Walking Away From A Cold

Where the f*ck have I been that I wasn’t aware that a summer cold is a thing, a topic of active discussion, and probably has been a member of the thing category for a good long while? Had I ever heard the term before? Possibly. But if I had it didn’t stick like glue to my brain cells. Anyway, a week or so ago two people mentioned the words when they learned of my ailment. In sympathy, one of them said that “summer colds are the worst.” The other said that he knew of someone else who was suffering from the symptoms of this dastardly condition.

Summer colds. Are they different from colds that you might pick up at any other time of the year? Beats me. In any event, I was down and partly out for the count during the first week of August. The cold was heavy. It was a summer cold, you dig?

I went through Kleenex tissues as if they were salted peanuts, so full of amazingly robust mucus was my respiratory system. I moaned and groaned like a wuss. I had less energy than a used flashlight battery. But eventually my body pulled itself together and I began to feel pretty damn good.

Yeah, pretty damn good indeed. And so, on August 8 I decided that I needed to stretch my legs in a meaningful way in environs that might inspire and intrigue me. Looking forward to a mini-adventure, off I headed to Hatboro, Pennsylvania, a town that looks like a town (Hatboro has two long strings of stores and businesses along a main street, which is crisscrossed by tidy residential blocks). In other words, it’s not a hodgepodge collection of housing developments and strip malls. I’ve been to Hatboro many times, what with it being only three miles from my home, but never had gone on more than a 15-minute ramble there. At 10:30 AM I parked my car on Hatboro’s shopping drag (York Road), fed the parking meter and set off.

York Road’s shopping section is lengthy, extending for half a mile. The stores are mostly of the mom and pop variety. I’ve often wondered how most of them stay in business, as I’ve never seen Hatboro’s sidewalks even remotely crowded. But stay in business they somehow do. You have a hardware store, several barber shops, bakeries, delis, diners, a big furniture store . . . and I’ll end the list now to avoid this becoming a 2,000-word essay. None of the shops are glitzy. Glitziness has little place in Hatboro, a blue collar area and proud of it.

Not unusual for me, I took a lot of photos during the walk. At first I concentrated on bouncily-decorated storefronts and nifty store signs. Who would turn a thumbs-down on the Hatboro Barber Shop’s facade, a parade of red, white and blue? Or on Village Hardware’s “We Fix Stuff” sign, which succinctly (and hopefully accurately) tells a story. Nobody, I’m sure.

And when I wandered off York Road into the neighborhoods, I was surprised by the goodly number of old, beautiful homes. Had to snap some of their images, of course, one of which is directly above.

But halfway through the stroll my focus changed unexpectedly, as I became enchanted with the idea of looking for bright yellows. I guess it was a riveting yellow (and red and black) traffic sign on a residential block, meant to announce that a stop sign was ahead, that put the notion into my head.  That and the fact that I was getting some exercise on a supremely sunny day, the Sun being the finest yellow friend that any of us ever will have. Ergo, a patch of yellow flowers aside a house became fodder for my phone’s camera. As did the golden arches of Hatboro’s McDonald’s franchise.

But enough about yellows. Let’s face it, in most regards, the walk ultimately wasn’t very different from nearly any neighborhood walk that one might take. It lasted one and a quarter hours and encompassed two miles. Nothing special about those figures. But here’s what I’m getting at: I enjoyed the heck out of the walk. I was glad to have recovered from my illness, glad once again to be outside breathing freely and taking in the sights.

Which is why it would have been very, very cool if the lyrics to Zip-A-Dee-Doo-Dah had been playing in my mind as I walked around. You know them:

Zip-a-dee-doo-dah, zip-a-dee-ay
My, oh my, what a wonderful day
Plenty of sunshine headin’ my way
Zip-a-dee-doo-dah, zip-a-dee-ay

Alas, they weren’t. Still, I’m in tune with the song’s message. Meaning, I know enough not to take things for granted. Hopefully many walks lie ahead. Onward!

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I’ve Got My Faves. Which Are Yours? (Art On Wheels, Part Three)

8:51 AM

Last Friday, the first day without rain in what seemed like forever for southeast Pennsylvania, I decided pretty early in the morning to scour the grounds of local businesses in pursuit of colorful designs and nifty patterns. I’d gone on such journeys twice before, penning the recaps for the publication that you’re currently staring at. And speaking of which, if you are interested in reading about Art On Wheels, parts one and two, then click here and here. Okay, with that matter out of the way, let’s now move on to my latest effort to spot and photograph good-looking trucks and vans.

8:55 AM

I left my suburban Philadelphia home at 8:45 AM. Six minutes later, near the delivery bays of my town’s supermarket, I parked my car and got out to snap a picture of a Maier’s truck that was filled with breads and rolls. Hey, not only did I like the looks of the truck, I also liked the feeling that immediately swelled up within me: Namely, that this was going to be a productive morning. I mean, the supermarket was the first place I visited, and right off the bat I’d hit pay dirt.

9:02 AM

Pay dirt. I knew from past experience that it wasn’t necessarily lurking everywhere. Hardly. For every truck and van worthy of attention there are 15 or more that are real plain Janes. Not only that, it ain’t possible to photograph the lookers, vehicularly-speaking, that are on the move. If I attempted to do so while I too was cruising along the road, then I’d now be writing this opus from six feet under.

9:11 AM

I’m here to report that things panned out. After immortalizing the Maier’s truck, I spent an additional, and fruitful, hour and 45 minutes on my project. In parking and delivery areas during that time I met plenty of trucks and vans, of which nine (including Maier’s) made the grade. And — bonus! — later in the day, while coming home from an ordinary shopping mission, I lucked out by crossing paths with a long, long trailer that was making a delivery to a Dunkin’ Donuts store about half a mile from my house. That bad boy was a slam f*cking dunk for me. And it brought the total up to 10.

9:30 AM

Ten excellent vehicles! That’s success in my oddball book. After all, this was a mission of serendipity. It was impossible for me to know what trucks, if any, would be at the locales I visited. Yeah, for some reason truck drivers don’t give me their delivery schedules. And one beauty, a Lehigh Valley dairy products truck, wasn’t where I’d have expected it to be. Instead of being in the delivery section of the Walmart mega-store on whose property it was parked, it was on the outskirts of Walmart’s enormous parking lot. Its driver was not in sight. Maybe she or he was reclining amidst the cargo, grabbing some ZZZs. Whatever, I was more than glad to find that truck.

9:36 AM

Well, I’ve placed the photographs of the 10 head-turners in the order that I encountered them, noting the time that I snapped each picture. And I’ve studiously gazed at the photographs, trying to come up with my top three. It wasn’t easy. For instance, I dig the Utz truck, which carried potato chips and other snacks. Its black, white and red design reminds me of the era, maybe 20 or 30 years ago, when those three colors, in conjunction, were de rigeur in the fashion world. But ultimately Utz didn’t make my cut. I guess that these days I’m more in tune with splashy lines and a palette that dips broadly into the color spectrum.

10:13 AM

Here then are my top three, in ascending order: Edible Arrangements, Lehigh Valley and Dunkin’ Donuts. Yes, that Dunkin’ truck drives me wild. “I’m Number One! I’m Number One!” I can hear it yelling.

10:25 AM

And how about you? Which of these 10 exhibits particularly ring your bells? If you let me know in the comments section, indicating the ranking you give each of your top three choices, then I’ll compile the results. And once that’s done I’ll spend however many it takes of my remaining Earthly days to track down the winning vehicle. And when that mission is accomplished I’ll pin a big gold ribbon somewhere on its glorious body.

10:57 AM

One final note: Yes, I agree, it’s on the odd side for a geezer, let alone anyone, to get his jollies from trolling the parking and delivery areas of shopping centers, strip malls and stand-alone businesses, with art as his prey. What can I say? I like to wander. I like to look at pretty things. When it comes to jollies, my philosophy is to try and grab ’em where and when I can. Amen.

1:52 PM

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A Better-Than-Usual Walk Around My Hood

It was hot as hell two Fridays ago, as in 90°F (32°C), a temperature that usually makes me want to stick to the comfort of my air-conditioned house. But come 2:30 PM I was getting restless. And so, grabbing a cap to shield my hair-challenged pate and a pair of sunglasses to make me look like a movie star, I unlocked the front door and stepped outside. Ordinarily I don’t particularly like walking around my neighborhood, part of a suburb a few miles from Philadelphia, because I’ve seen it a million times and because there’s nothing much here that’s going to knock your socks off. But what the hell  . . . I needed to stretch my legs.

And stretch them I did on that tail-end day of June. For an hour. Under a summer sun that was sending down heat rays as if there were no tomorrow. Luckily, it turned out that there was a tomorrow. If there hadn’t been, then I wouldn’t be at my writing station right now, pecking out this ultra-fascinating tale.

What with the heat, a lesser man might have decided quickly that he’d made the wrong decision, that he’d be better off back inside his cozy house where he could resume reading the collected works of I. C. Fairley-Farr, the all but forgotten British existentialist whose philosophy is best summed up by a simple phrase. To quote him: Life is for living, water is for drinking, and . . . shit, where’d I put my distance glasses?

Stumps I, II And III

But on that day I wasn’t a lesser man. Nope, for some reason the brutal ball of fire in the sky wasn’t bothering me. And for some reason, right from the get-go, I found myself enjoying the walk. Why, only half a block from my house I noticed something that on another day might not have registered at all — three neat and concise tree stumps on the lawn of a church. Transfer them to the grounds of an art museum, give them a title such as Stumps I, II And III, and they’d gain esteem as a fine piece of minimalist outdoor sculpture. See? There’s always an alternative way of looking at things.

And how about the township park and playground behind the church? There wasn’t a soul there, not even on the basketball courts. Yeah man, I had the neighborhood to myself!

Well, not really. Still, during the walk I came upon only 25 or so people, many of them unloading this or that from their cars, and not a one of them out for a walk. And I crossed paths with but one dog. I exchanged hellos with its master who, positioned on his home’s front path, was eyeing me with mouth slightly agape. It must have been my sunglasses. In them, I’m a ringer for George Clooney. Or so I’ve dreamt.

Suburban jungle

Block after block I wandered along, going downhill on some and uphill on others. My area is seriously hilly, almost San Francisco-worthy in places, and the upward climbs got me decently sweaty. One thing I realized was that I should have a much better working knowledge of the layout of my hood than I do, because I trekked upon a couple of streets whose names I didn’t even vaguely recognize. And I also realized something that I knew but hadn’t experienced in a healthy while. To wit, parts of my neighborhood are very, very heavy with trees and other foliage. Those blocks are a suburban jungle, a dreamscape in shades of green.

Tiger Lillies

On the other hand, most of my hood’s blocks, though cute in a comforting way, are kind of vanilla in appearance, including the street on which my house sits. But I found myself getting into the vanilla, grooving on those blocks’ occasional good-looking flower beds and other decorative touches that homeowners here and there have added to increase their residences’ wow factor. When I passed one abode with a fine grouping of Tiger Lillies, naturally I stopped to admire them. And to take their picture. I couldn’t have done otherwise, seeing that the house in which I grew up, forever ago on Long Island (near New York City), was blessed with large patches of Tiger Lillies. My heart since then has maintained a very soft spot for that variety of flora.

And the walk turned out to be a learning experience too. Only two blocks from my house are extremely tall metal towers. I’ve lived in my neighborhood for 13 years, yet I’ve never known what the heck those towers do, if anything. For all I knew, they might have been decommissioned years ago after serving one purpose or another.

As it turns out, they are important pieces of equipment. They transmit messages to and among personnel of police departments, fire departments and 911 emergency systems. I know that now because, early in my walk, there was a worker at the towers as I approached them. I stopped to ask him what the towers’ functions are, and he told me. Yes, opportunity had presented itself, and I took advantage of it. Too bad I haven’t applied that principal consistently over the course of my life. Oh well.

As far as I can recall, this walk was the longest, time-wise, that I’ve ever taken in my neighborhood. I don’t expect my next venture into the hood, whenever that may occur, to resonate with me as satisfyingly as this one did. But that’s okay. I returned home mentally refreshed, feeling pretty chipper and somewhat seeing the brighter side of life. Not every walk is a keeper, but this one was.

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Plaza Blanca Knocked Our Socks Off: New Mexico, Part Two

 

Sandy and Neil in Frijoles Canyon
Rio Grande Gorge

For the last few days I’ve been thinking about what I should include in the second installment about my recent adventures in sun-drenched New Mexico. Climbing up ladders attached to the sides of cliffs in Frijoles Canyon (part of Bandelier National Monument) — to reach niches within which indigenous peoples lived centuries ago — seemed a natural, as did viewing the deep and dangerous Rio Grande Gorge just outside of Taos village. But you know what? No more will I now say about those experiences, as excellent as they were, because wafts of inspiration caressed my face a little while ago. And, as I’ve learned over the last few years, one shouldn’t argue with inspiration. This story, therefore, shall be about Plaza Blanca.

Plaza Blanca

May 29, the last full day of my wife Sandy’s and my visit to New Mexico, found the two of us inside a Honda Accord being driven by my brother Richard. We were on our way from Santa Fe, where Richie lives with his wife Sara, to Abiquiu, an area famously known as the one-time home of the late, great painter Georgia O’Keeffe. Richie had printed out some information about the sights in the Abiquiu region and, 10 minutes into the journey, asked me to take a look. Scanning the pages I noticed a paragraph about Plaza Blanca (The White Place), described as unusually beautiful. “Hey, let’s go there,” I said. Nobody objected.

Luckily I found a website that provides precise driving directions to Plaza Blanca, because it’s not the easiest locale in the world to find. The final leg of the motorized segment of the journey was upon a dirt road. Expecting numerous ruts and holes, we were relieved to see almost none. Richie parked the car in Plaza Blanca’s small parking section. Then the three of us got out and looked around. From first glance we knew that we were in a special place.

We spent an hour hiking through Plaza Blanca, a masterful collection of rock formations not far from forested mountains. The sun was high in the sky, clouds were few, and the views, to employ a cliché, were awe-inspiring. I’ve gone limp now and then over the years from the beauty of what was in front of my eyes, but that hadn’t happened in a good long while. And, now that I think about it, I hadn’t been as stunned by a natural landscape or seascape since 1982. That was the year of my trek through the high Himalayas in Nepal, the one truly astonishing adventure of my life.

And I wasn’t the only one to gaze in wonder at Plaza Blanca’s cliffs and columns, or at its other wildly surreal sculptures. Sandy and Richie were as spellbound as me. We were in a stark fairyland where strange, beguiling shapes reigned supreme. The formations sat stoically, yet pleased with themselves. They knew that they are remarkable creations. I caught Richie staring unbelievingly at one vista, imperceptibly shaking his head and not quite knowing what to say except for the obvious: “This is incredible” were his words.


As for Sandy, she agreed when I suggested that Plaza Blanca likely was the most beautiful and fantastic landscape she’d ever set foot in. A compact expanse of desert, Plaza Blanca is where one might go to let the problems circulating within one’s head fade away for a bit of time. It’s where you likely will be able to engage undisturbedly with the powers of nature, since Plaza Blanca is off the beaten track compared to many other spectacular sites. Only two other souls crossed our paths as we made our way around. That was two too many, but it was far better than the hundreds you’d encounter at the Grand Canyon or at Yosemite.

A geologist I’m not, but from what I’ve been able to piece together, Plaza Blanca is the result of volcanic activity that took place roughly 20,000,000 million years ago, and of the subsequent effects of heavy erosion. Its cliffs and other structures are composed of varieties of sandstone and of other types of rocks. The place was drier than the driest bone the day that my trio was there. But I’ve read that flash floods sometimes develop during heavy rains, racing mightily between the giant pieces and with the potential to sweep incautious visitors away.

Georgie O’Keeffe, From The White Place. Image copyright: The Georgia O’Keeffe Foundation/Artists Rights Society, New York.

Georgia O’Keeffe was smitten with Plaza Blanca (as she was with much of New Mexico). She wandered around and painted in The White Place many times. Her desert homestead was about 15 miles away. I wouldn’t mind owning one of her renderings, From The White Place, pictured above, which she painted in 1940. It would look smashing on a wall beside my living room sofa. I doubt if the Phillips Collection in Washington D.C., where the painting is housed, plans to put it up for auction anytime soon. If they do, however, I’m ready to launch a Kickstarter campaign to raise the $20,000,000 or more that will be required to make it mine.

Sandy and Richie in Plaza Blanca

As I mentioned in my previous essay, staying very hydrated in New Mexico is the thing to do. The Sun there can be brutal. I’d been downing water conscientiously before arriving at Plaza Blanca and continued to do so during my hike on site, but there was no point in taking any unnecessary risks. My companions must have felt the same way. Without discussion we took our last looks at Plaza Blanca, immersing ourselves in its glory. And then we made our way out from between the art works and headed back to the car.

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(All photos are by Sandra Cherrey Scheinin, with three exceptions: Richard Scheinin took the photo of Sandy and me. I took the photo of Rio Grande Gorge and the one of Sandy and Richie.)

Santa Fe Pleased Us Just Fine

My wife Sandy and I had been itching for a good while to stretch our traveling legs, to go somewhere we’d never been that’s far from our suburban Philadelphia environs. But where? “How about here? How about there?” we pondered.

Santa Fe, New Mexico

Well, in the end we left here and there for another day, as the answer was right at hand. My brother (Richard) and sister-in-law (Sara) moved to New Mexico several months ago, after occupying space in California for 30 years. Santa Fe, New Mexico’s capitol, was their new home. Sandy and I wanted to see them and also were more than happy with the idea of poking around Santa Fe and other parts of NM, a state full of deserts, soft-colored hills, mountains and mind-boggling rock formations. New Mexico it would be.

Ergo, late last month we spent eight days in the Land Of Enchantment, as New Mexico is called by some, unpacking our bags chez Richie and Sara and doing our best to be good houseguests. I think we succeeded in the latter, but, as with much of life, who really knows? Anyway, we passed mucho hours wandering around Santa Fe with them, occasionally without them, taking in a good deal of sights and the general swing of things. I’ll leave New Mexico’s natural landscapes, which we also visited, for a future story or two. My typing fingers are all set to concentrate solely on Santa Fe right now. Away we go.

Turns out that Santa Fe, a sweet place whose buildings primarily are adobe-style and low to the ground, is high as hell. By which I mean that this city of 80,000 humans lies in the high desert, 7,200 feet above sea level. That’s up there. The air is dry and fairly thin and, when a drought is on, as is currently the case, the sun is unrelenting. Drinking lots of water throughout the day, therefore, is pretty much a must even if you’re the indoors type, unless you enjoy the effects of dehydration. As is slathering on lots of sunscreen and donning a hat if you plan to spend more than 20 minutes outdoors.

I took to Santa Fe from the get-go. I liked its look, an amalgam of the influences of indigenous peoples and of the Spanish, who conquered and colonized enormous chunks of the Americas starting in the 1500s. Adobe, adobe everywhere. The earth colors made for a soothing experience. As did Santa Fe’s overall quietness, the lack of a mad rush of residents and tourists. Motor traffic gets fairly rough on certain avenues at certain times of day, but for the most part cars and trucks don’t interfere with the easy-going feel of the city’s central sections.

At right, Richie and Zella

A number of my walks through town were in the company of two individuals: my brother and Zella, who is Richie and Sara’s large dog. Zella is a Bouvier, a breed I’d never heard of till making Zella’s acquaintance several years ago in California. Zella doesn’t use sunscreen or wear a hat in Santa Fe, though I urged her to. She took offense at my suggestion, indicating that she doesn’t look good in hats and, in no uncertain terms, that I should go f*ck myself. Naughty doggie. However, Zella does imbibe a sensible amount of H2O throughout the day. Smart doggie.

Zella received a good deal of attention from pedestrians during these walks, far more than I did. And she was made right at home at a shop we passed one morning, a dog-loving establishment that has a Dog Bar, just outside its front door, where water and treats are at the ready.

One afternoon, Sandy, Richie and I were plopped on a bench in the Santa Fe Plaza, a park in the center of downtown. Zella wasn’t with us. We were eating chicken fajitas that we bought from a food stand at the park’s southeast corner and were watching the world go by. You never know what you might see in parks, which is part of the fun of hanging out in them. That afternoon a bubble-blower, probably a Plaza regular, showed up. With a net-like bubble-making device he filled the air with soap bubbles, some of them really big. The fajitas were tasty, the soap bubbles were captivating. Sandy and I agreed that we were feeling fine.

Cafes, restaurants, boutiques, art galleries, crafts galleries, museums . . . Santa Fe has them in quantities far beyond what you’d expect in a small city. It’s one of the major art centers in the USA, which was fine with me, as I’ve been popping into galleries and museums for nearly all of my life.

Left to right: Sandy, Sara, Richie

Appropriately enough, Sara and Richie took us to Museum Hill, a part of town that, also appropriately enough, is home to several museums, including the Museum Of International Folk Art. Our group of four headed to the Hill one afternoon for lunch at a café. We then entered MOIFA, an astonishing place. Sara had been there before and decided to go back to the café to read a book. Richie wasn’t a first-timer either, but he was in the mood to see the collection again.

Mexican musicians

And what a collection! I spent time mainly in the Girard wing, which houses folk art from all over the globe that one couple (Susan and Alexander Girard) accumulated during the mid-1900s. They donated their collection to the museum in 1978.

Mexican village

The Girard wing contains dozens of exhibits that are recreations of village scenes and of everyday life, all populated with miniature renditions of people, houses and appropriate accoutrements. The two exhibits that rang my gong the most were Mexican-themed, one of a village in all its colorful glory, the other of musicians having the times of their lives in a crowded three-level performance area.

Georgia O’Keeffe, Trees In Autumn 1920/1921, oil on canvas, Georgia O’Keeffe Museum, Gift of the Burnett Foundation

You can’t go wrong in the Georgia O’Keeffe Museum either. It’s one of the many museums in Santa Fe that are not part of the Museum Hill complex. I’m a fan of O’Keeffe’s paintings and had a tip-top time looking them over. On her canvases, O’Keeffe captured the essence of the landscapes and objects before her — be they mountain scenes, vast deserts, or flowers only inches away — with bold shapes and intense colors.

O’Keeffe lived in New Mexico for part or all of every year starting around 1930 until her death in 1986. For much of that period she made her home on a property in the desert about 60 miles from Santa Fe. She attained huge fame in her lifetime, and her reputation since then hasn’t waned. Deservedly.

Andrea Fisher Fine Pottery store

Nor can you go wrong in Andrea Fisher Fine Pottery, one of the many shops that I entered. I don’t know if I’ve ever been in an indoor space of any kind whose every item struck me as beautiful. But that’s what happened at Fisher, which carries Native American ceramics both old and new. Magnificent stuff, beautifully proportioned, colored and decorated, in styles that date back numerous centuries. I should have made a purchase. Man, I can be dumb as shit.


Okay, I can’t leave without talking a little more about food. Sara is an excellent cook. She and my brother fed us deliciously. And on a couple of nights the four of us ventured out for dinner, hitting the jackpot on one of those excursions when we had terrific pizzas at Pranzo Italian Grill. Sandy’s and my Margherita pie, with added olives, is pictured above in the forefront. Its extremely thin and charred crust was a model for how pizza crusts should taste and look.

Good trips are good for the soul. Sandy and I had a very good trip, spending quality time with family, gathering new experiences, seeing sights worth seeing and dining well. We’re fortunate folks.

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Flowering Trees Were Calling Me: A Stroll Through Chestnut Hill

On April 9 of this our present year, I went out in search of signs of spring, which was damn well taking its time in arriving. Though I didn’t come up empty-handed, the cupboard indeed was awfully bare. Naturally, having donned the hat of writer a few years ago, I wrote about the expedition, publishing the story six days later.

In the interim, however, nature began bubbling halfway decently in my region. To wit, two or three days after the 9th I began to spot some flowering trees in bloom. Finally! Spring was coming out from behind the curtains.

Now, I had no particular plans to place a second springtime-related opus into the ethers of cyberspace in 2018. Believe me, more than enough of those bad boys are already up there. But it turns out that I couldn’t resist. Last week’s Monday clinched the decision for me. Conditions-wise the day was ideal. The skies were so blue, my knees went weak looking at them. The temperature was 68°F (20°C), one of my favorite numbers on the dial because it meant that if a stroll around town would cause me to break a sweat, the sweat would flow only minimally. Ergo, a stroll was in order. But where to? I hadn’t been in the Chestnut Hill section of Philadelphia for a while. It’s a large, beautiful area, countrified and quaint and pretty hip. A village unto itself in effect, Chestnut Hill is almost always a good place to pass your time in.

Callery pear tree

At about 2:00 PM I jumped into my trusty 2001 Honda Civic. Eight miles later I was in Chestnut Hill. I was psyched for the impending walk. And I knew what my focus would be, photographically anyway. While enjoying the pleasures of the day I, for no brilliant reason, would take pictures mostly of flowering trees.

Saucer magnolia tree

I spent an hour and a half in Chestnut Hill, walking along all nice and relaxed. Everything was quite peaceful. I heard but one barking dog, unlike in my suburban nook where barks are as common as dandelions. And though lots of cars were on the roads, not a one of their drivers honked within my range of hearing during my excursion. I don’t know, maybe Chestnut Hill is a magnet for good quality canines and humans.

Getting back to spring, it didn’t take long for me to conclude that it had a long way to go. I mean, 90% of the non-flowering deciduous trees (maples, oaks, whatever) had no leaves on them whatsoever, though the budding process was under way.

But the flowering trees were another story. Though there weren’t as many of them as I’d have liked to see (and I assume that all members of the flowering varieties were in fact blooming), there were enough. And I took a good look at every one I passed. Who can resist gentle creations aglow in creamy whites, pretty pinks and other reddish shades? Not me.

Cherry trees on W. Southampton Ave., looking west
Cherry trees on W. Southampton Ave., looking east

One block in particular was a wonderland of sorts. I speak of W. Southampton Avenue. I was heading downhill on Germantown Avenue, the steeply sloped main drag filled with clothing boutiques and restaurants and other shops, when a marvelous mass of white blossoms caught my eye. They were attached to a series of cherry trees that occupy a good bit of W. Southampton, a residential block. I crossed Germantown Avenue and dove into the milky white scene. From Germantown Avenue I hadn’t noticed it, what with my strong case of myopia, but a petal storm was going on. Dropping from the trees in big numbers, petals were floating through the air rhapsodically. Man, it was beautiful. I was all set to lay myself down on the sidewalk and go blissful. But then I remembered that I’m not so good at going blissful. Shit, I knew I should have enrolled in a Zen Buddhism program years ago! You live and you learn. Sometimes.

Well, I snapped some pictures of W. Southampton, hoping like crazy that I’d capture some mid-air petals. If you look closely at the photos that I’ve included you’ll see a few. They and their siblings were a sight.

Saucer magnolia tree

Ah, the mystery of petals. Towards the end of my walk I found myself ambling along a stretch of sidewalk covered with pink ones. They had fallen from a saucer magnolia tree, which nevertheless was still grandly laden with flowers. The next day, at home, I gave a bit of thought to those and the other petals that I’d encountered in Chestnut Hill. So many already were off their trees, even though the trees had been in blossom for less, probably, than two weeks. Seems a shame that the great flowering-tree show comes and goes as quickly as it does. If its design had been left up to me, I’d have commanded that it last for two months or more. A magnificent extravaganza, it’s worthy of that, without question.

Not long after stepping through the carpet of magnolia petals, I found myself back on the block where I’d parked my old Civic. I liked the way my car looked, demure and cute despite the large blotches on its trunk and roof, as it waited patiently for me in front of a small, adorable cherry tree. The tree’s bone-white blossoms contrasted righteously with the Honda’s deep green paint. A photograph of the scene cried out to be taken. A few minutes later I got into the Honda and made my way back to the burbs. A flowery excursion had come to its end.

P.S. I’m indebted to Karen Flick, landscape manager at Philadelphia’s Awbury Arboretum. I’m a nincompoop when it comes to flora. I sent some of my photos to her, and she identified the trees for me.

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A Less-Than-Epic Quest For Signs Of Spring

There I was, on the second Monday of the present month, heading south from my suburban Philadelphia home to the Abington Art Center a few miles away. I was seated within my trusty 2001 Honda Civic, a vehicle that has served me well. I consider it to be a good friend.

I would be remiss, however, not to note that my wife Sandy feels no affection for my wheels. She used to love the Civic as much as I do, but those days are in the distant past. Yes, its forest-green paint has faded and developed splotchy areas so prolific they stun the eyes. Yes, the fabric that used to be tautly attached to the underside of the roof now billows downward like an open parachute. And yes, those conditions are fixable, but haven’t been addressed because I’m a lazy son of a bitch. Still, are the Civic’s flaws good enough reasons for Sandy to refuse to step foot inside the vehicle and to wish and pray that some day soon it will drive itself to the nearest junk yard and stay there? No, I emphatically state. And I rest my case.

Anyway, the Abington Art Center is a community organization that offers classes and programs in a once-private mansion and whose grounds include a huge, hilly lawn and a patch of woods. I was driving there because a story idea had occurred to me earlier that day: I’d decided to look for and write about signs of spring. Now, spring has been late arriving this year in my part of the States, what with below-average temperatures that don’t seem to want to loosen their grip. And even though I hadn’t seen much springlike activity among the flora in my neighborhood, or anywhere else in the region, I had a good feeling about what I might come across at AAC. That’s what happens when you’re a born-again optimist.

Arriving at the center at around 2:15 PM, I began my stroll. Right off the bat I noticed that there were no trees in flower. And that there were no flowers worth mentioning of any kind except for the yellow beauties attached to a large forsythia. In other words, there wasn’t much to write home about at AAC when it came to flowers.

As for the trees, they appeared as they would have in the dead of winter, at least to my eyes. No doubt the leaf-budding process had begun, but highly-myopic me was unable to determine that for a fact, as so many of the the branches were too high up for me to discern much about them. At eye level, though, there was some action, because bright green leaves were emerging on scraggly bushes that were fairly populous on the grounds. All in all, though, there wasn’t much to write home about at AAC when it came to buds and new leaves.

But I wasn’t disappointed that my article about the Earth’s vibrant rebirth would have to be put on hold. In fact, I very much liked the look of my surroundings, where practically every shade of tan and brown known to man was on display. I’m a big fan of blisteringly bright colors, but I’m totally down with neutrals too.

What’s more, I liked the quiet of the place. I heard one dog bark for a few seconds, and the sounds of automobiles on the roads bordering AAC were now and then apparent. But overall, things were peaceful at AAC. No other human crossed my path or field of vision during the 70 minutes I spent there, and so I found myself getting lost in the center’s 20 or so acres of semi-nature. Not lost in the sense of not knowing where I was, but lost as in going with the flow. I don’t know about you, but my life sure could use many heavy doses of the latter on a regular basis.

Flow-wise, I spent time in the pursuit of, well, whatever. I began to look around and was glad to notice, for instance, complex tangles of roots and branches, scalloped white fungi plastered on a fallen tree limb, and elegant beige leaves that had refused to drop from their tree’s branches during the winter.

A bunch of back-to-nature types of sculptures have been placed within the woods. Of those, the one I liked the best (Just Passing Through, by Laura Petrovich-Cheney) is a string of five tree trunks. Only the bases of the trunks were used in the sculpture, a display of elemental shapes and of the power of deep browns. One day these trunks will have rotted away and become one with the soil.

We have arrived close to the end of this essay. Hoping to leave with a sort of bang, I’ll make mention of something I hadn’t expected to find within the woods. Namely, inserted into the barks of a number of trees were small mirrors. I guess that Jeanne Jaffe, the artist behind the mirror sculptures, if you want to call them that, was very civic-minded, wishing to give the public the opportunity to check if their makeup needs refreshing or if their nose hairs could use a trim.

Me, I peered into one of the mirrors and was highly disappointed by the visage staring back at me. Might as well take a picture of my reflection anyway, I decided. Yeah, my iPhone’s case is pink. I like pink a lot. In fact, by the time my next article hits cyberspace there’s a good chance that I’ll have dyed my hair the most shocking hue of shocking pink available. I’ve been thinking of doing that for the longest time. And there’s no time like the present, right?

But if I do, Sandy probably will see to it that I’m inside the Honda Civic when it decides to drive itself to the nearest junk yard. That’s life.

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A Long Walk In Philadelphia On A Warm Winter’s Day

Cira Centre

There I was two Wednesday mornings ago, unfruitfully occupying space on my living room sofa. My shoulders were tense, my mind was neither here nor there. In other words, it was business as usual.

“Yo, schmuck! Snap out of it!” I silently yelled to myself. “Somebody ought to paint your portrait right now and call it Here Sits A Schlump. Life’s for living, boyo. Get with it already.”

And so I did. Gathering myself together, I decided to go for a walk. A nice long walk. But where? Not in my suburban area, whose charms are incredibly limited. Philadelphia it would be then. Philly’s the metropolis that never bores me. Soon I was at my little town’s train station. A late-morning ride arrived and I climbed into the second of its three cars. Fifty minutes later I exited said metal box at 30th Street Station, in the city’s West Philadelphia section, all set to explore a nearby area that I was barely familiar with. Ferdinand Magellan I’m not, but I’ve always liked to poke around.

It’s amazing though, being someone who likes to poke around, that I’d never done so among the blocks only a hop, skip and a jump northwest of 30th Street Station. Those streets, part of West Philadelphia’s Powelton Village neighborhood, contain a good bit of Drexel University’s sprawling campus. From the mid-1970s until 1991 I lived in West Philadelphia, only a mile and a half from Powelton Village, but I didn’t venture to the Drexel enclave there, despite Drexel’s rise during that time to major-player status in the academic world. And in the ensuing years, which have seen me visit West Philadelphia who knows how many dozens of times, the pattern continued.

Hallelujah, now the deed is done! I came and I saw. I’ll leave conquering for another day.

Powelton Village
Powelton Village

Now, let me say that my stroll through Powelton Village, checking out not only the Drexel facilities but the sturdy, soon-to-be-leafy residential blocks, wasn’t a walk for the ages. I mean, not too many urban campuses are going to knock your socks off. And Philadelphia’s older housing — rowhouses, twins and stand-alones — are so much with us in Powelton Village and in many other Philadelphia neighborhoods, I’ve come to think of them as comfort food.

Still, stretching my literally old legs felt great. Especially since the day was sunny and warm, as in 74°F, an insanely high number for mid-February winter. I worked up a good, pungent sweat hauling my ass and my bones around. And my eyes did plenty of darting, admiring the college girls who were dressed for summer. Skimpily, shall we say.

In addition to the girls, certain sights during my travels did make quite the impression on me. For instance, before I reached Powelton Village — in fact, when I was only 150 feet from 30th Street Station — I remembered to take a look at the Cira Centre, a majestically sleek office tower that smiles down upon the station. But I didn’t see it. Was the station somehow obscuring my view? Turns out, of course, that Cira was there in plain sight. Sort of. A glass wonder, the reflections of the sky on its surface were camouflaging the building, as the photo at the beginning of this article reveals. Man, that was something, clouds seeming to float everywhere on the glass along with the reflected image of a tower under construction several blocks away.

Drexel’s Buckley Recreational Field
Vue32 apartment building

And in Powelton Village, just up the block from Drexel’s Buckley Recreational Field, I was most surprised to see a tall, modern apartment building (Vue32) being erected on North 32nd Street. Some might say that Vue32, a non-Drexel project, is totally out of place in a quiet two-and-three-story-high neighborhood, and if I lived nearby I’d probably agree. But it looked cool to me.

SEPTA rail yard

Speaking of North 32nd Street, if I hadn’t been there I would have missed being near-stunned by the sight of oceans of commuter railroad cars — just like the one I took into the city — a smattering of feet east of where Vue32 stands. As I later learned, I was looking at a rail yard used by SEPTA, the Philadelphia region’s public transit agency, to house and do maintenance work on trains. I’ve lived in Philadelphia or its suburbs for most of my adult life and I’d only vaguely noticed that enormous yard before, though it is glimpsable from numerous vantage points in the city. Call me Mr. Observant.

An open square on Drexel campus

Well, the early afternoon passed pleasurably. I ambled along block after block in Powelton Village. Many streets contained a mixture of private homes and Drexel buildings. Everything was peaceful and quiet, just the way you’d wish that all the world would be. I saw many students, some on their way to or from classes and residences, some munching away or doing work at tables in a campus open square, some lolling on the grass in pocket parks. I enjoyed being a college student, but you’ll never find me enrolling once again in an institution of higher learning. There would be just too much work. In these latter stages of my life I prefer things that are way on the easier side.

By the time I made my way back to 30th Street Station I’d racked up four miles of ambulation. My shoulders were a lot looser than they’d been five hours earlier. My mind was no longer neither here nor there. And I was happy to be heading home. A few minutes before the train pulled in to whisk me back to my sleepy town, for no particular reason I took a photo of the “Watch The Gap” warning painted on the platform. It refers to the open space of an inch or two between the platform and each train car. Looking at that picture the next day it occurred to me that watching the gaps elsewhere in life is good advice too. Relationship gaps can be painful. Equality gaps are unfair and often hideous. But, with effort, gaps can be closed or dealt with productively, though not always.

With those words of wisdom I’ll now take my leave. But (hopefully) I’ll be back! Till next time.

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Snap, Snap, Snap: A Photography Story

Philadelphia (2017)

Starting in the late 1970s, and continuing for 10 or 12 years, I passed a good amount of time wandering around Philadelphia (where I lived), other parts of the States, Europe and elsewhere with a Kodak Pocket Instamatic camera in hand or in pocket. A non-techie all my life, the Instamatic was the perfect camera for me. Small and easy to load — you dropped a film cartridge into place and then closed the back cover over it, a process even I could handle — the camera provided photographic images that struck me as just fine. Bulky cameras, special lenses and filters, carrying cases? Man, I wanted no part of any of that. And still don’t. I like my life plain and simple, because I’m a plain sort of guy who some might describe as being simple too. Doesn’t offend me. I’m simple that way.

Philadelphia (2017)

And so, wander I would, snapping photos of things that caught my eye. Street scenes, decorated house doors, gnarly trees, cool-looking cars, mountains and forests . . . fairly avidly I documented all of those and more. Outdoor photography was fun, a hobby that made me think creatively and provided exercise in the process. What was not to like?

Manhattan (2017)

Alas, for reasons I haven’t tried to decipher, my photography excursions came to a halt. The photos I took, and they likely number in at least the high hundreds, lie within boxes shoved into attic and basement and closet niches. I haven’t looked at any of them in 10 years or more. And I probably didn’t label half of them. I swear, I’m going to hire a personal assistant one of these days to haul out those photos and put them into working order. And then I’ll donate the pictures to the Smithsonian Institution, which I hear has a program called We’ll Accept Anything, As These Photographs Taken By Extremely Ordinary Americans Clearly Prove.

Manhattan (2017)

Fortuitously, my wife Sandy, whom I met in 1990, picked up the slack. On our vacations and at family gatherings she’s the one who for years took nearly all the photos. Sandy, kind of a photography buff, always has had cameras far more advanced than the Instamatic, and happily danced into digital camera ownership earlier this century. I had no problem with her handling the photographic duties. I didn’t miss them, whatever the reasons might have been. Needless to say, when I started this blog in April 2015 Sandy was the chief photographer.

Cleveland’s baseball stadium (2017)

And then came January 2016. During that fabled month, Sandy bought a new iPhone and donated to me the iPhone she’d been using till then. iPhonically-speaking, for me it almost was love at first sight and first usage. I mean, the phone is so cute, so compact, and not too hard for a technological imbecile like me to figure out.

Cape Cod (2017)

Before then I’d been a flip-phone person, basically ignorant of the wonders of smart phones. But within days I became an addict, surfing the web, watching videos, etc., etc. And my iPhone’s camera? Why, it called to me with a song that I was powerless to resist. Before I knew it I was snapping photos left and right, far more than I did in my Instamatic days. Twenty-six months later I’m still snapping. And, by the way, not long after the iPhone came into my possession Sandy lost her photography job with this blog.

Cape Cod (2017)

And why do I bring up all of this? Hold tight, Bunky, as I’m about to tell you. Not that you haven’t already guessed, seeing that photos are on display right from the start of this essay.

Cape Cod (2017)

A day or two before I sat down to begin the composition of that which you presently are reading, it dawned on me that not the worst idea in the world would be to write a story into which I might place a number of photos that I took in 2017. Dozens of them I’d already used in blog articles during that year. But many others were sitting all sad and lonesome, feeling unwanted, on the hard drive or whatever it is within my iPhone. “I’ll liberate some of you! And I accept your thanks in advance,” I said to the pictures.

Cape Cod (2017)

Yes, it’s as simple as that. As I’ve prominently noted above, I’m a simple guy, so what would you expect? In any case, the year 2017 found me in my suburban Philadelphia region, in the City Of Brotherly Love itself, in The Big Apple, in Cleveland and on Cape Cod. There were a few other locales too, but that’s enough. I selected about 30 photos from the previously-unused pile and studied them almost assiduously. I whittled down the pile to the eleven pix herein contained. Some are artsy shots, some are candid, some display the wonders of nature, some have sentimental value to me. My favorites are the two that follow: a selfie of me and Sandy taken on Cape Cod, and a spontaneous etching that I made in the sands of a Cape Cod beach.

Thanks for reading and gazing. Your humble reporter is now going to sign off, hopefully to return in the near future with an as-yet-undetermined commentary upon something or other.

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Signs In The Windows

Last Friday I could feel a story idea calling me from far, far away. I cupped my hands behind my ears and did what anyone would have done: “What?” I yelled into the wilderness of my soul. “You have to speak louder, for crying out loud. Give an old guy a break!”

I waited for a response for a while. When none was forthcoming I waited a little longer. Finally I gave up on the idea of waiting. I’m a man of action, right? Well, not exactly, as proven by the impressive and permanent dents in the cushions of my living room sofa. Still, I rose anyway, put on my coat, stuck my iPhone into one of the coat’s pockets and explained quickly to my wife Sandy what my amorphous game plan was. Then I headed for the door, on my way to the three-level mall minutes away from my suburban Philadelphia house.

“You’re not going to do any shopping?” Sandy said to me as I exited. “Anyone else would go shopping.”

Shopping? Hmmm, not a bad idea. I could use a pair of slipper socks to replace the ones joyfully embroidered with Daffy Duck images that I’ve been wearing for the last 60 years. But whatever it was that was trying to reach me from the wilderness of my soul, shopping wasn’t part of it.

I pulled out of the driveway at 10:15 AM and pulled into one of the mall’s gargantuan parking areas at 10:20. Few cars were around. I entered the wonderland through a door that deposited me in Bloomingdale’s, a classy department store whose goods and displays I always marvel at during my infrequent visits. I felt at home, pretty confident that something somewhere in the mall ultimately would result in yet another blog essay being catapulted into cyberspace.

A poster in Bloomingdale’s cosmetics section caught my eye. “Everyone’s Invited!” it partly read. At once a bell rang in my head. Ouch, that smarted! I shook off the twangs of pain and went with the flow. If I wander around the mall, maybe I’ll spot all kinds of signage that share a sentiment similar to that poster’s, I thought. “C’mon in!” and “Don’t be a stranger!” would be good ones to come across, for example. But, nah . . . after I made my way out of Bloomingdale’s and into the main arteries of the mall’s lower level, I walked past store after store and came up with zippo. Nix that story idea.

All was not lost, however. Far from it. For what I realized is that beautiful signs, primo examples of artful composition, grace the windows of many of the shops. There was my story, I concluded. I would navigate all the avenues of each mall level, photographing the window signs that struck me as worthy of immortalization. I breathed a sigh of relief. The wilderness of my soul, at least for the moment, became a less scary place.

I went at it for an hour, 16 signs making my grade. The majority of them are on display in this essay. At the moment, examining the photos from the comfort of my home, it’s hard to say which of the signs I like best. Who can choose? Why choose? Isn’t it better just to appreciate each sign’s worthy aspects? Okay, you’re right. Choosing isn’t all that difficult. Let me think for a few seconds. I’ll be right back.

You know, I like the one picturing a pink Adidas cap, which fills a big section of glass at the Lids hat store. I’m one with its simplicity and admirable balance.

And I can’t deny the power of the seductive image of Selena Gomez balancing a black and pink handbag on her right leg. I had to restrain myself from marching into the Coach store and buying one of those bags, so helplessly jelly-like am I in the presence of gorgeous girls.

And let’s not overlook the black and white flag that stares out at potential customers from the mall’s Gap store. Maybe it’s a political statement of some kind, I don’t know. But it’s clean and taut and hard to take your eyes off of, from an aesthetic point of view.

There was more to my mall escapade than art appreciation, as it turns out. As I made my way around the mall’s highways and byways it dawned on me that I was getting some needed exercise. And that it felt really good to be stretching my legs. I tried to remember the last time I’d gone for a long walk. I think it was in October, on Cape Cod, upon whose open and natural areas I’ve racked up the miles in a major way.

But when I’m home? The landscape in the burbs, an homage to concrete and asphalt, doesn’t thrill me. And I sometimes forget that areas worth walking in, such as the olden streets of Philadelphia, aren’t much more than a hop, skip and a jump away.

But walk now and then in the mall? Hey, I never really thought about that before. We’ll see. I’ve read that plenty of folks do it regularly, placing one foot after the other upon the mall’s interior corridors as if those paths were athletic field ovals. I saw some of the hardy souls during my rounds. One of them, a millennial of the female variety who was attired in black workout clothes, passed me twice. I watched her do her thing. Her ears were home to earbuds and her eyes were glued to the screen of her phone as she relentlessly pushed ahead. You go, girl! Maybe I’ll join you some day. In my dreams.

An hour and change had passed by the time I got back in my car. I felt refreshed. My head was clear. My mood was up. And the remainder of the day, I was certain, would unfold attractively. That’s what good art and a two-mile stroll will do for you.

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