Netflix

A Tale Of TV

Yeah, Another Blogger166 Comments

When I sat down to compose this piece about television, I was of the opinion that I’m a casual TV-viewer rather than a TV-viewing addict, seeing that I engage with the boob tube for an average of one and a half hours per day. That’s a fairly modest amount of time. As has happened frequently before, however, working on stories for Yeah, Another Blogger has led me, as if by magic, to discern the truth about things. Meaning, I now realize I’d go half-mad were my TV-watching privileges ever to be revoked. Anyway, what would I replace those hours with? Learning to crochet erotic hand puppets? Attempting to become one of the world’s best tiddlywinks players? Hell, I don’t even want to think about life without television, because I absolutely need TV. I’m addicted!

An ace dial-flipper, I regularly tune in to bits and pieces of news, sports, nature, cooking and late-night talk shows. I’m all by my lonesome when viewing the majority of those bits and pieces. What I catch the most of, by far, though, are scripted drama and comedy series. And I always watch them — in their entireties, unless we ditch them because we decide they suck — with my spouse Sandy. It’s one of our favorite things to do, for we have similar tastes in series fare. Let’s take a look at two shows that entertained Sandy and me recently.

Have you seen Adolescence, a British miniseries? It is a huge Netflix hit and has garnered a lot of media attention. Justifiably so. I place it in the pantheon of series, up there with The Queen’s Gambit, Anxious People, The Investigation and Call My Agent, to name but a few. Adolescence is really, really good.

Foremost among its explorations, Adolescence delves into the mind of Jamie Miller, a seemingly normal 13-year-old lad who, his insecurities enflamed by the taunts of a female classmate, loses all control and murders that young lady after meeting up with her one evening. The foul deed turns his life upside down and deeply damages the lives of the people who love him the most: his parents and older sister.

The show probes its subject matters with precision and honesty. The third episode hits especially hard. Set in the youth detention center where Jamie is being held, nearly all of its 52 minutes are devoted to a talk between Jamie and a court-appointed psychologist. The episode left Sandy and me shaken, so powerful and disturbing are Jamie’s words and actions as the session progresses. In my opinion, Adolescence is not to be missed. Its scripts are as tight as square knots, and each main member of the cast performs magnificently. First-time actor Owen Cooper, for example, is incredible as Jamie. Equally splendid is Stephen Graham, who not only plays Jamie’s father Eddie Miller, but co-created and co-wrote the production. What a talent he is. Adolescence, I believe, will stay in my mind for quite a while.

And then there’s the frothy Loot, a series that tips heavily into the wacky–as–hell category. Your life won’t be incomplete if you skip Loot, whose two seasons are available on Apple TV+. If you decide to tune in, however, you might end up digging it as much as Sandy and I did. It’s light, but it’s also refreshing.

Maya Rudolph shines in Loot, her comedic and dramatic talents fully on display. The show centers around her character, Molly Wells, who goes ballistic when she discovers her husband John has been cheating on her. She loses no time in divorcing him. The dissolution sends Molly reeling. She’s in pain. She’s also unimaginably wealthy, to the tune of over 100 billion American dollars, her share of the assets she and John, a tech industry genius, had jointly owned.

What to do with all that dough? Well, Molly, spoiled but possessing a heart of gold, doesn’t go for the usual approach of attempting to become even richer. Instead, she opts to give it all away, to groups and social causes that will better the human condition. The conduit for her generosity becomes the Wells Foundation, a do-good organization Molly founded while married but then totally forgot about until after the divorce came through.

I’m going to leave it at that, except to note that crazy situations have no trouble finding and enveloping Molly and her Wells Foundation employees, and that I laughed my ass off at some of the lines tossed out by the actors.

Till next time, boys and girls! If you have any series recommendations, please let me know. Sandy and I always are on the prowl for viewing options.

I Like Them (A Book, A TV Series, A Song)

Yeah, Another Blogger144 Comments

Nine Inches, a collection of fiction stories from the pen of Tom Perrotta, and published in 2013, seemed to be calling to me last month as I browsed the shelves of my local library, though I’d never heard of Perrotta before. I should have been familiar with his name, however, since, as I later learned, he’s a successful author. In fact, two of his novels (Election; Little Children) have been turned into movies, and another (The Leftovers) into a television series.

With nothing to lose, I brought Nine Inches home. I’m glad I did. I mean, Perrotta can write. He sharply examines the human mind and emotions, effortlessly illuminating the quirks, insecurities, maladjustments and f*cked-up decisions that run rampant in our species, and which can propel people’s lives in unanticipated directions, some of them most unfortunate. He does so with sentence after sentence that go down as easily as your favorite comfort food and also, when needed, pack a hell of a punch.

Take the opening story in the volume, for instance. It’s titled Backrub, and chronicles the days and nights of Donald, a bright kid just out of high school. The victim of misaligned stars, he was rejected by every college he applied to. Wobbled by this injustice, he takes a job as a pizza delivery person and, after a while, not caring enough to want to try and right his ship, slides comfortably into dealing drugs. Perrotta’s gift for language shines in this paragraph near the story’s conclusion.

It all went down so fast. I barely had time to register the lights in my rearview mirror when I saw two more cop cars right in front of me, blocking the intersection. I got out with my hands on my head, like they told me to, and the next thing I knew I was lying facedown in the street, with my hands cuffed behind my back.

Perrotta’s writing style agrees with me. It’s taut and uncomplicated. He takes on a wide variety of subjects in Nine Inches (unfulfilling marriages, a lonely widow, an insecure teacher, to name a few), and brings them to life with clarity. While reading Perrotta’s stories, I subconsciously kept thinking to myself, “Man, this seems real.” That’s a solid compliment.

On the other hand, not all that much about the television series The Lincoln Lawyer seems truly real, except for some courtroom scenes. But that’s more than okay. Sure, Mickey Haller — aka The Lincoln Lawyer — is preternaturally quick on his feet. But that only adds to his likeability. He and the show’s other main characters are good people, loyal to each other, and don’t take shit from anyone. I’m down with all of that. (By the way, a film version of TLL came out in 2011. It’s good.)

My wife Sandy and I polished off season two of The Lincoln Lawyer recently, after watching season one earlier this year. Both rock, two even more than one. In the second season, Haller (played by Manuel Garcia-Rulfo), who does a good bit of his best work-related thinking while driving or being driven in one of his Lincolns, finds himself defending a lady accused of murder. Not all that many hours before she is brought up on charges, she and Haller were in bed together, enjoying the heck out of one another. What, you’d expect otherwise? But, hey, don’t prejudge the show. It’s quality escapist fun. The plot lines are tricky. The dialogue sparkles. And the actors give it their all. Sandy and I, for sure, are hoping that Netflix will renew The Lincoln Lawyer for a third run.

Which brings us, rather haphazardly, to another creation — The Well, a new song that instantly grabbed me when I heard it on the radio a couple of weeks ago. It’s the work of Briscoe, a group from Texas, and will appear on Briscoe’s first album, which is scheduled to be released next month.

The two main guys in Briscoe — Truett Heintzelman and Philip Lupton — are in their 20s. But they are looking far into the future in The Well, pondering whether memories of the joys of youth will help to sustain old age. I think the Briscoe boys are concerned about something that isn’t going to happen. They’ll be just fine, enjoying the moment, when they reach their “golden” years.

That quibble aside, there’s no denying that The Well, an old-timey type of song brought to high places by rocking drums, is catchy as can be. The blend of the stringed instruments with the quivering, giddy vocals makes me go weak in the knees. I’m smitten!

So, those are a few of the things that have rung my bell of late. What’s rung yours?

One Loser, Three Winners

Yeah, Another Blogger139 Comments

As I’ve mentioned any number of times before on these pages, streaming services such as Netflix and Amazon Prime Video helped keep me sane during the days when the COVID pandemic wreaked havoc with humankind. Even though the worst is behind us, COVID-ly speaking, my addiction to the streamers hasn’t abated in the least. Man, five or more nights each week my wife Sandy and I tune in to one series or another for an hour or two. This practice pleases the hell out of me, an entertainment hound. Basically, I love it!

Sandy and I enjoy nearly all of the series we watch, partly because we do a fair bit of research before hitting a production’s Play button. We’re not about to look at anything that gets less than a strong rating on IMDB, for instance. Nevertheless, losers occasionally pass before our eyes, such as the Netflix series Marcella, a detective show whose first season we dialed up a few months ago. It’s beyond me how Marcella has garnered a 7.4 on IMDB. With way too many plotlines and riddled with ludicrous situations, it started rubbing me the wrong way in a very big way after two or three episodes. At that point I said “F*ck this!” and, with Sandy’s blessing, tossed the series aside. I’m not fabled for making good decisions, but saying bye-bye to Marcella was the indisputable proper move.

There were no complaints from me or Sandy, however, earlier this month as we polished off, consecutively, three series that kept our eyes glued to the TV screen and our emotions running high.

First up was season one of The Night Agent, released this year on Netflix. In this tale, Peter Sutherland (played by Gabriel Basso), a low-level FBI agent, becomes involved up to his neck in a murder investigation that in no time has him questioning whom he can trust. It all starts when Sutherland becomes the unwitting protector of Rose Larkin (portrayed by Luciane Buchanan), who has witnessed the assassinations of her aunt and uncle and is on the run from the killers. Why were the aunt and uncle killed? Who was behind the murders? Will Peter and Rose solve the mystery and not get whacked?  I can be a dumbshit, but by the end of the final episode I had a pretty good understanding of what the hell had been going on, which is not always the case with me and thrillers. Sandy and I hope that the already-promised season two will fly as high as the initial run does.

Next on the bill was The Diplomat, another new Netflix series (its season two also has been OK’d). A drama starring Keri Russell as Kate Wyler, the newly appointed U.S. ambassador to Great Britain, the show deftly, and in a stylized manner whose wryness agreed with me, douses its viewers with political maneuverings and negotiations.

Wyler isn’t sure she’s cut out for her new job. But from the get-go she proves that she’s got what it takes. Adept at getting her points across, she helps to avert an international crisis and likely a war by convincing the U.S. president that Iran, the presumed culprit, was not behind the attack on a British naval vessel that killed dozens of sailors. As a result, the cagey British Prime Minister, for now neutralized, doesn’t retaliate against Iran. But murky waters lie ahead nonetheless. Things are not what they seem to be, Kate learns more than once. And a seemingly innocuous situation leads to a cliffhanger of major proportions, guaranteeing that Sandy and I will return for season two upon its release.

You know, I’m a rock and roller at heart. I would have loved living the life of a rock musician. There was and is one problem, though: I have zero musical talent. So, I’ve lived that life vicariously, and continue to do so even now at my ridiculously advanced age. All of which means that I was smitten with Daisy Jones & The Six, a ten-part Amazon presentation released this year and based on the novel of the same name by Taylor Jenkins Reid.

The (fictional) saga of the titular band that, during the 1970s, rose to lofty heights and then fell apart, Daisy Jones & The Six has all that you might expect: sex, drugs and heaps and heaps of rock and roll. The series chronicles the group’s history and brings the story into sharper focus by including interviews — conducted 20 years after the band’s dissolution — with band members and their inner circle, none of whom had spoken publicly before about why the implosion took place.

Armed with good scripts and actors who do justice to the words written for them, Daisy Jones & The Six has a lot going for it. What’s more, much to my astonishment, the series made me think . . . about love’s complexities, for love in various stages of development and strength lies at the heart of the show. Billy Dunne and Daisy Jones (brought to life by actors Sam Claflin and Riley Keough, respectively), the leaders and vocalists of the band, have a contentious association at first, which mellows with time and then morphs into something far more nuanced and intimidating. I’ll say no more, except to reiterate that love and relationships damn sure can be complicated.

Thanks for reading, boys and girls. Sandy and I would be happy to learn about the shows you recommend. We’re always on the lookout for series to watch. We thank you.

Streaming Services, Where Would I Be Without You?

Yeah, Another Blogger152 Comments

A few months before the COVID pandemic erupted in early 2020, my wife Sandy signed us up for Netflix, a streaming service. She immediately dipped into its vast catalog of offerings, but I didn’t. This was predictable, since, for years, I’d been watching very little TV. However, when the pandemic halted the activities that until then had shaped my life significantly — such as going to concerts, movies, museums and restaurants — I was in need of high doses of entertainment. So, I turned to Netflix and HBO, another streamer, in order to fill the gaping void. (We already were HBO subscribers, because Sandy loves Last Week Tonight With John Oliver.) I’m damn glad that I did. Man, it became a five-to-seven-nights-a-week ritual, which has continued to this day, for Sandy and me to watch an hour or two together of one series or another, or sometimes a movie instead.

And the selections available to us expanded luxuriously about a year ago when we decided to give Jeff Bezos some needed cash by becoming members of Amazon Prime, one component of which is Prime Video, a streamer supreme. Around that time, too, we transitioned from HBO to HBO Max, as Max offers shitloads more series and movies than traditional HBO does. Holy crap, my mind was and remains blown by the nearly infinite mass of scripted, ad-free visual content a few clicks away from me. Though the world in many ways is a nightmare, its streaming realm is f*cking miraculous.

It was a good move on my part, at the start of my infatuation with streamers, to begin compiling a list of the series that Sandy and I jointly watch on television. After all, in a way the list is a partial record of our lives. The list also includes the series that she and I have viewed individually, but there aren’t many of those. Well, I ain’t lying when I say that the list has become really long. The number of productions that we’ve seen in tandem absolutely astounds me: 87, comprising limited series and also multi-season series of which we’ve taken in one or more seasons. Yup, though I don’t spend an inordinate amount of time in front of the tube, I’m a freaking streaming addict nonetheless. I haven’t partaken of scripted fare to this extent since I was a kid ages ago, when I feasted regularly on innumerable network-television series: Bonanza, Have Gun Will Travel, and Peter Gunn, to name but a few.

A good indication of the strength of my addiction (and Sandy’s too, it must be noted) is the fact that, as a team last month, we polished off every episode of Mo, A Very English Scandal, Entrapped, and Wednesday. We also devoured season one of The White Lotus and the first two seasons of Catastrophe (we’ll watch the remaining two seasons in February). I liked all the shows, one especially so.

The standout is Catastrophe. It initially ran on the United Kingdom’s Channel Four, ending in 2019. Prime Video started carrying it somewhere along the line. A rip-roaring rom-com that isn’t all fun and games, Catastrophe tells the mid-life tale of Sharon Morris, an Irish lass living in London, and Rob Norris, an American who hails from Boston. At the start of the show, Rob is in London on business. Friendly, frisky and 40-ish, Sharon and Rob like what they see in each other when they meet by chance in a pub, and lose no time in getting it on, repeatedly, over the next week. Rob then returns to the States where, some weeks later, Sharon phones him to announce that she is pregnant. Well, though they barely know one another, Rob moves to London, Sharon decides to have the baby, Rob proposes to Sharon, who says yes, and a married couple they become. A few hours after the wedding ceremony concludes, the unborn child silently proclaims that it is ready to meet the world ahead of schedule.

I won’t say any more about the plot. I will add this, though: Catastrophe (created by, written by and starring Sharon Horgan and Rob Delaney, who, as best I can determine, were/are not romantically involved) leaves me breathless. Its eight or so principal characters are beautifully drawn and played, its dialogue whip-smart. The show, however, is not for anyone who isn’t up for getting drenched with candid sex talk and robust sexual situations, all of which, mind you, Catastrophe presents with a twinkle in its eye. Catastrophe truly is something else.

So, that’s the latest on the TV-viewing front from my abode. Seeing that Sandy and I always are on the lookout for series and movies to watch, we’d love to learn what you recommend, on streaming services or elsewhere. Thanks!

Here’s Some Of What I Liked In August. What Rang Your Bell?

Yeah, Another Blogger159 Comments

Yup, August has come and gone. And in a few blinks of an eye, 2023 will have arrived. Zoom! I tell you, there’s no doubt that time flies at accelerating rates the older we get. And being genuinely old, I ain’t happy about that. To say the least. I don’t know how many grains of sand remain in the upper part of my hourglass. But, whatever the number, a shitload more would suit me just fine.

Anyway, there’s nothing I can do about it. So, to steer my mind away from the above paragraph’s depressing direction, let me mention some things that brought a smile to my crinkled face during the month that waved goodbye to us a handful of days ago.

First up are peaches and corn on the cob, without which life wouldn’t be as sweet. It being summer here in the USA, the harvesting season for those fine forms of produce, my wife Sandy and I would have been fools not to indulge in them during August.

I’ve loved peaches for nearly all of my life. I think, though, that their deliciousness began to make truly deep impressions upon me somewhere in my 40s. Man, what a treat it is to bite into a peach. A good peach, that is, not one of the mealy ones that have become more commonplace in recent years. Such beautiful flavor, as luxurious as you could hope for. And a texture, in the happy zone between soft and firm, that was made to seduce. I had some real good peaches in August. And tossed aside a couple of very sub-par examples too. You win some, you lose some. In any case, the peach season in the States hasn’t all that much longer to go, a damn shame.

Likewise, fresh corn’s availability already has peaked. Last month, getting while the getting was good, Sandy and I chomped down on boiled ears of corn at dinnertime three or four times. We gave them a thumbs-up. Helpful public servant that I am, I’d like to give you a tip for dressing corn on the cob: Peel back the paper a bit on a stick of butter, then rub the exposed butter all over the corn while twirling the cob. This method is much better than attempting to place pats of butter on the corn with a knife. Those pats, as we know, usually end up skidding all over the f*cking place. I’ve already accepted your thanks in advance!

Now it’s time to talk about television series, a media format that has pleased the hell out of me since the start of the pandemic. Hungry for entertainment, I began watching series in earnest at that time, something I hadn’t done in years. Sandy has been my viewing companion. And, even though Covid’s roar has lessened, we haven’t slackened our pace, for during August we devoured two limited series (We Own This City and the scripted version of The Staircase, not the documentary by that name) and one season each of multi-season productions (Capitani and Never Have I Ever). The first three that I mentioned are very much worth watching, but they are grim. Ergo, I’ll limit my commentary to the sole smile-inducing series among August’s fare.

Never Have I Ever, a thoughtful comedy on Netflix, tells the tale of Devi Vishwakumar, an Indian-American public high school student in California. Devi, smart as a whip but fairly low in the self-confidence department, isn’t one of the cool, popular girls at school. She has a loving family, fortunately, and several trusted, loyal girlfriends. Thus, her situation overall is quite decent, despite the cruel fact that the death of her father, during her freshman year, was a blow that tests her mightily.

There have been three seasons of Never Have I Ever so far. Sandy and I have watched them all, polishing off the latest run in August. During season three’s ten episodes, Devi loses a boyfriend, attempts to land a new beau, contemplates losing her virginity, and completes her junior year of high school with top grades. And her pals are no slouches in the busy-lives department either. Wow! There’s a lot going on in this show. Cleverly too, partly because of the sarcastic, sometimes-exasperated voice-over narration by, if you can believe it, John McEnroe. He’s the former tennis champ who was known for his verbal outbursts on the court as much as for the beauty of his game. McEnroe does a great job, adding volleys of whams and bams to a coming-of-age story that’s handled with insight and care.

With that, I’ll toss a tennis ball into your half of the court. What rang your bell last month, food-wise, entertainment-wise, nature-wise, anything-at-all-wise?

Ozark; Azaleas; Love Letter From A Red Roof Inn

Yeah, Another Blogger119 Comments

Well, as millions of fans of dark and dirty doings know, the Netflix series Ozark has come to a close. And, predictably, this saga (44 episodes in all), heavily populated by morally compromised people doing despicable things, does not conclude in a tidy manner. As the screen goes dark and a gunshot thunders a mere moment before the credits begin their final roll, any number of questions are left unanswered about four of the show’s main characters, the Byrde family.

Unanswered, yes. I’d have to say, however, that the future clearly does not look bright for Marty and Wendy Byrde, the married pair around whom Ozark significantly revolves, nor for their 15-year-old son Jonah. Possibly Marty and Wendy’s daughter Charlotte, a couple of years Jonah’s senior, has a chance to grow towards the light. But I wouldn’t bet heavy money on that.

What else would you expect, anyway, from a series fueled by the unrelenting pressures placed upon Marty by a Mexican drug cartel whose monies he must launder if he wishes to remain above ground? Man, the directions in which those pressures take Marty, a financial advisor by trade, and Wendy are head-spinning. And the fallout from their maneuverings affects Jonah heavily, and nearly everyone else they come in contact with too.

Such an intense, over-the-top show! I couldn’t get enough of it. Each season I’d stare at the tube in disbelief as, left and right, minor and major players exited permanently, usually by gunfire. Ozark’s foulness put me in a bear hug and wouldn’t let go. I’ll miss the series. And I’ll pass on to you the one big lesson that Ozark taught me. Namely, don’t f*ck with a Mexican drug cartel, or with any similar enterprise, needless to say. You better believe that I damn well won’t.

I’m not strictly a denizen of the lower realms. So, some things way more positive than Ozark also have pleased me of late. For instance, the spring season. Yes, plant life has been looking good here in southeast Pennsylvania, USA for the last five or six weeks, with maple and oak trees and the like flaunting their foliage, and flowering trees dazzling human eyes with their blossoms. What’s more, most of the azaleas in my area burst into bloom about two weeks ago, adding tremendously to the spring spectacular. Ah, azaleas. When dense with flowers, they are hard to beat.

Fortunately for me, each year I get a mega-dose of azalea magic, because my friend Joyce, who lives nearby, is in possession of azaleas as fine as any I’m aware of. The azaleas in front of her house not only glow in a number of different hues, they also are enormous. I’d guess that the square footage taken up by those plants is about one-fourth of the square footage within her home. That’s saying something.

And, though maybe it’s only my imagination, Joyce’s azaleas look better to me this year, in terms of fullness and vibrancy, than ever before. In any case, I bow to them.

Before I bid you adieu, I’ll say a bit about a song, Love Letter From A Red Roof Inn, that needed no help in becoming a favorite of mine after I heard it for the first time earlier this month. It is a winner. (And, parenthetically, let me note that its title is as cool as they come.) Released in late 2021, Love Letter, by the blue-eyed soul band St. Paul & The Broken Bones, unfolds seductively. Lead singer Paul Janeway pours his heart out to the listener, quietly and in a falsetto as sweet as clover honey. Alone in a hotel room, he misses his lady. He’s homesick. He’s on the verge of crying himself to sleep.

St. Paul & The Broken Bones have got what it takes. I’ve seen them on TV and would love to catch them in person. After hearing this song you might want to also. Here, then, is Love Letter From A Red Roof Inn, a recording that would have made waves back in the 1960s and 70s, when soul music by The Temptations, Aretha Franklin, The Delfonics, etc., etc. rode high on the music charts. Till next time!

A Decently Joyful Story

Yeah, Another Blogger127 Comments

It’s an understatement to remark that ours is a perplexing species. Yes, most people might be pretty good at heart for the most part. But you’d hardly know that by the wars that have raged in one place or another throughout recorded and, I have zero doubt, prerecorded history. The latest nightmare, of course, is the Russian assault on Ukraine. It is only one of many post-Second World War examples of cruelty and of refusal, inability even, to live harmoniously. Horrible conflicts in Syria, Yemen, Rwanda and the former Yugoslavia are others. The Russia/Ukraine situation is by far the most worrisome, needless to say, because a f*cking asshole with nuclear weapons at his command, good ol’ Vladimir, is its lead villain.

Okay, I needed to get that off my chest. And seeing that I’m not in the mood to bum myself out any further, nor anyone else, I now will pivot sharply and head into my comfort zone. Sitting there patiently are a song I first heard in February and a television series that my wife Sandy and I watched earlier this month. I kind of have to write about them. Why? Well, they brought me joy. And I don’t take joy lightly. When I experience it I thank my lucky stars, because joy, though weightless and invisible, is a sweet substance that we require at least now and then. Joy helps us feel whole. It is one of the finest things in life.

First up is Broken Heart, a tune by The Fiestas, a New Jersey vocal quartet (and at times a quintet) that inhabited the worlds of doo wop and rhythm and blues. I’m certain that just about everyone knows this group, if not by name then by their song So Fine, which was released in late 1958 and which I love. So Fine became a smash hit a few months later and receives substantial airplay to this day.

Little did I know that The Fiestas were more than So Fine. Little did I know, that is, until one night last month when a SiriusXM radio channel delivered Broken Heart to our ears while Sandy and I were at home having dinner. Man, in an instant I was hooked. I stopped chewing to let the song give me some thrills. And, via YouTube, I’ve listened to Broken Heart a bunch of times since that evening.

Subsequent research taught me that The Fiestas, whose career lasted into the late 1970s, scored a medium-sized hit with Broken Heart in 1962. Which is why I’m surprised I’d never heard it before. Such a song! Sure, its exuberance belies the warnings about love that are embedded in the lyrics, but who cares about that incongruity? I mean, you don’t run across singing as majestic as this very often. Lead vocalist Tommy Bullock soars, hitting notes so fluidly, so gleefully, he almost brings tears to my eyes. And his partners wrap their voices around his with precision and power. I’m listening to Broken Heart as I type this sentence. Am I feeling joyful? Damn straight! Without further ado, here’s Broken Heart:

Let’s move on now, joyfully, to Anxious People, a Netflix mini-series (six episodes of about 30 minutes each) set and produced in Sweden and based on a novel of the same name by Fredrik Backman. Backman, by the way, is famous, having penned the international bestseller A Man Called Ove.

Sandy and I knew almost nothing about Anxious People before dialing it up, and are pleased as punch that we took the leap. It’s a whimsical tale centered around a group of folks who find themselves held hostage, in a loose sense, by an inept bank robber, and the police investigation that follows. I’m tempted to divulge a whole lot about Anxious People, multi-layered and fascinating as it is. For me to do so, though, would be a crime on my part, as telling too much would spoil the show for anyone interested in giving it a try.

So, I’ll add but a few more handfuls of words. To begin, are there flaws in the series? I, who can be picky to a fault, didn’t find any. The plot lines unfold and interweave deliciously, and the characters, nearly all of whom are laden with foibles and self-doubts, ring true. What we have here, then, is a gentle story that warmed the hell out of my heart. When the final episode reached its end I was filled with joy that carried over to the next day.

Boys and girls, that’s a wrap. I’d be happy to learn about who or what has given you joy of late. Till next time!

Short Books And Lots of TV: That’s Entertainment!

Yeah, Another Blogger168 Comments

Well, good ol’ 2021, part of the ongoing COVID era, found me doing this, that and the other thing to fill up the 17.5 hours during which I’m more or less conscious each day. None of those hours were spent at a workplace outside my home, because COVID deep-sixed the volunteer jobs that I had engaged in happily for years. I’m still working, however, because I spend a fair amount of time writing pieces for the shaky, suspect publication titled Yeah, Another Blogger. Yo, you take your part-time jobs where you can find them!

Writing aside, I’m left with shitloads of hours on my hands each week. Many of them are spent on my living room sofa, where I’ve mastered the art of staring into space as I twist the six strands of hair remaining on the crown of my head into fascinating shapes. Then I untwist them and start all over again.

Fortunately, I engage in a variety of more fruitful activities too. If I didn’t, my wife Sandy would have had me committed long ago.

For instance, I read books. Not an extraordinary number — hell, I know of some fellow WordPress denizens who tear through three or more books per week — but enough to keep my mind percolating a bit.

I’m picky, though. Any book that I contemplate tackling must be short, as in no more than 260 pages. And fewer than 200 as often as possible. I began taking this approach because my attention span and stamina, when it came to book-reading, began to fall off the table in 2015. I found my way to the ends of a mere two books that year. 2016 proved to be even worse, as I recorded a big fat goose egg.

Ergo, to kickstart my dormant love of books I devised the short-book strategy in 2017. And it has worked. Last year, for instance, I polished off 17 books, fewer than in my glory days of book-reading, but a number I feel good about.

All are members of the fiction category, including two mysteries (Sleeping Murder; And Then There Were None) by Agatha Christie that are as breezy and enjoyable as they can be. My list of conquests also includes Cathedral, a collection of short stories by Raymond Carver. Carver’s world is populated by people who have never figured out, or been encouraged to figure out, how to lead productive, happy lives. Matter-of-factly, but not depressingly, he lays out their plights in language that grabs hold of you from the opening paragraphs.

As it turns out, though, the first book I read in 2021 was the one I thought was the best: Flight, by Sherman Alexie (I expounded upon it here). It’s the tale, as vivid as daylight on a cloudless afternoon, of a 21st century Native American teen trying to come to terms with himself and with the country — the USA — that conquered and subjugated his peoples.

Yes, books entertained me mightily in the year that just entered our rearview mirrors.  The jollies that I got from them, though, paled in comparison to those provided by the magical medium known as television. Yeah, I spent quite a few hours in front of the home screen last year, continuing the practice I’d adopted at the start of the pandemic. Sandy used to watch the tube alone in the evening. But lack of outside-the-house entertainment options caused me to join her when coronavirus reared its f*cking head. We quickly developed into an adorable TV-viewing couple, settling in for an hour or two of laughs, gasps and whatever, five or six nights each week.

During 2021, Sandy and I watched around 20 movies on the tube and many more series than that. Almost every one was on commercial-free platforms and networks, mainly Netflix and HBO, both of which have become two of my closest friends. I’ve turned into a series addict, limited series particularly. Some of the limited ones that I especially liked last year are The Chestnut Man and Giri/Haji (tense crime dramas), Chernobyl (a dramatization of the nuclear disaster), and Maid (where relationships go very bad and where pure love is on display).

In closing, I give a hearty tip of the hat to Godless, a Western that, as is common to its genre, portrays a battle between decency and wickedness. This limited series is set in late-1800s Colorado. Jeff Daniels (Is there a better actor anywhere?) stars as Frank Griffin, an eerie bad guy who bosses around his band of associate baddies and takes his amputated left arm with him, like a good luck charm, everywhere he goes. (A bad wound necessitated the amputation.) In the end, does good triumph over evil? You’ll have to tune in to find out, because I ain’t one for dropping spoilers.

Thanks for reading, boys and girls. What activities/books/TV/music/etc. rang your bell in 2021? Feel free to comment.

Happy New Year!

Bruce Springsteen’s Bringing Me To Broadway!

Yeah, Another Blogger112 Comments

What can you say about Bruce Springsteen that hasn’t already been said? Not much, that’s for damn sure. The guy, after all, is an icon. An idol. And for good reasons: he’s talented as hell, smart as a whip, down to earth, and has been working his tail off in the music biz for over 50 years. Shit, his work ethic is unparalleled. And it hasn’t waned. He’s 71 years old, for crying out loud, yet has more energy than just about any teenager.

A scene from Springsteen On Broadway (photo by Rob DeMartin)

His latest project? He’s about to revive Springsteen On Broadway. An intimate one-man performance in which Bruce sings some of his songs and tells stories about his life, the show originally ran from October 2017 to December 2018 and was a huge success. When it reopens on June 26 at the St. James Theater, it will be the first Broadway production to be staged since COVID shut down New York’s theaters 15 months ago. Bruce is leading the charge to help the city return to its glory days!

Dig this: I personally know Springsteen a little bit. That’s because, unbelievably and from out of the f*cking blue, he showed up at my door in mid-2017, offering to make me — a nonentity in possession of zero musical talent — a member of his mighty E Street Band. “You’re shitting us, right, Neil?” I hear a chorus of doubters ask. Yo, ye of little faith, would I lie? You can read all about it by clicking here.

Alas, a band member I never became. I would have if the group had gone on tour, but tour it didn’t. Springsteen On Broadway and coronavirus saw to that. As a result, I was certain that Bruce had forgotten all about me.

Wrong! When my phone rang one evening early this month, none other than The Boss was on the other end.

“My man! Bruce here. It’s been a long, long while since we talked.”

“Bruce? Hey, it’s great to hear from you. How have you been?”

“Good, man. Real good. I’m always busy, you know. Wrote four songs this morning, for instance. They flowed out of me like a sweet mountain stream. Then I practiced the guitar for an hour. After that I was on the phone all afternoon with the director and stage crew of the Broadway show I’m bringing back in a few weeks. How about you? What have you done today?”

My throat seized up for a second. What had I, a stumbler through life, done? Well, as is often the case, taking a superb dump was the only thing that had invigorated me at all. Some might be afraid to reveal such an intimate detail to others, but I count myself as one of the brave. Bruce wasn’t the least bit fazed by what I told him.

“Neil, I know where you’re coming from. Once in a while I go through uninspired spells too. Listen, I feel bad that you haven’t gotten a chance to perform with my band. I want to make it up to you. What I have to offer would get you off your unmotivated ass, other than when you’re taking dumps, of course, and put you smack in the middle of the spotlight.”

“Does this have something to do with Springsteen On Broadway?” I asked.

“Indeed it does. Neil, I want to tweak the show a bit. Mostly it’ll remain the same — heartfelt, quietly powerful — but I’m going to add an interlude where I tell a couple of drummer jokes. The audience will love the change of pace. Here’s the deal: You’ll wander onto the stage right after I finish singing Thunder Road. I’ll introduce you and announce that you’re my straight man. Then I’ll say, ‘Neil, what do you call a drummer who breaks up with his girlfriend?’ You’ll shrug your shoulders to indicate that you don’t know. ‘Homeless!’ I’ll yell. Next I’ll ask you, ‘What’s the difference between a drummer and a savings bond?’ You’ll shrug again. I’ll bellow, ‘Only one of them matures and earns money!'”

“The crowd, I’m positive, will be roaring with laughter,” he continued, “and as they do you’ll bow and make your exit. Sound good?”

“What? That’s it? Bruce, how about giving me at least a couple of lines of dialogue? I mean, I’ve never been on stage before, but I know I could handle that.”

“Baby steps, brother. Baby steps. For now, this is the best I can do,” Bruce replied. “And it’s the opportunity of a lifetime. You never know where this kind of exposure might take you. Are you on board?”

Only a fool would have answered no.

(Please don’t be shy about adding your comments. By the way, in 2018 a performance of Springsteen On Broadway was filmed for Netflix. If you have Netflix, do yourself a favor and watch the show if you haven’t yet. Springsteen thinks and feels deeply. He’s something else.)

A Routine And Musical Story

Yeah, Another Blogger138 Comments

Well, it was déjà vu all over again yesterday morning, seeing that I did the things that I do just about every morning. First, the preliminaries: I woke up. Amen to that! Then I headed to the bathroom to take care of urgent business, upon the conclusion of which I threw on some clothes.

At that point the morning routine began: I entered the kitchen to pour myself some freshly-brewed coffee (it was waiting for me because I’d loaded the coffee maker before I went to bed, setting its timer to begin the brewing process at 6:30 AM). With a cup of java in hand I walked into the living room and sat my bony ass upon one of my closest friends, the sofa. Next, I opened my laptop computer and brought to its screen BrainBashers, a site containing sudoku and other puzzles. Still only half awake, I had a go at two sudokus. Then I went back into the kitchen to swallow my daily regimen of assorted pills. Finally, I ate breakfast.

Yup, the same pattern morning after morning after morning. Holy crap, I’m a boring, regimented f*cker, aren’t I? Don’t answer that! Here’s the thing, though: I’m okay with the routine, as two of its components (coffee-drinking and sudoku-attempting) relax and comfort me. They don’t give me anything resembling major charges, for sure, but relaxation and comfort count for something.

On the other hand, there’s nothing about my late night routine that comforts me, let alone rings my chimes. This is what it entails: I put ground coffee and H2O in the coffee maker and set its timer for a 6:30 AM start. My wife Sandy places medicinal eyedrops in my eyes, to ward off glaucoma. Then, in the bathroom, I spend ten minutes cleaning my teeth and gums fastidiously, to ward off periodontal disease.

Yup, the same pattern night after night after night. Holy crap, I’m a boring, regimented f*cker, aren’t I? Don’t answer that!

Fortunately, that’s not the whole picture. Yes, hum-drum routines partially rule me, as is true for just about everyone, I think. But this aged boy, who has more wrinkles on his face than are found in a pound of prunes, hasn’t forgotten how to put some spice in his life. And television and music are two of the main outlets that I turn to when I need doses of spice. I wrote about TV recently, so the only thing I’ll say about that subject now is that my latest obsession is Borgen, a taut and fascinating political drama series from Denmark. Netflix carries it.

Okay, then. It’s time to devote a few words to my main passion, music.

For about 50 years I’ve been a music junkie. One of my aims during that time has been to discover music that is new to me. These days, an assortment of terrestrial and satellite radio channels help me in that quest. On them, I continuously hear great tunes from the past and present, many of which I never heard before. The following three, along with several others, stood out for me during 2020 and were released that year too: Lilacs, by Waxahatchee (that’s the alias that Katie Crutchfield uses for her musical projects); And It’s Still Alright, by Nathaniel Rateliff; Cold, by Chris Stapleton.

Some lowdown on the artists: Waxahatchee, Rateliff and Stapleton established solid musical careers in the  2000s. That’s especially true for Stapleton, who has become a huge star. Millions of country, rock and pop music fans are into him. Rateliff, several notches below Stapleton on the success ladder, attracted loads of followers this century with his rocking rhythm and blues band Nathaniel Rateliff & The Night Sweats, which is on hiatus (Rateliff currently is doing his thing without the band). And Waxahatchee, a darling of the indie rock world, probably would like to break through to a wider audience, and probably isn’t holding her breath waiting for that to happen.

The songs appear on the artists’ latest albums. The lyrics of each are contemplative and piercing. Sonically, the recordings mesmerize me. I become putty in their hands, all too glad to have them take me to places deep inside myself. Is Cold my favorite of the three? Sometimes I think it is, so commanding is Stapleton’s voice. But when I give Lilacs or And It’s Still Alright an additional listen, I’m not so sure. I can make a case for each of them as being the best new song that I heard in 2020.

That’s enough commentary. Here comes the music. As I often mention, please don’t be shy about adding your thoughts. Gracias. Till next time!