A Springtime Walk To Try And Take My Mind Off Of Things

I’ve been doing a little of this and a little of that of late, most of it nothing to write home about. You see, my routine has been thrown way off as a result of coronavirus. Yours probably has been too. Due to that health catastrophe, my volunteer jobs have been suspended and the places I like to hang out in — restaurants, movie theaters, music venues, to give some examples — have closed their doors, leaving me with shitloads more time on my hands than I’m used to. I’ve yet to use that time productively.

But my situation counts as absolutely nothing compared with the state of affairs worldwide. Tens of millions suddenly are without paychecks. Countless businesses and institutions very well might collapse. And people are succumbing in scary numbers to coronavirus. Holy crap, holy crap, holy crap. I have a sinking feeling. And when I say sinking, I mean sinking.

What will become of us? To try and protect ourselves, and to try and contain the virus, we stay in our homes as much as possible, practice social distancing when we leave the house, wash our hands numerous times each day, and use antiseptic wipes on potentially-suspect objects and surfaces. But, looking at the big picture, will any of that make much difference ultimately if an effective vaccine and/or other effective medical treatment isn’t developed in the very foreseeable future? Or if coronavirus doesn’t peter out on its own? I’m normally a fairly optimistic guy, but my answer is no. After all, in the twinkling of an eye, life as we know it has been turned on end. And right now there’s no reason to think that things won’t disintegrate far more than they already have.

“Yo, Neil,” I hear at least a couple of you yelling, “you’re bumming us the f*ck out! That’s enough, partner. Knock it off!”

I hear you, believe me. I’ve been bumming myself the f*ck out too, and for quite a while, as you can tell. Which is why, when I went for a walk on March 21 to try and take my mind off the current state of affairs, I had a potentially uplifting purpose in mind. The night before, driving home after buying take-out food from a restaurant, I’d noticed that some flowering trees around the corner from my house had burst into color. Thus, my plan on the 21st was to check out the flora in my suburban Philadelphia neighborhood and also in a neighborhood of a nearby, bordering township.

Now, walking is one part of what-had-been-my-routine that the coronavirus calamity hasn’t disrupted. Since early January, for personal health reasons, I’ve been hitting the pavement, in one locale or another, four or five times each week. Thirty minutes or more each session. That’s the most exercise I’ve gotten in years. And, knock on wood, so far I’ve enjoyed the regimen more than I’d have guessed I would.

Anyway, I embarked on the trek at about 1:30 PM. The skies gleamed, their blues a welcome sight for eyes in need of perking up. As I figured would be the case, green leaves hadn’t sprouted anywhere, though budding was in progress. Green’s domination over the browns of winter was another week or two away from taking place.

But, damn straight, some flowering trees were doing their thing, and that made a big difference. We’re talking magnolia and cherry trees, I think, and maybe a pear tree of one sort or another (I wouldn’t bet my life on those statements though, because I’m almost as dumb as dirt when it comes to identifying flora). Whatever, although the flowering tree performance normally doesn’t begin till early April or later, the milder-than-average temperatures that we’d had in the winter months pushed up the schedule. I let the trees’ pink, red and white petals grab me. The colors felt pretty good.

Other splashes of springtime colors were around. I spotted a few azaleas showing off their purple plumage. Forsythia bushes, which had opened in my region two weeks prior, looked damn fine in their mustard yellow. And the smattering of ground-level flowers on the properties brightened things up a bit too, especially the patch of small, yellow wildflowers in one yard.

What really struck me though, in this time of coronavirus precautions, was that I saw far more people than I’d expected to, which gave the afternoon a sense of normalcy. For instance: a father with his two young daughters, all on bikes; two middle-aged guys shooting hoops with a kid on a sidewalk basketball set-up; people sitting in their yards; four or five ambitious sorts hammering and sawing away, in their driveways or garages, at one project or another.

All told, at least 40 people crossed my field of vision during the hour I spent wandering around. I exchanged hellos with a bunch of them. None of them, or me, was doing anything that, virus-wise, might be problematic. That’s what medical people say, anyway. It’s okay to be outside, according to the experts, as long as you keep your distance from others.

And so, I recorded another entry in my Book Of Walks. The excursion was a good one. As spring progresses, the walks, I believe, will become even better. Lots more flowering trees and shrubs to gaze at. Lots more colors to absorb. Hats off to all of that.

(Comments are welcomed. Ditto for sharing this article.)

A Coronavirus And Philadelphia Flower Show Story

These are tough times. I’ll mention but three of many calamitous situations: War, raging in Syria and Yemen, has displaced millions of people from their homes and homelands. Ocean levels are on the rise as a result of melting Arctic and Antarctic glaciers and ice shelves. And coronavirus, emerging like a demon from a dark, dark corner, is throwing mankind into a tailspin. The virus is the story, so far anyway, of 2020.

Most of us might be fortunate and not contract coronavirus. But how can we not pay attention to it and worry about it? We can’t. As I began to compose this essay on March 11, I relived the conversations I’d had with the ten relatives and friends that I’d spent time with in the six days before that date. Coronavirus was, and remains, heavy on their minds. And on mine too. How far will this renegade spread? Just how deadly might it become? Will an effective vaccine or other treatment be developed, and if so, when? Will coronavirus mutate into other strains that will raise the human condition’s havoc level to even higher heights?

Before March 11, the virus hadn’t infiltrated my region too much (I live near Philadelphia, Pennsylvania, USA), or so it was thought. How quickly things have changed since then, though. As of this article’s publication date (March 16), there are many confirmed cases of coronavirus in Pennsylvania. And, as we all know, numerous national and local governments, worldwide, have increased restrictions on travel, and have ordered schools and certain businesses and other organizations to close until further notice (this is true for my region). Much of the same has occurred via voluntary restrictions and closures too.

As a result, over the last few days my wife Sandy and I have made big adjustments in regard to what we do and don’t do. So, it’s sobering to think that until recently pretty much everyone around here was living life fairly normally — the population was aware of the virus, but was only starting to act cautiously. Sandy and I certainly weren’t exercising a whole lot of caution when, on March 6, we boarded a train in our suburban town and rode it into the heart of central Philadelphia. A short walk away was the Pennsylvania Convention Center, a huge-as-hell structure that for nine days this month was home to the Philadelphia Flower Show. We bought tickets for the show at one of the Center’s box offices and entered the exhibition hall.

The Philadelphia Flower Show is an annual, world-famous event. It began modestly in 1829 as a project of the Philadelphia Horticultural Society and has become, by far, PHS’s most noted endeavor. Millions of people have taken it in over the years. Now, I’ve lived in or near Philadelphia since the mid-1970s and have been aware of the Flower Show all of that time. But I didn’t give a shit about it, and never went. Until a few years ago, that is. “What the hell, let’s go to the Flower Show,” I said to Sandy in 2016, and we did. We liked it. We returned in 2018, took 2019 off, and decided two weeks ago not to extend that non-attendance streak to two consecutive years.

One of the reasons that I didn’t give a shit about the Flower Show is that I wasn’t keen on looking at exhibit after exhibit of flowers. If I had investigated what the show really is about, though, I’d have discovered that it features all sorts of flora, not just flowers, and often replicates natural and man-made landscapes and waterscapes too. Hell, I’m down with all of that, so I should have given the Flower Show a shot way before I eventually did. I don’t live and learn all that often, but in this case it happened.

Almost needless to say, I found the 2020 version of the show to be absolutely a-ok. As did Sandy. Each year the Flower Show is centered around a theme, and this year’s was Riviera Holiday. Meaning, displays inspired by Mediterranean life in Spain, France, Monaco and Italy took up much of the hall (horticultural-competition areas and booths selling this, that and the other thing grabbed the rest of the floor space).

The themed section, filled with movie-set-like constructions, was where I spent most of my time. The gardens, some formal, some not, were lovely. As was a villa, and a modest cottage beside which a motor scooter was stationed, and the whimsical, color-drenched representations of Italian fishermen’s houses.

I dug the recreation of the Princess Grace Rose Garden. The original garden is in Monaco, the itsy-bitsy nation where, in 1956, the actress Grace Kelly became a princess by marrying Monaco’s Prince Rainier. A mannequin, clothed in a copy of Kelly’s wedding gown, stood in the garden. Grace, I’m sure, would have approved of the tribute.

Yes, the Flower Show had atmosphere. It brought me back to 1977, the only time I was on the Mediterranean coast. I spent six weeks in Europe in the spring of that year, travelling solo, before returning to a job in Philadelphia that I foolishly had quit two years before. One of those weeks was passed in southern France and in Monaco. A very good week it was. And the Flower Show gave me the urge to return, this time with Sandy. But the coronavirus situation will have to be under control before we step onto a plane. And who knows when that will be?

The crowds at the Flower Show on the day we attended were noticeably smaller than those we encountered in 2016 and 2018. One of our friends, a Flower Show aficionado, went twice this year. She told Sandy that attendance was less than usual on the days she visited too. Part of the shrinkage was due I’m sure to the hefty ticket price increases that PHS instituted in 2020. But the main factor, I’m also sure, was the threat of coronavirus posed by being in crowds.

That threat was understood on March 6 in my area, but nowhere near as well as it is understood today. That’s why the Philadelphia Flower Show was lucky, in a sense, that it was able to complete its run (last week, government mandates in Philadelphia and throughout Pennsylvania banned large events such as the Flower Show.) On the other hand, it’s more than possible that some amount of virus transmission took place at the show. And that truly sucks.

Coronavirus ain’t playing. It already has killed thousands. And its course is unpredictable. Hang on tight as best you can, girls and boys.

(Please don’t be shy about adding your comments. And if you’re in the mood for sharing this article, go for it! I thank you.)

(The photos, duh, are from the 2020 Philadelphia Flower Show. If you click on any photo, a larger image will open.)

My Favorite Color Once Was Yellow, Now It’s Blue. What’s Yours?

A couple of stories ago I reported that, for health reasons, I recently started going out on half-hour walks four or five times each week. A lot of the walks have taken place in my remarkably hilly neighborhood. In early February, while hauling my ass up and down slope after slope, I listened to a podcast that I like quite well. The podcast, Music From 100 Years Ago, is hosted by easy-going and real knowledgeable Brice Fuqua, and the episode that played from my earbuds was called Yellow Music (click here to find it, if you like).

Now, I’d chosen this particular episode, one of many that I’ve heard in Music From’s archives, because the word yellow had jumped out at me and set my mind in motion. As I readied to begin that walk, I fondly remembered that yellow was my favorite color when I was a wee lad. Yellow was a good choice of color for me back then. It’s cheerful and packed with energy, like most little kids. I still dig yellow, but for a long time haven’t been in love with it to the extent that I was millions of moons ago. That’s especially true these days, seeing that I ain’t especially cheerful and packed with energy anymore. Ah, the joys of getting old!

I don’t know when yellow ceased to be my fave. Probably when I was more or less ten years old. For the next 35 or so years I didn’t have a favorite color, not consciously anyway. During that time I was a fan of just about every color, something that has remained true to this day.

But somewhere in the 1990s I began to notice that I was particularly attracted to blue, or should I say blues, because various shades of blue pleased me just fine. I suppose that blue will remain my favorite for the rest of my life. I’d be shocked and awed, for instance, if on my death bed my final words were something like these: “Listen, after all this time I’ve decided that I like green more than blue. Who’d have thunk it? Okay, it’s time for me to go. Goodbye, cruel world!”

And I’m not alone in my pick. Surveys have determined that blue is the favorite color of more people than any other. So, why blue? Well, I’ve given this some thought and have come up with some notions. For one, I suspect that the preference has to do with the prevalence of blue. In daylight, when the heavens above aren’t cloud-covered, it’s blue that dominates our world. Duh! And who can resist a blue sky? It smiles upon us with a twinkle in its eye and with welcoming embraces. We’ve probably come to think of blue as a healthful force.

Blue comforts us. It helps us to vibrate at a beneficial pace. You can’t say the same for all colors, I think. You better watch out for orange, red and yellow, among others, for example. They just might bop you in your frigging nose or get your hormones racing way faster than you’re in the mood to deal with. And though white, black and the rest of the neutrals might possess blue’s healthful qualities, they lack the factor that, to me, sets blue apart from them: prettiness. Blue has just enough in the looks department to keep you more than interested.

Still, what do I know? There’s no right or wrong when it comes to color preferences. I’d be very interested to learn what colors are favored by this article’s readers.

The time has arrived to insert a couple of photographs of my once and current favorite colors. The explosive painting below hangs in my living room. It’s from Haiti and won my heart when I saw it in a Philadelphia art gallery in the 1980s. There are a variety of giddy yellows in there.  As a child, all of them would have enthralled me.

I have no doubt which shade of blue rates highest on my scale. It’s the blue of a late-morning sky, a soft but rich blue. Looking at the photo below, which I took on February 16, I can feel my blood pressure dropping to an acceptable level. Healthful is right.

Let’s get back to Brice Fuqua, a guy with wide musical ears who builds each of his broadcasts around a theme. The theme for Yellow Music is songs with yellow in their titles. During my walk, the number that got to me the most was one I’d never heard before, Yellow Dog Blues. W. C. Handy wrote it in 1915. The version that Brice played, sung by the fabulous Bessie Smith, came out in 1925. The song is about a heartbroken lady who is desperate to find out where the love of her life has disappeared to.

Yes, it’s very appropriate to this essay that Yellow Dog Blues contains in its title the colors that have stood out the most for me in my life. Thank you, Brice, for enabling me to bring the present proceedings to a vaguely logical conclusion.

(As always, comments are welcome and appreciated. And please don’t be shy about sharing this story. Mucho gracias.)

Here We Go Again: Art On Wheels, Part Five

My editor, Edgar Reewright, wasn’t pleased when I told him last week that my next story, which in fact is the one you’re now reading, would comprise observations garnered and photos taken in my pursuit of nicely decorated motor vehicles.

“Edgar,” I said to him over the phone, “you know that I get a kick out of photographing these bad boys, and maybe an even bigger kick from writing about the photo shoots. What can I say? It’s what I do.”

“Well, Neil, editing your attempts at writing is what I do. And I don’t want to deal with yet another of your Art On Wheels efforts. You’ve done four of them already. That’s more than enough. Believe me, nobody has been praying that you’d turn out a fifth. Neil, if you insist on going ahead with Part Five, then you’re on your own until you come to your senses.”

Being more than somewhat of an asshole, Edgar then hung up. Screw him! Who needs an editor anyway? Well, I sure do, come to think of it. But if this story has to be editor-less, so be it. I’ll bring Edgar back on board after I launch Part Five into cyberspace. He may not be a fan of my journalistic output, but he damn well is in favor of the monies I pay him for his expertise.

Yup, I surely enjoy an occasional quest for trucks and other vehicles whose bodies are artistically painted canvases that advertise goods or services. What’s surprising is that relatively few commercial vehicles, maybe one out of 10, fit that bill. The rest are either very plain Janes or are decorated not at all. As for the latter (the totally unadorned ones), more often than not they are monochromatic homages to one shade or another of white. Sure, there’s something to be said for going about your business anonymously. But, vehicularly-speaking, I prefer a nice amount or more of splash.

Parts one through four of this series (which you can read by clicking here and here and here and here) describe expeditions in my immediate area (I live near Philadelphia, Pennsylvania, USA). Each adventure was confined to one day, a day in which I spent a few hours trolling shopping centers, strip malls and wherever else I could safely and slowly drive my car. When I found my prey, I parked the car, exited from it, and documented with my phone’s camera the vehicle(s) that had caught my eye.

This time around, though, I took a different approach, which began on the first of this month while my wife and I were visiting The Big Apple. That evening, walking to Penn Station to catch a train that would take us part of the way home, we passed a trippy wonder of a truck that sold cannabis-infused sweet stuffs. Weed World Candies was painted in nearly every gleeful color under the Sun. Natch, I had to take its picture.

The idea for Part Five began to solidify in my mind at that moment. No need this time around to snap the photos in one day. And no need, necessarily, to troll in a car. Three days later, therefore, I wandered around my home area on foot, and found four victims that met my standards. But, lazy guy that inherently I am, I used my car the day after that to locate more artsy examples. The pictures of all the vehicles that passed muster on the various photo shoots are on this page, but in no particular order.

So, what do you think about the trucks and the one SUV (Kremp Florist)? Me, I’ve got to rate the cannabis truck as number one. It probably is as sharp as any example of art on wheels that I’ve ever seen. And my pick for second best is the Sysco truck. Its blues are calming, its message one of graciousness and welcome. The third-place prize? I grant it to the Trotter Services truck. The precise, hard-edged design, though severe, is oh so modern to my eyes.

By the way, when I was about 80 feet from Sysco, which was partially obscured from my view by plantings, I heard what I assumed was the opening or closing of the truck’s rear door. Not knowing which direction the door was moving, and not wanting to wait to find out, I quickly took up position behind some bushes, enlarged the truck’s image on the phone’s screen, and pressed the button. Man, I was lucky to get the shot. In the photo, that’s the driver only seconds away from climbing into the vehicle and taking off.

I tell you, the writing game can bring surprises. The longer you’re at it, the more likely your true nature and inclinations will emerge, not only in words and story lines but in real life. When I began this publication in 2015, never would I have expected that I’d be tracking down good looking vehicles, and liking it. I confidently say that, assuming I remain above ground for the foreseeable future, there will be another installment of Art On Wheels, Edgar Reewright notwithstanding. What, like I’ve got something better to do? As I’ve noted in my articles numerous times before, I’m an old f*cker. Humor me.

(As I almost always mention, please don’t be shy about adding your comments or about sharing this piece. I thank you.)

(If you click on any photo, a larger image will open.)

A Shadowy Walk In The Hood

Until recently, the only time I made a New Year’s resolution was during the waning days of 1976. My intent back then was to ditch the cigarette habit I’d been enjoying for a dozen years. Man, I did it, starting a few days later on the first of January, though I had a low-level relapse in 1982 that didn’t reach its conclusion till 1985.

Several weeks ago, the circumstances were right once again for the New Year’s resolution thing. That’s because an annual health checkup, in mid-December 2019, revealed that my glucose level had inched a bit over the top of the normal range. Crap! What was a very-aging boy to do if he wanted to try and prevent diabetes from setting in? Well, some dietary changes definitely were in order. As in, cutting back on the carbs. And the time also had arrived to up the hours that I spend in motion, as opposed to those spent while sitting on my wrinkly ass. The experts seem convinced, you see, that a decent amount of sustained movement each week can help many people drive their glucose numbers southward. Ergo, since early January, in addition to the energy I expend running errands and chasing my own tail, I’ve been taking four or five half-hour walks each week.

Most of the walks have been in my suburban neighborhood which, unlike the rest of the town, is hilly as hell (I live near Philadelphia, Pennsylvania, USA). Going uphill on the steep slopes is good, obviously, for my exercise regimen, though there’s no doubt I’ll be withdrawing that statement if the exertion precipitates a cardiac event. That’s assuming I survive said event, of course. So far, however, I haven’t needed the assistance of emergency medical personnel or of an undertaker, so I’ll stop that train of thought in its tracks. Let’s return to the walks.

While pounding the pavement on January 22, I noticed a couple of things that ordinarily wouldn’t have jumped out at me but, for reasons unknown, this time did. “Yeah, shadows!” I silently exclaimed to myself, at the end of the walk, when I saw some of them on the sidewalk near my house. “Shadows are cool. I’ll scour the neighborhood for shadows on the next walk. That’ll give me something to write about for the blog. The story won’t be amazingly interesting, but so what? Nobody expects anything all that interesting from old f*cks like me anyway.”

January 23 soon enough arrived. As I left my house that day at 11:30 AM, the temperature of about 42°F (6°C) was bracing but not all that bad. The skies were clear, so our pal The Sun was able to help cast shadows right and left. Ordinarily I listen to podcasts on my iPhone while walking in the hood, to avoid becoming bored shitless. But this time I was podcast-less, the better to focus on my mission. And so focused was I, an hour sped by before I knew it. I hadn’t expected to be out that long. At the end of the hour I arrived back home, having gotten plenty of exercise, and with a bunch of photos of shadows sitting within the phone.

I’ll say it again: Shadows are cool. They are shape-shifting, darkened, alternate images of what passes for reality. They have no substance at all, as far as I, a guy who nearly flunked high school physics, know. And yet, there they are. Not only that, they’re everywhere, they’re everywhere! Well, almost everywhere. I hope that my voyage through the hood the other day doesn’t cause me to become fixated on shadows, as that would be a turn of events not the least bit appreciated. But I sure enough dug them during the session in which I sought them out.

Shadow-wise, I didn’t come across anything particularly unexpected. But that was okay.  Tree shadows that spread mightily across fences and paved streets impressed me muchly, as did the dainty silhouettes of traffic signs. I envied the long fingers of the patterns created by play equipment in the kids’ section of the park two blocks from my abode. And everyday objects that I ordinarily wouldn’t give the time of day to, such as fire hydrants and recycling bins, received my blessings because of the endearingly goofy shapes that they produced.

Still, among all the pictures, how could I not most admire the one containing my own alter-image? I damn well have star appeal in that one, I’m certain everyone would agree. If any movie producers are reading this story (and why wouldn’t they be?) and are in need of a mysterious figure to lurk in the shadows of a movie scene or two or more (and why wouldn’t they be?), look no further. Lurking is my middle name. I am your man!

(Please don’t be shy about adding your comments or about sharing this story on Facebook, Twitter and the like.)

(If you click on any photo, a larger image will open in a separate window.)

The Nighttime Was The Right Time: A Photography Story

As I was flipping through the photographs on my phone the other day, I more or less said this to myself: “Holy crap, I snapped away like a damn fool in 2019!”

I made that observation because it seemed to me that at least 800 photos from last year reside in my phone’s innards. Not only are they mementos, they’ve also proven useful, as a fair number of them have adorned articles published on this site. And you know what? I ain’t done with using the photos. No way! That’s because, in the midst of reviewing the pix, inspiration zapped me with a story idea. Shit, that hurt! And to make matters worse, I think I tore my right pectoral muscle when I grabbed for the idea before it could vanish into thin air. Shit, that really hurt! And still does. Man, the things we go through in the name and service of creativity.

Nighttime outdoor photos. Yes, that’s what this essay is going to feature. I hadn’t given it any thought before but, when perusing 2019’s photographic output, I realized that I hadn’t taken all too many that fit into that category. The heavy majority of the pictures was created in daylight. And half or more of the after-dark shots were from restaurants or music clubs. Indoor locations, you dig.

But we work with what we have. After sifting through the appropriate pictures on my phone, I’ve selected nine to be shared with the world, three each from Philadelphia (USA), Cape Cod (USA), and Edinburgh (Scotland, UK). Nicely inhabited places are they. And pretty safe places for the most part too. But my camera contains no night shots from their woodlands or desolate sections, because I don’t venture into areas such as those after the Sun dips below the horizon. I’ve got a heart and I’ve got a pair of balls, but nobody ever will mistake mine, metaphorically-speaking, for Rambo’s. I know my limitations.

As I’ve noted more than once previously in this publication, walking around while looking at things has been one of my main interests since I entered my early 20s, which occurred 50 years ago. And most of that walking has been done in daylight, as my photos from 2019 emphasized to me.

Spruce Street Harbor Park, Philadelphia. (August 8, 2019)
Spruce Street Harbor Park, Philadelphia. (August 8, 2019)
Woodmere Art Museum, Philadelphia. (December 27, 2019)

But I like to wander nocturnally too, and should do more of it than I have. What’s not to like? When natural light is low, the world seems to don new sets of clothes. For instance, some areas blossom wildly at night under artificial lights, because those lights contrast so magnetically with the darkness overhead. Think Times Square. Along those lines, there are blasts of man-made colors in the pictures that I’ve selected from Cape Cod and Philadelphia, though the mysterious nature of nighttime is mixed into all of those scenes too. They won’t be confused with Times Square.

Provincetown, Cape Cod. (October 13, 2019)
Provincetown, Cape Cod. (October 18, 2019)
Sunset as seen from Harding Beach, Chatham, Cape Cod. (October 19, 2019)

It’s a different story for the pictures I’m presenting of Edinburgh, Scotland. They are on the somber side. Melancholic. Their shadows possibly hold secrets. When I walked the streets depicted in those photos, I had the feeling that almost anything might happen. And I liked that. I was a bit wary yet relaxed, in a dreamy state that vibrated tantalizingly, deliciously. I guess I’m in a very receptive mode as I type these words, because I’m reliving my late night strolls through Edinburgh right now. They took me to locales within myself that I’m not often tuned into. They were good for my “soul.”

Edinburgh, Scotland. (May 22, 2019)
Edinburgh, Scotland. (May 28, 2019)
Edinburgh, Scotland. (May 28, 2019)

Well, several days have passed since I composed the above paragraphs on the 28th and 29th of December. I was planning to wrap up the essay with only a few more words. But it has become obvious to me that it needs to go on for a while longer. I say that because my wife and I spent part of New Year’s Eve with two friends near Philadelphia’s Delaware River waterfront. For many years Philadelphia has set off fireworks in the middle of the river on NYE, and the 31st of December, 2019 was no exception. The four of us took up positions atop a parking garage that overlooks the river. We didn’t have long to wait before the big event began at 6 PM.

How were the fireworks? Splendid as always. Not only do I love fireworks, I enjoy snapping photographs of them. And the ones I took the other evening are, of course, nighttime outdoor pictures. So, they are a natural fit for this story. Here are several of them. Happy New Year, one and all! Let’s hope that 2020 will be an uplifting year. And, by the way, please don’t be shy about adding comments or about sharing this story. I thank you.

Yo! And Ho, Ho, Ho Too: A Guest Post By Santa Claus

Yo! And ho, ho, ho too. This is your boy, Santa Claus, checking in from the suburbs of Philadelphia, USA. Yeah, I know that it will be Christmas Eve in two days. And yeah, I know that I should be at the North Pole, preparing to deliver gifts to a billion kiddies all over the world. But, screw it! I’ll go back home soon enough. And I fully intend to fulfill my obligations on the eve of all eves. For now, though, I’m playing hooky. I need a break from Mrs. Claus, who’s been getting on my nerves big-time recently. “Lose some weight, lose some weight,” she says to me 50 times a day. “Okay, girl, I will,” I keep telling her, “but it wouldn’t hurt if you drop a few yourself.”

There’s only so much aggravation a guy can take. That’s why I jumped into my sleigh a little while ago and guided the reindeer, at lightning speed, to the house of my pals Neil and Sandy in the Philly suburbs. What is it with those reindeer, by the way? When they’re not airborne they spend most of their time crapping, pissing and spitting. What a mess! And I’m the one who’s got to clean up after them. God forbid that Mrs. Claus pitches in once in a while. Well, it’ll be Neil and Sandy who’ll inherit that job this time. Tough luck, guys! That’s what can happen when Santa pays a visit.

Minutes ago, as quietly as falling snow, we landed on my friends’ backyard grass. It’s 4:45 PM and getting dark outside, so I doubt if Neil and Sandy realize that I’m here. I’ll knock on their door soon, but first I’m going to take a stroll through their neighborhood, which I did once before, on Christmas Eve in 2016 (if you click here, you’ll read all about it). I was down in the dumps then, and seeing the beautiful Christmas lights and other decorations on the houses and front lawns cheered me up tremendously. So much so that the next day, bright-eyed and bushy-tailed, or something or other like that, I delivered the goods all over the world with unprecedented vigor. Mrs. Claus would be ecstatic if I ever demonstrated vigor like that in the sack. But what the hell . . . I’m Santa Claus, not Leonardo DiCaprio.

I must say that the temperature isn’t too bad here. It’s cold but a whole lot warmer than that frigging icebox of a region that I call home. You know, come to think of it, I bet that freezing my ass off like I do at the North Pole might be at the root of my chronically lackluster sexual performance. I’ve got to give some serious thought to relocating to warmer climes. Jamaica would be nice as a new home base. So would Tahiti. If we slimmed down, Mrs. Claus and I would look sharp in either of those places, strolling the sands in bright red Speedo bathing suits.

But you know what? I think that the Philadelphia burbs might be an even better choice. For one thing, Neil and Sandy are there. They’ve proven to be good friends, even though my contacts with them have been few. And I need friends. I hardly have any at the North Pole. How could I? Almost nobody is nuts enough to live there. Except for me and the missus and those weirdo elves.

Okay, it’s time to take in the sights. They improved my emotional state in 2016, and they better do the same tonight. Wow, look at that house! And that one, and that one, and that one! The people on these blocks sure know how to decorate. Bravo, folks, bravo! I tip my floppy cap to your excellent choices of colors and inflatable figures. Especially the inflatable Santas. This neighborhood is alive with good cheer and good taste. I love it! My stress level is heading south. I’m glad I decided to make this trip.

Uh-oh. My watch says that 6:00 PM has arrived. It’s almost time for me to head back home. But I have to drop in for a few minutes at the Scheinin household before that. The exterior of Neil and Sandy’s house isn’t decorated, of course. Christmas isn’t their holiday. They’re Jewish. And tonight is the first night of Chanukah. Maybe they haven’t lit the menorah candles yet. I hope so. I love lighting those little cuties and saying the Chanukah blessings. There aren’t many gentiles who can pronounce  Hebrew  as fluently as me. You better believe that it isn’t easy getting those kh sounds to resonate from the back of your throat.

I’m ringing their doorbell. I hear footsteps. The door is opening.

“Holy shit, it’s Santa!” Neil exclaims eloquently, concisely and accurately. “Why didn’t you tell us you were coming? C’mon in. We’re about to light the menorah candles. We’ll let you do that. And you can recite the blessings too. Sandy, we’ve got a guest!”

“Don’t mind if I do,” I say, moving gingerly so as not to get stuck within the door frame. I’m a fat f*ck. Mrs. Claus is right about that. “Neil, it’s more than a pleasure to see you again. And I’ve got big news. I love your neighborhood. There’s a very, very strong chance that you and I soon will be neighbors!”

(Santa Claus suggests that you not be shy about adding your comments or about sharing this story. He thanks you.)

(All photographs were taken by Santa. If you click on any photo, a larger image will open in a separate window.)

Picking Cape Cod Pix

Last month, while vacationing on Cape Cod, I saw a small, very good exhibit about daguerreotype photography. The show, appropriately, was in a small, very good museum, the Cahoon Museum Of American Art. Before setting foot in the Cahoon I knew zero about daguerreotypes. Now I know a bit. What I learned is that daguerreotypes were the first form of photography widely available to the general public. During the 1840s and 1850s, which were the heyday for daguerreotypes, millions of them were produced. They documented the everyday and the less common aspects of the world.

What I also learned is that the process for making daguerreotypes is a mother. You need shitloads of patience and scientific know-how to turn out the finished products. Trained professionals handled the job in the 1800s, not the average Jane or Joe. You wanted a portrait of your family to be taken? You went to a pro’s studio, or maybe they came to your home, for that to be accomplished.

But time marches on, and sometimes fruitfully. For quite a few years now, any old fool — and I fit the last two words of that term awfully well — has been able to take photographs quickly and easily. Smart phones and digital technology have seen to that. Yup, I just stated the obvious.

How many people around the world are snapping away with their phones? I’m going to guess that the answer is about one billion. If the correct number is far higher than that, I wouldn’t be surprised. In any event, I was part of the snapping-away crowd while on Cape Cod. I took 300 photos, give or take a few, over a 20-day period.

Clearly, 300 is a high number. But I easily could have taken 300 more. I restrained myself from doing so, however, because obsessively photographing events takes away from truly experiencing life. You can get so caught up in photographing everything that catches your eye or seems to demand immortalization, you pretty totally miss out on the bigger picture.

Still, it’s a-ok to stop now and then to grab a shot or two or three. Playing the photographer, after all, usually is fun. For instance, when I began this blog over four years ago I didn’t anticipate that in the near future I’d be getting a kick and a half not only from taking pictures with an iPhone, but from illustrating my essays with some of them. It’s gotten to the point where sometimes I think I enjoy photography more than I do stringing words together. There’s a whole lot less angst involved with the former, that’s for sure.

Now, I’ve previously published two pieces about last month’s Cape Cod excursion, and each contains a bunch of my photos. It certainly seems unfair to me to leave all the rest of the pix sitting within my phone. I mean, those photos are begging to be set free, to travel through the ethers and to pop up on screens around the world.

On the other hand, I just heard a chorus of readers begging me not to loft every damn one of the photos into cyberspace. “Shit, Neil,” they said, “we sort of like you, but don’t try our patience. A relative handful of photographs is all right. Any more than that, though, and we’ll unfollow you faster than Superman can take a piss! Doing his business at lightning speed is one of his super powers, you know.”

Hey, I hear you! Here then are a mere nine previously unpublished photographs. I like them for various reasons. In some cases they portray what to me were unexpected scenes. In others, a feeling of melancholy or moodiness pervades. And the one of birds in flight over Cape Cod Bay was impossible to ignore. By the way, the photo within Land Ho!, a restaurant in the town of Orleans, was the first one I took during last month’s trip, though that isn’t the reason it’s included. The atmospheric ocean of dimly illuminated signs is why it’s here.

Land Ho! restaurant (Orleans, Cape Cod)
White Crest Beach, at the Atlantic Ocean (Wellfleet, Cape Cod)
First Encounter Beach, at Cape Cod Bay (Eastham, Cape Cod)

My wife Sandy and I returned from Cape Cod about two weeks ago. The trip is still on our minds, partly because Cape Cod’s combination of nature, culture, mellowness and good restaurants is mighty fine. If we vacation there again next year I’ll pen more articles about The Cape. And stick plenty of photographs into them. Don’t say I didn’t warn you!

A small section of the enormous dunes in Provincetown, Cape Cod
Provincetown village, Cape Cod
Chatham, Cape Cod

As I almost always mention, please don’t be shy about adding your comments or about sharing this essay. Mucho gracias. And, oh yeah, if you click on any photo, a larger image will open in a separate window.

The Blue Trees, an outdoors art/environmental exhibit at Cahoon Museum (Cotuit, Cape Cod)
Hyannis Port, Cape Cod
Nauset Light Beach, at the Atlantic Ocean (Eastham, Cape Cod)

A Reflective Day In The City Of Brotherly Love

Howdy, girls and boys, and welcome to the website of he who just can’t seem to stop writing about Philadelphia. And why not after all, seeing that The City Of Brotherly Love has got what it takes. Yo, if it didn’t I wouldn’t have spent most of my adult life within or near its borders.

Anyway, it’s not as if I have something better to discuss right now. Well, I suppose that I could go into exacting details concerning how I gained entry in the Guinness World Records book last week by virtue of having tied some of my lengthiest nose hairs to a 50-pound dumbbell and then hoisting that f*cker two feet and eight inches off the ground without using my hands. Shit, that hurt! Fortunately my nose hairs are preternaturally strong and well-anchored, which allowed the feat to occur without major adverse effects. But nah, Philadelphia’s more interesting than that accomplishment. What now follows hopefully will validate the previous sentence.

The present story had its genesis last month in my piece on Philadelphia’s elevated parks. During my explorations for that essay I came across wonderful reflections on the surfaces of skyscrapers that flank one of the parks. And when my online friend Tanja Britton posted comments extolling those reflections, something inside of me clicked. Indeed, I then put it in mind to stroll around Philadelphia, checking out reflections in glass and metal on the faces of buildings. I tell you, Tanja’s got the power to inspire. Not only that, she’s a fine writer, one who is smitten by the grandeur of nature. You’ll be glad that you did when you click here to access her website.

Cira Centre, in West Philadelphia

On August’s final Thursday, then, a sunny and pleasantly-heated day, I hopped aboard a late-morning train in my suburban town and disembarked at Philadelphia’s 30th Street Station an hour later. The station, located in the city’s gigantic West Philadelphia section, sits across the Schuylkill River from central Philly. And hovering above the station is Cira Centre, a sleekly monolithic skyscraper that I immediately fell in love with when it opened in 2005. No way was I going to gaze at reflections around town without including those on CC’s surface.

Cira Centre, sheathed in glass, is a testament to the glories of reflection. Because it is not boxed in by other tall buildings, it has an almost unlimited capacity to mirror the skies. I spent a couple of minutes admiring the ideal shade of medium blue that saturated its facade. Still, I was somewhat surprised that, other than the heavens, the only thing pictured on the side facing me was one single building.

There are other skyscrapers not far from Cira Centre, some of them belonging to or associated with the two educational behemoths (University Of Pennsylvania and Drexel University) that abut one another in West Philadelphia. But my walking tour didn’t lead me to any of those towers. Strolling through the university campuses and on the blocks that surround and transect them, I stayed on the lookout for nifty images presented in the windows of normal-height buildings. I kept getting distracted though, because it was an excellent day for girl-watching in West Philadelphia, as it also would be an hour and a half later when I made my way around a healthy number of central Philadelphia’s streets. But you know what? Not a single female watched me. What do they have against guys whose eye bags droop halfway to the ground? Man, being a geezer ain’t easy.

Ladies notwithstanding, I didn’t lose sight of why I’d gone into town. I’ve always liked to look at reflections, but I’m almost certain that this was the first time I ever devoted more than a few minutes to seeking them out. It wasn’t hard to find them. And obviously it rarely is, a fact that somehow hadn’t registered with me before. During my travels that day, West Philadelphia and central Philadelphia gave me many images to groove on.

Saxby’s, near Drexel University
Gothic building on University Of Pennsylvania’s campus
Dunkin’ Donuts, in central Philadelphia

The orange tables and chairs imbedded in the window of Saxby’s coffee bistro, inches from Drexel University, intrigued me. As did the tree and blue sky in the window panes of a Gothic building smack dab in the middle of the University Of Pennsylvania campus. Ditto for the street scenes, complicated yet quiet, playing out in the glasswork of a Dunkin’ Donuts store in central Philly.

Comcast Center, in central Philadelphia
Looking toward the top of Comcast Technology Center, in central Philadelphia

And what, other than ooh la la, can you say about the sky, clouds and buildings captured in the facade of Comcast Center, the city’s second-tallest structure? That soaring canvas was hard to beat. Comcast Center, in the center of town, reigned as Philadelphia’s highest building for 10 years until its sibling, Comcast Technology Center, opened a block away last year. CTC is a gorgeous creation too. The geometric reflections upon its mirrored surfaces were a minimalist’s delight.

The Graham Building, in central Philadelphia

I was in the midst of a varied show. Some images were perfect or near-perfect replicas of the physical world. Others, though as clear as day, had a distinct life of their own, such as the tables and chairs at Saxby’s. And as for fractured pictures, I was totally down with the few I encountered, especially the dizzying plays of light on The Graham Building’s revolving door, a few blocks from Comcast Center.

Iron Hill Brewery, in central Philadelphia
That’s yours truly with the camera in front of his face, in West Philadelphia
Two Liberty Place, in central Philadelphia

Reflections can mess with your head in a good way and might put you under a spell. What else would you expect from phenomena that, though weightless, in their mysterious ways are as substantial as solid matter? One thing for certain is that I, who came close to flunking high school physics, never will understand the mechanics and processes behind reflections. But who cares? Their call got me off my bony, lazy ass the other day. I needed that.

(As almost always noted: Please don’t be shy about adding your comments or about sharing this story. Thank you.)

(If you click on any photo, a larger image will open in a separate window.)

Up Is Where It’s At: Philadelphia’s Elevated Parks

Central Philadelphia, as seen from Cira Green.

As loyal readers of this publication know, I have a propensity to mention that not only am I getting old, I strongly dislike getting old. I mean, what’s to like? I’m at the point where even if I were to live another 25 years, an unlikely occurrence that would take me deep into my 90s, the end sure as shit is still a whole lot closer than the beginning. Depressing, man, depressing.

Maybe that’s one of the reasons why I get a kick out of wandering around in search of that which is new to me. I tend to believe that a steady diet of fresh experiences possibly has the ability to hold back Father F*cking Time. In any event, encountering the new sure helps to keep your brain cells firing, to bring at least the semblance of a smile to your face, and to make most days decently bright. And so, off I went recently to a couple of places that I’d never visited before and was more than curious to investigate.

The Rail Park

I live not far from Philadelphia and head into that interesting city, which contains an almost endless supply of things to do, three or more times each month. On August 8, I decided that I’d go there to check out The Rail Park, which began as an idea in the early 2000s and became a reality when its first, and to-date only, section opened in 2018. Three more sections are on the drawing board. (If plans for the creation of those sections interest you, then feel free to click here to learn about them.)

Luckily I did a bit of googling before leaving the house, otherwise I’d not have known that another elevated park, Cira Green, occupies space in Philadelphia. As far as I know, The Rail Park and Cira Green are Philly’s only places with greenery that are up in the open air.

Close to central Philadelphia’s Chinatown section, The Rail Park was created by a partnership of forward-thinking area residents and governmental and private entities, and is built on what were abandoned, elevated Reading Railroad tracks. Those tracks once brought freight and passengers into and out of The City Of Brotherly Love. They were last used for those purposes in 1984.

And Cira Green? Well, unlike The Rail Park it’s not under city government’s oversight. It’s an entirely private enterprise, but everyone is welcome there. Its home is the roof of a parking garage that sits between two modern towers. (The two towers, the parking garage and Cira Green collectively are known as Cira Centre South.) Cira Green opened three years before The Rail Park did and rubs shoulders with The University Of Pennsylvania and with Drexel University in the enormous part of town known as West Philadelphia.

Cira Green

I took in Cira Green first. I rode the parking garage elevator to the 11th floor and then walked up a staircase that leads to the roof. Voila! Cira Green spread out before my eyes, one and a quarter acres of walkways, terraced lawns, shrub and flower beds, and a sprinkling of trees. There’s a burger and beer joint on the grounds too, and a big tent where organized events are held. Lawn chairs and chaise lounges were scattered around.

Central Philadelphia, as seen from Cira Green.

Cira Green is a solid piece of work, and dozens of people were there enjoying the sunny day. But it ain’t knock-your-socks-off beautiful. If it were on ground level it would be considered fairly pedestrian. But it’s not on ground level. One hundred and fifty or more feet above the streets, it provides a motherlode of fab views. Damn right I didn’t plop my ass into a chair or chaise lounge. What I did was walk all over the place, checking out those views.

West Philadelphia, as seen from Cira Green.
Cira Green. Reflections too.

Skyscraper-loaded central Philadelphia, across the murky Schuylkill River, gave me a buzz, as did West Philadelphia’s kaleidoscopic patterns, dominated by tans, browns and greys. But what I also couldn’t keep my eyes off of were the reflections in the facades of the two giant buildings flanking Cira Green. A person, such as I, could get lost in those reflections.

One public transit ride later, not to mention blocks and blocks of walking, I found the stairs that lead to The Rail Park. The park is in a gritty neighborhood that goes by various names, including Callowhill. Much of Callowhill went up in the 1800s. The area has an industrial look, which figures, because many factories once produced goods there. A few still do. Others have been converted to residential use. Parking lots are part of the landscape too, as is a dense array, too dizzying for me to digest, of other structures. The Rail Park was needed. It’s the only park in Callowhill, the only green refuge.

That’s The Rail Park up there.
The Rail Park

I liked The Rail Park. A mere 20 or thereabouts feet above street level, it doesn’t command the types of views that Cira Green does. But that was alright with me. As I walked back and forth along the park’s quarter of a mile length of planks and gravel paths, I looked here and I looked there, admiring the otherworldliness of the electric company substation very near the park and enjoying the neighborhood’s overall no-nonsense ambience.

The Rail Park
The Rail Park

The park’s plantings are pretty. The oversized swings struck me as a delightful touch. Basically, The Rail Park, at least during the moments I spent within it, was very welcoming. I felt comfortable and at home. If I lived in its vicinity I’d head over there now and then, book in hand, and find a comfortable perch on which to read.

One guy was doing exactly that. One young lady walked her dog. Two couples huddled, exchanging sweet nothings or something of that order. And a few folks of various ages, including an old guy, one of my peers, relaxed on the swings. Yeah, I definitely liked The Rail Park. I hope that Callowhill’s and Chinatown’s residents have come to embrace it, or will.

In closing, I tip my metaphorical hat to Philadelphia, a city that always has inspired me. Without Philadelphia, this website would be hurting for content. For real.

(As I almost always say, please don’t be shy about adding your comments or about sharing this story. Gracias.)

(If you click on any photo, a larger image will open in a separate window.)