A lovely day it was indeed. The Sun beamed and gleamed. The skies, nary a cloud within them, were an expanse of blue at its finest. Unexpectedly mild for winter (51°F/11°C), a steady breeze on hand to keep me refreshed, the afternoon of February the ninth presented to me a perfect opportunity to go out and peruse doors in Hatboro, a town in the Philadelphia burbs that’s a couple of miles from the one I call home. I grabbed the opportunity.
Doors? Yes, doors are a favored subject for a fair number of WordPress scribes, including, occasionally, yours truly. I’ve written about them three times before. And, it should be noted, the hub on WordPress for all things doors is the Thursday Doors project run by Dan Antion on his No Facilities blog. So, if you click here you will be directed to Dan’s handsome site, where links to the writings of and photographs by doors enthusiasts may be found.
As I drove to Hatboro I was confident about what I’d find, because I’ve been there a multitude of times over the years — to shop, to dine, to stretch my legs on its sidewalks. It’s a down-to-earth community with pleasant residential blocks and a commercial area that, though hanging in there, has seen better days. Sure, maybe a unique or snazzy door or two awaited me. But no more than that, I figured.
And you know what? I was right. Of the hundreds of doors that passed before my eyes that afternoon as I wandered around many of Hatboro’s streets, alleys and parking areas, nearly all were of one standard style or another and also plain as can be in the color department.
And you know what else? I was absolutely fine with that, as I’ve long believed there is value and beauty in just about everything if I look hard enough and, when needed, adjust my way of thinking. After all, who am I not to admire the seemingly ordinary? I mean, I understand what it’s like to be ignored. I ain’t exactly Bradley Cooper when it comes to looks, you dig, proof of which is the fact that I can count on two hands, probably one, the number of times in my life that a girl has given me the eye. And those occurrences were decades ago. Shit, now that I’m pretty damn deep into my senior citizen era, there ain’t a chance in the world that I’ll ever again be gazed upon with interest, unless it’s by somebody working on a doctoral thesis about old farts. Boo hoo, man! Boo f*cking hoo!
Among the “ordinary” portals that made a real impression on me in Hatboro, two of whose portraits I’ve included above, my top pick is the one identified by a nice big 3A. It more or less stopped me in my tracks because, I now realize in hindsight, its grey-green coloration struck an oceanic chord within me. I’m an ocean lover, and over the years I’ve seen the Atlantic’s waters take on a hue similar to 3A’s. Plus, how could I not fall for a door with a newspaper sticking out of its mail slot, like a tongue looking for attention?
Still, there were two doors that I preferred to 3A, both of which struck me as being a step or two above “ordinary”: a swinging door made of wood planks and metal, and the front door to a house. The latter, alive in orangey-red and decorated with a display of shadows that dazzled, easily garnered the gold medal in the doors competition that day.
In honor of Hatboro’s très cool red door, I’m going to end these proceedings by presenting an equally cool song titled — what else? — The Red Door. It was recorded in 1952 by a group led by tenor saxophonist John “Zoot” Sims and was released the next year. Zoot, who co-wrote the tune with Gerry Mulligan, takes the first sax solo. Mulligan, by the way, doesn’t appear on the recording.
Sims, a hell of a musician, was a presence in the jazz world for about 35 years (he died in 1985, having made it to only age 59). I had chance after chance to see him perform in New York City clubs during the 1970s and 80s, but, stupidly, let them pass me by. I’ve regretted those decisions ever since.
Here then is Zoot and his compadres on the lovely, swinging tune that The Red Door is. Enjoy.
Well, here I am, dispensing thoughts about doors for the third time. Huh, doors? Damn straight! I mean, doors are cool. Or can be, anyway. And I’m hardly alone in holding this opinion. Various WordPress writers, for instance, launch doors-centric articles into cyberspace every Thursday. And they publicize the pieces by placing links to them on the No Facilities blog, of which a fine gent named Dan Antion is the heart, soul and brains. I’m part of that Thursday club today.
Okay, then. On a clear and comfortable morning in late May I visited the sprawling town of Glenside, a community in the Philadelphia suburbs about five miles from my home. Leafy, handsome residential blocks abound in Glenside. And there also are business sections that include Main Street-like corridors. Now, I wasn’t about to stroll up the front paths of homes to check out their doors closely (I wasn’t eager to hear something on the order of Yo, asshole! What are you doing on my property? directed at me), so I confined most of my investigating and picture-snapping to commercial blocks. In the end, though, I also got pix of a couple of residential doors that were not set back from their respective sidewalks.
While I didn’t cross paths with any doors that might take your breath away during the hour I spent in Glenside, I became fascinated by the varieties of doors on public display. They ran the gamut from the solid and stolid to the utilitarian to the well-worn to the neglected. I passed at least two hundred doors, possibly many more than that, and a dozen or so of them grabbed me almost instantly. I’ve chosen images of seven of them to grace this page.
Could I possibly have resisted a sky-blue door, endearingly shop-worn a bit, whose street address (number 12) beams proudly above it? No way! I tell you, if that door were a human being I’d have smiled at it generously and then given it a great big hug. Yup, the blue door is the one I felt most in tune with in Glenside. In a low-key manner it exudes warmth and wisdom. It’s my kind of door.
Unexpectedly, the four garage doors belonging to Santilli’s auto repair shop connected with me. They’re ordinary, right? We’ve seen doors such as these a million times. Yet, as I stared at them I thought to myself they are worthy of admiration. Non-complaining and tireless, they enable important work to get done. In the doors-ian realm, these four are among the salt of the earth.
And what can you say about the rust-stained shed door that probably hasn’t been opened in years? The healthy green plant a few feet away, doing all it can to brighten the scene, knows that the door has been ignored. It’s the norm to pass by a door such as this without a thought. But I’m a softie at heart, and so my old ticker went out to it. Its life has been anything but easy.
By the way, I had no intention of having my spectral double show up in five of the photos, but that’s what happened. Yeah, I saw the f*cker aiming his phone’s camera at me from a door beneath the NAPA sign as I snapped that picture. But not till I was examining all of the Glenside pix a day or two later did I realize that he also was present in other doors, the sky-blue door and the ones belonging to Elcy’s, the antique store, and Santilli’s. “It figures, Neil,” my wife Sandy just mentioned to me, shaking her head in disapproval as she looked over this article before I hit the Publish button. “It’s bad enough that you write about yourself incessantly in your stories. Now your readers are likely to overdose on your sort-of-spitting image too. Give ’em a break, for crying out loud!”
Shit, she’s right. She almost always is. On the other hand, has a ghoul ever before rocked a Cape Cod-emblazoned cap so magnificently? I think not!
The time has arrived to bring this essay to a close. On a musical note, of course, as that’s what I did with my first two doors pieces. With each of those, I included a tune by the hippie era band The Doors. This time around I’ve decided to forego one of their blasts from the past. Instead I’ve selected a blast from the present. It’s called, appropriately, Leave The Door Open, and it’s by Silk Sonic, a new band led by pop superstars Bruno Mars and Anderson .Paak. The song is a throwback to the sweet soul/R&B music, lovingly orchestrated, that The Stylistics, The Delfonics and other groups filled the air with during the 1970s. I dig Leave The Door Open a lot.
I’m done! Goodbye till next time, boys and girls. Please don’t be shy about adding your comments.
When my phone rang at 10 AM on April 27, I knew that I would be in for a scolding. That’s because the name displayed on the phone was none other than Dooitt Orr Else, the no-nonsense CEO of the blogosphere. I’d never had the pleasure of speaking with Mrs. Else, but I knew all about her. Bottom line: she does not suffer fools gladly.
I answered the call. “Hello, can I help you?” I asked, my voice trembling.
“Help me? I doubt it, fool. But you can help yourself. Listen, mister — and, by the way, this is Dooitt Orr Else speaking — it has come to my attention that you have yet to publish an article that centers around spring 2021. What is the matter with you? You’ve written about past springs, have you not? The answer is yes. Therefore it will be unacceptable if you allow the present season to vanish into your rearview mirror without comment.”
“Sir, you have fallen short of the contractual obligations that you entered into with WordPress. Get to work on a spring-related article or I shall be forced to revoke your writing privileges. Not that anyone would mind if I did. Over and out!”
Holy shit, that conversation, if you can call it that, left me worried. I mean, what the hell would I do with my freed-up time if I no longer were allowed to hurl my words of quasi-wisdom into cyberspace? Man, I don’t want to learn how to do yoga. And I don’t want to learn how to bake. Hence, the next day I took to the streets to see what spin I might put on spring 2021.
A lovely day it was when I began the adventure soon after breakfast. On the hazy side, yes, but there’s a charm to haziness. And the temperature was very comfortable, so I knew that I wouldn’t start sweating like a pig as I pounded the sidewalks. My plan was to admire and investigate the flora on some of the blocks in my neighborhood and also on some in a nearby area, as nature had begun to come alive gloriously several weeks earlier. Most deciduous trees were fully in leaf. And many of their flowering varieties were strutting their stuff. But what would be my focus? I wasn’t sure when I left the house, but two minutes later I knew.
I knew, because I decided to photograph a pine tree on a home’s front lawn, but not from a distance. Instead, I got real close to the densely-needled beauty and looked up. What a view! No pavement, no houses, no electrical wires were part of the scene. Nothing but the tree and the sky. The template for the walk, and for the story that you now are reading, immediately fell into place. I would look upward frequently and see what was to be found.
The natural world, needless to say, is infinitely complicated in terms of design, structure, materials, color, and in terms of every other aspect that one might think of. We reside on a planet that is an absolute wonderland. These facts are what hit me the hardest as I wandered along, stopping here and there to peer heavenward through tree branches. The branches, the leaves and needles, the blossoms on those trees so adorned, interplayed at wild angles, combining to form intricate canvases, canvases that shape-shifted whenever I changed position even slightly. Add to this the play of sunlight and the calmness of the sky . . . the sights were truly stunning.
What’s more, most of the canvases looked like works of modern art to me, swaths of colors and in-your-face immediacy being major parts of their hearts and souls. But I also enjoyed the more delicate constructions, especially the unassuming manner in which one tree, with a smattering of white petals on its thin branches, met the sky.
For the past 18 months I’ve been walking my ass off in my and other neighborhoods, most of them in the Philadelphia burbs, doing so for health reasons and also to get off the living room sofa often enough so as not to take root on it. I’m a lazy guy at the core, though, not one who is thrilled about engaging in regular exercise sessions. But I plan to maintain the routine for as long as I am able. And looking up will help. As the title of this opus says, that’s where it’s at. Sometimes, anyway.
Okay, Mrs. Else. I’ve met your demand. Don’t call me again anytime soon!
(Please don’t be shy about adding your comments. Gracias.)
It’s easy and normal to take doors for granted, though they are, of course, super important. I mean, where the hell would we be without them? Climbing in and out of windows, that‘s where. And who would want to do that?
But doors do have major fans. For example, a fair number of WordPress scribes write about them, maybe in recognition of their crucial value. Or maybe because certain doors are true works of art. Whatever the reasons, it is derigeur for those scribes to launch their doors-centric essays into cyberspace on Thursdays. Why Thursdays? Because . . . well, I sure as shit don’t have a clue. It just became one of those things to do, I think.
The ringleader of Thursday doors articles was a guy named Norm (here’s the link to his blog), who began the project in 2014 but recently gave up his duties. A responsible and caring sort, he didn’t simply walk away. No, Norm nimbly passed the baton to Dan Antion, the mastermind behind the blog called No Facilities. Authors of doors-related pieces now are asked to post notices of their latest opuses on Dan’s site rather than on Norm’s. And that’s what I’ll be doing today, which is Thursday in my time zone, as this is a story about doors.
I published my first doors narrative in June 2020, taking a look at doors in Jenkintown, and decided to examine those in Ambler for my second effort. Both Jenkintown and Ambler are cute, traditional-looking villages in the suburbs of Philadelphia, Pennsylvania, and are pretty close to Willow Grove, the not-too-cute town that I call home.
A few weeks ago I spent about 70 minutes scouring many of Ambler’s streets. I was in search of doors that made a big impression on me, though I wasn’t sure which types those would be when I began the expedition. As you’d expect, the vast majority of doors that I passed were the kinds you’ve seen millions of times before. Standard wooden ones on houses, for instance, and standard glass/metal ones on commercial properties. Most of them were perfectly nice and well-maintained, for certain. But, vanilla.
So, how about doors that might be described as elegant or artistic? Surprisingly, Ambler seemed to be lacking in them, for I noticed but two. One belonged to a church, the other to a restaurant. Now, I could have placed their photos on this page and devoted a couple of hundred words to various aspects of their worthiness. However, I’ve chosen not to, as the five doors that resonated with me during my walk were way humbler. And weathered and disheveled too, to one degree or another. What’s more, the word dilapidated also applies to two of the five (the white door with a big empty space next to it, and the cardboard-stuffed black door upon which the sturdy lavender-hued door closes). I liked all of the outsiders aplenty when I spotted them and, in examining their portraits a short while ago, I like them no less now. They have tons of character. They’ve been through a lot and have stories to tell. And they probably go unnoticed by most everyone, but so what? They’ve entered my heart, which contains a warm spot for the underappreciated. Yeah, I’m a f*cking softie.
And which of the specimens do I choose as my favorite? Tough decision, but I’m going with the wooden swinging doors. Man, crude though they are, they exude down-to-earth charm and nonchalant confidence, characteristics I’d be proud to call my own. But I’ll never be as cool as those doors are, Shit, I’m well into my septuagenarian era. So, if it hasn’t happened yet, it’s not about to now. But an old guy can dream, can’t he? Damn right he can, and will.
Is any essay about doors truly complete without a nod to The Doors, the explosive, brooding and trippy rock band that burst into the big-time in 1967? The answer is no, at least when it comes to my offerings. Thus, I shall leave you with a recording by The Doors that has one big thing in common with the doors I’ve written about above. To wit, it is underappreciated. Wintertime Love, performed in a flexible waltz time, finds the band behaving all happy and tender, something they weren’t particularly known for doing. The song appears on their Waiting For The Sun album, which hit the marketplace in 1968. Here it is. Thanks for reading. Thanks for listening. And please don’t be shy about adding your comments. Till next time!
And so, here I am again with yet another essay centered around my quests to find and photograph commercial vehicles that are adorned with fine designs. This story is the sixth installment of what will remain an ongoing project (assuming that I continue to stay above ground, that is). What, like I’ve got something better to do with my time than to troll streets and the parking areas of shopping centers and strip malls for handsome trucks, vans and cars? I don’t! At my advanced age I ain’t interested in reaching for the brass ring, goal-and-activity-wise, you dig? Not that I ever was, to tell you the truth. Thus, no novels will I be writing. No corporations will I be starting. No applications to graduate schools will I be submitting, unless there’s a PhD program out there that would accept a doctoral thesis titled An Unambitious F*cker’s Aimless Thoughts.
In other words, trolling suits me just fine.
Frustratingly, it hasn’t been easy finding an adequate number of beauties for this story. Five hunting trips, each of an hour or more in length, brought forth only six vehicles whose images I deemed worthy of inclusion. I want and need one more pleasing photo, but I’ve had my fill of intensive hunting. I’m very confident, though, that an object of my desire will present itself during my normal activities over the next few days (I’m typing these words on the 20th of July). Lucky number seven surely is heading my way!
I didn’t run into a numbers problem during the creation of this series’ previous installments. In fact, for most of them I bagged enough useable photos during only one or two expeditions. Which was amazing, considering that the vast majority of commercial vehicles have little, indifferent or no artwork upon their bodies.
What accounted for the change in numbers? Partly it was just one of those things. A cold streak, if you will. But I’m pretty sure that the good ol’ coronavirus was the main reason. Although many stores and offices are open in my area (I live near Philadelphia), the pandemic has harmed business here, as it has everywhere. Decreased demand for goods translates into fewer deliveries. There weren’t as many chances, as a result, for me to cross paths with good-lookers.
Luckily, part of the shortfall was made up by artistic vehicles of the non-delivery type. The Omni Comp car, for example. It belongs to a computer repair store in my town and is used, I assume, by the workers there for service calls. That car is cute as a button, no?
And how about the van owned by Noble Dentistry, whose office is in a town nearby to mine? The van’s greens and blues are oh so dreamy. But why does ND need a van? For mobile dental services? Uh uh. Their website makes no mention of that. I suppose the practice’s owners simply want to have a sharp vehicle parked in front of their building in the hopes of catching the eyes of some potential patients.
My favorite hunk of metal and glass, though, is of the delivery sort. It’s a truck that was delivering Canada Dry beverages to a Wawa food market near my home. As with Noble Dentistry’s van, greens and blues rule on the truck, only much more profoundly and on a significantly larger scale. Man, it was hot as hell on the day I walked around Canada Dry, admiring it from various angles. Its soothing, refreshing facade cooled me down, though that was mostly in my head. In reality, I continued to sweat like a pig.
With that, I’ve come to the end of my commentary. But only for now. I shall resume the narrative when beauty number seven reveals itself to me. Don’t go away!
I’m back! It now is the 21st of July. Two hours ago I returned home from a dental appointment in Philadelphia’s congested Mayfair section. Because traffic was lighter than usual — another consequence of the pandemic — I arrived ten minutes before my appointment time. I parked on one of the neighborhood’s countless rowhouse-filled blocks and silently said something along these lines to myself: “Might as well walk around for a couple of minutes before going to the dental office. There’s a decent chance I’ll spot a sweet vehicle parked on the street.” Turns out there was a 100% chance, for on Frankford Avenue, a shopping mecca, I saw a vision in red and white: a Meadow Gold dairy truck that was making a delivery to one of the stores nearby. It’s a great beauty, colorful and wonderfully designed. But I still have to go with the Canada Dry truck as my favorite, because of the loving way in which its greens and blues resonate with me. Meadow Gold, you are a real close second.
Naturally, I snapped Meadow Gold’s picture and gave deep thanks to the WordPress gods for looking out for me. They wanted me to bring this story to a satisfactory conclusion, of that I have no doubt.
Well, that’s about it. As I do with all of my stories, though, I’ll let this one marinate for a few days and tinker with it compulsively. Thanks for reading. Please don’t be shy about letting me know which vehicles you like the best, or about anything else. Goodbye till next time!
The other day I was gearing up to republish one of my early stories, those poor neglected souls that are buried in the WordPress catacombs, though I hadn’t chosen my victim yet. After all, I thought, wouldn’t it be right to give new life to an essay that almost nobody read when it came out in 2015? Why, back then my blog had fewer readers than Donald Trump has good qualities.
But then I pondered the situation a bit more and said to myself, “nah!” I mean, I don’t really want to read any of that moldering stuff either, so I’m going to spare you. Therefore it is time for me to regroup and write another chunk of new material. But what? Oh well, I’ve been putting it off long enough. I’ve always figured that nobody would believe me (not even my wife Sandy), and that I’d be labeled a kook (just like the other people who’ve gone public with stories almost identical to the one I’m about to tell). But I’m pretty sure I don’t care about that anymore. Sandy and everyone else, hold onto your hats or whatever the hell you want to hold onto. I swear upon my dead goldfish’s body that every word I’m about to type is true. What follows are my recollections of the night I was serenaded by space aliens!
It was a dark and stormy night. Damn straight it was. Exhausted, I crept into bed at 12:45 AM, about half an hour earlier than usual, and within seconds was sound asleep. Sandy, even more pooped than me, had conked out at 12:15. That’s what dark and stormy nights will do to you. October 25, 2012, my 65th birthday, was off to a very inauspicious start.
I’d been in dreamland for no more than 40 minutes when I felt a tapping on my shoulder. “What’s wrong, Sandy?” I yelled, shocked out of my deep slumber. But nothing was wrong with Sandy, who continued to sleep the sleep of babies. That’s when I saw a hazy ball of pale green light hovering one foot above me. A thick and long projection, aglow in muted yellow, extended from the ball’s core. The projection, a finger to end all fingers, jabbed me in the shoulder good and hard.
“Yo, nitwit, don’t fall back asleep unless you’d like me to slap you real profoundly upside your head. I’ve come a long way to meet with you, so get out of bed, put some clothes on, grab your house keys and follow me. A surprise awaits you,” the aura said. It’s true that I’m pretty much a nitwit, but despite that I know that in certain circumstances it behooves one to follow orders.
“How’d you get in here?” I managed to ask the aura as we went down the stairs, summoning up an iota of courage from I know not where. “And how come you speak English? Are you of Anglo-Saxon descent?”
The aura stopped moving and looked at me, so to speak, straight in the eyes. “Listen,” it said, “I’d have found a way into your house under any circumstances. But you made it easy for me. You left your front door unlocked, genius! And why do I speak English? I am fluent in every language spoken throughout the universe, of which there are millions. I am not your average Joe. And speaking of Joe, my true name would be unpronounceable for you, so Joe is what I want you to call me. Kapeesh?”
“Yes sir, I mean Joe,” I said.
“Okay, Neil, let’s get going again.” Naturally, Joe knew my name.
Moments later we were outside. I locked the front door and followed Joe, who floated through the air very purposefully, to my backyard. Plunk in its middle sat a sleek round vehicle, maybe 20 feet in diameter and gleaming in what little light penetrated the sky’s turbulent clouds. I was getting pounded by rain. With his sturdy finger Joe opened the spacecraft’s door and waited for me to enter. He then floated inside and closed the door. Joe’s dim glow wasn’t enough for me to make out distinct details of the interior, but I recognized the shapes of a table and several chairs. Even an aura needs to sit, or shall we say rest upon something now and then, I surmised. And a table comes in handy almost anywhere, don’t you think?
In any event, the main things going on involved my heart, which was beating at a faster pace than it ever had, and the state of my bowels, which were poised to soil my pants. What was in store for me? Was this the end?
“Joe,” I said, “give me a break. I’m not too bad a guy. After all, I’m doing my bit to keep print publications alive by subscribing to half a dozen of them. And I helped an old lady cross the street not too long ago. Well, come to think of it, that was last year. But you get the idea.”
Joe ignored my comments. “Sit down, Neil,” he said brusquely. He then reduced the volume of his illumination, lowering it more and more till he was invisible to me. The end, I was certain, was only seconds away. Probably Joe’s versatile finger would be involved in my demise.
Next thing I knew, though, the ship’s interior began to brighten. Within moments Joe was shining like a 150-watt bulb. And Joe wasn’t alone. No, beside him another aura had appeared, and its luminance was the equal of his.
“Neil, I would like you to meet . . . wait, pronouncing her name is beyond human capabilities. You shall call her Jane.” From Jane’s mauve core a baby blue projection, as firm and lengthy as Joe’s, emerged. It reached out to me, gently brushing my forehead. I liked that.
“Hello, Neil,” Jane said.
“Jane, I’m honored,” I gulped.
Jane continued to rub my forehead as she settled into a chair next to mine. Joe sat opposite me, waiting for Jane to speak again.
“Neil, it is for a very good reason that Joe and I have traveled the spaceways to make your acquaintance,” Jane began. “We are cosmic ambassadors of good will and visit your small planet every day, quietly and efficiently, from our home many light years away. Back and forth, back and forth. That’s what we do. And each visit is on the occasion of a special someone’s 65th birthday, a day on which many humans need some cheering up. I say special only in an affectionate sense, of course. I’m not implying that there is anything particularly special about you. And here’s why we are crossing paths: On December 31, 2011 Joe and I threw into a humongous hat the names of every person on Earth who would turn 65 in 2012. We drew names until we had one for each date of the year. Neil, you are the selectee for October 25.”
“Yes, you now are officially old, Neil, but we are here to tell you that you shouldn’t feel blue about that,” Jane continued. “Countless millions of humans are on the same rung of the age ladder as you, or above, so take comfort in their company. What’s more, there might be many more years of good life ahead of you. And if not, well, your journey will have been a fulfilling one when it reaches its conclusion, n’est-ce pas?”
And with that Jane and Joe shoved their remarkable fingers beneath the table and lifted up a chocolate birthday cake. Happy Birthday, Big Guy! it read. Sixty-six unlit candles, one of them for good luck, covered the cake’s surface. Jane aimed her finger at the candles and they instantly ignited, just as I knew they would. As I blew the candles out, Joe and Jane serenaded me with the Happy Birthday song. And I soon joined in. Our three-part harmonies were majestic, reaching the ethers.
“Neil, I want to apologize for the way I acted towards you before,” Joe said after the song was sung, shoveling chocolate cake into his core. “I’m kind of testy, on edge. This Earthly assignment is getting to me. Jane and I have been doing this gig for, what, 100 years? I can’t begin to tell you how f*cking sick I am of the Happy Birthday song. Shit, if my planet had a retirement system I’d be first in line to sign up. Ah, what’s the use? It’s been a pleasure, pardner. Adios.” He opened his ship’s door and out I went.
A few minutes later, stuffed with cake, I was back in bed. Joe and Jane silently had lifted off from my backyard, their ship disappearing from sight in less than a nanosecond. Never again, I’m certain, will I see them.
Nearly six years have elapsed since my 65th spin around the Sun. I think about Joe and Jane every day. And I take delight in the knowledge that studied opinions and from-the-heart outpourings, uplifting or not, can arrive from outer space.
(Don’t be shy about adding your comments or about sharing this story. Thanks.)