From Out Of The Blue Came Hoyt Axton

Photo (c) MGM.
Photo (c) MGM.

Hoyt Axton? Am I really writing about Hoyt Axton? Why, prior to 12:30 PM of last week’s Tuesday I hadn’t thought about this gentleman in so long it might as well have been forever. And although I’m certain that I used to know a few bits about him, I couldn’t in a million years have told you more than one-tenth of an iota of what I used to knew. Was he once a presence on TV and in movies? Did he write some songs that made it into the mainstream? I’d have guessed yes to both queries, but any specifics would have been beyond my reach. My memories of Hoyt were nothing but the dimmest and vaguest, buried in the dark and dusty recesses of what passes for my mind.

I’ve done some research on Hoyt since then, as any good reporter would. A few hours delving into the vaults of Wikipedia and its brethren have helped bring him to life for me. And what I’ve learned tells me that a lot of people knew about him in his heyday, which took up much of the 1960s, 70s and 80s. I should have remembered that. Hoyt, who died in 1999 at age 61, was a fairly big star. He was an occasional actor on the small and big screens, popping up in I Dream Of Jeannie and McCloud, for example, on the former, and in The Black Stallion on the latter. But, more than anything, Hoyt was a music man, a singer-songwriter mostly in the folkie/country/pop veins, who recorded around 25 albums filled with many of his own compositions and who toured all over the place for years. He often imbued his lyrics with wry or idiosyncratic slants and visions. And though he never exactly set the Billboard music charts afire with his own waxings, some of his songs found fine and enduring success in the hands of others. How many millions of people have heard Three Dog Night’s version of Joy To The World (click here to listen)? Too many to count. And though there are some who haven’t encountered Ringo Starr’s irresistibly bouncy immersion in The No No Song (click here), or Steppenwolf’s grinding take on The Pusher (click here) . . . well, that’s their loss.

But you know what, I’ve digressed as far as I need to. Just a little bit to my left, and I can see it clearly, is the bottomless rabbit hole that an extensive investigation of Hoyt, or of just about anybody for that matter, would ensnare me in. Help! I’m a muser, not a biographer. Rabbit holes and I don’t get along! This story, you see, isn’t meant to be so much about Hoyt as it is about getting jazzed by the simple things in life, good things that show up from out of the blue and make you say wowza. Such as hearing a song you’ve never heard before that sets you flying.

There I was, then, at 12:30 PM a week ago Tuesday, driving home from who knows where, when I flipped the car radio to WPRB, Princeton University’s radio station whose programming is unpredictable, wild and sometimes wooly. A song was in progress, and immediately I liked what I heard. The song moved at a languid pace, buoyed by spare, shimmering keyboard notes, quiet yet urgent vocals and delicate percussion work. It floated, it drifted and it took me aboard. Spacey and wispy, it made me wish that I was 30 or 40 years younger, toking up to enjoy the journey even more. Potless though I was, the song put me in a most excellent frame of mind: Calm, open. Yeah, man . . . a superb way to be.

What song was I listening to? Undoubtedly something by a modern day neo-psychedelic conjurer, I figured. But noooooo. A few minutes later the song ended and the DJ started talking. You could have knocked me over with a magic mushroom when he said that the track, Kingswood Manor (click here), was performed by Hoyt Axton, he whose name, as I mentioned, I hadn’t thought about in eons. I couldn’t recall ever hearing Hoyt sing a song before.

griffin-hoyt-515djbjzfl__sx425_Well, my mini high lasted for a decent spell beyond the song’s end. And I’ve since revisited Kingswood Manor a number of times, diligent and conscientious blogger that I am. It comes from Hoyt’s obscure 1969 album My Griffin Is Gone. Hoyt solely wrote or co-wrote all of its tunes. I’ve listened to it from start to finish on YouTube. MGIG, I imagine, isn’t a conventional Hoyt album, dressed up as many of its songs are with strings and baroque strokes. I also gave a listen online to his 1977 album Road Songs, a country and honky-tonk workout that probably is more typically Hoyt. And I have to say that overall I prefer Road Songs to Griffin. Road Songs’ songwriting seems more focused and stronger. But Kingswood Manor? Sure, lyrically it’s unsettling, what with its trippy looks into a troubled mind. At song’s finish, has the protagonist escaped from madness, finding bliss? I believe you can argue the puzzle either way. Whatever the case, I find the words fascinating. It’s the sonics and mood, though, that I concentrate on, because for me that’s where Kingswood Manor’s power is at. To me the song is magnifique, the type of creation that rings my astral bells just right. I don’t know how the Princeton DJ ever came across Kingswood Manor. It’s one of those tunes that only relative handfuls of folks are familiar with. But glad I am that he did.

 

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My 100th Post: Donald Trump And Joyce Carol Oates Chime In

1001I was giddy with joy last week when I began designing the story that is now before your eyes. Why wouldn’t I have been? Incredibly to me, it is the 100th opus that I’ve published on this blog, though its finalized shape differs substantially from my original conception. Despite that, I am of the opinion that 100 stories is a true milestone for someone whose life has been light on milestones. Very light. The last time I did anything noteworthy was decades ago, in 1985, the year in which I set the Guinness World Record for the most Cheez-It crackers consumed in one sitting. The 8,271 Its that tumbled down my gullet on June 17 of that year remain a number yet to be topped. You can look it up.

One hundred stories. Wow, indeed, considering that when I started this blog 20 months ago I was uncertain as to its future. I began strongly, banging out articles every four or five days. And even though my pace soon slowed slightly, I held the old nose to the old grindstone and efficiently kept the stories rolling off the assembly line. So, I feel comfortable in saying that my blog isn’t going away anytime soon. Hey, I’ve discovered that I like to write. Who’d have thunk it? At last, something to hold on to!

Still, by nature less than wonderfully confident, I was in need last week of some reinforcement, some pats on the back that would keep my elevated mood elevated and provide uplifting quotes to incorporate into story #100. With that in mind, a few days ago I picked up the phone and made a series of calls to a variety of intermediaries, eventually directly reaching the persons I wanted to chat with. Persons whose votes of confidence I was hoping to win. Things didn’t end up the way I had envisioned, but WTF. I tried. And I did snare conversations with two individuals from my past whose thoughts, I’d venture to say, haven’t been included in the same story ever before. Namely, Donald Trump, “Donnie” to me, and the brilliant and incomprehensibly prolific novelist, essayist and memoirist Joyce Carol Oates.

Donnie Trump was the first of the two I was able to get on the line.

“Who’s this?” he said after I offered my greeting. “Hurry up, whoever you are. I’m busy. It’s not as easy as you’d think to unravel and unnerve a country.”

“Donnie, it’s Neil Scheinin. Remember me? We were not quite friends but were more than acquaintances during the one year we spent together at Mister Gruel’s High School For Future Winners. You were 15 and I was 14. We were on the debate team together. You were its star, natch. I was the fifth alternate. Remember?”

There was a pause. Then he spoke. “Neil, I have a vague memory of you. You’re the guy, I think, who couldn’t string two sentences together coherently. Am I right?”

“Yeah, Donnie. As always, you’re right. Here’s why I’m calling. You weren’t very nice to me all those years ago, mocking me, belittling my meager talents. That’s why I wanted to let you know that these many moons later I’ve gained success. I’ve become a blogger, a writer if you will, and I take the job seriously. I’m about to publish my 100th story soon, which to me is a momentous event, and I’d like the piece to include your comments about my achievement.”

“So you’re a writer, are you, Neil? I don’t like writers. They tend to be thinkers, and I don’t like thinkers either. What I like are doers, men who bulldoze their way through life. Men who bulldoze their way through nature, for that matter. Look at me. I’m a bulldozer, and everyone admires me. I’m so popular it’s ridiculous.”

All of a sudden I felt something weird starting to happen inside my mouth. My tongue, normally held well in place, was itching to flap wildly. I couldn’t control it. I’d come seeking a few words of support from the USA’s next leader, selfishly hoping to boost my blog’s readership as a result. But what I said next was guaranteed not to elicit kind responses.

I think he'd look better as a brunette. (Photo: Melina Mara/The Washington Post/Getty Images)
I think he’d look better as a brunette. (Photo: Melina Mara/The Washington Post/Getty Images)

“Donnie,” I said, “I guess you heard that Hillary is more popular than you, didn’t you? She won the popular vote, n’est pas? By a lot. You know, two months ago you were proclaiming that the election process was rigged in her favor. Seems like just the opposite was true. I mean, if it wasn’t for our demented Electoral College system you’d be spending your time right now deciding whether or not to change the color of your hair. Instead, you’re doing your best, like you have for months, to energize the haters who keep crawling out of the woodwork because of you.”

Donnie didn’t enjoy that. “Listen up, fifth alternate. You’re a loser. Did you hear me? I said loser. Me, I’m a winner.” He stopped talking. Someone was calling to him. “Stay right where you are, loser,” Donnie said a moment later. “I’ll be right back — ‘What’d you say, Rudy? That it’ll be a snap to obstruct poor peoples’ right to vote? And a snap to cancel environmental protection regulations? Keep it coming, Rudy. You’re the man!'”

Holy crap. The phone call wasn’t going well. It was bringing me down, not up. I decided to hang up on a future president. Which is what I did.

If kudos for my solid achievement weren’t to be found with Donnie, I was certain that they would be with Professor Oates, who for many years has taught at Princeton University, merely an hour’s drive from my suburban Philadelphia home. Three hours of trying to reach her via phone calls to university staff the other day finally paid off.

My phone rang. “Hello, this is Joyce Carol Oates. What may I do for you?”

“Professor, this is Neil Scheinin. Possibly you recall me from the marvelous class you taught six years ago, Faulkner, Bellow And Fitzgerald: As Novelists, Were They Really Any Good? I always sat in the first row in the seat nearest the exit, a bag of popcorn on my lap.”

“Ah yes, Mr. Scheinin. How could I forget? You are the gentleman who audited the course and managed never to add a perceptive or entertaining comment to the classroom discussions. What, sir, are you calling about?”

“Professor, as unexpected as this might be to you, believe it or not I have taken to writing like a duck to . . . well, maybe not to water, but to something. You see, last year I started blogging, and since then I’ve written up a storm. Right now I’m excited to be working on my 100th story. One hundred, Professor! A number that amazes me. Have you any comments about this?”

Joyce Carol Oates. (Photo: Thos Robinson/Getty Images)
Joyce Carol Oates. (Photo: Thos Robinson/Getty Images)

I almost could hear Professor Oates’ mind revving. It didn’t take long for her to respond. “Neil,” she said, “what you have done amounts to little. You say you’re about to complete your 100th story? And it took you months and months to do this? Why, I could write that many in a week. Possibly in four days if need be. But forget about stories . . . Do you have any idea how many books I’ve written, most of them long and detailed books? Over a hundred, Neil. Over a hundred. Call me back whenever your blog expands in size fiftyfold. Maybe then we’ll be able to have a satisfying and meaningful discussion.”

Well, here I am then with little more to say. I thought that this story might have had a chance to go viral had Donnie and Professor been more congenial interviewees. But such is life. Thanks for reading number 100. It’ll take some time for me to bounce back to my normal self, but I assure you that when that happens I’ll get to work on 101.

 

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Stoned Again And Again (A Semi-Obsession With The Rolling Stones)

jumpin-jack-flash-coverIn the summer of 1968 I did a stint as a counselor at a boys’ sleepaway camp nestled in the Berkshire Mountains of Massachusetts. It was a good gig. I liked the kids in the bunk that I oversaw. And for some reason they seemed to like me. The air up there in the mountains was fresh, the water in the camp’s lake was clean and inviting and the female counselors in the nearby girls’ camp were cute. Like I said, a good gig. The best thing of all during that summer, though, was completely camp-unrelated. It was a tune that I heard for the first time ever while lying one evening on my bunk cot. A new song, it exploded from my teeny-weeny radio, and for the rest of my Berkshires sojourn I flipped that radio’s dial as often as possible each day, seeking out the music that had blown me away. Whenever I found it, which was pretty often, I shook my head in disbelief and let it rock me anew unmercifully. And you know what? To this day, a mere 48 years later, the tune has just about the same effect upon me. We’re talking The Rolling Stones’ Jumpin’ Jack Flash, birthed in the era when those British lads were idolized, really mattered and were flabbergastingly creative, writing and recording amazing new songs prolifically and seemingly with ease.

Stones on stage in 2016. Photo by Nelson Almeida/AFP -- Getty Images
Stones on stage in 2016. Photo by Nelson Almeida/AFP — Getty Images

In 2016 the Stones are still idolized, at least by some. But really mattering and in possession of creative zing? Those days passed the Stones by long, long ago. Sure, the boys, who range in age from 69 (guitarist Ronnie Wood, a longtime but not original Stone) to 75 (drummer Charlie Watts) haven’t broken up, and for each of the last five years they’ve toured a decent amount, rocking ferociously on stage (meaning, they remain fairly active and haven’t lost their chops). Problem is, though, in concert they are nothing more than rehashers of their own well-worn classic material. And that’s because, when it comes to composing and then recording new songs, they’re plenty constipated. Guys, I’m going to ship 20 cases of prune juice to your manager’s office. You need it.

Hey, Paul McCartney, Bob Dylan and Neil Young, all of whose tree rings number about the same as those of the various Stones, continue to gift the world with albums of original material. But the Stones? Nah. The only album of new bonbons they produced this century was 2005’s A Bigger Bang. And in 2011 they managed to record and release two more original songs. The well dried up after that. They do have a studio album coming out next month, but it’s filled strictly with cover versions of old blues numbers. Apparently they had entered the studio to try and crank out an album of newbies, but got nowhere with that. Trying to salvage the sessions in some way, they fell into a blues groove, jamming on numbers composed by Willie Dixon, Howlin’ Wolf and other blues guys, and ended up with enough material for an album. I bet the record (Blue And Lonesome) will be good. But me, I’d much rather have the Mick Jagger-Keith Richards songwriting team on fire like they were looong ago. Who knows? Maybe it’ll happen again. Prune juice works.

Right, it’s kind of weird that I know about all of this Stonesy stuff. But I do. And the reason is that, in my wondrous dotage, I am, as I’ve been for nearly forever, a dopey fanboy of the Stones, though far less fervent than I used to be. I rarely play their albums at home anymore, something I once did religiously. But I keep my Stones jones alive by regularly checking up on their musical and other escapades on Google News. Did you hear, for instance, that Wood became the father of twins earlier this year? Or that Jagger will become a dad for the eighth time, at age 73, when his decades-younger-than-him girlfriend gives birth soon? Ah well, small news items like those fit comfortably into my small brain cavity. Decades ago I probably wouldn’t have thought my semi-obsession with the Stones would continue this far into eternity. Similarly, Jagger, when he was in his twenties, used to say that he couldn’t imagine performing rock and roll beyond age 30. So I guess I don’t feel too goofy about following him and his bandmates on their continuing trip. We spit at Father Time’s wrinkled face!

the-rolling-stones-we-love-you-london-3My best Stones moments in a while came recently courtesy of WXPN, a Philadelphia radio station adept at playing just about every style of music you can name. The morning DJ announced that she was spinning songs that originally had come out together on seven inch 45 rpm vinyl singles. In other words, she was playing sides A and B from a bunch of singles. When I heard her offer up the Stones’ Ruby Tuesday/Let’s Spend The Night Together something sparked in my head, turning my thoughts to another Stones 45 that I’ve always thought of as one of the ultimate singles, and whose two tunes I hadn’t heard in at least a few years. Released in 1967, during the Stones’ brief foray into psychedelia, We Love You and Dandelion found their most meaningful home on that single, as neither ever was part of a regular studio album. They did, however, eventually take up space on some of the greatest hits and compilation discs that the band is talented at issuing unnecessarily often. Great, great songs they are, despite being among the group’s lesser-known efforts.

I used to own the seven inch We Love You/Dandelion single. No more. My collection of 45s, unlike that of my vinyl albums, long ago found new abodes and/or an assortment of landfills in which to reside. Therefore, thank the stars above for YouTube, to which I turned to please my ears soon after the tunes popped into my mind. They sounded as good as I remembered them. Blessed with catchy-as-hell melodies, swirling and cascading vocals and pulsating instrumentations, We Love You and Dandelion set my head a-boppin’ and my mind a-floatin’. As always, shivers ran up and down my back as the songs’ high harmony vocal interweavings kissed the sky.

We Love You arrived in the wake of Jagger’s and Richards’ 1967 drug bust, short-term jailings, trials and, in the end, very light sentences. It was both a thank you to Stones supporters and a poke at the British legal system. Dandelion is less heady, a harpsichord and drum-driven relative of children’s songs aimed at anyone who likes to smile and groove. Both songs swell with musical daring, panache and beauty. I can’t recommend them enough. Such being the case, clicking here is what you’ll want to do to listen to the former, and here for the latter. I accept your thanks in advance.

 

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The No Bell Prize

Before I threw this blog into gear, in April of last year, I’d hardly ever looked at any of the who knows how many millions of blogs that flap their wings in cyberspace. Since then, though, I’ve become a blog addict and have clicked on the pages of at least a thousand. Most I’ve never revisited, for reasons only my valet Jeeves is privy to. But there are over 100 whose words and images I imbibe anywhere from occasionally to frequently. And that’s because they are good. Real good in numerous cases. If anyone had told me in April 2015 that Planet Earth houses many times more strong thinkers and boffo writers and discerning photographers than I ever imagined, I’d have responded “yeah right, and I’m going to win the Nobel Prize in Literature before this decade is out.” Well, all I can say is that I now am totally impressed, and intimidated, by the oceans of citizens who can turn a sweet phrase and/or snap a fine photo. And despite the obvious fact that a Nobel isn’t part of my future, I’m here to announce somewhat reluctantly that a No Bell is. More about that later.

Intimidated. Yes, that word surely applies to me. Trying to keep pace with the many who, anywhere from twice a week to daily, knock out good stories for their blogs intimidates me. I mean, it’s all I can do to compose a ditty once a week. Twice a week or more often than that? Ain’t about to happen anytime soon. I’m more likely to pack my bags for the Himalayas and scale Mount Everest or K2.

Inspiration that leads somewhere is what it boils down to, and some writers have it up the wazoo. Me, uh uh. Take one day last week, for example. I hit my blog’s “Publish” button early that morning, lofting my latest masterwork, Ponds, into the ethers. Hours later I was sweating up a storm, racking my brains for a topic I could wrap my head around and turn into another addition to the publication whose sentences you presently are glued to. The pressure was on. If something didn’t emerge pretty soon I’d be in sharp danger of being empty-handed when, the following week, the “Publish” button coolly beckoned me to depress it confidently. Becoming more desperate by the minute I yelled to myself “come here, topic, come here. Be a good boy and come here.”

And who’d have guessed it? Next thing I knew a few ideas began to dribble in. Starting to feel better I grabbed a pen and a pad and scribbled some notes.

img_1254Cape Cod were the first words I jotted down. Sure, how about another opus about The Cape? My previous two fell into that category, so why not make it a threepeat? On the other hand, I quickly decided, fuhgeddaboudit. I needed to point my blog in a direction away from The Cape, if only temporarily, before my meager readership abandoned ship entirely. “Cape Cod, my love,” I said to myself, “I’ll come back to you. Sooner rather than later. Wait for me, my dearest. Please wait.”

monkey-scratching-headIf not Cape Cod, what then? A few more words transferred from my brain cells to paper: Movies That Made Me Scratch My Head. Not a bad idea, I thought, as I’d seen two action flicks in October that I enjoyed but whose plots, par for the course for me, I couldn’t keep up with. Jack Reacher: Never Go Back, a Tom Cruise-led endeavor, and Ben Affleck’s The Accountant were the films in question. Sitting back on my living room sofa I tried to bring Reacher and Accountant to life in my mind, but had only middling success. I could barely recall the plot twists that a few weeks earlier I’d been scratching my head about. Like much of my life, they’d faded into wispy memories. What, you expect a body to take notes when he goes to the movies in the event he might want to comment pointedly on them for his blog? I’ll take it under consideration.

You get the picture. I played around with a couple of other ideas and ended up tossing them aside too. And so, here I am with an essay about not much of anything. And the “Publish” button is staring me in the face. What’s a boy to do? That button is a demanding and inscrutable entity, one best not to ignore. It’s anyone’s guess what ghastly forces might be unleashed if I do.

In conclusion, I return to the aforementioned No Bell Prize. Here’s the situation: I have it on good  authority that next week I will be invited to Stockholm, Sweden, where, should I accept the invitation, I would be presented in December with a document inscribed as follows: We at The No Bell Institute Of Blogging Mediocrity hereby state that Neil Scheinin’s blog post from November 10, 2016 is not ring-a-ding-ding. It is unworthy of any number of bells, not five, not even one. No bells being more like it, we are issuing this certificate to Mr. Scheinin.

Ouch!

Oy vey!!

Onward and Upward!!!

 

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Ponds

For those of you who have been wishing and praying that this correspondent would drop the Cape Cod kick he’s been on, I have a few things to say, such as “lump it.” Or, as I mentioned in my previous story, “sue me.” Be forewarned, though, that if you choose the latter path you’ll soon encounter the legal fury of my attorney, the one and only Harry “I’m gonna git you, sucka!” Hooznext. Harry is a fearsome son of a bitch. The last time he lost a case was before any of us were born.

Ponds. Yeah, that’s what I’m about to write about. Specifically, Cape Cod ponds. Not with the magical descriptive powers or insights that Henry David Thoreau, in the mid-1800s, brought to the subject in his charming book Cape Cod. Rather, with the flabby notions that one would expect from he who in his own mind is a sort of Nature Boy, but whose knowledge of the natural world actually is barely enough to squeeze out a 1,000 or so word essay. But we work with the tools that have been granted us, no? Yes.

Let’s get on with it. Last month my wife Sandy and I spent some time on Cape Cod, a locale where, as I’ve noted previously on these pages, we frolic in and stand in awe of the great outdoors indescribably more than we do back home in suburban Philadelphia. That’s because 97% of the great outdoors has been bulldozed and paved over where we live, whereas on Cape Cod substantial areas of near-undisturbed beauty remain.

A portion of Hawksnest State Park's forest.
A portion of Hawksnest State Park’s forest.

We’ve been coming to Cape Cod since 1998. At first it was The Cape’s waters and coastlines that made us chant “OMG” in unison several times each day. As the years rolled by we started to realize that those waters and sands and marshes weren’t all there was to go gaga over and to commune with. Hey, there were trees! A trillion of them! I mean, within and between its villages, Cape Cod is slathered with woods, many public. And there are several sprawling areas that meet just about anyone’s definition of true forests. And so, to the woodlands we went, skipping hand-in-hand down their trails, dropping bread crumbs behind us and keeping one dominant thread of thought in our minds. To wit: “Holy crap! There’s a ton of poison ivy all over the place! What the f*ck are we doing here?” But we carefully watched where we placed our feet and soldiered on.

Lo and behold, one day in a woody spread we came upon a body of water so pristine and lovely we almost dropped to our knees. It was a pond. A freshwater pond. It sat there demurely, prettily, surrounded by trees small to medium in stature, trees unable to reach towering heights due to The Cape’s less-than-fully-nourishing sandy soils. And small to medium seemed just right, the correct accompaniment to a modestly sized pool of water. Yes, we were smitten. Once again Cape Cod’s elemental beauty had melted us like butter. Pre-Cape Cod we hardly were oblivious to nature’s bounties. But The Cape somehow opened inner windows that allowed us to enjoy the views as we never had before.

Since that fateful day Sandy and I have added pond-seeking to our repertoire of activities on The Cape. Needless to say, the hands of man have surrounded too many ponds with roads and houses that don’t exactly make enchanted experiences out of gazing upon the waters. Yet, a decent number of freshwater ponds remain in unspoiled woodlands. And we’ve worshipped at some of their altars. By the way, if one is to believe what one reads, the end of the latest Ice Age, 12,000 or so years ago, is responsible for The Cape’s freshwater ponds. Retreating glaciers apparently scraped holes in the ground that filled with water and became the ponds we know and love today. And how many freshwater ponds are there? There doesn’t seem to be a consensus on the answer. Anywhere from 365 to 1,000 are the numbers thrown around. Whatever, The Cape contains more than a few.

Hawksnest Pond.
Hawksnest Pond.

Sandy and I fell under the spell of a pond one week into our latest Cape trip. We’d seen it, Hawksnest Pond, a few years ago, and decided to refresh beside it again. This pond, and two others, are sheltered within a small forest, Hawksnest State Park, a little-known and little-visited and undeveloped swath of Harwich township. We parked along one of the park’s borders and entered, marching down the park’s wide main trail till Hawksnest Pond materialized. Man, standing on its shores I felt my anxieties begin to slip away. Alas, an hour later all the tensions returned when we exited the forest. Tight as a frigging knot I often tend to be.

Tight doesn’t begin to describe the emotional state that a pond-hunting escapade threw me into two days later. Ballistic is more like it. There Sandy and I were in Nickerson Sate Park, a 1,900 acre forest in Brewster township. Eight freshwater ponds are on the premises, and pine trees and oak trees abound, as they do throughout Cape Cod. Sandy and I have been to Nickerson a few times over the years. This time I was determined to gaze upon its Higgins Pond, which, as far as I could remember, I’d never seen before. But gaze upon it I did not, as Higgins wasn’t visible from the road that supposedly ran near it, and trying to ascertain which forest pathways led to the pond proved to be an exercise in sheer frustration. The park brochure and map? Pretty useless.  Road signs and trail signs clearly pointing to Higgins? Nonexistent. “Where’s Daniel Effing Boone when you need him?” I bellowed, not for the first time in my life. “He’s on his lunch break,” a voice, barely perceptible, answered from far, far away. It figured.

Flax Pond.
Flax Pond.

Smoke pouring out of my ears, I drove back towards the park entrance, deciding to turn onto a road that seemingly had a good chance of leading to Flax Pond, another of Nickerson’s oases. Mercifully it did. Flax Pond wasn’t new to us, but was no less beautiful for that. The pond looked sweet and innocent. Hell, it was sweet and innocent. Quiet blue waters ringed by a chorale of lovely, welcoming trees . . .  not much is better. Almost instantly I felt my diastolic and systolic numbers head southward dramatically. And there they remained for a good while, as memories of the Higgins mini-fiasco evaporated presto. Some days work out just fine.

 

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