As many of us know, Sly Stone left this mortal coil early this month, and two days later Brian Wilson joined him in the Great Rock Band In The Sky. Two superb musical minds, and revered figures, gone, just like that. At least they made it into their 80s. Their passings would have been harder to take had they left us while in their primes.
As the masterminds, respectively, of Sly And The Family Stone and The Beach Boys, Sly and Brian helped turn the 1960s into a music wonderland. During that decade, music was vibrantly alive with love and hope and power and innovation. No decade before or since, to my way of thinking, was or has been as sonically diverse and dynamic. I came of age during the 1960s, becoming, among other things, a music junkie, a description that still fits me, though not to the extent it did back then. Those were the days.
I could go on and on about Sly Stone and Brian Wilson, but I don’t mean to focus on them. The idea to meld them into this story, though, came to me on Sunday, June 19, which was Father’s Day in my nation, the USA. They, and their music, were on my mind, as had been the case for a number of days. My father, of course, was on my mind too. Very much so. Many memories about him played in my head, including music-related ones. I’m sure the latter would not have surfaced had I not been thinking about Sly and Brian.
My dad, Hyman Scheinin, lived to the ripe old age of 96, breathing his last on September 1, 2005. He spent the final six and a half years of his life with me and my wife Sandy, and became a dialysis patient about one year after moving in with us. Dialysis is a hard road for anybody to travel, let alone someone in their 90s. But my father bore the burden pretty well, emotionally and physically. Over time, however, his body began to wear out from the strain of three-times-per-week dialysis sessions, and from infections. He died in a hospital bed, with my wife, my brother Richard and myself beside him. It was a sad day, one I thought about a lot on Father’s Day.
Sandy and I did our best to care for my father, and to try and keep his spirits up. Everyone deserves to experience positive things in life, it goes without saying, so we made it a point to get him out of the house for more than his dialysis sessions and his numerous other medical appointments. He went with us to restaurants and art shows, to name two activities. And I would take him on casual drives, just to see what we would see. He almost always had a good time.
And then there were the Friday night jazz concerts at the Philadelphia Museum Of Art, a series populated by established and up-and-coming musicians from the States and elsewhere. The series ran for about 15 years and ended maybe 10 years ago. Being a jazz head, I miss it. My father attended 19 of those shows with us (Sandy and I also went to shows at the museum without him), and felt completely in his element there, probably to his surprise and certainly to ours. We’d arrive early, so as to be able to grab one of the cocktail tables close to the stage area. Out on the town and in a magnificent setting (the museum’s Great Hall), my father was happy as a clam from the moment he sat down.
Growing up, I didn’t think of my father as a music appreciator. He didn’t listen to songs on the radio, didn’t play albums on the family phonograph. And I had little reason to change my viewpoint until those many decades later. I think, now, that the thrill of just being at the museum concerts opened up my father’s ears, made him hungry to truly experience music. And truly experience it he did. His involvement reached a peak in January 2003 at a performance by the quartet led by the then-new-on-the-scene alto saxophonist Miguel Zenón. Zenón is a wonderful musician, adept at various approaches to jazz. He can play softly and melodically, for instance. And, while soloing, he can be ferocious.
In the middle of the show, following a lengthy and intense Zenón solo, the damndest thing happened. Sandy and I couldn’t believe our eyes when my father leaped from his chair, clapping madly in appreciation of Zenón’s mighty efforts. Normally a mild-mannered sort, he was revealing just how deeply into music he could dive. I was duly impressed. No one at the show was enjoying themselves more than the nonagenarian a few feet away from me and Sandy.
It’s fitting for me to conclude this musical story with the title song from Miguel Zenón’s first album, Looking Forward, because the album came out a mere smattering of months before his appearance at the art museum. Undoubtedly, then, he played tunes from it at the concert. Perhaps this song is the one that made my father applaud like there was no tomorrow. Whether it is or not, I tip my hat to Zenón for having brought joy to my father, and to Sly Stone and Brian Wilson for nudging me to write the words on this page.
Yeah, Another Blogger 