I Am Extremely Fortunate

Last Monday, the first day of the second half of rapidly disappearing 2025, found me at the medical office building where I’ve volunteered for 13 years, manning its information desk. The part-time gig keeps me on my toes. Many patients arrive without knowing which suite their doctor works in, for instance. It’s my job to point them in the right direction. And sometimes I come to peoples’ “rescue,” such as when I aid those who, their medical appointments completed, can’t remember where in the nearby parking garage they deposited their cars. Off I go with them to that multi-level structure to solve the problem.

I like the job, which occupies me for four hours each week. Without it, I’d have a relative paucity of human interactions, seeing that I spend a hefty percentage of my time resting my aged, bony ass upon the living room sofa. Plus, helping people out boosts my spirits. Basically, I need to feel as though I’ve still got something to offer society.

Last Monday was a typical day at work. I answered questions from, and helped unravel somewhat-knotty situations for, approximately 50 individuals. However, during my shift something struck me more than it usually does: I clearly realized that a whole lot of visitors to the building were using and relying on canes, walkers and wheelchairs. And nowhere near all of those folks were senior citizens. This was a sobering observation. It brought to the surface a piece of self-knowledge that normally resides in the bottom reaches of my subconscious. Namely, I am extremely fortunate. Here I am, pushing age 80, and I get around on my legs just fine. I can walk for five or more miles, no problem. And though it would be foolhardy of me to attempt an all-out sprint, trotting remains within my powers. Yeah, anything might yet happen, but I’ve retained more than decent mobility.

And my good fortune extends way beyond my legs. My health in general, according to medical tests and my physicians, is solid. I’ve had one very dangerous health situation in my life. Thanks to modern medicine and just plain positive luck, it appears to be permanently confined to the rearview mirror. Of course, nobody knows that for certain, but the odds are in my favor.

What’s more, I have plenty to eat, and my country (the USA), though in the hands of a freedoms-suppressing megalomaniac, is not a war zone. I almost feel guilty about my good fortune, considering how difficult so many people have it in the States and all around the world. Poor health, poor healthcare availability, and inadequate food intake are some of the injustices plaguing hundreds of millions of individuals. And armed conflicts make life a living hell, or close to it, for so, so many. Not just in Ukraine and Gaza, but in violence-beset nations that don’t receive much media attention. Haiti and Sudan, to name two, and Myanmar and Yemen, to name two more.

Yes, the human condition, in certain respects, is horrible. Always has been. Always will be.

Considerate guy that I occasionally am, I’ll leave you on a sunny note: My good fortune expanded at the tail end of last year when I discovered Abigail Lapell. She’s a fine Canadian singer-songwriter who isn’t too well known outside her home country. Her latest album, Anniversary, came out 16 months ago. I’m in love with one of its songs, Flowers In My Hair, which is the first song in many a moon that I can’t (and don’t want to) get out of my head.  A meditation on going with the flow while letting love reign over you, it is dominated by angelic vocals and by mesmerizing percussion provided via handclaps and foot stomps. Flowers In My Hair, to me, is sweet as a peach and free as a bird. Give it a listen.

A Story And A Song For My Father

As many of us know, Sly Stone left this mortal coil early this month, and two days later Brian Wilson joined him in the Great Rock Band In The Sky. Two superb musical minds, and revered figures, gone, just like that. At least they made it into their 80s. Their passings would have been harder to take had they left us while in their primes.

As the masterminds, respectively, of Sly And The Family Stone and The Beach Boys, Sly and Brian helped turn the 1960s into a music wonderland. During that decade, music was vibrantly alive with love and hope and power and innovation. No decade before or since, to my way of thinking, was or has been as sonically diverse and dynamic. I came of age during the 1960s, becoming, among other things, a music junkie, a description that still fits me, though not to the extent it did back then. Those were the days.

I could go on and on about Sly Stone and Brian Wilson, but I don’t mean to focus on them. The idea to meld them into this story, though, came to me on Sunday, June 19, which was Father’s Day in my nation, the USA. They, and their music, were on my mind, as had been the case for a number of days. My father, of course, was on my mind too. Very much so. Many memories about him played in my head, including music-related ones. I’m sure the latter would not have surfaced had I not been thinking about Sly and Brian.

My dad, Hyman Scheinin, lived to the ripe old age of 96, breathing his last on September 1, 2005. He spent the final six and a half years of his life with me and my wife Sandy, and became a dialysis patient about one year after moving in with us. Dialysis is a hard road for anybody to travel, let alone someone in their 90s. But my father bore the burden pretty well, emotionally and physically. Over time, however, his body began to wear out from the strain of three-times-per-week dialysis sessions, and from infections. He died in a hospital bed, with my wife, my brother Richard and myself beside him. It was a sad day, one I thought about a lot on Father’s Day.

Sandy and I did our best to care for my father, and to try and keep his spirits up. Everyone deserves to experience positive things in life, it goes without saying, so we made it a point to get him out of the house for more than his dialysis sessions and his numerous other medical appointments. He went with us to restaurants and art shows, to name two activities. And I would take him on casual drives, just to see what we would see. He almost always had a good time.

And then there were the Friday night jazz concerts at the Philadelphia Museum Of Art, a series populated by established and up-and-coming musicians from the States and elsewhere. The series ran for about 15 years and ended maybe 10 years ago. Being a jazz head, I miss it. My father attended 19 of those shows with us (Sandy and I also went to shows at the museum without him), and felt completely in his element there, probably to his surprise and certainly to ours. We’d arrive early, so as to be able to grab one of the cocktail tables close to the stage area. Out on the town and in a magnificent setting (the museum’s Great Hall), my father was happy as a clam from the moment he sat down.

Growing up, I didn’t think of my father as a music appreciator. He didn’t listen to songs on the radio, didn’t play albums on the family phonograph. And I had little reason to change my viewpoint until those many decades later. I think, now, that the thrill of just being at the museum concerts opened up my father’s ears, made him hungry to truly experience music. And truly experience it he did. His involvement reached a peak in January 2003 at a performance by the quartet led by the then-new-on-the-scene alto saxophonist Miguel Zenón. Zenón is a wonderful musician, adept at various approaches to jazz. He can play softly and melodically, for instance. And, while soloing, he can be ferocious.

In the middle of the show, following a lengthy and intense Zenón solo, the damndest thing happened. Sandy and I couldn’t believe our eyes when my father leaped from his chair, clapping madly in appreciation of Zenón’s mighty efforts. Normally a mild-mannered sort, he was revealing just how deeply into music he could dive. I was duly impressed. No one at the show was enjoying themselves more than the nonagenarian a few feet away from me and Sandy.

It’s fitting for me to conclude this musical story with the title song from Miguel Zenón’s first album, Looking Forward, because the album came out a mere smattering of months before his appearance at the art museum. Undoubtedly, then, he played tunes from it at the concert. Perhaps this song is the one that made my father applaud like there was no tomorrow. Whether it is or not, I tip my hat to Zenón for having brought joy to my father, and to Sly Stone and Brian Wilson for nudging me to write the words on this page.

Three Pics That Blow My Mind

I couldn’t live without my smart phone. Well, that’s an exaggeration. But I’d be a moping and disgruntled geezer were it taken away from me for more than a few days. Man, thinking about that gives me shivers. I’d nearly prefer to contemplate the Apocalypse, which might not be too far off, sad to say, what with far-right-wing motherf*ckers proliferating like rabbits all over the globe.

Okay, back to my phone: I don’t use it as much, or at all, in some of the ways that are crucial to many people. For instance, I send (and receive) text messages, but not to the point that they are coming out of my ears. And I never watch movies or TV shows on the tiny screen. When it comes to surfing the internet, however, I’m addicted and a champ, as I read one thing or another on the phone for two or more hours just about every day. For this activity alone, my phone is essential to me.

And I’m totally in love with the magical device’s camera, a valuable ally. On vacations, I snap away like a mad dog. And I often document gatherings with friends or relatives, and other fun occasions, with a picture or two or more. Hell, just about everybody does all of that, I imagine. It’s a good way to keep memories at hand and to have a running record of the enjoyable parts of our lives.

The publication you’re staring at right now — Yeah, Another Blogger — often is on or not far from my mind when I aim and shoot, for I include photos in quite a few of the pieces I publish. I think of myself as an amateur photographer, I suppose, and get a kick from sharing images with whomever is good enough to read my stories. Seventeen of the approximately 300 photos I’ve taken so far this year have graced Yeah, Another Blogger’s pages already. And three more now are about to make an appearance. I tip my hat to my smart phone for making this possible. Modern technology blows my mind.

Photo was taken in February 2025 in Willow Grove, Pennsylvania

Speaking of which, I chose these three pics because they too blow my mind. They are undoctored photographs of what struck me as almost-hallucinatory scenes. I took the above picture on a cold, grey winter’s day this past February, a couple of blocks from my house in Willow Grove, Pennsylvania, USA. Have tree limbs and branches ever seemed more complex and wiser? I had a feeling they understand the underlying nature of the universe and were trying to find a way to express this knowledge. If they clue me in one day, I’ll let you know, believe me.

Cellar Dog Philadelphia
(Philadelphia, Pennsylvania. April 2025)

Cellar Dog Philadelphia, a cool-as-can-be venue that opened not long ago in downtown Philadelphia, Pennsylvania, is the setting for photo number two. Cellar Dog is a bar cum jazz club cum non-electronic games joint (billiards, table shuffleboard and foosball are among the games you can play). My wife Sandy and I were there in April with our pals Cindy and Gene. The jazz quartet we heard that night pleased each of us a lot. And the looks of the place put me in mind of Salvador Dali paintings. To me, the shuffleboard tables appeared to be hanging on for dear life, praying that the bold floor tiles and the dazzling wall wouldn’t decide to catapult them into the heavens.

First Encounter Beach
(Eastham, Cape Cod, Massachusetts. April 2025)

Later in April, Sandy and I, while vacationing on Cape Cod, Massachusetts, found ourselves at Eastham township’s First Encounter Beach. There, we walked upon the wet, rippled sands (known as tidal flats) left exposed by the receding waters of Cape Cod Bay. It was low tide, indeed, and the sky was beginning to turn colors as the Sun dropped toward the horizon. The scene was one of head-spinning beauty, for much of the bay’s waters, via the Moon’s gravitational forces, had been pulled incredibly far from shore. Both Sandy and I felt exhilarated. We were in the right place at the right time.

In conclusion, let me say I wouldn’t want to have my mind blown crazily often. I don’t have the constitution for that. Does anybody? But, for all of my adult life I’ve needed, and have experienced, a steady, slow stream of far-out-ish encounters. That’s the way I’m built. They’ve made my life better.

Trees And Ponds Go Together Oh So Well: A Cape Cod Story

My wife Sandy and I have visited Cape Cod, Massachusetts, USA, almost every year since our first vacation there in 1998. Obviously, then, we love the Cape. We’re lucky as hell to have discovered it in the first place, as it never had occurred to either of us that there might exist a locale to which we would want to return again and again. Thus, it’s an understatement to say that Cape Cod has made our lives better. We feel at home there. We enjoy exploring its old villages and areas of natural beauty. We fill up on the Cape’s arts scene and at its eateries. And we engage in sweet old-school activities, such as mini golf and sunset-watching, that we almost never do back home in the suburbs of Philadelphia, Pennsylvania. Yeah, Cape Cod suits us to a T. We never will tire of this 65-mile-long peninsula.

Anyway, I’m now bringing up Cape Cod not just for the heck of it, but because Sandy and I spent 11 full (i.e. non-commuting) days there recently, and I sense some thoughts about the visit trying to coalesce. Away we go!

Last month’s Cape escape was, as each of its predecessors had been, damn fine. I could go on and on about the many highlights of the trip. But doing so would extend this piece to a mind-numbing length. I don’t know about you, but my mind already is numb enough as it is. That’s why I’ll limit the remainder of my commentary mainly to a specific topic. To wit, ponds nestled in woods.

Nature-wise, when most people think of Cape Cod they picture fine beaches and gorgeous open waters. For sure, the Cape has plenty of those. Less known are its ponds, of which there are hundreds. Most ponds, however, for one reason or another are difficult or near-impossible to access. For example, many are boxed in by housing that has sprouted up around them over the years. Not the case within Cape Cod’s several forests, though, which are protected from development. On back-to-back days we visited two of those woodlands, largely because ponds reside inside them. First up was Brewster township’s Nickerson State Park, a sizable forest, followed by Provincetown township’s Beech Forest, which is less spacious than Nickerson.

The trees in each forest — loads of pines and oaks, among others, in both, and plenty of beeches, appropriately, in Beech Forest — impressed the heck out of me and humbled me too, as trees always do. Hell, trees deserve deep respect. After all, they can trace their ancestry back 400 million years, give or take 50 million. That’s saying a lot.

Nickerson State Park’s Cliff Pond (Brewster, Cape Cod)
Nickerson State Park’s Little Cliff Pond (Brewster, Cape Cod)

But when you add ponds to the picture, you really have something. At Nickerson I got up close and personal with Cliff Pond and Little Cliff Pond, and did the same with Blackwater Pond at Beech Forest (both woodlands contain additional ponds, but I gazed at only three). Those lovely waters, in combination with the trees surrounding them, put me, who leans toward the tense side of the spectrum, at ease, for ponds and trees are a perfect match, gentle with one another and zen-like in the aura they project.

And that’s not all the scenes did. The longer I took them in, the more my inner smile widened and the more I went weak in the knees, because, to me, tree-rimmed ponds rank at the top of Nature’s cute and adorable scale. So, I became totally smitten, a state of affairs I wholly embrace, and which doesn’t happen to me often enough. Any way you look at it, I was fortunate to be at those sites.

Beech Forest’s Blackwater Pond (Provincetown, Cape Cod)

Over the years, Sandy and I have passed way more time on Cape Cod’s beaches, admiring the Atlantic Ocean, Cape Cod Bay and Nantucket Sound, than we have at any of its other natural spots. The Atlantic coastline, raw and almost entirely undeveloped, is, in fact, my favorite aspect of Cape Cod. But, ponds within woods are special too. Very special. A trip to Cape Cod without visiting any of them is incomplete.

Which Of These Is Your Favorite? (Art On Wheels, Part Fifteen)

When I gave birth to Yeah, Another Blogger in April 2015, I had no idea that two years later I would begin a project that would please the heck out of me and to which I’d return, and write about, time after time. Well, as we all know, life is full of surprises, to say the f*cking least. So, much to my amazement, here I am, about to report on the latest episode — the fifteenth — of said ongoing project: Art On Wheels. And I’m hoping that numerous Art On Wheels adventures await me, taking me, at minimum, into the mid-or-late 2030s. I’ll be jumping for joy if things turn out that way, assuming I’m still among the living. Of course, it would be miraculous if I’m able to bounce even half an inch off the ground at that point, as I’d be pushing or exceeding age 90. Still, half an inch is better than nothing. Or so I’m told.

Here’s the lowdown: Art On Wheels escapades find me searching for beautifully decorated wheeled vehicles, photographing them, and then presenting some of those photos, and my wobbly thoughts, on this publication’s pages. I used to track down my subjects by driving all over the frigging place in the suburbs of Philadelphia, Pennsylvania, USA. In recent years, though, I’ve gone into Philadelphia itself, whose streets I explore strictly on foot. I love walking and I love Philadelphia. On the other hand, I don’t love driving and I don’t love Philly’s burbs, even though that’s where I reside. Thus, Art On Wheels has become even more fun for me than it initially was.

Friday, the 18th of April, dawned peacefully, because Donald Trump hadn’t started in on causing further mayhem just yet. At 9:36 AM I boarded a train in my little town and rode it into Philly. I spent the next three hours pounding the pavement in the center of the city and in neighborhoods to its east and north. When I called it quits, I had racked up six miles of walking, a distance that’s near my upper limit of physical capabilities.

The search for worthy subjects bore less fruit than on any of my previous Philadelphia treks. But I found a few beauties, such as an Urban Village Brewing Company van, its exterior illustrated as snazzily as can be, and a Heineken beer truck, which is a vision in green. The design layouts on Sysco and on Philly Greens rang my bell too.

I was impressed the most, however, by a wheeled object that not only brought me up short but also made me realize I’d never before considered including a certain genre of art in Art On Wheels. Namely, sculpture. The beauty in question, a piece of heavy equipment manufactured by the Caterpillar company, was outside the front door, in Philadelphia’s Old City section, of what once housed the Painted Bride Art Center, a world-class presenter of music, dance and theater from the 1970s through the early 2000s. (Painted Bride still exists, in a different part of town, but is a pathetic shadow of its former self. Barely any shows take place at its new location.) Dig the incredible mosaics, by Isaiah Zagar, that cover the vacant building. Man, I went to dozens and dozens of performances in this venue. I miss it a whole lot.

I’m not sure why the Caterpillar product was there, but it absolutely rocks. For one thing, I’m down with the gold and black color scheme. Mainly, though, I’m taken with the heft of the structure and its efficient angularity, which bring to mind a mutant beetle possessing one hell of a giant pincer. This big guy would not be out of place in a museum’s or other institution’s modern-sculpture garden. Do you agree with me that it is #1, or is another of the wheeled constructions your favorite?

As I type this ending paragraph, I’m already looking forward to my next Art On Wheels expedition. Most likely it will take place in autumn of this year. I wouldn’t be surprised if it will be an eye opener, just as this most recent installment, thanks to Caterpillar, proved to be.

A Tale Of TV

When I sat down to compose this piece about television, I was of the opinion that I’m a casual TV-viewer rather than a TV-viewing addict, seeing that I engage with the boob tube for an average of one and a half hours per day. That’s a fairly modest amount of time. As has happened frequently before, however, working on stories for Yeah, Another Blogger has led me, as if by magic, to discern the truth about things. Meaning, I now realize I’d go half-mad were my TV-watching privileges ever to be revoked. Anyway, what would I replace those hours with? Learning to crochet erotic hand puppets? Attempting to become one of the world’s best tiddlywinks players? Hell, I don’t even want to think about life without television, because I absolutely need TV. I’m addicted!

An ace dial-flipper, I regularly tune in to bits and pieces of news, sports, nature, cooking and late-night talk shows. I’m all by my lonesome when viewing the majority of those bits and pieces. What I catch the most of, by far, though, are scripted drama and comedy series. And I always watch them — in their entireties, unless we ditch them because we decide they suck — with my spouse Sandy. It’s one of our favorite things to do, for we have similar tastes in series fare. Let’s take a look at two shows that entertained Sandy and me recently.

Have you seen Adolescence, a British miniseries? It is a huge Netflix hit and has garnered a lot of media attention. Justifiably so. I place it in the pantheon of series, up there with The Queen’s Gambit, Anxious People, The Investigation and Call My Agent, to name but a few. Adolescence is really, really good.

Foremost among its explorations, Adolescence delves into the mind of Jamie Miller, a seemingly normal 13-year-old lad who, his insecurities enflamed by the taunts of a female classmate, loses all control and murders that young lady after meeting up with her one evening. The foul deed turns his life upside down and deeply damages the lives of the people who love him the most: his parents and older sister.

The show probes its subject matters with precision and honesty. The third episode hits especially hard. Set in the youth detention center where Jamie is being held, nearly all of its 52 minutes are devoted to a talk between Jamie and a court-appointed psychologist. The episode left Sandy and me shaken, so powerful and disturbing are Jamie’s words and actions as the session progresses. In my opinion, Adolescence is not to be missed. Its scripts are as tight as square knots, and each main member of the cast performs magnificently. First-time actor Owen Cooper, for example, is incredible as Jamie. Equally splendid is Stephen Graham, who not only plays Jamie’s father Eddie Miller, but co-created and co-wrote the production. What a talent he is. Adolescence, I believe, will stay in my mind for quite a while.

And then there’s the frothy Loot, a series that tips heavily into the wackyashell category. Your life won’t be incomplete if you skip Loot, whose two seasons are available on Apple TV+. If you decide to tune in, however, you might end up digging it as much as Sandy and I did. It’s light, but it’s also refreshing.

Maya Rudolph shines in Loot, her comedic and dramatic talents fully on display. The show centers around her character, Molly Wells, who goes ballistic when she discovers her husband John has been cheating on her. She loses no time in divorcing him. The dissolution sends Molly reeling. She’s in pain. She’s also unimaginably wealthy, to the tune of over 100 billion American dollars, her share of the assets she and John, a tech industry genius, had jointly owned.

What to do with all that dough? Well, Molly, spoiled but possessing a heart of gold, doesn’t go for the usual approach of attempting to become even richer. Instead, she opts to give it all away, to groups and social causes that will better the human condition. The conduit for her generosity becomes the Wells Foundation, a do-good organization Molly founded while married but then totally forgot about until after the divorce came through.

I’m going to leave it at that, except to note that crazy situations have no trouble finding and enveloping Molly and her Wells Foundation employees, and that I laughed my ass off at some of the lines tossed out by the actors.

Till next time, boys and girls! If you have any series recommendations, please let me know. Sandy and I always are on the prowl for viewing options.

It’s An Old Story

I know I’ve written about old age and mortality any number of times before, but I just can’t keep myself from visiting those topics once again. When you’re old as dirt, like me, it’s hard not to contemplate, at least now and then, how much time you’ve got left. I’m 77, for crying out loud, which stuns me. How can this be? Where the hell did the years go? As with most matters, I have no f*cking idea. One thing for sure is that the express train keeps barreling along. We’re here, and then — poof! — we’re gone. That’s life. If it were up to me, though, each individual creature, human and not, would carry on, and thrive, unto eternity. Yeah, sometimes I’m a hopeless dreamer.

My status as an ancient has been made crystal clear to me by information I’ve obtained from the website of The French Institute For Demographic Studies. One of its online calculators shows that I am older than 97% of the human beings on our planet, an extremely sobering statistic. Most truths don’t hurt, but this one does. And I’m having a heck of a hard time wrapping my head around it. (If you’d like to see where you fit on the global population scale, click here to open the website. Once there, click on Let’s go and, on the subsequent page, enter your age on the horizontal bar.)

Still, naively, and probably out of fear, I find myself not quite believing that I have an expiration date. It almost doesn’t seem possible to me that I do. I mean, I’m still nicely functional, still pretty much an ace at stumbling gracefully through life. Why should all of this come to an end? I sure would like to make it into my 90s, though. I’ll have been cheated, I feel, by anything less than that. But any way you look at it, time is running out. There are far, far more grains of sand at the bottom of my hourglass than at the top.

So, what’s to be done? Well, we all know the answers. To the best of our abilities, everybody — not just me and my fellow oldsters — should aim to do the right things. Such as: maintaining, and trying to expand, close relationships; pursuing activities that put smiles on our faces; and working hard to make society and the natural environment healthier. Anyone who does a good bit or more of all that is a valuable member of the human race.

Music has been my main interest for most of my life. I can barely carry a tune, and I’d be up shit’s creek if I attempted to plunk out Chopsticks on the piano. But I’m an expert when it comes to listening to music. And I pay a lot of attention to what musicians have to say. A recent article in The Guardian caught my attention and got me feeling better about being a geezer. The story takes a look at up-there-in-age musicians who have lost little, if any, of their life force. For instance, Bonnie Raitt, who is two years my junior, remarks, “I’m not slowing down and I’m not going to stop until I can’t do it any more.” And Graham Nash, six years my senior, has these thoughts about seeing the late master guitarist Andrés Segovia when Segovia was 92: “And he knocked me on my ass with the energy and brilliance of his performance. So I think: ‘Why not me?’”

I like the way Raitt and Nash look at things.

I’ll bring this opus to a proper conclusion by leaving you with a tune composed by Bob Dylan, who, at 83, remains a very active musician. The song in question, Forever Young, appears on his album Planet Waves, which came out in 1974. Dylan recorded the album in collaboration with his pals from The Band (Rick Danko, Richard Manuel, Garth Hudson, Robbie Robertson and Levon Helm).

While working on this story I listened to Forever Young for the first time in eons. Man, I think I’d never realized how direct and heartfelt the song is. It addresses some of the themes I’ve presented herein, but with a different slant, for Dylan had one of his youngsters in mind when he wrote the lyrics. The song’s sentiments, though, apply to folks of any age. Hope you enjoy it.

Spectacles!

I’m not sure when the Northern Lights captured my imagination. Maybe when I was in my 30s. Whatever the case, for a hell of a long time I’ve wanted to see them up close and personal, not just on YouTube videos or on television documentaries. They (and their counterpart, the Southern Lights) can be spectacles of the highest order, as we all know. However, to satisfy this craving I’d have to head to Alaska, Iceland or the like in late autumn or in winter, which is when the light displays generally are at their best. Most likely, that would entail enduring ass-numbing temperatures, something I once would have been okay with but am not at all keen on anymore. So, I have a feeling the craving will go unfulfilled.

Cape Cod, Massachusetts (October 2023)

Well, I can live with that. But I sure wouldn’t want my life to be spectacle-less. Over the last 30 or thereabouts years, I’ve developed a powerful need to be thrilled and awed on a somewhat regular basis by one spectacle or another. By sunsets, for instance, many of which I’ve witnessed during that span. Man, good sunsets are jaw-droppers, right? They are so inspiring and beautiful, you can hardly believe they are real. The same goes, of course, for sunrises. But not many of them have unfolded before my eyes, as I am not a fan of dragging my previously referred-to ass out of the house at ungodly early hours.

Cape Cod, Massachusetts (October 2021)

And I can’t get enough of energized ocean waters, either. Watching and listening to waves develop and roll to shore puts me in a hypnotic sort of state. I engage in this activity frequently on Cape Cod, Massachusetts, where my wife Sandy and I have vacationed almost annually since 1998. I purposely overdose on it, in fact, since our permanent home, in Pennsylvania, is nowhere near the ocean. By doing so, the magic of the Cape’s ocean waters stays with me for several months after I’m back home.

Philadelphia, Pennsylvania (January 1, 2020)

Not every spectacle that rings my bell mightily is Nature-made, though. I’m into fireworks, which, when superior, are a fairly good rival, I suppose, to the Northern and Southern Lights. And in recent years I’ve enjoyed the Philadelphia Flower Show, a famed annual event that, out of ignorance, I pooh-poohed for decades before mending my ways.

Now, I’m not a gardener in any meaningful sense. Sandy and I own a home whose grounds I try to maintain halfway decently. Meaning, I mow, rake and prune — rudimentary tasks — to the best of my limited abilities. But I don’t plant or transplant flora, or nurture them in any way. That’s why I paid no attention whatsoever to the Philadelphia Flower Show (PFS) until 2016, when Sandy and I, kind of just for the heck of it, decided to give the production a whirl. It hooked me immediately, not because I found myself inspired to create flower beds at home or to learn the ins and outs of horticulture, but because it was spectacular. Imaginative installations and wide palettes of colors abounded. I’m proud to say I’ve returned to the flower show five times since my inaugural visit.

Philadelphia Flower Show (March 2025)

Though not quite as swell as some previous years’ extravaganzas, PFS’s 2025 version, held in a cavernous convention center in downtown Philadelphia, damn well was plenty good enough. Sandy and I visited the multi-day event two weeks ago, exploring the display areas for two hours, at which point we ran out of gas.

Philadelphia Flower Show (March 2025)
Philadelphia Flower Show (March 2025)

As always, I happily succumbed to the bright colors — of flowers, light installations and other design elements — that filled the hall. They got my juices flowing. And the PFS environment was a welcoming one, too, for, as had been the case on our previous visits, the show attracted a broad spectrum of people. Young and old. Black and white. Mobile and disabled. It felt good to be part of an inclusive community. Inclusion is where it’s at.

More spectacles are on the horizon this year. Flowering trees, magnolias initially, I think, probably will begin to bloom in my area in early April, possibly before then. Is there anyone who doesn’t like their enormous masses of blossoms? Also during spring, Sandy and I will return to Cape Cod. There, ocean waters and unobstructed sunsets, among other natural delights, will be on view. I can barely wait to soak all of this in.

I Don’t Like Winter, But I Liked This Winter Walk

In 2023 I penned an essay, Summer Kind Of Sucks, in which I expressed my strong distaste for hot weather. My feelings about the overheated season turned around meaningfully in 2024, however, due to the concerted effort I made to change my mindset. I’m still impressed I was able to accomplish the partial transformation, which found me embracing summer with a fairly warm hug and with an unforced smile on my heavily wrinkled face. I’m hoping to do the same when the temperatures skyrocket later this year. It’s very possible I shall.

But what about the other problematic season? Namely, winter. Here, in southeast Pennsylvania, USA, we’re moving toward the end of what has been, overall, a quite frigid winter, one peppered with numerous but small snowfalls. Have I enjoyed this season at all? Barely, because the days when I loved to frolic in the cold air and snow ended decades ago. Ever since then, I’ve gritted my teeth and slogged through each winter as best I could, staying indoors as much as possible. I’m hardly alone in this. I’m pretty sure that winter enthusiasts make up only a smallish part of the adult population.

And yet, good winter moments can emerge. As they did nine days ago when I ventured outside to take a look at the state of affairs in my suburban neighborhood. Unlike the conditions during previous walks I’d taken there this year, the temperature (45° F/7° C) was totally tolerable. Bundled up as I was, I didn’t get chilled at all.

I had something specific in mind for the hike. And that something was to spend time admiring leafless trees, which tend to be extremely underappreciated. I wanted to photograph them too, planning to aim my phone’s camera carefully in order to avoid having any houses or cars or other distractions enter the scenes.

Off I went at 2:00 PM. Though the onset of budding was visible, nearly all of the deciduous trees I encountered were bare basically, and they stunned me. They looked primeval, and would have appeared even more so in that respect had their backdrop been a grey sky rather than the afternoon’s gorgeous blue one. Their trunks and branches were things of beauty, the former as resolute as prizefighters, many of the latter delicate and poised to dance. And the no-nonsense, medium-to-dark hues of the trees made me concentrate on shapes, patterns, angles and intersections much more than I would have if the trees had been in leaf. What can you say? Mother Nature, as everyone knows, is the artist supreme. No large-scale, man-made sculptures surpass the big, bare fellas I tipped my hat to during the walk.

Now, none of this is to imply I might once again become a fan of winter. Cold weather activities, other than walks, don’t interest me. At my advanced age, I’d undoubtedly break a bone or two, or worse, were I to attempt to perform any winter sports. And, seeing that over the last few years I’ve become more sensitive to the cold than before, I’m averse to spending more than 30 consecutive minutes outdoors in winter anyway, unless the thermometer is nicely above 32° F/0° C. In other words, yours truly does not relish freezing his ass off.

Nonetheless, I’ll enjoy venturing outside occasionally for brief periods in future winters, to take in the wonders of Mother Nature. Assuming I remain above ground, of course. Fingers crossed about that. As for now, I’m looking forward to spring’s arrival. Which, I’m mighty pleased to say, will be soon.

A Paean To Beer

A week ago, my wife was readying to drive to one of our local supermarkets, Acme, it being the only one she knows of that carries a cold cereal she’s partial to and was out of (Kashi Organic Warm Cinnamon).

“Want to come along and check out their beers?” Sandy asked me. Well, sure. I was running low on beer, and Acme’s beer section is very good. More important, though, was the fact, unbeknownst to Sandy, that the notion to write a story about beer had been sloshing around sloppily in my head for a few days. Clearly, then, it was no coincidence that Sandy had invited me to accompany her. By which I mean the beer gods, ensconced in an immense tavern somewhere up above, were telling me, through Sandy, what they expected me to do: They wanted me to pull my thoughts together and pen a paean to beer. Or else, probably.

So, off I went to Acme with my wife, where we replenished our respective stocks of beer and cereal. And several hours later I sat my aged ass down at my computer and got to work on this story.

The beers in my house before I went to Acme supermarket.
The beers I bought at Acme supermarket.

I’ve been drinking beer all of my adult life. It’s the only form of alcoholic beverage I’m into. I don’t like hard liquor at all. And even though I enjoy a bit of wine now and then, it hasn’t captured me enough to become a regular part of my diet.

On the other hand, I absolutely adore good beer. That statement, however, didn’t apply to me until 1994, during Sandy’s and my honeymoon. Before then, I’d downed plenty of brews, mostly American-made lagers such as Budweiser and Miller, without giving them much thought. I liked them, but I certainly wasn’t in love.

All of that changed on Martha’s Vineyard, the Massachusetts island where we honeymooned. There, at restaurants whose beer offerings were broader than what I was accustomed to, I began to realize that beers more flavorful and robust than Budweiser and its kin existed, that beer came in many styles besides lagers, and that brews from other countries were available for purchase in the States, my native land. Those revelations have made my life significantly better than it otherwise would have been.

There are so many beers out there. Lots of them, the so-called craft beers, are from smallish breweries of recent or fairly recent vintage. (The craft beer revolution took off in earnest during the 1980s, centered in Britain, the USA, Belgium and a few other nations.) Conversely, quite a few European brews have roots that extend back centuries, some to the Middle Ages. Ever since my honeymoon I’ve been on a non-stop quest to sample a goodly number of products from the categories I just mentioned. I haven’t been thrilled by every beer, but the majority have hit the spot just fine.

When much younger, I commonly knocked back several or more beers at one sitting. What guy in his 20s and 30s hasn’t? It’s the thing to do. In any event, for reasons I’m uncertain of, my beer consumption slowed down around 1990, though it’s gone up slightly over the last few years. These days I drink five beers per week, on average. That’s less than one per day. I’m fairly confident that this level of consumption has done me, and will do me, no harm. As always, though, time will tell.

But I make up for my relatively limited intake of beer by thinking about beer a whole lot. Right now, for example, I’m anticipating, with relish, the beer I’ll imbibe with dinner tonight. Which one shall it be? I have ten different beers in the house to choose from at the moment, including a pilsner, a saison, an amber ale and two pale ales.

Perhaps J.A.W.N., a pale ale, will be the selection. A creation of Neshaminy Creek Brewing Company, it is one of my all-time favorite brews. (You can learn more about the Philadelphia slang word jawn by clicking here.) J.A.W.N. is boldly bitter, as all pale ales should be. And its flavor and aroma, earthy with distant hints of peaches and pears, make me say to myself, “holy f*cking shit, this beer is perfection,” every time I take a swig.

I could go on and on about beer. However, I feel I’ve said enough, and damn well have geeked-out enough. Hopefully, I’ve placated the beer gods. I’d hate to get on their bad side. If that were to happen, they’d probably take J.A.W.N., and who knows how many other good brews, away from me. Therefore, over and out!