Streaming

A Choice Story

Yeah, Another Blogger118 Comments

In May of this year, Apple Music sent me an email that offered three months of their service for free. Considering that up until about 15 years ago I was a full-fledged music junkie, and that I’m still a major lover of music, it’s kind of surprising I wasn’t already enrolled in Apple Music or in one of its music-streaming peers, such as Spotify. Anyway, I hemmed and hawed for several weeks, eventually accepting the offer. Man, I’m close to ecstatic that I signed up. It blows my foggy mind that residing within my phone’s Apple Music app are countless thousands of albums, many of which I became intimately familiar with during the approximately 45 years that comprised my music-junkie era (I own circa 1,200 physical albums and used to attend concerts right and left). And as for the incredible number I was unfamiliar with but was interested in checking out, well, I’ve made a slight dent in that mountain. New-to-me albums by some of my very favorite artists (Sun Ra, Howlin’ Wolf, Bruce Springsteen and Ella Fitzgerald, to name but a few) and by at least 100 other artists have reached my ears thanks to Apple Music. I’ve been in music heaven the past two months, and possibly am on my way to becoming a long-term junkie again. There would be worse fates than that.

Yet, I have to say it almost seems wrong to have such an overwhelming amount of musical choice a mere handful of taps away. I mean, do I, or does anyone, deserve such unimaginable bounty? Am I, or is anyone, that entitled? I suppose those questions are moot. After all, billions of people own smartphones, laptops, etc., and each of those devices easily can access near-infinite amounts of content on any subject under the Sun. That’s where we are in the 21st century. It’s the new reality, something we usually or always take for granted. The digital world is a wonder of the highest order (though not always in good ways), and it is ever-expanding.

Which leads me to another corner of the streaming universe, that which supplies humanity with more series and movies than a person could consume in 1,000 lifetimes. So many choices! Most evenings, my wife Sandy and I click onto a streamer and watch a series for an hour or two. We’ve breezed through 27 series so far this year. I’ll briefly mention two I enjoyed immensely: The Residence, a whimsical, sprightly murder mystery set in the White House in Washington D.C., and The Pitt, a drama that follows a harrowing 15-hour shift in the emergency room of a Pittsburgh, Pennsylvania hospital. The Pitt contains more than a couple of graphic, bloody scenes, I should note. To my amazement, I didn’t close my eyes during them. Shit, I think that means I should go to medical school! If I start next year, I’ll become a licensed physician at age 84 or 85. What, you wouldn’t want an octogenarian diagnosing and treating you? I’m offended! By the way, you’ll find The Residence on Netflix, and The Pitt on HBO Max.

Last week, while I waited at an auto service center where my car was undergoing an oil change and safety inspection, Apple Music once again proved its amazingness to me. Nestled in a lounge area, I read a text message my brother Richie had sent to me regarding Terry Reid, a British rocker who passed away on August 4th at age 75. Richie mentioned that Reid was an opening act at a Rolling Stones concert he and I attended (at New York City’s Madison Square Garden) in November 1969. I have no recollection of Reid’s performance. And I have only partial memories of The Stones’ work.

Fortunately, recordings of The Stones from the show we were at, and from three other Stones concerts that November, appear on a classic Stones album, Get Yer Ya-Ya’s Out! I hadn’t heard the record in eons. Listening to it was the obvious choice for me to make. So, I tapped on my phone’s Apple Music app for a few seconds and — voila! — the album presented itself to me. I sat back and, via earbuds, listened all the way through. It’s a beauty.

It wouldn’t be a bad idea for me to conclude this piece with one of the tracks from Ya-Ya’s, right? I’ll go with Street Fighting Man. I’m a big fan of hard rock, as long as the songs are top-notch and the musicians are wailing like nobody’s business. This recording meets my criteria.

Streaming Services, Where Would I Be Without You?

Yeah, Another Blogger152 Comments

A few months before the COVID pandemic erupted in early 2020, my wife Sandy signed us up for Netflix, a streaming service. She immediately dipped into its vast catalog of offerings, but I didn’t. This was predictable, since, for years, I’d been watching very little TV. However, when the pandemic halted the activities that until then had shaped my life significantly — such as going to concerts, movies, museums and restaurants — I was in need of high doses of entertainment. So, I turned to Netflix and HBO, another streamer, in order to fill the gaping void. (We already were HBO subscribers, because Sandy loves Last Week Tonight With John Oliver.) I’m damn glad that I did. Man, it became a five-to-seven-nights-a-week ritual, which has continued to this day, for Sandy and me to watch an hour or two together of one series or another, or sometimes a movie instead.

And the selections available to us expanded luxuriously about a year ago when we decided to give Jeff Bezos some needed cash by becoming members of Amazon Prime, one component of which is Prime Video, a streamer supreme. Around that time, too, we transitioned from HBO to HBO Max, as Max offers shitloads more series and movies than traditional HBO does. Holy crap, my mind was and remains blown by the nearly infinite mass of scripted, ad-free visual content a few clicks away from me. Though the world in many ways is a nightmare, its streaming realm is f*cking miraculous.

It was a good move on my part, at the start of my infatuation with streamers, to begin compiling a list of the series that Sandy and I jointly watch on television. After all, in a way the list is a partial record of our lives. The list also includes the series that she and I have viewed individually, but there aren’t many of those. Well, I ain’t lying when I say that the list has become really long. The number of productions that we’ve seen in tandem absolutely astounds me: 87, comprising limited series and also multi-season series of which we’ve taken in one or more seasons. Yup, though I don’t spend an inordinate amount of time in front of the tube, I’m a freaking streaming addict nonetheless. I haven’t partaken of scripted fare to this extent since I was a kid ages ago, when I feasted regularly on innumerable network-television series: Bonanza, Have Gun Will Travel, and Peter Gunn, to name but a few.

A good indication of the strength of my addiction (and Sandy’s too, it must be noted) is the fact that, as a team last month, we polished off every episode of Mo, A Very English Scandal, Entrapped, and Wednesday. We also devoured season one of The White Lotus and the first two seasons of Catastrophe (we’ll watch the remaining two seasons in February). I liked all the shows, one especially so.

The standout is Catastrophe. It initially ran on the United Kingdom’s Channel Four, ending in 2019. Prime Video started carrying it somewhere along the line. A rip-roaring rom-com that isn’t all fun and games, Catastrophe tells the mid-life tale of Sharon Morris, an Irish lass living in London, and Rob Norris, an American who hails from Boston. At the start of the show, Rob is in London on business. Friendly, frisky and 40-ish, Sharon and Rob like what they see in each other when they meet by chance in a pub, and lose no time in getting it on, repeatedly, over the next week. Rob then returns to the States where, some weeks later, Sharon phones him to announce that she is pregnant. Well, though they barely know one another, Rob moves to London, Sharon decides to have the baby, Rob proposes to Sharon, who says yes, and a married couple they become. A few hours after the wedding ceremony concludes, the unborn child silently proclaims that it is ready to meet the world ahead of schedule.

I won’t say any more about the plot. I will add this, though: Catastrophe (created by, written by and starring Sharon Horgan and Rob Delaney, who, as best I can determine, were/are not romantically involved) leaves me breathless. Its eight or so principal characters are beautifully drawn and played, its dialogue whip-smart. The show, however, is not for anyone who isn’t up for getting drenched with candid sex talk and robust sexual situations, all of which, mind you, Catastrophe presents with a twinkle in its eye. Catastrophe truly is something else.

So, that’s the latest on the TV-viewing front from my abode. Seeing that Sandy and I always are on the lookout for series and movies to watch, we’d love to learn what you recommend, on streaming services or elsewhere. Thanks!