Sun. Natch, I had to take its picture.

The idea for Part Five began to solidify in my mind at that moment. No need this time around to snap the photos in one day. And no need, necessarily, to troll in a car. Three days later, therefore, I wandered around my home area on foot, and found four victims that met my standards. But, lazy guy that inherently I am, I used my car the day after that to locate more artsy examples. The pictures of all the vehicles that passed muster on the various photo shoots are on this page, but in no particular order.

So, what do you think about the trucks and the one SUV (Kremp Florist)? Me, I’ve got to rate the cannabis truck as number one. It probably is as sharp as any example of art on wheels that I’ve ever seen. And my pick for second best is the Sysco truck. Its blues are calming, its message one of graciousness and welcome. The third-place prize? I grant it to the Trotter Services truck. The precise, hard-edged design, though severe, is oh so modern to my eyes.

By the way, when I was about 80 feet from Sysco, which was partially obscured from my view by plantings, I heard what I assumed was the opening or closing of the truck’s rear door. Not knowing which direction the door was moving, and not wanting to wait to find out, I quickly took up position behind some bushes, enlarged the truck’s image on the phone’s screen, and pressed the button. Man, I was lucky to get the shot. In the photo, that’s the driver only seconds away from climbing into the vehicle and taking off.

I tell you, the writing game can bring surprises. The longer you’re at it, the more likely your true nature and inclinations will emerge, not only in words and story lines but in real life. When I began this publication in 2015, never would I have expected that I’d be tracking down good looking vehicles, and liking it. I confidently say that, assuming I remain above ground for the foreseeable future, there will be another installment of Art On Wheels, Edgar Reewright notwithstanding. What, like I’ve got something better to do? As I’ve noted in my articles numerous times before, I’m an old f*cker. Humor me.

(As I almost always mention, please don’t be shy about adding your comments or about sharing this piece. I thank you.)

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An Old Guy’s Photography Story

Hallelujah! The creation of this story has allowed me to take it easier on myself, to give myself a bit of a breather from the more involved pieces that I normally launch into cyberspace. Two thumbs up for that! I’m an old guy, you see. My gas tank empties a lot quicker than it used to. My mind wanders into spaces that it barely can squeeze out of. And let’s not overlook the discomfort that two of my private parts (the globular ones) are currently causing me. Because of all of the above, yesterday I came this close to throwing in the writing towel for a while. Meaning, I was set to let lots of time go by, a month or more, before attempting to produce a fresh entry for this website.

Ambler, Pennsylvania. February 15, 2019
Philadelphia,, Pennsylvania. March 16, 2019

But no! In the end I couldn’t let that happen. For one thing, the CEO of the blogosphere, Tammy Whammy, wouldn’t stand for it. I’ve been on a short leash with Ms. Whammy for the last year and a half. Hell, she has made it perfectly clear to me that she is displeased about the decreasing frequency with which I’ve been posting articles during that period. And I’m not thrilled about it either. But I’m an old guy. My gas tank empties a lot quicker than it used to. Ah crap, I already said that, didn’t I? Let’s move on.

Philadelphia. April 11, 2019
Jenkintown, Pennsylvania. April 13, 2019

When I press the Publish button for this story, nearly two weeks will have passed since my previous opus appeared. Fairly lengthy gaps like that now are not uncommon for me (in my peppier days I graced the ethers weekly with new material). Will the wait have been worth it? Maybe so, if you like to look at photographs. For that’s what this piece basically is: a collection of photos that I took during the first half of the current year. None of them have appeared previously. More important, I like them.

Philadelphia (near the Philadelphia Museum Of Art). May 1, 2019
Edinburgh, Scotland. May 23, 2019

Yeah, scrolling through my photos was about all I had to do to birth this article. Didn’t have to engage in much thinking or research. I’m down with that! But, I have to admit, during the writing sessions I did spend a few hours contemplating my navel, which, for reasons that my doctors are at a loss to understand, has drifted three inches southward since early 2018. “Don’t worry about it, though, Neil,” they’ve all said to me. “You’re old. It’s just one of those things.”

Edinburgh. May 28, 2019
Edinburgh. May 28, 2019

All right then, what we have here are ten photographs. I’ve placed them chronologically. Five were taken in daylight and five after the Sun set. I’m partial to those nighttime shots, especially the final four of them. The mysteries and moodiness that they contain are irresistible to me. Location-wise, four photos are from Philadelphia, two from the Philadelphia suburbs, and four from Edinburgh, Scotland. Those locales are where my ass has spent most of its time so far in 2019.

Edinburgh. May 29, 2019
Philadelphia’s Awbury Arboretum. June 23, 2019

Speaking of Scotland, my wife and I were there in May, as some of you know. Miraculously, I was able to churn out three stories about our Scottish sojourn. They came out in June. That was a lot of writing. A lot of taxation on my senior citizen brain. I’ve heard about old dudes who, from out of the blue, become all Rambo-like, able to face life’s challenges powerfully and expertly. Maybe something like that is what happened to me, scribe-wise, with the Scotland pieces. But now I’m back to my regular old-guy self. And as it turns out, even though I didn’t have to work too hard to compose this essay, my battery is practically drained. I need a snooze. Nothing I can do about it. Repeat after me: “C’est la f*cking vie!”

(Please don’t be shy about adding your comments or about sharing this piece. I thank you.)

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