It’s a wonderful thing, photography. At a push of a button we can immortalize anything or anyone we want: flower gardens; baseball games; birds in flight; bird crap on car windows; pals; lovers; favorite cousins; despised in-laws. You name it, somebody has taken its picture.
Those obvious notions came to mind a few nights ago when I decided to green light an essay about photography, whose final form you are now looking at. I’ve written before on the subject. And that’s because I get a soul-satisfying kick out of shutterbugging.
That kick had lain dormant for decades, but vigorously popped out of its coffin in January 2016 when I came into possession of my first smartphone. An iPhone, it struck me as miraculous. Hell, was there anything it couldn’t do? Well, the phone balked at fetching my dog-eared slippers and washing my dirty underwear. But other than that, it was primo.
And the phone of course came equipped with a camera lens that, despite its incredibly tiny size, took, for the most part, damn good pictures. Good enough for me, anyway. Within no time I was snapping away. And decorating my journalistic output with some of the results of those snaps (prior to that, my wife Sandy took the photos for the stories). Man, I had lucked out, if you want to look at it that way. Meaning, even though I was a whole lot older than I could believe, depressingly older, at least I had added two worthy creative endeavors (writing and photography) to the late autumn/early winter of my years. Excuse me for a moment, please, while I now resume watching those f*cking grains of sand continue to fall, fall, fall to the bottom of my hourglass. Oh, my breaking heart!
Okay, I’m back. Where was I? Ah, yes. Here’s the way I look at photography: Many of us, including yours truly, can’t draw or paint or sculpt worth a shit. But it’s not too hard for anyone to be pleased with their photographs. All you have to do is decide what angle you want to take a photo from and what person or object should be its focus. Then you frame the shot and, if needed, adjust the light level. At that point the magic moment has arrived in which to tap the camera’s button. Voila! Mission likely accomplished.
But I’m not telling you anything you don’t already know. That’s the beauty of photography. It’s an art form made for us all.
So, what’s the deal with the photographs that I’ve included in this essay? Let me start by saying that all of them date from 2018 and that they are among the 1,000+ that I took during the year. None of them have appeared in previous articles. I suppose that my aim is simple: To publish photographs on this page that strike my artsy-fartsy sensibilities just right. Each has some combination of shapes, colors, angles and textures that I can’t deny. Yeah, these photos do something to me.
Take the one of musician James “Blood” Ulmer, for instance. Ulmer, unaccompanied, performed deep, heavy blues in April in Philadelphia at the Outsiders Improvised & Creative Music Festival. The golden hues of his outfit and the jumble of audio equipment nearly encasing him give the picture a techno/alien quality. “Prepare for blastoff,” the photo is announcing. “Destination unknown. Mysteries await.”
And I like the grand grooves in the Santa Fe tree, and its thick, finger-like upper sections. But what gives the photo its distinctiveness is the modest yellow, black and red traffic sign standing contentedly next to the behemoth.
The deeply pock-marked cliffs at New Mexico’s Bandelier National Monument are modern art taken to an elemental extreme. And the photo of trees, hills and houses in Ohkay Owingeh, New Mexico would have floored Paul Cézanne, so Cézanne-ish is it in its blocky composition. Talk about pure luck. I took that picture from a moving car. Nearly every other picture that I snapped from within the car that day was meh.
I’ll mention one more snapshot, that of the sunset at Mayo Beach in Wellfleet, Cape Cod. The picture appears almost theatrical in its lighting. The light on the picnic bench came from my car’s headlights. The car’s engine was running because it was as cold as a witch’s tit that night, and I jumped out only for a second, documenting the beautiful sunset with my phone’s camera and then admiring the view again from back inside the heated vehicle.
By the way, like every picture herein, the sunset pic is unmanipulated. Being a natural sort of guy, so natural that I prance naked in my dreams, I wasn’t about to crop, enhance, rotate or do anything else to my babies via the photographic software that came with my computer. Popeye The Sailor once said, “I yam what I yam, and that’s all what I yam.” If my photos could talk, each would quote those immortal words.
In closing, I’ll add that all of the selections come from New Mexico, Cape Cod or Philadelphia, places that I’ve written about a lot this year. They are good places, fascinating and colorful and full of the unexpected.
(Please don’t be shy about adding your comments or about sharing this article. I thank you.)
(If you click on any photo, a larger image will open in a separate window.)