Photography And/Or Art

A Nice Day

Yeah, Another Blogger158 Comments

Twelve days ago, after paying our bill at Barbuzzo, a restaurant in downtown Philadelphia, Pennsylvania, USA, my wife and I exited the establishment and then walked a few blocks to Jefferson Station. There, we caught a train that returned us to our suburban town. Halfway between Barbuzzo and the station I said to Sandy, “This was a nice day.” I wasn’t the least bit surprised when she said she had been thinking the same thing.

Yup, our worries and woes were in hiding during the five and a half hours we spent in Philadelphia that Thursday, first at The Philadelphia Flower Show and then at Barbuzzo. I don’t know, maybe I’d been sprinkled with a heavy dose of magic dust before leaving home in the early afternoon, because I was cool, calm and collected in Philly, as relaxed as when I’m drifting off to sleep. Even the substantial crowd at the flower show didn’t bother me in the least. “Hell,” I said to myself, “everyone here has just as much right as I do to get up close and personal with the exhibits.” What? I, whose nerves often are easily jangled, actually felt that way? I did. I sure would love to be in such an at-ease frame of mind far more than I normally am. Will the transformation occur before my time expires on Planet Earth? Well, “miracles” are known to happen. But I’m not holding my breath.

I’ve been living in or near Philadelphia since the mid-1970s, but for decades never paid any attention to The Philadelphia Flower Show, a famed annual event. In 2016, though, almost on a whim, Sandy and I decided to go. I liked the experience, and now have attended five times. This year’s production, which ran for nine days, was as sweet as summer fruit, despite being held in a non-descript hall large enough to accommodate a number of jumbo jets.

Each year’s flower show has a theme, 2024’s being United By Flowers. I’m all for unity and, like just about everyone, am pro-flowers. So, I couldn’t go wrong. Excellent flowers were almost everywhere in the exhibits area. Ditto for other forms of flora. Sandy and I spent two and a half hours admiring the many installations, doubling back at times to re-examine the five or six that had particularly wowed us. We spent an additional 30 minutes wandering around the vendors section, where more products than you could shake a stick at — and not just horticultural items — were for sale.

Besides the beauty and creativity on display, was there anything else about the show I liked? Affirmative. I admired the diversity of people in attendance. They ranged in age from those that hadn’t yet reached their first birthday to old f*ckers such as me. A wide range of races and cultures were on the scene. And numerous folks with mobility issues didn’t let the enormity of the hall keep them away. Wheelchairs, motorized scooters and canes abounded.

Around 5:00 PM, Sandy and I heard dinner’s call. So, we bade farewell to the flower show and made our way to 13th Street. Philadelphia’s restaurant scene is amazingly strong, and a four-block-long section of 13th Street is one of the prime destinations for restaurant goers. We couldn’t get into Darling Jack’s Tavern, our first choice. But 50 feet away was Barbuzzo, an Italian eatery we’d passed many times but had never frequented. In we went. The place was mobbed, dimly lit and looked cozy. Could they accommodate us? Sure, but only at the chef’s counter, where two stools apparently had been waiting to greet our rear ends.

Happy with our perches, we watched meals being cooked five feet away from us, in pans sitting atop the burners of a stove as solid as an army tank. The burners’ flames, and those from the nearby wood-fueled pizza oven, kept us good and warm. I kept glancing at the oven, whose fury fascinated me. Its portrait was the only photo I took in the restaurant.

We kept things simple at Barbuzzo, whose menu ranges wide, opting for a salad, a Margherita pizza, beer and wine. Everything was delicious. And, before we knew it, it was time to head home.

At 8:06 PM, we arrived at Jefferson Station, giving us very little time to catch the 8:10 train. If we missed it, we would have had to wait an hour for the next one. F*ck that! But we didn’t miss it. Moving quickly through the waiting area and down the stairs, we reached the train platform just as the 8:10 was pulling in. Nice.

Faces

Yeah, Another Blogger166 Comments

A week and a half ago, Philadelphia Museum Of Art opened its arms nice and wide when my wife Sandy and I entered the building. Then, with feeling, it embraced us. “Yeah,” I thought to myself, “this is going to be a good visit.” And it was. How could it not have been? I mean, over the years I’d roamed through PMA’s galleries more than 100 times, coming away invigorated each trip. The museum rocks.

Arriving with no advance plans as to what to see, we took a look at the museum’s website after showing our PMA-membership cards at the admissions counter. Any number of special exhibits listed on the site, ranging from small to large, piqued our interest. An hour and 45 minutes later, we’d toured them all, plus other gallery spaces. Whew! Had we covered too much ground a bit too quickly? Probably, but little matter. In any event, the museum was readying to close at that point, so off we went to retrieve our car in the museum’s parking garage. The visit, though, didn’t fade from my mind.

Sketch of The Potato Eaters, by Vincent Van Gogh. (This image belongs to Philadelphia Museum Of Art)

Faces! I’m still thinking about some of the face-centric artworks I saw at the museum, more so than the landscapes, seascapes, town scenes and city scenes, and abstractions. Maybe that’s because Sandy and I began our trek at a mini exhibit whose centerpiece was a privately owned, seldom-shown-in-public sketch by my favorite artist, Vincent van Gogh. The drawing, from 1885, is a rendition of The Potato Eaters, an oil painting Van Gogh was working on at the time in the Netherlands, the country of his birth. That painting is now generally considered to be one of his most important pieces.

The five folks in the sketch are Dutch farmers, a hard-working family that never had, and undoubtedly never would have, more than the minimum necessities needed to get by. Van Gogh didn’t try to portray them in exacting detail. He wasn’t a precisionist. His intent was to get to the heart and soul of these people. Hell, getting to the heart and soul was his intent in every one of his works, no matter what the subject matter. And he almost always pulled it off. His enormous popularity developed largely for this reason, I think. Posthumously, needless to say, as the general public was unaware of Van Gogh during his lifetime. (Van Gogh moved from the Netherlands to France in 1886, and died there, by his own hand, in 1890.)

Portrait Of James Baldwin, by Beauford Delaney. (This image belongs to Philadelphia Museum Of Art)

On the opposite side of the museum’s ground floor, hundreds of feet away from the Van Gogh sketch, Sandy and I admired a portrait of James Baldwin, the American writer, social activist and deep thinker. Painted by Beauford Delaney, a devoted artist whom success mostly eluded, the work, painted in 1945, depicts Baldwin in his early twenties. It captures him brilliantly, with bold strokes and an expert disregard for photographic-like realism. As a result, Baldwin comes alive on the canvas. Van Gogh would have approved.

Many other faces greeted us from PMA’s gallery walls that day. I’ll comment on only two of them. They are the visages, as some of you will recognize, of myself and my better half. Man, there was no way I was going to let pass the opportunity to snap a photo when I noticed our reflections in a mirror designed by Stephen Burks. The mirror was part of a dazzling exhibit of Burks’ modern interior-design items.

Somewhat amazingly, it is the only picture I took in the museum that day (the other two pix in this story are from the PMA website). That’s because, while at PMA, I had no intention of writing about Sandy’s and my visit and illustrating the story with photos captured by my phone’s camera. I just wasn’t in a reporter-on-the-scene mood. And yet, this essay emerged anyway. Well, all I can say is, “You never frigging know.” Ain’t that the truth!

A Whole Lot Of Colors

Yeah, Another Blogger146 Comments

Like a zillion other folks, I’m a sucker for fireworks displays. I feel deprived when I don’t catch at least one of them each year. My wife Sandy and I saw magnificent fireworks in Philadelphia this past July. And a fine show was gifted, once again by Philadelphia, to us and our pals Cindy and Gene (and a host of other celebrants) on the final evening of 2023. The four of us watched that New Year’s Eve extravaganza, an annual Philadelphia affair, from atop a parking garage near the Delaware River. In the middle of the river sat a barge from which the rockets were launched.

(Photo by Sandra Cherrey Scheinin)

On the garage roof, I behaved exactly as I expected I would. Meaning, I oohed and aahed as the air shook mightily and the darkened skies filled with starbursts (mostly in stately whites, golds, greens and reds) that danced and interwove for all they were worth. I damn well had a great time.

Still, a day or two later I was in need of further blasts of colors, though I didn’t recognize their call right away. Bold, brash colors, as it turned out, not the more subdued ones that predominated on New Year’s Eve. Was I a bit down in the dumps for a couple of days after NYE, and subconsciously figured that avalanches of eye-popping hues would snap me out of it? Could be. Whatever the case, five days into 2024, by which time I was clear about what to do, I entered Willow Grove Park, a three-level indoor mall located a hop, skip and a jump from my house in the burbs. I knew that heavy doses of just-what-the-doctor-ordered awaited me at the mall’s enormous arcade, whose space formerly had been occupied by a JCPenney department store.

I’d been to the arcade before, always as an admirer, not a game player. Man, it’s something else. Game console after game console after game console fill the arcade’s two floors. I don’t have a clue how to play any of them. But who cares? The games are a color extravaganza. On that January day I allowed their oversized personalities to conquer me.

What’s more, they were loud as hell, something I should have remembered from previous visits. Even louder than fireworks, being in a somewhat confined space as they are. Man, my poor f*cking ears, longtime victims of tinnitus, were greeted by a nonstop outpouring of screeches, whams and bams. Did the racket cause me to flee? Hell, no! I wanted an immersive experience.

Eventually, after becoming fully immersed, I departed. I quickly forgot about the arcade’s din, but not about its dazzling colors. They’d impressed the heck out of me. And invigorated me. I’m thinking about their vitality right now as I type these words.

Funny, though: It’s one thing to be impressed and invigorated, and quite another to be truly in love. Yes, for all my adult life I’ve been a seeker of colors that pack a mighty punch. But I sure don’t want to be in their presence anywhere close to all the time. That would be way too much sensory input. I’d become overwhelmed and exhausted.

However, there is a color I never tire of being around. It’s the one I saw when I stepped onto my house’s deck a half hour after returning home from the mall. Looking up at the sky’s gradations of gentle blue, I thought something like this to myself: “Yo, blue sky, I’m yours! Come on down and wrap yourself around my sagging, wrinkled bod!”

Well, the sky sure as shit ignored my invitation. Maybe it’s hard of hearing, or maybe it just can’t stand the sight of me. I’m not one to hold a grudge, though. Thus, I’ll conclude this story with a recording of Blue Skies, a lovely song composed by Irving Berlin. And who better to sing it than Ol’ Blue Eyes himself, Frank Sinatra. I think you’ll like it.

Art On Wheels, Part Twelve (Thanks, Philadelphia)

Yeah, Another Blogger155 Comments

It had been half a year since I’d hauled my scrawny ass around the streets of Philadelphia, Pennsylvania, USA, searching for handsomely decorated trucks, vans, buses and other wheeled objects. I was itching to track down another bunch of those bad boys, photograph them, and then compose and publish a new installment of Art On Wheels, a series I’ve grown quite fond of. And so, amidst favorable weather conditions, I hopped aboard a train in my suburban burg three Monday mornings ago. One hour later I arrived in downtown Philly. The game was set to begin.

However . . . I didn’t slip into game mode as effortlessly as I’d expected, because, from the start, some of Philadelphia’s many charms began to distract and seduce me more than slightly. For instance, 19th century townhouses as stately as anyone might wish for. Rittenhouse Square, a perfectly designed neighborhood park. Skyscrapers whose glass facades, in daylight, flaunt fabulous reflections.

It almost got to the point where I considered putting Art On Wheels on hold and writing a piece about the magnificence of The City Of Brotherly Love instead. But that wouldn’t do! Hell, I was on a mission, and I needed to see it through. And so, refocusing, I doggedly looked here, there and everywhere for noteworthy vehicles. Even though I didn’t spot quite as many as I’d have liked during the two hours I spent pounding the pavement, I found enough of them to quench my thirst quite thoroughly. In all, I took portraits of 17 specimens. The six that rang my bell more artistically than the others illustrate this article.

Yes, things worked out well in the end, as they always have in Philadelphia. Being a natural-born worrier, though, I had my doubts at times that day, since each Art On Wheels expedition is in fact a bit of a crapshoot. The odds, of course, were in my favor. You’d think that past experience would have proven to me emphatically that more than a few enterprises making deliveries or providing services in Philly want their vehicles to stand out. That’s just good business sense, right? In fact, it’s surprising, when you think about it, that the exteriors of a high percentage of commercial trucks, vans, etc. are pure vanilla. Flair isn’t in their vocabulary, but it sure wouldn’t hurt if it were.

Do you have favorites among the six vehicles pictured in this story? My top three are the ones promoting Junk In The Trunk, Orbit Water, and Budweiser beer (the slogan “official beer of the shift change” is meant to honor hard workers, such as Shayna Raichilson-Zadok, the chef who is proudly pictured).

Choosing among those three isn’t easy. However, I’m going to go with the candidate that makes me the happiest. Namely, Orbit Water. The truck’s artwork is oh so refreshing. And the smiling guy in the design is the epitome of good cheer. He would make an ideal salesperson for almost any product or service. Excepting cemetery plots and colonoscopies, needless to say, and a handful of others. Orbit Water, you are A-OK in my book.

Let me conclude this opus with a sidenote: For several years I’ve been issuing, without fail, a story every other Tuesday (Tuesday in my time zone, that is). However, seeing that Chanukah has begun and will continue for a few more nights, and that Kwanzaa, Christmas and New Year’s Day soon will arrive, this is a good time for me to step back for a short while. Thus, I won’t be publishing on what would have been the next scheduled date (December 26). But, assuming I remain above ground, I’ll return with fresh material on January 9, 2024. Happy New Year, everyone!

Rocking On!

Yeah, Another Blogger144 Comments

Here in the northern hemisphere, autumn is not all that far from drawing to a close. Winter soon will arrive. Having spent way too little time admiring the changing colors of tree leaves this autumn, a week and a half ago I decided to try and rectify the situation by taking a walk around my suburban neighborhood. And so, after murmuring a fond I’ll be back to the sofa I’d been resting my bony ass upon, out the door I went. Though many trees had already dropped all or most of their leaves, I quickly discovered that some still were proudly displaying plenty of their wares. Those leaves, masterpieces in shades of amber, burgundy, russet and gold, moved me. I was glad to be around them.

It wouldn’t be long, of course, before just about every deciduous tree was bare. Which is why, as I strode along, I found myself thinking about time’s relentless forward thrust. Man, not only will winter soon arrive, 2024 will too. Huh? For me, 2022 absolutely zoomed by. And 2023 is setting an even faster pace. It’s scary how time seems to accelerate when we get up there in years.

And there’s no question that I’m up there. I’m 76, for crying out loud, a number that stuns me. In my mind I may be 45 or 50, but the mirror tells a different story. As does this obvious truth: Even if I remain above ground for another 20 or more years, I’m ridiculously closer to the end than to the beginning. Holy shit, who designed this system?  I don’t like it! If it were up to me, we wouldn’t have expiration dates. Or, at the least, the expiration dates would be a hell of a lot longer than they now are.

What to do, what to do? Well, we all know that a good approach to life is to keep on keeping on as best we can. Meaning, we should be loving and giving individuals, and should pursue those activities that bring us joy. And it wouldn’t hurt if we spread our wings too. Yeah, that’s a game plan to embrace, no matter what our age.

There’s not enough room on this page for me to delve into my successes and failures in attempting to meet each of the criteria suggested above. But I will describe one recent activity that brought me joy. Namely, my attendance, with my wife Sandy, at a Willie Nile concert, which took place at City Winery Philadelphia. Willie is a songwriter, vocalist and rhythm guitarist. And, most important, a high-potency rocker. I’d seen him in concert before, and was at City Winery because I expected to be rocked righteously. For rock and roll — guitar-based, take-no-prisoners rock and roll, to be exact — is a form of music that meshes exceedingly well with my internal rhythms. When the songs are hearty and the playing is powerful and the musicians’ commitment knows no bounds, I’m transported to higher realms.

Everything came together magnificently that night. Willie and his band were on fire, unleashing torrents of energy. I’d been feeling rock-deprived for the previous two or three months. The Willie Nile concert put a halt to that.

The concert not only excited me, it got me thinking too. Willie, you see, is a mere eight months younger than me. He’s been part of the rock scene for decades, has played thousands of shows, and hasn’t lost his passion for the music. I tell you, Willie shines as a role model for seniors who are a bit dismayed by the thought that the Grim F*cking Reaper might be lurking around the corner. I’m one of those seniors. Willie is doing what he loves, and shares his gifts generously with his audiences. I believe he’ll rock until the day he drops. That’s a truly worthy way in which to live a life.

In closing, I’ll present you with a video from the concert in question. Dig Willie’s leg kick towards the end of the song. He might be old, but he’s still got “rock star” moves:

Surprise, Surprise, Surprise

Yeah, Another Blogger149 Comments

Many incidents surprised me while my wife Sandy and I vacationed last month on Cape Cod, Massachusetts, USA. But only three of them pleaded with me to write about them. I’m a softie, so I couldn’t say no. Away we go!

Surprise #1:

Cyberspace is glutted beyond belief with photos of sunsets. Is there room for more? Damn straight! And there always will be. The gods overseeing the internet have seen to that. I took this article’s sunset photo in Truro, a rural section of Cape Cod. Sandy and I were strolling along Corn Hill Beach, which borders Cape Cod Bay, as light was fading from the skies. Sunset aficionados, we were there mainly to view the big event. As gorgeous as the beach and the overall setting were, though, I was a bit disappointed, because the sunset’s opening stages weren’t even so-so. Masses of grey clouds were making it impossible for anything impressive to be displayed.

Or so I thought! Man, all of a sudden, as the Sun hit the horizon, the less-dense clouds in the western sky became electrified, exploding in brilliant orange hues. The bay waters joined in on the orange-heavy festivities. Sandy and I could hardly believe our eyes. Damn well awestruck, we agreed we’d never seen a sunset develop as this one had. Life’s a mystery, is it not? You never know what might occur. That early evening, we were in the right place at the right time.

Surprise #2:

Later that week we spent a few hours in Provincetown village, at the tippy tip of Cape Cod. It’s a charming, funky old town, a home to the arts, and once was a major commercial-fishing center. Some amount of commercial fishing still goes on there, but Ptown, for decades, has been better known for its large LGBTQ community than for anything else.

During the visit we examined the artworks in a bunch of galleries on Commercial Street, popped into a couple of other stores, and then had dinner at Ciro & Sal’s, a terrific Italian restaurant. Ten seconds after exiting the eatery, Sandy and I unexpectedly were brought to a halt by a powerful, palpable presence. We looked up . . .  and there it was: the Moon, big and bright, flirting with nearby clouds and casting a spell on darkened Commercial Street.

As with the Corn Hill Beach sunset, I was amazed by what I saw. I hadn’t paid much attention to the Moon in a long time. Nor to the stars or any other objects in the night sky, for that matter. And it’s not as if I’m rarely outside at night. But once in a while the beauty of the blackened heavens makes itself apparent to me. I saluted the Moon. Then I took its portrait. The photo is one of my favorites of the pix I snapped on Cape Cod.

And now for the third surprise:

In my younger days I puffed away somewhat regularly on marijuana and hashish. The highs they induced often were exemplary. But I gave up the habit in the 1980s, after about 15 years of indulgence, out of concern for my lungs.

However, for some years I’ve been wondering if I should give cannabis a try once again. In Pennsylvania, though, where I reside, you can’t purchase for-recreational-use cannabis legally.

But . . . during the Cape Cod trip I had a casual conversation with a guy working in a theater where Sandy and I were about to see a play. Our talk turned to marijuana, and he told me cannabis is sold legally, in a variety of forms, by authorized stores in Massachusetts. “You mean, anybody can go into one of those places and buy it?” I asked. He answered in the affirmative.

Say what? How was it possible I hadn’t known about this? Well, a week later Sandy and I made a trip to The Piping Plover, the Cape Cod cannabis shop that the theater worker had told me is his favorite. There, after discussing my high-times history with the lady behind the counter, and telling her I wasn’t interested in inhaling smoke these days, I purchased the product she recommended: Camino cannabis-infused edible gummies.

I haven’t popped one of those bad boys into my mouth yet. I’m a bit apprehensive, you see. But I will soon. Very soon. And when I do, I’ll put on some mind-expanding music, lean back on the living room sofa, and go on what, hopefully, will be a delightful journey through the spaceways. I’ve always been an oh wow-oriented kind of person to a fair degree. And the time seems right for me to increase that oh wow factor, via cannabis, as I did during my glory days many moons ago.

A Foggy Afternoon At The Beach (A Cape Cod Story)

Yeah, Another Blogger140 Comments

Well, the time has arrived for me to add yet another story about Cape Cod to this publication’s contents. And why not? Cape Cod is one of my happy places, as it is for my wife Sandy. We’ve vacationed on the Cape nearly every year since 1998. We feel at home there, at peace. We never get tired of it.

Sixty-five miles in length and surrounded by endless waters on three sides, hook-shaped Cape Cod lies within the boundaries of the state of Massachusetts, USA. The Cape has a lot going for it, such as natural beauty, a good arts scene, and slews of restaurants. Sandy and I are into all of that, in spades. Thus, as usual, we had a fine time and were active as can be during our just-ended two-and-a-half-week stay. If I were to write an account of all we did, this essay would go on for 10,000 more words. The hell with that. So, as is my wont, I’ll keep things on the concise side.

For me, the one aspect of Cape Cod that stands out above the others is its Atlantic Ocean coastline, which runs north and south for about 40 miles on the Cape’s eastern border. Man, it is breathtaking. And, importantly, is undeveloped. There are no commercial enterprises or boardwalks directly on the Cape’s Atlantic coast. Unadulterated beach, sand dunes, ocean and sky are what you get. And, in a long section, massive sand cliffs too. The sand cliffs astound me. They sit at the back of the beach, eroding and receding slowly year after year due to the punishment delivered by ocean storms, yet remaining defiant. They stare straight ahead stoically, their grit undeniable.

Late afternoon two Fridays ago, my better half and I found ourselves on Marconi Beach, a spectacular stretch of the ocean coast in the township of Wellfleet. Talk about cliffs! Marconi’s are enormous, possibly taller than their siblings elsewhere on the Cape’s Atlantic beaches. By my estimation they are roughly 100 feet in height. Walking along Marconi’s sands while gazing at the cliffs is a humbling experience.

What made this particular walk extra special, however, was not the cliffs. They are a given. No, it was dense fog, whose presence surprised the heck out of me. The rocking and rolling ocean, noisy as a crowded tavern, was heavily obscured. Swaths of vapors hugged the cliffs. I love walking the Cape’s beaches when the Sun is shining, the skies are blue and all seems well with the world. But I dug Marconi Beach no end that foggy afternoon. Variety damn well is the spice of life.

Sandy and I were pretty well bundled up at Marconi, as the temperature was not exactly warm. And the beach was uncrowded, just the way I like it. We saw only 25 or thereabouts individuals while we were there.

Two of our fellow beach visitors blew my mind: teenage girls frolicking in the surf. Holy shit, the waters were rough! I worried for the lasses. But they must have been experienced at this kind of thing, and clearly were having the times of their lives. Here’s the amazing part: The girls were as naked as when they were born, having left their clothes hanging on one of the many sculptures (human-made assemblages of driftwood) that graced the sands.

I toyed with the idea of snapping a picture of the young ladies, from a distance of course. But the possibility of them noticing me, then chasing after me, then catching me and beating the crap out of me, wasn’t appealing. Anyway, I’m an old man, not a dirty old man. I think.

Getting back to driftwood sculptures: I saw plenty of them on one beach or another during our Cape vacation. Marconi Beach contained an unusually large number. Do people have an innate urge at beaches to make arrangements of pieces of wood? I know that I do at times. I did just that once or twice while on the Cape this trip. Not at Marconi, though, despite driftwood abounding there. I guess I had other things on my mind. The fog, for one. And maybe the unclothed girls!

(The photos are from Marconi Beach)

A Shorts Story

Yeah, Another Blogger154 Comments

“What the f*ck is going on?” I asked myself two Thursday afternoons ago while at my volunteer job in a medical office building near my home. (I man the information desk there for four hours each week, answering questions and helping people in a variety of other ways.)

The day was humming along. I was busy. But something I’d never seen before in the dozen years I’ve held the gig was becoming more and more apparent as the afternoon progressed. Namely, scads of male visitors, ranging from teenagers to senior citizens, were wearing shorts. Amazingly, in fact, it seemed that more geezers — my peers — were in shorts than the younger members of my gender.

The volume of shorts-clad guys in the building didn’t decrease at any point during my shift. I even saw two examples of those gentlemen, each a strong candidate for the Hairiest Legs In Town trophy, heading for an exit together. What the f*ck, indeed! Was it National Men-In-Shorts Day? Sure, the weather outside was mild. But on nice days about one in ten guys visiting the building normally sport shorts. On the Thursday in question the percentage was at least three times higher. Some pieces of photographic evidence of what I observed are included in this essay.

Now, there’s little doubt that just about nobody but me would have paid much, if any, attention to the shorts situation that day. I mean, who gives a shit about guys in shorts, right? Well, I do, but only when it comes to males middle-aged and above. That’s because I, once very pro-shorts, eliminated shorts from my wardrobe circa 1990. In my mid-40s at the time, I was of the opinion that shorts had become age-inappropriate for me.

Furthermore, I decided that guys in my age demographic or older would do well to follow suit. Needless to say, that didn’t happen and still hasn’t. I’ll never be an influencer.

It doesn’t take a psychiatrist or psychotherapist to understand that what I did and thought regarding shorts revealed and continues to reveal plenty about my insecurities and confidence level. Let’s face it, I feel slightly threatened by and jealous of mature men who appear in public in shorts. Clearly, though, I should admire them instead, as many of them, undoubtedly, are more comfortable in their skins than I am in mine.

So, I’ve got work to do. Mainly, I’ll try to stop asking myself “what the f*ck?” when shorts-wearing guys who are far removed from their 20s enter my field of vision. And it wouldn’t hurt if I bought and began wearing shorts again. Screw age–inappropriate!

Up until six months ago I wouldn’t have needed to buy any shorts, though, as two pairs of same had been residing undisturbed within my clothes closet for eons. One was a multi-colored gem, a work of pop art. Back in the 1980s I wore it proudly.

The second pair, taupe in color, lacked charisma but was cool nonetheless. For reasons I can’t recall, not only did I never wear it, I didn’t even remove the price tag. I suppose I bought this pair in the 1990s, thinking I might one day get back into a shorts frame of mind.

Anyway, six months ago a wonderful event took place: a multi-day, my-side-of-the-family reunion. People came from very near and from very far, everyone, including me and my wife Sandy, spending the majority of time in Philadelphia. For one day, though, the gang assembled at Sandy’s and my house in the Philadelphia burbs, where lots of fun was had by all.

I don’t remember why, but in the middle of that day the subject of clothes, maybe of shorts specifically, came up between me and one of my nephews, who was at the reunion with his girlfriend. Bingo! It instantly dawned on me that I possessed clothes I no longer wore and no longer wanted. I raced upstairs and removed both pairs of shorts from their burial site and bestowed them upon two folks much younger and better looking than I. My nephew and his girlfriend wasted no time in putting them on. The photo I snapped of them in their new duds is a favorite of mine. Have shorts ever looked finer on anyone? I think not!

The City Of Brotherly Love At Night

Yeah, Another Blogger127 Comments

As readers of Yeah, Another Blogger know, I do a fair amount of walking. Many of the walks take place in my suburban neighborhood, whose pavements I pound for 25 or 30 minutes per session in the hopes of maintaining a decent level of cardio fitness. I would describe those outings as meh, because suburbia ain’t exactly crammed with interesting things to look at.  

Pretty regularly, though, I head into Philadelphia, Pennsylvania, USA, which is close to my town, to walk for pleasure. There, sometimes by myself, sometimes with my friend Gene, I cover a bunch of miles, avidly checking out multitudes of this, that and the other thing, many of them fascinating. I never get tired of spending time in The City Of Brotherly Love.

Now, just about all of the Philadelphia hikes have been in daylight. So, when the notion popped into my head recently to stretch my legs extensively in Philly under darkened skies, I gave it the thumbs-up. After all, I hadn’t indulged in a lengthy nighttime stroll in the city since the one I wrote about in 2018.

Thus, on a balmy Tuesday evening earlier this month, I rode a train into central Philadelphia, and then spent two hours wandering all over the place. I took nearly five dozen pictures along the way. A selection of them illustrates this story.

A bit to my surprise, none of the city sections I visited were anything resembling deserted. The sidewalks weren’t crowded, but they were busy enough, with folks popping in and out of stores and eateries, going about their business in other ways, or just plain hanging out. Not bad for a Tuesday night. I was glad about all of that in terms of my personal safety, and also because it showed that the hard hits delivered by the COVID pandemic have been reversed substantially.

A group of locals on a Chinatown street corner.
The China Gate, in Philadelphia’s Chinatown section.

When it came to hanging out, nobody I saw that night did it any better than a group of folks chatting away on a street corner in Philly’s Chinatown neighborhood. I’d have liked to have walked right up to them and ask if it would be okay for me to take an ensemble portrait. But I’m a chickenshit when it comes to approaching strangers for photographic reasons. My loss, of course, as I’ve missed out on any number of revealing pix over the years. Nonetheless, I like the snapshot in which, from a distance, they appear. The mural on the side of the TeaDo tea house anchors that scene with pride. And I like even better the picture of The China Gate, the magnificent welcome-to-Chinatown arch that straddles 10th Street a block from where I blew my chance to get up-close and personal with the locals.

A guy on a blanket in Rittenhouse Square, one of Philadelphia’s best parks.

A similar situation presented itself an hour later in Rittenhouse Square, one of Philadelphia’s stellar parks, where a guy was seated on a blanket. He was as content as can be under tree branches that smiled down upon him lovingly. Once again, a close-up would have been cool. On the other hand, the park’s calm vibes wouldn’t have been as evident in a close-up as they are in the picture I took instead.

City Hall (left) and skyscrapers.
A block of Sansom Street, not far from City Hall.
Hard Rock Cafe, Philadelphia.

Calm vibes, in fact, filled the air everywhere I went. The city was quieter, more welcoming than it is during daylight hours. The semi-darkness helped bring that about, and I was under its spell. Hell, just about everything looked good to me. City Hall, smack dab in the middle of central Philadelphia, and the modern skyscrapers just beyond it dazzled in an understated manner. Streetlamps and store signs bathed narrow blocks, such as the Sansom Street corridor west of City Hall, gently and warmly. A giant guitar sculpture, lit up like a Christmas tree and hanging from the facade of Hard Rock Café, never looked better.

But all good things must come to an end. A few minutes after admiring the guitar I entered Jefferson Station, within which I hopped aboard the train that took me back to my little town. It had been a big night in the big city.

Yeah, long solo walks in stimulating places are my cup of tea. I live in the moment during these mini adventures, enjoying the heck out of being able to go here or there as I like, answerable to no one and curious to see what’s around the next corner. They make my cares and woes disappear, leaving me with a sense of freedom that normally I don’t experience all too deeply. Man, I’d be golden if I learned to incorporate that orientation much more fully into my everyday life. Will it ever happen? Well, . . .

Happy Birthday, Sandy!

Yeah, Another Blogger150 Comments

Seeing that a person’s birthday comes but once a year, celebrating it in a substantial way is a damn good idea. Even though my wife Sandy and I don’t always follow that philosophy, a couple of weeks ago we did. Having booked a hotel room in Philadelphia, Pennsylvania, USA for Sandy’s birthday (the big day itself, plus the two days bookending it), we dipped into The City Of Brotherly Love’s many offerings and, as is almost always the case when we’re there, had a fine time.

Jules Goldman Books And Art, an eye-popping store.
Empty building that once housed the Painted Bride Art Center. Isaiah Zagar’s mosaic mural covers the building.
A portion of the mosaic mural at the rear of the building.

What did we do? We had two great restaurant dinners, for one thing, meals that we won’t soon forget. We took in a movie (Barbie, which Sandy, unlike me, liked a lot). We wandered into Jules Goldman Books And Art, one of the most mind-blowingly jumbled stores I’ve ever seen. And we gazed in wonder at the mosaic mural (by Isaiah Zagar) covering all sides of the long-vacant building that once housed the Painted Bride Art Center. Sandy and I saw loads of terrific music and dance performances at the Bride, and truly miss it. (The Painted Bride Art Center still exits. It’s at a different location now, and is but the merest shadow, arts-wise, of its former world-class self.) The building’s and the mosaic mural’s fates, tied up in litigation for a number of years, are uncertain. Demolition is a real possibility. If that comes to pass, Philadelphia will lose a treasure.

The painting popularly known as Whistler’s Mother.

The birthday girl and I also went to the Philadelphia Museum Of Art. In that enormous institution we viewed hundreds of artworks, including the world-famous painting popularly known as Whistler’s Mother, on loan from a museum in Paris. I was expecting to poo-poo the picture, but the more I looked at it, the more I liked it. It’s a well-designed creation, quite riveting, whose true title (Arrangement In Grey And Black No. 1) is a good description of what the artist James Whistler was going after, and accomplished, when his mother Anna posed for him in 1871.

The building in which I once lived (Clinton Street, Philadelphia).

I could mention plenty more activities, but I’ll limit myself to one. A very personal one. Namely, our visit to a central Philadelphia neighborhood we both were familiar with, and within which we very likely crossed paths many years before we formally met in 1990.

I moved to Philadelphia in 1974, taking up residence on Clinton Street, a leafy block with any number of fine old houses. I lived there for 14 months in an apartment building, the one nondescript structure on Clinton, during which time Sandy worked two blocks away. Did we pass one another, maybe more than once, on the street? Did we chow down in a neighborhood eatery at the same time? We’ll never know, but I’m guessing yes. On the day before her birthday, we reminisced about those long-ago days as we strolled along a bunch of blocks in the Clinton Street area.

To continue: As noted above, our paths crossed in 1990. Meaningfully too. This occurred at a singles event near Philadelphia’s Delaware River waterfront. Sandy and I, each of us far removed from our Clinton-Street-neighborhood days, clicked right from the start and have been together ever since. I don’t believe in fate or anything like that. But it’s cool that, unbeknownst to us, we were part of the same picture all those years before, in a sense just waiting for our stories to entwine.

Now, this being a piece about a special occasion, I’ll conclude the proceedings with blasts of good cheer and high energy. And I’ll turn to The Beatles to handle the honors. Their hard-rocking song Birthday appears on what has come to be known as The White Album. John Lennon and Paul McCartney wrote Birthday quickly in the recording studio in September 1968. A few hours later, the band, McCartney handling lead vocals, put it on tape. Man, in no time at all a classic was birthed.

It’s inarguable that Paul McCartney calling Sandy and singing Birthday over the phone to her would be better than my presenting her with The Beatles’ recorded version. Maybe one day, in an alternate universe, that will happen. But for now, the original, in all its glory, will suffice beautifully. And so, once again . . . happy birthday, Sandy!