Driving In My Car (A Musical Story)

Music, music, music. Since I was 10 or so years old — back in the days when Michelangelo was painting the Sistine Chapel — music has given me kicks, highs and peace of mind way beyond any of my other interests. The hours I’ve spent listening to music, reading about music and thinking and yapping about music are so enormous in number I don’t know how I found the time to hold down a job, let alone get married and maintain that union. Miracles sometimes do happen.

But, you know, I’m nowhere near the music freak that I used to be. Haven’t been for the last 10 or more years. I still go to clubs and auditoriums to catch concerts, but only one fourth as often as in my youthful prime. And at home, where once I played albums and CDs to death, listening to them and radio stations with the laserlike intensity of a neurosurgeon, I now half-listen more often than not, usually not reaching even that degree of concentration.

Yup, it took nearly forever to happen, but my obsession with music, drawing inspiration from my hairline, has been receding fast. Hell, keeping up that relentless pace began to seem nutty. “There’s more to life than music,” I must have said to myself at some point. “You need to find new hobbies, pal, like giving nifty new names each week to your pet hamsters and gerbils. Or organizing the garments in your closets and drawers alphabetically by brand name.”

Yet, despite my slackened involvement chez moi and at music venues, there’s still one place where I really love to listen to tunes, lapping them up greedily, paying attention to the lyrics of those with lyrics, and grooving like a hippie in training: In my car, almost needless to say. Maybe it has something to do with the sound waves bouncing around gleefully in a small, enclosed space. Or the distraction that songs provide from the stop-and-go misery that 90% of my driving entails. Whatever, good songs in my car raise my spirits rocket-quick.

And here’s another part of the reason why: My car is equipped with SiriusXM satellite radio, which I adore. So many channels, so many musical genres. When I climb in the car I can barely wait to start tapping the radio’s touchscreen buttons. And very often my destination is channel number 30, The Loft, where anything goes, though the concentration is on singer-songwriter and rock music veins.

It’s not as though I smile and clap at everything The Loft plays, however. Hardly. Lots of times I’m not impressed, and so begin racing madly from one channel to another in search of a tune or artist that I can relate to. But often there are occasions when The Loft, or another spot on the Sirius dial, seems to be reading my mind and my inner needs, sending out songs that caress me just right.

img_1348img_1354That’s what happened on Wednesday morning of last week when out I headed on what would prove to be a slow, slow journey. As seemingly always, I got caught by the red of the first traffic light I reached when attempting to exit my neighborhood, unable to make my desired right turn because of the non-turning hunk of junk in front of me. At last the light flipped colors. I made the right and then crawled 200 feet to where all traffic was stopped due to the gates being down at the local railroad tracks. It figured. Choo choo, motherf***er! But what did I care? For I was listening to The Loft, and by the time I reached my destination, a supermarket half a mile from my house, I’d heard two songs, back to back, that sent me aloft: Elliott Smith’s I Figured You Out and Late by Ben Folds. And half an hour later, on my way back home from the store, The Loft played another fine tune, Kyle Morton’s Survivalist Fantasy. I’d hit the trifecta!

What I liked about the three songs, beyond the way they made me go all mushy inside, is that I’d never heard them before. I’m always on the prowl for new goods. I Figured You Out, which Smith wrote years ago for Mary Lou Lord, who recorded it for one of her albums, is a knowing look at a broken relationship sung from the female’s perspective. Smith, an acclaimed singer-songwriter, never included I Figured You Out on any of his own albums. What I heard on The Loft is Smith’s original demo of the song. It was unearthed and released recently. The relaxed pace, Smith’s typically hushed voice, and more than anything the chiming melody really got to me. It’s one of those songs that can get stuck in your head. Very sadly there probably isn’t much more unreleased Smith material in the vaults. The poor guy left us in 2000, likely a suicide. The coroner, though, wasn’t fully able to confirm the cause of death.

Ben Folds, like Elliott Smith a singer-songwriter, never has been one of my favorites. His voice strikes me as vanilla, and his piano playing, loaded with loud, broad chords, seems scripted. Who knows, then, why I took to Late. I liked the melody, that’s for sure, and Folds’ loud, broad piano chords rubbed me the right way for a change. And I dug the lyrics, which flowed like the sentences of a good short story. Two days later, doing a few smidgeons of research for this article, I found out that Folds and Smith had been buddies and that Late is Folds’ tribute to his friend. Leave it to The Loft’s crack curators to know about the Smith/Folds friendship and to follow an obscure Smith tune with an homage.

Batting third in the lineup is Kyle Morton. He’s one of the multitudes of musicians who entered the marketplace within the past 20 years about whom I know next to nothing. But a few days ago I learned a few things. Morton’s main claim to fame is as lead singer of the indie tock band Typhoon, and Survivalist Fantasy comes from his brand new, and first, solo album What Will Destroy You. Also, he has suffered from Lyme disease since childhood. His physical woes have colored many of the songs he writes with a dark tint. But, like just about every other songwriter, he can’t ignore love. Survivalist Fantasy is a quietly lilting and beckoning track about love in the ruins.

Parking in front of my house I hauled the grocery bags out of the car. An obvious point had been made. Namely, this is a great time to be alive when it comes to music. Most of the worthy stuff from the past is available to hear, and the avalanches of good, new material are unending. Praise the musical gods,  whose prime mission is to oversee the soothing of the savage human soul.

 

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The Book Within Me

Some people think big. Big hopes, big dreams and big efforts to make those hopes and dreams come true. Me, not so much. I think modest at best, small more often than not. It’s just my basic nature, and always has been.

dulcolax-imagesMy great pal Alan, though, has a different opinion about my abilities. For example, he has urged me a few times to write a book. He, one of the handful of faithful who to my amazement truly seem to enjoy at least some of the stories I’ve been lobbing into cyberspace via this blog, believes I have it in me to design and bring forth a thriller. He has suggested that the plot be set on Cape Cod, a region I know well. Alan is a dreamer. Does he have any idea how I often strain and sweat like the King Of Constipation to squeeze out a blog entry of a mere 1,000 or so words? Alan, if you’re reading this, believe me when I say that daily doses of Dulcolax wouldn’t make those articles emerge any easier. So, a book, you say? Hey, man, are you joking? My inner strength and energies would have to quadruple before I’d be able even to begin entertaining the notion. Basically, fuhgeddaboudit.

Hmmm, on the other hand maybe I speaketh too hastily. I often do. No doubt writing a book is an alluring idea. Could it be that Alan is on to something? Has he peered deep into my core, à la Superman, and spotted an alternative me? As in the bestselling me. The me whose tightly wrought and pulsating fictional offering projects me into television and radio studios presided over by the likes of Charlie Rose, Terry Gross and Jimmy Fallon. Yeah man, I can dig it! Who wouldn’t? I mean, the royalty checks will be pouring in. The invitations to swank A-list parties will arrive by the dozens. Gorgeous girls will mob me on the streets. Yeah, I definitely can dig it.

OK, Alan, you’ve convinced me. The book is within me. Somewhere. I think. All I have to do is birth it. What should the first step be? Oh right, there needs to be a plot. Well, in that regard I’ll try not to think about what another of my great pals Dave once said. He and I went to high school with Arthur Agatston, who years later became famous as the author of The South Beach Diet books. Dave was wowed by Arthur’s success. “Neil, I’d write a book too,” Dave said to me back then, “except for one thing: I’ve got nothing to say.”

img_0370Ouch! Like I mentioned I’ll try not to think about Dave’s insightful comments. I’ve got plenty to say, don’t I? And placing the action on Cape Cod, a 70-mile-long spit of land filled with villages, sands, marshes and trees, surrounded on three sides by majestic, endless waters, is certain to inspire my writing. Think, Neil, think. What’s the most unusual and intriguing aspect of The Cape you’ve come upon over the years? I know — the dune shacks, those 20 or so primitive structures scattered among the ridiculously huge dunes of The Cape’s outer regions. Folks like Eugene O’Neill and Jack Kerouac and Jackson Pollock used to squirrel away in the shacks, seeking their Muses and churning out product. These days the shacks are in governmental hands, and are rented to modern-day hardy and artistic types (click here to read about the dune shacks). The shacks are isolated, not easy to find. The perfect scene of a crime.

Ah, the crime. What shall the crime be? Who will be the perpetrator, and who the victim? And what will be the reason that the crime occurred? You know, I believe it’s all coming together for me. Suddenly I’ve been zapped with a giant squirt of inspiration. Here goes:

img_0383I’m going to model the narrator/possible victim upon myself. Why not? I’ve gotten up close and pretty personal with several of the dune shacks over the years, walking around them, peering inside through their windows and admiring their no-facilities ambience. And for years I’ve been dreaming of the day when I’ll be spending substantial time in one of the shacks and its surrounding desert-like wilderness. Oh, the joy of peeing and dumping in sand pits or in the Atlantic Ocean! My life needs a major dose of that kind of back-to-nature reality.

Anyway, getting back to the plot. The time is autumn 2016, a Monday at 9 PM. The narrator, who goes by the nickname Cod Man, has been living for seven weeks in a shack located close to where the dunes peter out and meadows of beach grasses take over. A hop, skip and a jump beyond the grasses is the roiling Atlantic. Cod Man’s stay, per the rental agreement, is slated to end in one week. That situation is making Cod Man very nervous, because he had been confident that his shack experience would result in the creation of the book he’d put on the back burner for the past 10 years. Instead, the book, a novel about a Pennsylvania man whose world falls apart when his dog abandons him to take a job as chief mascot in Moscow’s Grand Hotel Trump, simply isn’t coming together. The reams of paper upon which Cod Man has been writing are, he fully knows, filled with dreck. “Holy crap!” Cod Man yells from his wobbly writing desk. “I’ve been out here for two months and have zilch to show for it. I’m bummed. Totally bummed.”

Moments later comes a pounding on the shack’s door. Standing outside in the moonlit night, a loaded pistol in his right hand, is Dick Hedd, Cod Man’s next door neighbor in Pennsylvania. Dick has tracked down Cod Man and is out for revenge. You see, three years earlier a friendly two-man game of Scrabble at Cod Man’s house had gone highly sour when Cod Man, upon throwing down two seven-letter words (halfwit and jackass) in the course of the evening, began to gloat. His gloating grew louder and wilder, reaching insane heights. Dick Hedd, certain that the seven-letter words were meant as commentaries on his personality, fumed. He stormed out the door before game’s end. And he never forgot or forgave Cod Man’s arrogance. The gents hadn’t talked since then. All the while, Dick waited patiently for his moment to avenge the foul deed. Among Cape Cod’s dunes that moment had arrived.

Little more need I say at this point. I have the book’s remaining plot lines worked out quite well. Everything fits. Everything is meaningful and believable.

Now all I have to do is write the entire story. Soon I shall begin.

 

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(Cape Cod photos by Sandra Cherrey Scheinin)

La La Land: Now, That’s A Great Movie!

The answer was staring me in the face, but it took a while before registering with me. There I was the other day, pawing through the nooks and crannies of my mind in search of the next topic for my blog. I was in the mood to write another of the impressionistic, ruminating pieces that have been rolling off the assembly line pretty regularly the past few months. Trouble is I hadn’t had any mini-adventures of late that I could wrap any impressionistic ruminations around. That’s when I turned my thoughts in a different direction, a cinematic one. My wife Sandy and I had taken a trip recently to a local theater where we sat close to the screen, figuring that doing so would help us become one with the movie’s charms if what we were about to see turned out to be as good as we were hoping it would.

img_1260Which is a longwinded introduction to my announcing that I have some thoughts to impart about La La Land, a musical that came out at the tail end of 2016 and now is in wide release throughout the States. This, to me, is a great movie. An example of near-perfection. An alluring and enticing creation that deserves the viewership of all who have good hearts and soft spots therein.

Yeah, I’m prone to gushing. That’s OK. There are worse ways to be. And when it comes to La La Land I’m not the only gusher by a long shot. I don’t read a lot of movie reviews, but the reviewers whose words I took a look at fell hard for this one. Sandy, who is more tuned in than I to a lot of things, confirmed that seemingly everyone carrying the title of critic had pointed their thumbs upward after watching La La Land.

What, then, do we have here? La La Land is a girl-meets-boy story. And, when well done, that template is boffo, isn’t it? Hey, I hear a few of you in the back of the room murmuring “nah.” Get out! Class is dismissed for you.

img_1334La La Land’s girl is Mia (Emma Stone), an aspriring actress caught up in the confidence-squashing eddies of the audition mill. The boy is Sebastian (Ryan Gosling), a sensitive-fingered jazz pianist scrambling to make a living while dreaming of the day he opens his own jazz club. Mia and Sebastian first cross paths on a Los Angeles freeway. The freeway, witness to a traffic jam from Hell, becomes the stage for the movie’s opening sequence, a lilting and athletic song and dance routine unfurled by scores of traffic stuckees who exit their vehicles to sing and jump and prance giddily on car roofs and hoods, making the best of what normally would be a real bad situation. Finally, the tangle of metal and tires begins to ease up. But Mia, slow to gun her engine, becomes the victim of relentless horn blasting from someone in a car behind hers. Sebastian. To which she responds by flipping the bird at him as he pulls out and breezes by. Take that. fella!

Needless to say, things become better between Mia and Sebastian when, as fate absolutely would have it, they unexpectedly meet again and again in The City Of Angels and realize that they are meant for each other and destined to fall in love. Which they do. But will love endure? La La Land, though bright and frothy much of the time, isn’t that way all of the time, so the answer to the question is far from a given. Damien Chazell, La La Land’s writer and director, throws more than a few dollops of darkness and pain into the mix. La La Land is a colorful, romantic bonbon laced with the realities of life.

img_1337It didn’t take long for me to fall under La La Land’s spell. Stone and Gosling possess the type of feels-right screen chemistry that often is elusive. Their Mia and Sebastian banter easily with one another, before the day arrives when cracks open in their relationship, and the two stars sing and dance in a sweet and natural manner. The songs (music by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul) that they and others emit are strong and tuneful. And sometimes piercing, as is the case with the stream of consciousness-like Audition (The Fools Who Dream), sung by Mia/Stone at a, natch, movie audition. And La La Land is filled with sequences so gorgeously done I felt honored to be watching the flick. Especially when Mia and Sebastian, at Los Angeles’ Griffith Observatory, take each others’ hands and begin to dance, soon lifting from the floor to merge with the cosmos projected on the observatory dome’s underside.

You don’t see a whole lot of original movie musicals, which La La Land is, anymore. Or musicals based on stage productions either, for that matter. Both varieties used to be a staple of the film industry, but that was eons ago as measured in cinematic years. Don’t know why they’ve faded away. I mean, who doesn’t love The Wizard Of Oz, Singin’ In The Rain, An American In Paris, Cabaret . . . ? In any case, I left the theater thinking that La La Land is up there with those titans. You have to give it to Chazelle, who also scripted and directed 2014’s Whiplash, a nerve-wracking, music-themed opus that decidedly isn’t a musical. The guy has immense guts to have attempted La La Land, not to mention the vision and skills to pull it off. And he’s only 32. My God, when I was his age I hadn’t even mastered tying my shoes yet. Come to think of it, I still haven’t.

Well, I could go on but I won’t. You get the idea. If you haven’t already seen La La Land, make a date.

 

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Donnie Trump Doesn’t Like Me

Ah, it’s a comfortable day. Inside my house, that is. Outside, the temperature is an ass-nipping 23° F, too frigging cold for my refined tastes, as I begin to type yet another woozy sort of essay. Tight and controlled, not woozy, would be preferable, seeing that my membership status in The American Association Of Pseudo Writers has been on very shaky ground for awhile now, courtesy of Donnie Trump. If TAAOPW boots me out I’ll be required, per the organization’s guidelines, to put my blog in the deep freeze. And then what will I do with all of the time and energy I devote to blogging? Plea over and over with Cheez-Its’ parent company (Kellogg’s) to hire me as national spokesperson for the crispy, orange wonders that are my fave snack food? Go after the world record for consecutive minutes spent compulsively cleaning a clothes dryer’s lint filter (the current record is 368 minutes)? Well, I’d come up with something. No doubt about that. But I’d rather continue blogging.

AP photo/Nam Y. Huh
AP photo/Nam Y. Huh

As I mentioned, Donnie Trump, another orange wonder, is the cause of my current worries. Talk about a thin-skinned guy. I mean, did I say anything all that bad about him in the story I wrote in November (click here to read it)? How’d he even find out about that piece in the first place, considering that mine is one of the least-read publications on our globe? It must have been his private intelligence network that uncovered me. Man, they’re good. After all, it took them only — what? — six years to determine that Obama’s American birth certificate is legit? Impressive. Donnie sure knows how to surround himself with the best of the best.

Donnie’s discovering my November story is one thing. But his going after its virtually unknown author is another. How’d you like your incoming president throwing lightning bolts at you? No more than I do, I guarantee you. Totally predictably he complained about me on Twitter (“Neil Scheinin lies. And when he’s done lying he lies some more. Not fair. Unworthy of an American journalist.”). He forced my alma mater, The University of South Hoboken, to reduce my grade point average by 25 percent retroactively, nearly five decades after my graduation. And, worst of all, he put the heavy shoulder to TAAOPW, ordering them, if they know what’s good for them, to monitor my every blog story meticulously. I haven’t fared too well in that review process, TAAOPW so informed me. Where, then, will my second Trump opus land me?

That question is a heavy one. In hopes of lightening its answers I have decided to reach out to Donnie Trump, whom, as my November article explains, I knew many moons ago on a high school debate team for which he starred and for which I sat in the wings as the fifth alternate. I spoke with Donnie in writing that piece, our first conversation in eons. Bear with me as I look up his phone number and try to reach him again. Dum dum duh dum dum . . .  the phone is ringing. And still ringing. And, yes! I have him on the line.

“This is Donald. Make this fast, whoever you are. The toilet in the master bedroom is leaking. I’m expecting a plumber to get here any minute now.”

“It’s Neil Scheinin, Donnie. The fifth alternate. The guy whose life you’re wrecking. What’s the deal, dude? Where’s your heart, man?”

“What, you again? Don’t you have lawyers? If you’ve got a gripe with me, they should be the ones handling the situation. Not a loser like you.”

“Donnie, I’m here to appeal to your better side, the one you show to Putin. Listen, I can handle your delusional tweet. And I don’t care about my GPA. It was embarrassingly low to begin with. But trying to kick me out of blogging? That’s going too far, man. I dig writing, Donnie, and my blog is where I deposit the written word, where I express myself creatively. Without my blog my life will be an even emptier shell than it already is.”

Photo by Mike Licht/Flickr
Photo by Mike Licht/Flickr

“Fifth alternate, I could care less about your happiness or your sense of fulfillment. You wronged me, fifth alternate. You wronged me. Maybe you forgot that I’m a firm believer in retribution. That’s why Sergio Leone and Quentin Tarantino are my favorite directors. Fifth alternate, one of my administration’s goals is to take down your blog within the first 100 days that I’m in office. Without a doubt I can do it. Those nitwits who run The Pseudo Writers Association, or whatever they call it, are playing ball. Once the plumber fixes the toilet and leaves I’m going to get in touch with them again and hammer the nail home. Loser, your blog is history. What’s that rat-a-tat-a-tatting that I hear in the background, by the way?”

“That’s my fingers typing away, Donnie. I’m transcribing this conversation as we speak. Anything else you’d like to add?”

“Shove it, you piece of  sh . . . ”

Readers, before he could finish that thought I hung up on our president-elect. For the second time in recent months I might add. My fingers continue to type. This story, I’d say, is now complete. In seconds I will hit the Publish button. After you have read the article, I ask you to petition TAAOPW on my behalf. In the end your efforts might outweigh Donnie’s influence, allowing this humble, woozy blog to continue its run. It’s never too late to try and stop Trump. Thank you very much.

The Meadow And I

In some ways I envy those who live in or near undeveloped locales. Those parts of Montana or Utah, say, that Man hasn’t messed around with too much. Places whose terrains have been shaped over the eons by seismic events and by the unaltered flow of waters, without the added oomph provided by bulldozers, dynamite and chain saws. Where the growth and spread, or not, of vegetation follow elemental rhythms. And where, if you decide to venture out on a nice, long walk, you’re probably not going to bump into other members of our wondrously meddlesome species. Yes, that would be superb.

On the other hand, I’m a suburban/city boy at heart, ensconced in a comfortable house a handful of miles outside of Philadelphia, Pennsylvania, USA. As such, I like living close to supermarkets and shopping malls and movie theaters and art museums and a lot of the other man-made stuff that this sort of environment contains. But there are times when I’ve had enough. “Let me outta here!” I then cry inwardly. “I hear the call of the wild! I require the presence of forests and/or sands and/or seas. Oh, wait for me, my fair landscapes and coastlines. Soon I shall be among you.”

Cape Cod Bay.
Cape Cod Bay (in the distance) at low tide.

That’s when my wife Sandy and I start making plans, rent a house for a decent spell, and a month or so later drive 360 miles in a northwesterly direction to said house on Cape Cod where, miraculously, substantial expanses of Nature in its mostly-undisturbed glory indeed exist. Cape Cod soothes my soul. And has for a long time. But, going to Cape Cod is a schlep and a half. What’s a guy to do on those mornings or afternoons, at home  in the Philadelphia burbs, when a quick fix is in order?

Good question. For picky me there aren’t too many pleasing answers. I mean, there isn’t a lot of natural  scenery around here, in any format, to begin with. Much of what passes for natural are fields and woodlands that have been daintified and picnic-benched. But a few pockets of goodness somehow have escaped humankind’s conquering hands, and one of them, pathetically small as it may be, is where I headed one morning late last month when my inner being began slapping me hard upside the head to let me know it was time to try and commune with Mother Earth.

img_1306img_1304Thus, off I headed on a solo expedition to Awbury Arboretum, formerly a private estate now run by a non-profit group, half an hour from my house. This was my third time there. The first two were with my wife Sandy. She and I first heard of and went to Awbury three years ago. It’s in Philadelphia’s Germantown section, a congested residential area with roots that reach back to the late 1600s, and about seven miles from downtown. Little-known and little-visited, that’s Awbury. Which is A-OK with me, not being the world’s biggest people person. We enjoyed that Awbury visit very much, checking out the trees and shrubbery and well-kept lawns, and admiring the mansion that once housed the Cope family (click here to learn more about the arboretum), even though we didn’t set foot on Awbury’s best feature. A few months ago, on our second trip, we discovered that feature, a compact and alluring meadow. Wowza! I was smitten.

What’s the big deal about a meadow? Well, incredibly, this simple form of natural landscape is harder to find in the Philadelphia area than a winning Powerball ticket. Where did we go wrong? Unfettered meadows, where grasses and wildflowers grow freely to their hearts’ content, used to be fairly commonplace around here not all that many decades ago, weren’t they? Bye, baby, bye. What a world.

img_1313img_1319Yeah, the Awbury meadow is pint-sized, three or four acres at best. Not exactly the meadow of my dreams. But not only did it have to do last month when the earth goddesses beckoned me to find green space, I enjoyed the heck out of it. I tell you, 20 minutes in the meadow grasses did me a world of good. That’s the thing about meadows: they’re just so cute and inviting. Why, within seconds I dropped 60 years from my age and began doing cartwheels magnificently from one edge of the field to another. Too bad that Simone Biles wasn’t there to witness my athletic triumphs. She’d have been way envious.

img_1315img_1314But, getting back to reality, let me say this: You better believe it’s the simple things in life — like, strutting through tall grasses and admiring the muted shades of green and tan and sepia that the blades take on in winter — that can help to put your head back on straight. Not that mine remained in proper position for all that long. Though I embraced the Zenlike moments that happily blossomed within me at Awbury, they faded fast. I ain’t a Buddhist monk — not a bad thing to be, come to think of it — so I was almost back to my usual grumbly self by the time I arrived home. No doubt, however, that something sweet yet short-lived is better than nothing at all.

 

(If you click on any photo, a larger image will open in a separate window)

If (A Musical Story)

a2z_logo_final_social-620x324If, if, if. If only WXPN, a supremo radio station in Philadelphia, hadn’t come up with the idea to play almost 6,000 songs in strict alphabetical order, based on their titles, then I’d never have been flailing around helplessly in the monstrously deep rabbit holes that abound within my cranium. But XPN did, starting at 6:00 AM on November 30 with The Jackson Five’s smash hit ABC (click here to listen), and proceeding around the clock for what seemed like forever. The station finally closed the lid on the affair mid-day on December 17 after airing a song that just about nobody knows, ZZ Top Goes To Egypt (click here), by a band that just about nobody knows, Camper Van Beethoven. A tune with a title that begins with a double Z . . . who’d have thought that an animal like that exists? Leave it to the music worshippers slash obsessives at WXPN to come up with a stunning conclusion to the marathon.

And talk about obsessives. Me, I thought I was done with being one of them. Over the last few decades I’d shed a good ninety percent of my excessive tendencies. Still, backtracking happens, and I found myself being swallowed whole by what XPN was up to. Yeah, I got so involved with the A-to-Z my bodily systems started backfiring. For days I couldn’t sleep, couldn’t eat. Even worse, I didn’t watch my favorite episodes of Duck Dynasty and The Real Housewives Of Atlanta over and over on demand. And not just because I was hopelessly involved in listening to that avalanche of music. Uh-uh. I also had been captured by letters, words, the whole alphabet thing. I was beaming in hard on alphabetic considerations of song titles. Pathetic, man.

I’d never before given more than a cursory thought to the words that song titles begin with or to the patterns that the titles form. Who knew that tons of titles begin with Just, for example? Or that there might be any titles starting with X (such as X Offender, by Blondie). Or that some letters (e.g. T, S and I) are the first letters of an astounding number of song names. Or that one artist (David Bowie) might show up with back-to-back songs (Fascination and Fashion), so tightly are their names alphabetically related.

“What’s going to follow Patti Smith’s Dancing Barefoot?” I frantically wondered during December 3rd’s early moments, unable to come up with the fairly obvious answer that soon hit the air: Dancing Days by Led Zeppelin. And I frantically wondered about countless other minutia throughout the A-to-Z, following along online as XPN posted each addition to its playlist (click here to see the playlist). Letters! Words! Sequences! My geeky and anal ponderings were getting the best of me. I needed relief, blessed relief. Who or what might be my savior?

“Snap out of it, you fool!” my wife Sandy commanded me, eight days into XPN’s extravaganza, as she dumped a pitcher of cold water onto my head. I was seated on the living room sofa, ears glued to the radio. “Thanks, Sandy, I needed that,” I said as the refreshing liquid ran lovingly from my head to my toes. I rose, gave Sandy a well-deserved hug and walked across the floor to turn off the radio. Over the following days I continued to listen to XPN, but in reasonable servings.

I guzzled many hundreds of the thousands of songs that spewed from WXPN’s studios during the festival. Great music abounded, yet one song more than any other brought me up short and went straight to my heart. It’s an oldie that most folks know. And, for reasons unknown, I heard it — no, felt it — much more powerfully than ever I had before.

Many sublime songs (Love Train; I Love Music . . . ) flowed from the minds and pens of Kenny Gamble and Leon Huff, but did any equal or surpass If You Don’t Know Me By Now? No way. Gamble and Huff, two of the progenitors of The Sound Of Philadelphia that soulfully and majestically conquered the world in the 1970s, surely realized that they had created a diamond when the writing sessions for that number reached their end. What a song, its finest version being the 1972 original by Harold Melvin & The Blue Notes. It’s a manifesto about the need for trust and honesty and, more than anything, a declaration of true love. You quiver when Teddy Pendergrass, lead singer for HM&TBN, unleashes pleas robed in frustration. When the rest of the group fills in all the blanks with angelic vocals that cushion and counterbalance Teddy’s hot emotions, you levitate and maybe find a few tears drizzling down your cheeks.

Sandy doesn’t know this yet, but one evening soon I’m going to dial up If You Don’t Know Me By Now’s number, turn the volume to a gentle but firm level and swirl with her around our living room. The song is in waltz time, and even a four-left-footed sloth like me can handle a waltz. Here, then, is the best song I know of whose name begins with If.

I Was There For Santa Claus When He Needed My Help

“Yo! I mean, ho! As in ho-ho-ho. Can’t you see that I’m stuck, you idiot? Give a guy a hand.”

santa_claus_png9972Indeed he was, he being Santa Claus. The one and only. To say I was surprised to find the jolly gent dangling head-downward from within my living room fireplace would have been the understatement of 2016 were it not for Donald Trump. Needless to say, the understatement of 2016 is that Trump is way bad news. Hell, he’s way bad news times fifty! But, I digress.

It was 9:00 PM on the eve of Christmas Eve when the rotund one unexpectedly appeared. I was sitting on the sofa, ruminating about this and that, as usual arriving at no satisfactory conclusions. Also as usual, the sofa cushions were profusely dotted with Cheez-It cracker crumbs. I already had put away 500 or more Its and, prior to Mr. Claus’ arrival, had no plans to stop the ingestion process.

“Santa, is this a joke? What are you doing here? Your delivery rounds don’t start for another 24 hours. And you’re in the wrong household, anyway. I mean, me and my wife are Jewish!”

I put aside the Its, reluctantly, and walked to the fireplace where, with only a bit of exertion, I helped Santa out of his predicament. Standing upright, he brushed himself off.

“Yo, brother. I know that you and your wife are Jews. And I also know your name. Neil, it’s a pleasure to meet you.” He extended his pudgy right hand, which I clasped warmly, and smiled at me in the friendliest of manners. Santa gave off such good vibes. I liked him a lot. Immediately.

“Santa, likewise, I’m sure. Are you hungry? Can I get you something to eat? To drink?”

“A toasted sesame seed bagel with a schmear would be nice,” Santa said. “And some schnapps to wash it all down would be outstanding. You don’t happen to have those around, do you?”

“Santa, this is more than your lucky day. My household overflows with bagels. And with schnapps in its many varieties. Come on, sit down at the dining room table and I’ll fix you up.” I assembled the simple meal and watched Santa happily eat and drink.

“Ah, this is delicious,” Santa said, alternating between bites and sips. Then, when his plate and glass were empty he got down to business. “I’ve had my eyes on you for awhile, Neil, and I’m certain I made the correct choice in visiting you. You see, I like Jews very much. Just like me, they know about good food and drink, and they rock the color red. Well, maybe I’m wrong about the second half of that statement. Anyway, speaking selfishly, what’s very important to me is that they boost my spirits. And once a year, believe me, I need that boost. You think it’s easy bringing toys to billions of children each year? Sure, if you only had to do it once or twice it wouldn’t be hard.  But year after year after year? Come on . . . talk about job burnout.”

“Many years ago I was schmoozing with a Jewish friend of mine, Morty Finkelstein, about this very problem,” Santa continued. “Morty listened carefully and let me pour my heart out. Then he proved himself to be a real mensch, saying all the right things to sooth my malaise. Since then, each year I seek out a Jew to help get me back on track. You were recommended to me a few months ago by the League Of Jewish Bloggers. That’s when I started reading your blog stories. I have to tell you that they give off the weird and optimistic sorts off auras that I’m partial to. Which is why I’m confident that you’re the person I need. Neil, tomorrow is my big day. I’m feeling down and tired, and I’m asking you to turn me around. I know you can do it.”

Holy man-o-Manischewitz. Was this really happening? Was I dreaming? I pinched myself on the right forearm real hard. Yikes, that hurt like crazy! No doubt, Santa truly was in the house. “Sir, I’m at your service,” I said. “And I think I know just what to do.” I motioned to Santa to rise.

“C’mon, guy. Follow me. I’m going to give you a powerful dose of lights. Christmas lights. Beautiful ones are all over this neighborhood, and some of the best are only two blocks away from here. I’m bummed out a little, too, right now. So, let’s take a walk, Santa. The lights will do both of us a lot of good.” I grabbed Santa by the arm and off we went. Thirty seconds later we hit pay dirt.

“Look at that house, Santa. Great, no? What artwork!”

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“And look at over there!” I yelled in his ear. “I ask you, who needs lavish, over-the-top Christmas light displays? Modest lights on cute, small houses often are where it’s at.”

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I could tell that Santa was impressed, even though for a while he didn’t say anything. But then he did. “You know, Neil, when I’m flying over houses all over the world on Christmas Eve and early Christmas morning, I never get a true head-on view of the decorations. I haven’t seen Christmas lights from this perspective in ages. I’d forgotten how sweet and heartwarming they can be. Why, that house right there is magnificent.” He pointed across the street.

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“And here’s another lovely one,” he said, as we continued a short distance down the block.

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I certainly couldn’t disagree. My suburban region, not known for its esthetic charms, becomes grand this time of year. And only at night.

I felt a powerful pinch on my right forearm, directly on the spot where I’d pinched myself only 10 minutes earlier. As if I required proof a second time that Santa was real. “Ouch, Santa! What’s the deal, dude?”

“Sorry, mate. But let’s turn back. I’m all energized once again, so I got to go. Mrs. Claus will start worrying if I don’t get back to the North Pole soon. It’s a miracle that nobody spotted me on the street, or I’d be here signing autographs till who knows when. I’ll need to borrow your cell phone, by the way. I’ll return it tomorrow night when I’m back this way. Mine broke into pieces when I was sliding down your frigging chimney. Once I’m in the air heading home tonight the missus will expect me to call her every half hour. She might want me to stop to pick up a quart of milk somewhere. Or maybe some Slim Jims,. My old lady, you never know what she’ll want.”

Santa embraced me in a thank-you hug. Minutes later I watched him nimbly scale the front of my house, its low side, and climb into his sleigh which, complete with reindeer and unnoticed by me, had been sitting atop the roof. “Bye, Santa,” I shouted. “Till next time. And keep those calls to the Pole short. International phone rates are a bitch.”

 

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Arrival, Moonlight, The Edge Of Seventeen: Three Movies Face The Jury

Film commentary used to be a big part of the publication that you presently are gazing upon. Which is why I’m on my bended knees right now, begging the movie goddesses and gods to forgive me for not seriously evaluating any cinematic creations in oh so long a time. A quick look tells me that it has been three months since I last delved deeply into any. Three months? Man, hundreds of movies have been released in that time. And I’ve taken in a fair number of them, 20 or so. It’s not that I didn’t want to spin a review or two or three. I did. But, being a dumb f**k who seems to be getting dumber by the day, I couldn’t figure out anything meaty or nifty to say about most of the fare. Or figure out their plots half the time either, to be embarrassingly honest. Hey, not all of us are destined to inherit the mantles of Pauline Kael and Roger Ebert.

So far today, though, my dimness factor has not been deplorable. I therefore have decided to share some thoughts and observations about three movies that my wife Sandy and I caught on big screens recently: Arrival, Moonlight, and The Edge Of Seventeen. Here we go.

Two of these three films, Moonlight and The Edge Of Seventeen, are lovingly-crafted and expertly-scripted examinations of the human condition. (Arrival is a different animal altogether, one to which lovingly-crafted possibly applies, but expertly-scripted doesn’t). They are coming of age stories that couldn’t be more different in their feels and approaches. The former, an engrossing downer that places a magnifying glass over the marginalized side of American society, is relentlessly gritty and roiling. The latter, on the other hand, is buoyant and breezy. It’s full of yuks and carries a smart, sarcastic swagger, yet is kept real by swift undercurrents of unease. Each in its own way rocks.

moonlight_2016_filmMoonlight, which unfolds in three separate segments, follows Chiron, a neglected and insufficiently loved gay black male, from his preteen years through his mid 20s. Life never is easy or a comforting experience for Chiron (played expertly, in chronological order, by Alex Hibbert, Ashton Sanders and Trevante Rhodes), who is raised in poverty by a cocaine-addicted mother who loves her son but maybe loves her drugs as much or more. Compared to Chiron, pretty much any of us who thinks he/she has problems should think again. Just the basics, such as finding food and shelter, are frequent challenges for Chiron, whose less-than-wordy personality is a result of the many stones that life tosses at him. Never has he been bolstered by more than a couple of willing and able supporters. And, on top of all of that, his homosexuality confuses and frightens him. He’s uncomfortable in his own skin.

img_1266The environment presented in The Edge Of Seventeen is a far more materially comfortable one than that displayed in Moonlight, but that doesn’t mean that life is splendidly manageable for the film’s protagonist, Nadine (Hailee Steinfeld). It isn’t, not by a long shot, though Nadine’s woes, compared to Chiron’s, look like nothing more than toe bruises. Nadine, a high school junior who has struggled all her days to locate self-confidence and to forge friendships, is a funny wise-cracker. She also spends a lot of time being sad, letting the slings and arrows get to her. She’s on the verge of what? Not quite despair, but something close to that. Most fortuitously for Nadine, familial and social support systems, and opportunities, are at hand, as might be expected for a middle-class white girl living in a well-stocked house with a mother and brother of good quality, and attending a good school. It’s a question of how, or if, she’ll take advantage of what’s around her.

img_1265Do Moonlight and The Edge Of Seventeen, as different as they are, have anything in common? I think so. A two-pronged theme that runs through both is human connections, and the lack thereof. Chiron and Nadine do not find it easy to locate the pathways that might bond them with others. They are hungry to connect, but their internal mechanisms (not to overlook outside forces, especially in Chiron’s case) get in the way. But they try. And they become better at the game as time goes on.

I’ll say little more about these two films, as I’m usually reluctant to provide data in quantities that might spoil another’s movie-going experiences. What I will mention is that the acting in both is excellent all around. Besides the leads in each movie, a tip of the hat to Mahershala Ali, whose portrayal of a very decent-hearted drug dealer who partially rescues Chiron from a totally disastrous existence, is heartbreakingly fine. Likewise to Woody Harrelson. He shines as a teacher who feels, really feels, in a most understatedly wry yet wise way for Nadine and her plight.

Connections, to my mind, is also a formidable motif running through Arrival. I’m not fully confident saying this, though, because what in the world Arrival actually is all about is significantly beyond me. And, I might add, beyond four or five other reviewers whose analyses I’ve looked at. Nevertheless, a few of those reviewers pretty much swooned over Arrival. How do you swoon over something that leaves you puzzled? Beats me. I guess that the movie’s atmospherics and high aims were enough to please them.

img_1298Anyway, Arrival is a sci-fier that definitely wants you to put on your thinking cap. Good luck with that, as I just mentioned. It is a present day aliens-visit-Earth affair. The aliens land simultaneously at 12 locations around the globe in sleek vehicles, two creatures per craft. (Spoiler alert, of sorts. I’m about to spill more beans than I did with Moonlight and The Edge Of Seventeen). They don’t speak any human languages, not unexpectedly, though it sure would have been keen if they did. But they do grunt and bellow in their own tongue. Unfortunately, what those noises mean no human ever figures out. But all is not lost, as they also have a written language, one composed of ink-blotty symbols. And — eureka! — eventually a couple of real smart humans decipher it, taking alien–human connections to a better level.

The visitors, super-giant octapi types that never leave their space ships, in my opinion don’t explain all too well (after the point in which their ink blots become understood) why they landed on our orb in the first place. That’s a big gripe that I have with the movie. Explain to whom, you ask? Why, to Louise Banks (Amy Adams), a linguistics expert and one of the aforementioned real smart humans. Upon the aliens’ arrival, Louise had been hauled out to meet and greet two of the huge beings, at their States-side landing site, by a befuddled and nervous U.S. military. Somehow, if I’m not mistaken (and I could be), the aliens knew in advance that they would hook up with Louise, clairvoyantly understanding that Louise is just what the world needs to help reduce high-running tensions among nations. To bring the world closer together, in other words. She’s a connector, see? Yup, the long-limbed animals are promoters and harbingers of peace, and real heroes, in my iffy interpretation of things.

There’s an unusual misty and mystical charm to Arrival that you won’t encounter every day. That’s a good thing. And a reason to check it out. There also are too many scenes loaded with clichéd actions and reactions, and dialog that frequently clunks heavily. If your movie-going time is limited, my suggestion is to put Arrival on the back burner. It’s a different story for Moonlight and The Edge Of Seventeen, though. Those you won’t want to miss. They are primo.

 

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Sunrise In Suburbia

In most parts of the world the Sun is consistent in its rhythms. Each day it goes up. And then it goes down. Sunrise, sunset. Right, duh. Now, I’ve written about sunsets at least two or three times before on this publication’s pages. But not, until this moment, about sunrises. And I’m pretty sure that, like me, scribes and photographers (and just about everybody else) over the years generally have spent a lot more time gazing at and thinking about our star’s settings rather than its risings. Probably has something to do, in many cases, with their not wanting to freeze their asses off at six or seven o’clock in the morning. I can dig it.

A Cape Cod sunset. October 2015.
A Cape Cod sunset. October 2015.

I’m definitely a sunset guy. I especially like to witness them when I’m in beautiful locales with wide open vistas and visible horizons. As this blog’s regular readers know by now, various sections of Cape Cod meet those criteria for me sweetly and perfectly. You’d think, then, that when I’m on Cape Cod I’d also be a sunrise guy. I mean, I get up early enough in the morning to watch our stellar friend ascend. But nope, never once have I seen a Cape sunrise. And I feel guilty about that. Catching a sunrise has been on my Cape to-do list for at least 15 years. And I mean to scratch it off that list before Mr. Reaper (first name Grim) comes to take me away. I don’t know, I suppose I’ve just been too lazy on The Cape to rev up my motor in darkness, which is what it takes to do the sunrise thing.

6:53 AM, Dec. 3, 2016. (Thirteen minutes before the Sun broke the horizon)
6:53 AM on Dec. 3, 2016 in suburban Philadelphia (thirteen minutes before the Sun broke the horizon)

Recently I was thinking about the above. And also thinking about the pathetic fact that, as far as I could recollect, I’d never seen a sunrise anywhere. “Yo, schmuck! You’re pushing 70,” I said to myself. “It’s time you remedied this situation.” And I did. On the first Saturday of the present month. On the outfield grasses of a baseball field within a public park located two blocks from my house in the Philadelphia suburbs. I’d like to say that it was a world-class experience, but I can’t. And that’s mostly because it took place in a less than jaw-droppingly beautiful spot. Gorgeous undeveloped areas are not to be found in my neck of the leveled woods. And, seeing that I wasn’t in the mood for driving miles and miles, the park was as good as or better than any location I could think of that wasn’t a hefty distance away.

7:05 AM
7:05 AM
7:11 AM
7:11 AM

Yes, I might sound like one, but I’m not totally an ungrateful fool. Only partly. Truth be told, I was glad to be out on the baseball field watching the sky get brighter and brighter and more and more colorful as the Sun pushed upward, breaking the horizon at 7:06 AM and continuing on its red-hot journey. There were lots of clouds in the sky and, as with sunsets, they enhanced the picture by adding malleable patterns and by enveloping and reflecting hues stylishly. I was into it, silently oohing and aahing a little bit while documenting the très cool event with my phone’s camera. And in between doing that, during the half hour that I spent in the park, I kind of rejoiced that the swarms of people who live all around where I was standing were, for the most part, nowhere to be seen or heard. That’s usually not true in my little corner of the world. I didn’t complain. You happily take your moments of peace when you can find them. All I saw was one fellow Baby Boomer striding along at a leisurely pace, a morning walker whom I’ve noticed in the neighborhood a few times before. He kept to the park’s walking paths, not once turning his head toward the fireworks taking place in the eastern heavens. And I heard one person, a someone who stepped outside his or her house to dump some trash into its not quite final resting place, a garbage can.

As my visit to the park approached the 30-minute mark I noticed that my fingers, though not my ass, were freezing.  It was about 38°F outside. I hadn’t brought along a pair of gloves. “Enough!” I almost shouted. “Sunrise, you’ve been great. You’ve been beautiful. I’m honored to have been in your presence. But we’re done for now. And so I bid you a melancholy goodbye.”

Hands thrust inside my coat pockets, in bright light I walked the short distance back to my house to drink some coffee and pop some (vitamin) pills. It had been a good start to the day.

Panoramic view from where I was standing.
Panoramic view from where I was standing.

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The Final Curtain . . . Oy Vey

finalcurtain-hqdefaultMortality, one of the less-than-fun subjects to ponder, has been on my mind a tad more than usual of late, and I’ve been dealing with it like the well-adjusted adult that I fantasize being. I know why my gaze has moved slightly in that direction, and I’ll get to that shortly. Luckily, though, I normally don’t give the topic a whole lot of thought, which I suspect is the case for nearly all of us. Most days I subconsciously shrug my shoulders in the face of the inevitable and continue performing my clumsy dance through life. There’s nothing we can do about the final curtain, so why sweat it? It’s out there. We know that. And one of these days it’s going to drop . . . Hey, wait a minute. That’s really true, isn’t it? One of these days it is going to drop. On little ol’ me. Me, who never hurt more than a few thousand flies in his life. Me, who makes it a point to help the elderly cross the street whether they want my assistance or not. It’s not fair, I tell you! It’s not fair! Holy crap, I’m bumming myself out. I need to walk away from my computer’s keyboard and try to calm down before I resume work on this depressing essay. A beer, that’ll help. Let’s make it a six pack. Better yet, a full case. I’ll be back at some point, unless that f**king curtain falls sooner than I expect it to.

(Three days later). As promised, I’ve returned. And I’m in fighting shape once again. It’s time to continue. I recall a conversation I had six or seven years ago with a childhood friend. I was in my early 60s at the time and recently had celebrated a birthday. “You know, I’m not getting any younger,” or something similarly clichéd I said to her. “Neil, you’re not old. To me you’re youthful,” she more or less said to me. What? Was she kidding? All I could think of was an indisputable fact: Even if I were to live for another 30 years, I was a whole lot closer to the end than to the beginning. And today, as I barrel down the track towards age 70, which is a mere 10 months away, that’s far truer than it was then. Oy vey, what’s a poor boy to do?

Aging. Closing in on the finish line. They are mystifying phenomena. And when you’re truly getting up there in years they can be hard to wrap your head around. My mother, for example, couldn’t believe it when she turned 70. She laughed and laughed when talking to me about the dubious milestone she had reached. 70? Hah! She probably thought of herself as being 45 or 50, and those numbers pretty well reflect the way I think about myself today. But time marches on unconcernedly, despite what’s going on in our imaginations. My mom, a wonderful person whose health problems were considerable and heartbreaking, is long gone. The grains of sand in her hourglass’s upper section emptied pretty quickly after her 70th spin around the Sun.

Photo by Tim Mosenfelder/SoundSpike
Photo by Tim Mosenfelder/SoundSpike

And now it’s time to mention the reason I’m writing this story, which for sure is not of the fluffy and puffy sorts that I usually populate cyberspace with. Yes, philosophy fans, once in a blue moon I cautiously reach into my mental library of deep thoughts and pull out a couple. Problem is, my supply is incredibly limited, so I have to ration them carefully. Right, I still haven’t mentioned the reason. Well, Sharon Jones is the reason. Sharon Jones, the gritty and splendid soul/funk singer. Sharon Jones, who didn’t find musical success until firmly in her middle age and probably was all the more appreciative of it for that. Sharon Jones, who a couple of weeks ago joined the long list of notable musicians (Bowie, Prince, Maurice White, Leonard Cohen, et al.) whose tenures on Planet Earth ceased in 2016. She made it to only age 60.

When I heard about Sharon’s death I felt sad. Quite sad. And not because I was a devout fan of hers. I wasn’t, though probably I should have been, as she was really, really good. Instead, her passing brought me up short because of something that I suspected to be very true. Namely, that undoubtedly she was a lovely person, someone whom I’d have been lucky to know and be pals with. I came away with those observations five years ago when my wife Sandy and I went with a group of friends to see Sharon perform in Philadelphia. As always, she was with The Dap-Kings, a horn-heavy, swaggering band she’d hooked up with in 2002, and found acclaim with over the succeeding years.

Sharon and The Dap-Kings’ performance was part of a weeks-long arts celebration that Philadelphia put on in the spring of 2011. On April 30 of that year she and her bandmates climbed the outdoor stage set up in the heart of town. They were the final act of that day’s street fair. The stage sat in the middle of Broad Street, Philadelphia’s main thoroughfare, and all around it were oceans of human bodies. I don’t know how, but Sandy and I and our friends found a few feet of open space pretty close to stage right. I was pumped. I knew that Sharon and company would be good, but had no idea they’d be fantastically good. And Sharon led the way. For an hour and a half or so she absolutely commanded the stage, shimmying and strutting and testifying and propelling songs to the skies with her powerful vocal cords. My God, she and The Dap-Kings rocked the city to its knees.

I was entranced. Not only that, I could tell that Sharon Jones was beyond ordinary in more than musical ways. That became obvious when she invited a group of little kids, who had been dancing their hearts out a few feet in front of her, to join her onstage. Sharon went wild with them, and the crowd roared. And they also roared, during the group’s signature song (100 Days, 100 Nights), when, with a “Come on, baby,” she motioned to a young man in the audience, Thomas, to climb up and party madly with her. She and Thomas made an exuberant couple. Here is the video of Sharon Jones, The Dap-Kings and Thomas:

What can I say? Beautiful people, those who are open and joyful, behave as Sharon did that afternoon. By that I mean that Sharon was a beautiful person. Which is why many in this world will miss her. It’s a sorrowful day when a bright light goes out.

 

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