Rock And Roll

I’m Still Grooving, But Not As Much As I Used To

Yeah, Another Blogger162 Comments

For decades and decades, listening to music was a dominant activity in my life. The infatuation started in 1957, I think, when I was nine and a half or maybe ten years old. That year, by way of top-40 radio stations, rock ‘n roll and pop songs began to ring my bell vigorously. Wake Up Little Susie, by The Everly Brothers, for instance. I loved that tune. Still do. And I became totally captivated by Honeycomb. Sung by the little-remembered Jimmie Rodgers, it seemed as sweet as a warm, sunny day. I remember singing Honeycomb to myself over and over again, the first time, probably, I’d ever done such a thing. Music had hooked me, and the hook, as the months and years went by, penetrated deeper and deeper.

The Beatles sealed the deal. In 1964, their great songs and incredible charisma turned me into a music junkie. I couldn’t stop listening to Beatles creations and to loads of other songs on the radio and on the smattering of vinyl albums I’d accumulated. By the time I graduated from college, in 1969, my record collection was on the verge of becoming pretty substantial, and I’d become a bigger addict than ever. And the addiction grew even stronger one year later, as I began to attend concerts at an admirable pace.

I don’t know what the actual count is, but I’ve taken in well over 1,000 concerts in my life. Hell, in 2008 alone, determined to set a personal best I’d unlikely ever top, I went to 104 of them. And my collection of vinyl albums, CDs and cassette tapes is huge, numbering somewhere in the vicinity of 1,500 items.

But things have changed. Since 2020, I’ve gone to far fewer concerts annually than before (last year I caught nine). And during that time I’ve bought hardly any recorded music at all. Even more telling about my altered relationship, for these years, is this: I’ve listened to music at home for an average, I’d estimate, of an hour and a half per day. For many a moon, the figure had been two to three times higher.

So, what happened? Part of the answer is age-related. Meaning, I’m old as f*cking dirt, and with age has come what seems to be a need for longer periods of quiet. My mental and emotional systems function better when sounds aren’t around me all that much. Ergo, music plays at home on a fairly limited basis — in the evenings and on weekend mornings, primarily.

That said, I still adore going out to hear live music. But I’m not a fan of driving home late at night from a venue, unless the place is reasonably close to my home. Why? Because, as I just mentioned, I’m old as f*cking dirt. Alas, most of the venues I favor aren’t nearby. Which, along with other reasons not worth going into, accounts for my decreased concert-attending statistics.

Here’s the thing, however: When I listen to music intently, it can get to me the same as it did when I was younger and feeling my oats more frequently than I do these days. I haven’t lost any of my ability to groove mightily to rock, jazz, blues, R&B, soul, bossa nova and the other genres I’m keen on. I love to sync myself with the vibes and rhythms of strong, honest music, and let them carry me up, up and away.

Last year, my wife and I went to see Alejandro Escovedo, a rocker who has been at it for about 50 years. Criminally not as well-known as he should be, Alejandro is the total package: excellent songwriter, singer and guitar player. He remains at the top of his game. What a great show he and his band put on. I’m in the mood right now to be transported to the stratosphere, and to be enveloped by the take-no-prisoners powers of musicians who know how to deliver. Here, then, is the song titled John Conquest, the opening track on Alejandro’s latest album (Echo Dancing). Prepare yourself to be rocked righteously.

A Peachy Story

Yeah, Another Blogger173 Comments

For most of my life I’ve enjoyed summer. I’ve spent many hours outdoors in the hot season, frolicking under the Sun or soaking up its potent rays while lying on a blanket or chaise lounge.

Alas, somewhere along the line, perhaps about 10 years ago, my good feelings about summer took a sharp turn southward. Since then, I’ve mostly stayed indoors in summer when the Sun is high in the sky, my body no longer happy to be exposed to temperatures above 85°F (29°C) and to an unrelentingly bright ball of fire. Now deep into my senior-citizenhood, I melt like ice cream under those conditions. Which doesn’t fit the definition of having fun in the summertime.

A week and a half or so ago, though, a northward shift occurred. I have no idea how long this positive outlook on summer will remain in place. In any event, it’s fascinating to me that the change occurred at all.

My favorite fruit, peaches, prompted my new attitude. There I was in early June at a local supermarket, buying this and that, when I remembered that peaches had come into season in parts of the USA and would be for sale in the store. Moments later I picked out a couple of peaches. They’d been shipped from the state of Georgia, one of the peach hubs of America, to Pennsylvania, where I reside and was grocery shopping.

One of those peaches took two days to ripen, the other took three. The waits were worth it. The peaches blew my mind when they entered my mouth, so luscious were they. Their sweetness was exemplary, their texture a dream. In love with the fruit, I realized that peaches galore would be available for the next two or three months. In other words, throughout the summer. And, at that moment, I found myself regarding summer, which officially began in my hemisphere on the 20th of June, in a good light. “You know,” I said to myself, “summer offers more than the opportunities to sweat like a f*cking pig and to come close to passing out from the heat. Neil, you’ve forgotten that summer has its upsides too.”

Yes, I’m in a much better frame of mind about summer than I’ve been in a long time, despite the crazy heat that has Pennsylvania and much of the rest of the world in its grip. And I have more than peaches to thank for that, because what I’m expecting to be enjoyable getaways are on the horizon. Sandy and I will be at a family reunion this summer for a few days. The locale? A village beside a beautiful lake in rural upstate New York. And we’ll also spend time with friends at their beach house in Delaware.

Now, I’m going to stay in the shade, or indoors, a good bit at those gatherings. I’m not about to forget what high heat and glaring Sun can do to me. However, I fully intend to have fun while there. And if that happens, I figure there’s a chance I’ll also approach the remainder of summer 2024, and subsequent summers, lightheartedly, like I used to do.

I can think of no better way to end this essay than to include a song from Eat A Peach, the album released in 1972 by one of the greatest rock groups of all time, The Allman Brothers Band. Fittingly, they were based in Georgia. And, I’d guess, they consumed more than their fair share of peaches. I’ll leave you with Stand Back, one of the Allman songs you don’t hear all too often. Power-packed and gritty, it almost makes me want to go outside and dance madly while engulfed by high temps and intense sunlight. I said almost.

Rocking On!

Yeah, Another Blogger144 Comments

Here in the northern hemisphere, autumn is not all that far from drawing to a close. Winter soon will arrive. Having spent way too little time admiring the changing colors of tree leaves this autumn, a week and a half ago I decided to try and rectify the situation by taking a walk around my suburban neighborhood. And so, after murmuring a fond I’ll be back to the sofa I’d been resting my bony ass upon, out the door I went. Though many trees had already dropped all or most of their leaves, I quickly discovered that some still were proudly displaying plenty of their wares. Those leaves, masterpieces in shades of amber, burgundy, russet and gold, moved me. I was glad to be around them.

It wouldn’t be long, of course, before just about every deciduous tree was bare. Which is why, as I strode along, I found myself thinking about time’s relentless forward thrust. Man, not only will winter soon arrive, 2024 will too. Huh? For me, 2022 absolutely zoomed by. And 2023 is setting an even faster pace. It’s scary how time seems to accelerate when we get up there in years.

And there’s no question that I’m up there. I’m 76, for crying out loud, a number that stuns me. In my mind I may be 45 or 50, but the mirror tells a different story. As does this obvious truth: Even if I remain above ground for another 20 or more years, I’m ridiculously closer to the end than to the beginning. Holy shit, who designed this system?  I don’t like it! If it were up to me, we wouldn’t have expiration dates. Or, at the least, the expiration dates would be a hell of a lot longer than they now are.

What to do, what to do? Well, we all know that a good approach to life is to keep on keeping on as best we can. Meaning, we should be loving and giving individuals, and should pursue those activities that bring us joy. And it wouldn’t hurt if we spread our wings too. Yeah, that’s a game plan to embrace, no matter what our age.

There’s not enough room on this page for me to delve into my successes and failures in attempting to meet each of the criteria suggested above. But I will describe one recent activity that brought me joy. Namely, my attendance, with my wife Sandy, at a Willie Nile concert, which took place at City Winery Philadelphia. Willie is a songwriter, vocalist and rhythm guitarist. And, most important, a high-potency rocker. I’d seen him in concert before, and was at City Winery because I expected to be rocked righteously. For rock and roll — guitar-based, take-no-prisoners rock and roll, to be exact — is a form of music that meshes exceedingly well with my internal rhythms. When the songs are hearty and the playing is powerful and the musicians’ commitment knows no bounds, I’m transported to higher realms.

Everything came together magnificently that night. Willie and his band were on fire, unleashing torrents of energy. I’d been feeling rock-deprived for the previous two or three months. The Willie Nile concert put a halt to that.

The concert not only excited me, it got me thinking too. Willie, you see, is a mere eight months younger than me. He’s been part of the rock scene for decades, has played thousands of shows, and hasn’t lost his passion for the music. I tell you, Willie shines as a role model for seniors who are a bit dismayed by the thought that the Grim F*cking Reaper might be lurking around the corner. I’m one of those seniors. Willie is doing what he loves, and shares his gifts generously with his audiences. I believe he’ll rock until the day he drops. That’s a truly worthy way in which to live a life.

In closing, I’ll present you with a video from the concert in question. Dig Willie’s leg kick towards the end of the song. He might be old, but he’s still got “rock star” moves:

One Loser, Three Winners

Yeah, Another Blogger139 Comments

As I’ve mentioned any number of times before on these pages, streaming services such as Netflix and Amazon Prime Video helped keep me sane during the days when the COVID pandemic wreaked havoc with humankind. Even though the worst is behind us, COVID-ly speaking, my addiction to the streamers hasn’t abated in the least. Man, five or more nights each week my wife Sandy and I tune in to one series or another for an hour or two. This practice pleases the hell out of me, an entertainment hound. Basically, I love it!

Sandy and I enjoy nearly all of the series we watch, partly because we do a fair bit of research before hitting a production’s Play button. We’re not about to look at anything that gets less than a strong rating on IMDB, for instance. Nevertheless, losers occasionally pass before our eyes, such as the Netflix series Marcella, a detective show whose first season we dialed up a few months ago. It’s beyond me how Marcella has garnered a 7.4 on IMDB. With way too many plotlines and riddled with ludicrous situations, it started rubbing me the wrong way in a very big way after two or three episodes. At that point I said “F*ck this!” and, with Sandy’s blessing, tossed the series aside. I’m not fabled for making good decisions, but saying bye-bye to Marcella was the indisputable proper move.

There were no complaints from me or Sandy, however, earlier this month as we polished off, consecutively, three series that kept our eyes glued to the TV screen and our emotions running high.

First up was season one of The Night Agent, released this year on Netflix. In this tale, Peter Sutherland (played by Gabriel Basso), a low-level FBI agent, becomes involved up to his neck in a murder investigation that in no time has him questioning whom he can trust. It all starts when Sutherland becomes the unwitting protector of Rose Larkin (portrayed by Luciane Buchanan), who has witnessed the assassinations of her aunt and uncle and is on the run from the killers. Why were the aunt and uncle killed? Who was behind the murders? Will Peter and Rose solve the mystery and not get whacked?  I can be a dumbshit, but by the end of the final episode I had a pretty good understanding of what the hell had been going on, which is not always the case with me and thrillers. Sandy and I hope that the already-promised season two will fly as high as the initial run does.

Next on the bill was The Diplomat, another new Netflix series (its season two also has been OK’d). A drama starring Keri Russell as Kate Wyler, the newly appointed U.S. ambassador to Great Britain, the show deftly, and in a stylized manner whose wryness agreed with me, douses its viewers with political maneuverings and negotiations.

Wyler isn’t sure she’s cut out for her new job. But from the get-go she proves that she’s got what it takes. Adept at getting her points across, she helps to avert an international crisis and likely a war by convincing the U.S. president that Iran, the presumed culprit, was not behind the attack on a British naval vessel that killed dozens of sailors. As a result, the cagey British Prime Minister, for now neutralized, doesn’t retaliate against Iran. But murky waters lie ahead nonetheless. Things are not what they seem to be, Kate learns more than once. And a seemingly innocuous situation leads to a cliffhanger of major proportions, guaranteeing that Sandy and I will return for season two upon its release.

You know, I’m a rock and roller at heart. I would have loved living the life of a rock musician. There was and is one problem, though: I have zero musical talent. So, I’ve lived that life vicariously, and continue to do so even now at my ridiculously advanced age. All of which means that I was smitten with Daisy Jones & The Six, a ten-part Amazon presentation released this year and based on the novel of the same name by Taylor Jenkins Reid.

The (fictional) saga of the titular band that, during the 1970s, rose to lofty heights and then fell apart, Daisy Jones & The Six has all that you might expect: sex, drugs and heaps and heaps of rock and roll. The series chronicles the group’s history and brings the story into sharper focus by including interviews — conducted 20 years after the band’s dissolution — with band members and their inner circle, none of whom had spoken publicly before about why the implosion took place.

Armed with good scripts and actors who do justice to the words written for them, Daisy Jones & The Six has a lot going for it. What’s more, much to my astonishment, the series made me think . . . about love’s complexities, for love in various stages of development and strength lies at the heart of the show. Billy Dunne and Daisy Jones (brought to life by actors Sam Claflin and Riley Keough, respectively), the leaders and vocalists of the band, have a contentious association at first, which mellows with time and then morphs into something far more nuanced and intimidating. I’ll say no more, except to reiterate that love and relationships damn sure can be complicated.

Thanks for reading, boys and girls. Sandy and I would be happy to learn about the shows you recommend. We’re always on the lookout for series to watch. We thank you.

Great Performances

Yeah, Another Blogger117 Comments

Last week, a few hours before placing my fingers on my computer’s keypad, I toyed with the idea of writing in depth about the world’s never-ending cavalcade of horrors: the man-made and also the ones bestowed by Mother Nature. Among those of recent vintage, Russia’s pummeling of Ukraine for the past 13 months is the first category’s undisputed leader. Earthquakes in Turkey and Syria, which killed nearly 60,000 people earlier this year, top the second.

But, seeing that I ain’t anyone’s go-to guy for news analysis or for astute political and philosophical commentary, I decided to ditch said idea and head instead in a direction I’m more in tune with. The next however-many hundreds of words, therefore, are devoted to artistic performances that recently knocked me off my aged, wrinkly feet.

First up are the acting jobs — as profound as any you could hope to see — turned in by Michael Shannon and Jessica Chastain in George & Tammy, a mini-series available on various platforms, including Showtime. The show tells the intertwined tales of George Jones and Tammy Wynette, country music stars long deceased, who loved one another to the end, despite divorcing in 1975 after six years of marriage (Jones passed in 2013, Wynette in 1998.) More than anything else, Jones’ heavy drinking caused the union to crumble. He adored Wynette but, a troubled soul, was prone to violent outbursts. Conversely, Wynette, blessed with inherent sweetness, radiated calm and light in the face of a host of personal difficulties.

My wife Sandy and I gobbled up George & Tammy last month. It got to us, really moved us. It’s not perfect, though. A few too many clichéd scenes see to that. However, Shannon and Chastain are wonders to behold, and make production deficiencies almost irrelevant. Bringing their characters to life so believably, so naturally, they elevate each episode’s script to levels the writers likely never envisioned. And, by the way, Shannon and Chastain sing damn well too. I’ll now clearly state what I’ve been implying: George & Tammy is worth your time, even if you’re not a country music fan. I highly recommend it.

Anyone who is into paintings, graphics and sculptures probably is familiar with The Barnes Foundation, a museum in Philadelphia, Pennsylvania, USA. Its collection, amassed over several decades by the late Albert Barnes, a wealthy physician, chemist and businessman who left this mortal coil in 1951, is nothing short of astonishing. The Barnes is drenched with works by Renoir, Cézanne, Soutine, Utrillo, Matisse and Van Gogh, to name but a few of the mid-1800s-to-mid-1900s artists the museum specializes in. It also showcases African masks and sculptures, ancient Greek sculptures, plus a ton of other creations. What a place!

Well, being someone who definitely is into the artforms listed above and who lives not terribly far from Philadelphia, I drop by the Barnes every few years (visiting more often than that would dampen my ability to view the collection with fresh eyes). One particular array of paintings has caught my attention on each of my last few visits, including the one I paid three weeks ago. Extending from one wall to the next, it presents four oils, three of them by Paul Cézanne and one by Vincent van Gogh. Those gentlemen, along with Claude Monet, are my favorite artists.

Cézanne and Van Gogh had the gift of getting to the heart of things, each from a different set of angles. The four oils in question — beautiful performances, if you will — are proof of this. I feel life forces simmering beneath Cézanne’s understated pallet of blues, grays, browns and greens. Van Gogh, of course, is more obviously expressive. He can’t contain his emotions.  It’s easy to spend more than a few moments gazing at his still life’s flowers and leaves, which seem ready to leap not only out of their container but off the canvas too. He painted it in 1888, one year before his death. Van Gogh, who had minimal commercial success during his life, would have been ecstatic, I’m sure, to know that in time his works would captivate people, and that he was destined to become a legend.

The final performance I’ll present is by Sarah Shook & The Disarmers, an American band that can rock like nobody’s business. Their recording Talkin’ To Myself came out a year and a half ago. It blew me away when I first heard it last year, and I dialed it up again the day before I began writing this story because I was in need of perfect, ass-kicking rock and roll. Lyrically this song doesn’t paint a happy picture but, man, sonically it’s amazing. Ferocious guitar licks and pounding drums that show no mercy surround Shook’s controlled-yet-sneering vocals. Press the Play button below if you’re ready to be jolted.

A Gloomy And Colorful Story

Yeah, Another Blogger154 Comments

Oh, to be back in the hippie era, that golden time when I was young and when open minds and open arms were, for many, the order of the day. Alas, it is long gone. Now, here in the USA, there is an abundance of folks who are anything but welcoming. In fact, one of their primary missions is to deprive others of basic rights required for democracy to survive, let alone prosper. I find that truth hard to believe and even harder to understand. A sad example occurred in January: the banding together of every Republican Party member of the United States Senate to doom the passage of a bill that would have helped protect voting rights. Would any reasonably moral and honorable person vote against such legislation? They wouldn’t. Those senators, troublingly, are nowhere near moral and honorable.

The gloomy morning in question.

Yup, gloomy describes the state of affairs in my country. And that word also describes the recent morning (a few days before the voting rights bill met its demise) that sparked the writing of this story. Grey as hell, not to mention damp and chilly, it was bringing me down. So, I hopped into my car and drove to Willow Grove Park, a three-story indoor shopping mall near my home in the Philadelphia burbs. I was in need of a barrage of color jolts not obtainable, for the most part, within my house, where earth tones and soft blues predominate.  Not that I have anything against those hues. Au contraire. An overly tense f*cker, I’d be even more on edge without their calming influence.

I made the right decision, as the mall turned out to be precisely what the doctor ordered. I walked around for 45 minutes, happily permitting window and merchandise displays and an arcade popping with multi-hued energy to brighten my mood.

Bold yellows, reds and oranges, exploding at elite levels as only they can, were all over the place. At one store’s windows, pink and lavender, working together in sweet harmony, seriously caught my eye. And I was captivated by the inner and outer glow of handbags that, two minutes into my trek, I spotted on a table in Bloomingdale’s department store. Three in cherry and two in green, the accessories projected a self-confidence that I was in awe of. Shit, I’d be delighted to be half as cool and enticing as they are.

Colors are powerful, for sure. They influence our thoughts and emotions, our very states of being. And sometimes they inspire the creation of excellent music. The world would be a lesser place, for instance, if Little Green, a song by Joni Mitchell, were not in it. The same holds true for Elton John’s and Bernie Taupin’s Goodbye Yellow Brick Road.

Those tunes reside on the melancholy side of the spectrum. What I’m in the mood for right now, however, just as I was when I headed to the mall, are some strong jolts. What’s more, I want the jolts to emit lots of steam. Overly tense f*ckers need stimuli of that nature now and then, don’t they? Damn straight they do.

Well, there is no shortage of recordings that deliver the goods. One of the best is Little Red Corvette, by the late, great Prince. Released in 1983, it recounts an encounter with a lady who loves to give and to receive.

And then there’s Devil With A Blue Dress On, written by Shorty Long and Willam Stevenson. Most folks, including me, are unfamiliar with those composers, but nearly everyone has heard the recording of their song, from 1966, by Mitch Ryder And The Detroit Wheels. It gets my juices flowing every time I hear it. By the way, Mitch and the boys mixed Devil With A Blue Dress On with Good Golly, Miss Molly, two songs seamlessly becoming one.

The party’s starting! Here are the tunes. Feel free to comment on them, politics, democracy, colors, or anything you like. Till next time!

It Was A Sad Day When Charlie Watts Passed Away

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The 24th of August, 2021 was a sad day for millions of people, mostly baby boomers such as myself, because Charlie Watts, the drummer of The Rolling Stones, left this mortal coil on that date. I felt as if I was gut-punched when I read the news. And I shed a few tears too. The backbone and heartbeat of one of my favorite bands, he was in my life for nearly 60 years, though of course I didn’t know him. And now he’s gone.

Charlie Watts lived to the nicely ripe old age of 80. Still, his death came unexpectedly, at least to the public, seeing that he had been gearing up, initially, to join his fellow Stones (Mick Jagger, Keith Richards, Ronnie Wood) on a stadium tour of the States this autumn.

But in early August, about two weeks after the tour was announced, he bowed out due to health issues. With his OK, a temporary replacement drummer was hired. The expectation was for Charlie, after a period of recuperation, to be back on his drum stool next year and beyond, pounding away on the skins and cymbals. And why think otherwise? I mean, the Stones seemed to be eternal, powering down the rock and roll highway since the early 1960s.

Well, the remaining Stones, though shaken to their bones I’m sure, are going ahead with the tour (it begins on September 26). This doesn’t seem right to me. Charlie Watts was a fixture, an icon. Cool, calm and collected, he was as important to the band as Jagger and Richards. Can The Rolling Stones really be The Rolling Stones without Charlie Watts in their future? The answer, I believe, is a profound no.

Charlie’s passing nearly marks the end of an era for me, which is not a happy realization. That’s because he was one of my musical heroes, a direct link to my young and innocent days. Few of my musical heroes remain among us. What’s more, his death stopped me in my tracks, causing me to ponder a subject that I don’t enjoy. Namely, the final curtain. My final curtain, to be precise.

Yeah, we all know that our ends are coming. Their arrival dates are up in the air, sure, but arrive they eventually will. Yet, you know what? As old as I’ve become — I’m well into my 70s — I still find it kind of hard to believe that my days are diminishing, that there are far more grains of sand at the bottom of my hourglass than there are at its top. Shit, I’d like to go on forever. That would be cool, especially if famine, violence, intolerance, etc. weren’t part of the picture. Alas, the game is designed way differently. What a f*cking, f*cking drag.

And we all also know that we should make good use of our time, an irreplaceable commodity. Helping others and being kind, loving and trustworthy are paramount. Obviously. Absolutely. And not far behind, for some of us, is grooving in the arms of music, something that I’ve been doing for a long, long time and have no plans to stop. It’s liberating and mind-expanding, taking me to planes that I don’t otherwise visit. Charlie Watts has aided me in this pursuit over the years.

On that note I’ll leave you with a beautiful song, released in 1974, from The Rolling Stones catalog: Time Waits For No One, a Jagger and Richards composition. Time Waits For No One laments life’s fleetingness, life’s finiteness. Even so, Jagger, Richards and Watts , who were young when they and the other Stones at the time (Bill Wyman and Mick Taylor) put the song on wax, probably would have been amazed back then to learn that their common journey was destined to continue for decades more (Wyman and Taylor left the group ages ago. Wood signed up in 1975). As you listen, focus on Charlie Watts’ drum work. It is precise and gripping. He and his mates will carry you away.

A Case Of The Winter Blues

Yeah, Another Blogger137 Comments

Man, not only did I wake up feeling kind of blue on the 15th of February, several hours later my funk was still hanging around. Knowing that I needed to take some action I picked up the phone to call my psychiatrist, Dr. R. U. Forereel. But a second later I thought better of it, because, after all the many years that I’ve been spilling out my guts to her, I knew what she would say.

“Are you for real, Neil?” Dr. Forereel would have replied to my explanation of the situation. “Why are you wasting my time over such a trivial matter? Everybody gets the blues now and then. Get off your scrawny rump, Neil, and go for a walk. That’s all you need to do to start feeling better.” And then she’d have hung up abruptly. And, hopefully, would not have sent me a bill for the brief phone session.

Yeah, the first half of February, blessing my part of the globe (I live near Philadelphia, Pennsylvania) with lots of snow, ice and cold temperatures, was a big pain. Having lived with those kinds of conditions for most winters of my life, I’m used to them. And, normally, I grin and bear them.

This year, though, slowly but surely winter’s assaults got to me, and I became symptomatic on the 15th. Seeing that my usual morning activities (drinking coffee, doing sudoku puzzles and scratching my balls) weren’t dissipating the blues at all, I decided to take the advice that Dr. Forereel would have offered. Thus, at around 10:30 I bundled up real good. Then I fired up an episode of The Many Moods Of Ben Vaughn, an excellent music podcast, on my phone, stuck earbuds in my ears and headed out the door to stroll around my suburban winter wonderland.

Wonderland? Nah, anything but. Sure, everything looked nice and idyllic right after the first of several snowstorms in early February. But, by February 15th, examples of beauty in my neighborhood were few and far between. That was only to be expected, of course, as snow plows had done their thing two or three times, piling ungainly mounds of snow and ice along the sides of every street. And sidewalk and driveway shoveling had added to the mess. An exception was the Willow Grove Bible Church, which was a pretty charming sight. Overall, though, I gave a rating of anywhere from meh to crap to just about every scene that met my eyes.

Plus, the grey skies weren’t doing anything to lift my spirits either. Ben Vaughn, on the other hand, was. I’ve written about Ben before. Each episode of The Many Moods contains an impressive mixture of musical genres. As I strode along my neighborhood’s blocks on the 15th, the tunes that poured through my earbuds improved my mood. Especially, by far, the hard-rocking ones. In fact, when I’d left the house I instinctively knew that in-your-face drumming was what I was in need of. Fortuitously, during the first 20 minutes of Ben’s show I heard three songs that featured such. They put pep and purpose into my steps. They got my juices flowing. No doubt it would be a good idea now for me to present them. Here then, via YouTube, are rad rockers by Mott The Hoople (“All The Way From Memphis”), Chuck Berry (“Almost Grown”), and Nick Lowe (“Half A Boy And Half A Man”). My humble story continues below them.

But you know what? The uplifting effects of my 45-minute walk didn’t have staying power. When I arrived back home I was feeling no more than 30% better than I did when I began the trek. Shit, it was just one of those days. I suppose that the pandemic was feeding my blues too. My wife and I, like just about everybody, have been limited in our activities since coronavirus reared its ugly head last year. But at least we were able to eat outdoors at restaurants and entertain friends outdoors at our home when the weather was decent.

We can’t do the same when it’s cold outside. And, because we are cautious when it comes to the virus, indoor dining and indoor entertaining definitely are off our schedules. What a drag, drag, drag.

Anyway, I’m a sucker for happy endings. They sure as hell make life seem better. And I’m going to present one to you. Yes, for reasons unclear to me, my skies began to brighten around 5:30 PM on February 15th. And by 7:00 PM I was back to being my normal self. You know, a grumpy, head-halfway-up-his-scrawny-ass septuagenarian. I haven’t always been a septuagenarian, but grumpy and head-halfway-up-his-scrawny-ass have been pretty accurate descriptions of me for years. Yo, nobody’s perfect!

(Please don’t be shy about adding your comments. Gracias.)

A Tuneful Time At The Mall (A Pandemic-Era Story)

Yeah, Another Blogger125 Comments

Although I’m not much of a shopper, in at least a few respects I’m lucky to live near Willow Grove Park, a huge three-level shopping mall in the suburbs of Philadelphia, Pennsylvania. For instance, I like to go there now and then to gaze at its clean yet kaleidoscopic interior design and to marvel at the massive quantities of goods that its stores contain. I don’t think that the USA is anywhere close to being an idyllic land of milk and honey, but, as the mall demonstrates, there is no shortage of products in this country.

As things have turned out though, probably the main reason that I enjoy having Willow Grove Park close at hand is that it occasionally becomes story fodder for my blog. When I began this publication in 2015, never would have I expected that such would be the case. But I sure as shit am not one to look a gift horse in the mouth. The story that you now are reading is the result of my latest visit to the mall. That visit took place on a recent, dreary, rain-dominated Thursday.

The mall was on my mind that day mainly because I wanted to take a walk. For the past eleven months, you see, I’ve been walking regularly for health-related reasons, four or five times per week and almost always outdoors. But an outdoors trek would have been unwise, as the rains were descending not in trickles but in f*cking buckets. Striding purposefully through the mall, an enclosed structure, though? Yes!

Due to the pandemic, the businesses in Willow Grove Park (excepting its two restaurants, which were allowed to sell take-out orders), along with almost countless other businesses state-wide, were ordered by Pennsylvania’s governor to close in mid-March. The lockdown eventually was partly lifted, the mall reopening on June 26. Arriving there at 11:25 AM on the wet Thursday in question, I was curious about the mall’s state of affairs four months post-reopening. How much damage had the pandemic inflicted?

Well, while spending 45 minutes walking the mall’s every avenue and byway, I saw a fairly decent number of people shopping and wandering, possibly about the same number that you’d find on a similar off-day during normal times. As for store vacancies, there were five or six, not the many more that I was half-expecting. However, several stores hadn’t opened for the day, which was not a good sign. Possibly they were on the verge of throwing in the towel altogether.

A truly bad scene, and probably indicative of the mall’s overall financial health, was the food court. There were not many customers at all, even though it was lunch time when I walked past that busy-in-normal-times area. It was sad to see the court’s businesses doing poorly. And, of course, millions of businesses worldwide are in the same boat, due to coronavirus. On any number of occasions I’ve said the obvious on these pages, and I’ll say it again: We need an effective vaccine pronto. It’s time for the suffering to diminish significantly.

But I’m not going to end this essay on a down note. How could I, seeing that I listened to an episode of The Many Moods Of Ben Vaughn, a terrific music podcast, as I walked through the mall? It put a whole lot of pep in my step and prevented me from getting anywhere near bummed out.

In that episode, which is from September 27, 2020, Vaughn spins the original versions of songs subsequently made famous by other artists. A large bunch of them jumped out at me. But let’s limit that bunch to three. Otherwise I’ll be here all day, and nobody, including me, would be in favor of that. The three songs are Louie Louie, Boys, and Do Wah Diddy.

Here are some facts: The infamous Louie Louie, an enormous hit for The Kingsmen in 1963, was originally recorded by Richard Berry And The Pharaohs way before that, in 1957 to be precise. Berry also penned the composition. The Beatles included Boys (written by Luther Dixon and Wes Farrell) on their first album in 1963, and popularized the tune, but the initial recording was in 1960 by The Shirelles. It was the B-side of their single whose A-side was wildly popular — Will You Love Me Tomorrow? And although Manfred Mann’s 1964 version of Do Wah Diddy (a composition by Jeff Barry and Ellie Greenwich) conquered the world, the song’s first appearance was a recording by The Exciters one year earlier.

The tracks by Berry, The Shirelles and The Exciters rock, roll and rouse. Day-brighteners, they appear below. I think you’ll like ’em. Okay, boys and girls, that’s a wrap. As I almost always mention, please don’t be shy about adding any comments that you might have. Goodbye till next time!

https://www.youtube.com/watch?v=8KzRY2ando4

A Doors-Filled Story

Yeah, Another Blogger132 Comments

I like to roam, to stretch my legs in a variety of locales while checking out the surroundings. And in recent years I often have turned my leg-stretching excursions into essays for this publication. These mini-adventures, thankfully, get me away from my living room sofa, upon which I spend hours upon hours each week engaged in questionable activities. Namely, staring into space, scratching my balls and twirling the five strands of hair that remain on the crown of my head.

Yeah, yeah, yeah, I know that I’ve mentioned that sofa routine many times before on these pages. Can’t seem to stop myself from writing about it, though. What can I say? Would you prefer that I describe the nightly visitations paid to me by space aliens, and how I cured the aliens of toenail fungus? Nah, I didn’t think so.

Anyway, this article now will concern itself with doors. That’s what I was in search of when, on the penultimate day of May, I roamed the streets of Jenkintown, a nice village three miles south of Willow Grove, the town that I call home. Both communities are in the Philadelphia burbs.

Doors had been in the back of my mind as a story idea since 2017 or so, after I discovered that there are a goodly number of WordPress writers who launch door-oriented pieces into cyberspace on Thursdays. Their leader is a guy named Norm, who began a Thursday Doors theme in 2014 (click here to see Norm’s website). And so, I’m going to follow the leader by pressing the Publish button for this story during the opening minutes (in my time zone) of Thursday, June 18.

Concentrating on Jenkintown’s doors was right in my wheelhouse. After all, on walking excursions here and there during the last few years I’ve sometimes kept my eyes on alert for specific subjects: the color green for instance, shadows, store and street signs. Doing that kind of thing helps to make life interesting for me. On a low but real-enough level, it’s like a research project or detective work. It’s fun, basically.

King’s Corner pub
Private residence

I hit Jenkintown’s sidewalks at around 11:30 in the AM and concluded my mission at a quarter past noon. I might have stayed out longer than I did were it not for a vivid Sun that was getting a thrill from making me schvitz most admirably.

Grace Presbyterian Church
My Jewel Shop

I walked along most of the blocks in Jenkintown’s business district and along a sampling of its residential streets. One thing I realized is that the vast majority of doors in Jenkintown are vanilla. That is, non-threatening standard concoctions of wood, glass or metal, or a combination thereof. Yet, I deemed some of them as absolutely photograph-worthy, because of the decorations on or near them, or because of their silent commentary upon our present times.

Uptown Event Center

Take the Uptown Event Center’s door, for example. How many ordinary, metal-framed glass doors such as this are in the world? Many tens of millions, no doubt. Yet, it looks as sharp as can be, flanked as it is by a lady singer and a sax man. Cool. Very cool.

Velvet Sky Bakery

And what could be plainer than the opened door of Velvet Sky Bakery? It stands out, though, in a major way. With a table holding disinfectant wipes and hand sanitizer beside it, it’s a reminder that we live in the days of coronavirus. This is a door through which you do not enter. You place your order from the sidewalk, pay when the items are brought to you, and walk away.

Immaculate Conception Church

On the other hand, sometimes you cross paths with grandeur, such as the front doors of Immaculate Conception Church. Lovely creations of golden brown wood, they are all the more impressive thanks to the elegantly-chiseled stonework that surrounds them.

Sprinkler room door

And then, in a category all its own, there’s a sprinkler room door, which is attached to the back of a building that I otherwise didn’t make note of. As of this writing it’s my favorite door in Jenkintown. That deep, deep color. That monolithic presence. Man, the door is the definition of gravitas.

We’d be in trouble without doors. I suppose that humans invented them in caveman days. Maybe way before that. Maybe later. Whatever the case, they provide protection from the elements and from members of the fauna categories, and they help to give us privacy. Right, duh! There are all kinds of philosophical interpretations that might be made regarding doors too. But I ain’t exactly Jean-Paul Sartre, so for me to go beyond the kiddie end of the pool in those matters would be a huge mistake. I will say this though: The Doors — and I’m referring to the rock and roll band — took their name from The Doors Of Perception, a book by Aldous Huxley that praises the use of psychedelics to open the mind’s doors, thus expanding one’s insights. I’m all for allowing more of life’s possibilities to present themselves. But there’s no need for psychedelics. For example, who knows what realms you’ll travel to when, non-medicated, you listen to Break On Through (To The Other Side), the opening track of The Doors’ first album, from 1967. Let’s find out:

(Please don’t be shy about adding your comments or about sharing this essay. I thank you.)