Santa Fe Pleased Us Just Fine

My wife Sandy and I had been itching for a good while to stretch our traveling legs, to go somewhere we’d never been that’s far from our suburban Philadelphia environs. But where? “How about here? How about there?” we pondered.

Santa Fe, New Mexico

Well, in the end we left here and there for another day, as the answer was right at hand. My brother (Richard) and sister-in-law (Sara) moved to New Mexico several months ago, after occupying space in California for 30 years. Santa Fe, New Mexico’s capitol, was their new home. Sandy and I wanted to see them and also were more than happy with the idea of poking around Santa Fe and other parts of NM, a state full of deserts, soft-colored hills, mountains and mind-boggling rock formations. New Mexico it would be.

Ergo, late last month we spent eight days in the Land Of Enchantment, as New Mexico is called by some, unpacking our bags chez Richie and Sara and doing our best to be good houseguests. I think we succeeded in the latter, but, as with much of life, who really knows? Anyway, we passed mucho hours wandering around Santa Fe with them, occasionally without them, taking in a good deal of sights and the general swing of things. I’ll leave New Mexico’s natural landscapes, which we also visited, for a future story or two. My typing fingers are all set to concentrate solely on Santa Fe right now. Away we go.

Turns out that Santa Fe, a sweet place whose buildings primarily are adobe-style and low to the ground, is high as hell. By which I mean that this city of 80,000 humans lies in the high desert, 7,200 feet above sea level. That’s up there. The air is dry and fairly thin and, when a drought is on, as is currently the case, the sun is unrelenting. Drinking lots of water throughout the day, therefore, is pretty much a must even if you’re the indoors type, unless you enjoy the effects of dehydration. As is slathering on lots of sunscreen and donning a hat if you plan to spend more than 20 minutes outdoors.

I took to Santa Fe from the get-go. I liked its look, an amalgam of the influences of indigenous peoples and of the Spanish, who conquered and colonized enormous chunks of the Americas starting in the 1500s. Adobe, adobe everywhere. The earth colors made for a soothing experience. As did Santa Fe’s overall quietness, the lack of a mad rush of residents and tourists. Motor traffic gets fairly rough on certain avenues at certain times of day, but for the most part cars and trucks don’t interfere with the easy-going feel of the city’s central sections.

At right, Richie and Zella

A number of my walks through town were in the company of two individuals: my brother and Zella, who is Richie and Sara’s large dog. Zella is a Bouvier, a breed I’d never heard of till making Zella’s acquaintance several years ago in California. Zella doesn’t use sunscreen or wear a hat in Santa Fe, though I urged her to. She took offense at my suggestion, indicating that she doesn’t look good in hats and, in no uncertain terms, that I should go f*ck myself. Naughty doggie. However, Zella does imbibe a sensible amount of H2O throughout the day. Smart doggie.

Zella received a good deal of attention from pedestrians during these walks, far more than I did. And she was made right at home at a shop we passed one morning, a dog-loving establishment that has a Dog Bar, just outside its front door, where water and treats are at the ready.

One afternoon, Sandy, Richie and I were plopped on a bench in the Santa Fe Plaza, a park in the center of downtown. Zella wasn’t with us. We were eating chicken fajitas that we bought from a food stand at the park’s southeast corner and were watching the world go by. You never know what you might see in parks, which is part of the fun of hanging out in them. That afternoon a bubble-blower, probably a Plaza regular, showed up. With a net-like bubble-making device he filled the air with soap bubbles, some of them really big. The fajitas were tasty, the soap bubbles were captivating. Sandy and I agreed that we were feeling fine.

Cafes, restaurants, boutiques, art galleries, crafts galleries, museums . . . Santa Fe has them in quantities far beyond what you’d expect in a small city. It’s one of the major art centers in the USA, which was fine with me, as I’ve been popping into galleries and museums for nearly all of my life.

Left to right: Sandy, Sara, Richie

Appropriately enough, Sara and Richie took us to Museum Hill, a part of town that, also appropriately enough, is home to several museums, including the Museum Of International Folk Art. Our group of four headed to the Hill one afternoon for lunch at a café. We then entered MOIFA, an astonishing place. Sara had been there before and decided to go back to the café to read a book. Richie wasn’t a first-timer either, but he was in the mood to see the collection again.

Mexican musicians

And what a collection! I spent time mainly in the Girard wing, which houses folk art from all over the globe that one couple (Susan and Alexander Girard) accumulated during the mid-1900s. They donated their collection to the museum in 1978.

Mexican village

The Girard wing contains dozens of exhibits that are recreations of village scenes and of everyday life, all populated with miniature renditions of people, houses and appropriate accoutrements. The two exhibits that rang my gong the most were Mexican-themed, one of a village in all its colorful glory, the other of musicians having the times of their lives in a crowded three-level performance area.

Georgia O’Keeffe, Trees In Autumn 1920/1921, oil on canvas, Georgia O’Keeffe Museum, Gift of the Burnett Foundation

You can’t go wrong in the Georgia O’Keeffe Museum either. It’s one of the many museums in Santa Fe that are not part of the Museum Hill complex. I’m a fan of O’Keeffe’s paintings and had a tip-top time looking them over. On her canvases, O’Keeffe captured the essence of the landscapes and objects before her — be they mountain scenes, vast deserts, or flowers only inches away — with bold shapes and intense colors.

O’Keeffe lived in New Mexico for part or all of every year starting around 1930 until her death in 1986. For much of that period she made her home on a property in the desert about 60 miles from Santa Fe. She attained huge fame in her lifetime, and her reputation since then hasn’t waned. Deservedly.

Andrea Fisher Fine Pottery store

Nor can you go wrong in Andrea Fisher Fine Pottery, one of the many shops that I entered. I don’t know if I’ve ever been in an indoor space of any kind whose every item struck me as beautiful. But that’s what happened at Fisher, which carries Native American ceramics both old and new. Magnificent stuff, beautifully proportioned, colored and decorated, in styles that date back numerous centuries. I should have made a purchase. Man, I can be dumb as shit.


Okay, I can’t leave without talking a little more about food. Sara is an excellent cook. She and my brother fed us deliciously. And on a couple of nights the four of us ventured out for dinner, hitting the jackpot on one of those excursions when we had terrific pizzas at Pranzo Italian Grill. Sandy’s and my Margherita pie, with added olives, is pictured above in the forefront. Its extremely thin and charred crust was a model for how pizza crusts should taste and look.

Good trips are good for the soul. Sandy and I had a very good trip, spending quality time with family, gathering new experiences, seeing sights worth seeing and dining well. We’re fortunate folks.

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Flowering Trees Were Calling Me: A Stroll Through Chestnut Hill

On April 9 of this our present year, I went out in search of signs of spring, which was damn well taking its time in arriving. Though I didn’t come up empty-handed, the cupboard indeed was awfully bare. Naturally, having donned the hat of writer a few years ago, I wrote about the expedition, publishing the story six days later.

In the interim, however, nature began bubbling halfway decently in my region. To wit, two or three days after the 9th I began to spot some flowering trees in bloom. Finally! Spring was coming out from behind the curtains.

Now, I had no particular plans to place a second springtime-related opus into the ethers of cyberspace in 2018. Believe me, more than enough of those bad boys are already up there. But it turns out that I couldn’t resist. Last week’s Monday clinched the decision for me. Conditions-wise the day was ideal. The skies were so blue, my knees went weak looking at them. The temperature was 68°F (20°C), one of my favorite numbers on the dial because it meant that if a stroll around town would cause me to break a sweat, the sweat would flow only minimally. Ergo, a stroll was in order. But where to? I hadn’t been in the Chestnut Hill section of Philadelphia for a while. It’s a large, beautiful area, countrified and quaint and pretty hip. A village unto itself in effect, Chestnut Hill is almost always a good place to pass your time in.

Callery pear tree

At about 2:00 PM I jumped into my trusty 2001 Honda Civic. Eight miles later I was in Chestnut Hill. I was psyched for the impending walk. And I knew what my focus would be, photographically anyway. While enjoying the pleasures of the day I, for no brilliant reason, would take pictures mostly of flowering trees.

Saucer magnolia tree

I spent an hour and a half in Chestnut Hill, walking along all nice and relaxed. Everything was quite peaceful. I heard but one barking dog, unlike in my suburban nook where barks are as common as dandelions. And though lots of cars were on the roads, not a one of their drivers honked within my range of hearing during my excursion. I don’t know, maybe Chestnut Hill is a magnet for good quality canines and humans.

Getting back to spring, it didn’t take long for me to conclude that it had a long way to go. I mean, 90% of the non-flowering deciduous trees (maples, oaks, whatever) had no leaves on them whatsoever, though the budding process was under way.

But the flowering trees were another story. Though there weren’t as many of them as I’d have liked to see (and I assume that all members of the flowering varieties were in fact blooming), there were enough. And I took a good look at every one I passed. Who can resist gentle creations aglow in creamy whites, pretty pinks and other reddish shades? Not me.

Cherry trees on W. Southampton Ave., looking west
Cherry trees on W. Southampton Ave., looking east

One block in particular was a wonderland of sorts. I speak of W. Southampton Avenue. I was heading downhill on Germantown Avenue, the steeply sloped main drag filled with clothing boutiques and restaurants and other shops, when a marvelous mass of white blossoms caught my eye. They were attached to a series of cherry trees that occupy a good bit of W. Southampton, a residential block. I crossed Germantown Avenue and dove into the milky white scene. From Germantown Avenue I hadn’t noticed it, what with my strong case of myopia, but a petal storm was going on. Dropping from the trees in big numbers, petals were floating through the air rhapsodically. Man, it was beautiful. I was all set to lay myself down on the sidewalk and go blissful. But then I remembered that I’m not so good at going blissful. Shit, I knew I should have enrolled in a Zen Buddhism program years ago! You live and you learn. Sometimes.

Well, I snapped some pictures of W. Southampton, hoping like crazy that I’d capture some mid-air petals. If you look closely at the photos that I’ve included you’ll see a few. They and their siblings were a sight.

Saucer magnolia tree

Ah, the mystery of petals. Towards the end of my walk I found myself ambling along a stretch of sidewalk covered with pink ones. They had fallen from a saucer magnolia tree, which nevertheless was still grandly laden with flowers. The next day, at home, I gave a bit of thought to those and the other petals that I’d encountered in Chestnut Hill. So many already were off their trees, even though the trees had been in blossom for less, probably, than two weeks. Seems a shame that the great flowering-tree show comes and goes as quickly as it does. If its design had been left up to me, I’d have commanded that it last for two months or more. A magnificent extravaganza, it’s worthy of that, without question.

Not long after stepping through the carpet of magnolia petals, I found myself back on the block where I’d parked my old Civic. I liked the way my car looked, demure and cute despite the large blotches on its trunk and roof, as it waited patiently for me in front of a small, adorable cherry tree. The tree’s bone-white blossoms contrasted righteously with the Honda’s deep green paint. A photograph of the scene cried out to be taken. A few minutes later I got into the Honda and made my way back to the burbs. A flowery excursion had come to its end.

P.S. I’m indebted to Karen Flick, landscape manager at Philadelphia’s Awbury Arboretum. I’m a nincompoop when it comes to flora. I sent some of my photos to her, and she identified the trees for me.

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A Less-Than-Epic Quest For Signs Of Spring

There I was, on the second Monday of the present month, heading south from my suburban Philadelphia home to the Abington Art Center a few miles away. I was seated within my trusty 2001 Honda Civic, a vehicle that has served me well. I consider it to be a good friend.

I would be remiss, however, not to note that my wife Sandy feels no affection for my wheels. She used to love the Civic as much as I do, but those days are in the distant past. Yes, its forest-green paint has faded and developed splotchy areas so prolific they stun the eyes. Yes, the fabric that used to be tautly attached to the underside of the roof now billows downward like an open parachute. And yes, those conditions are fixable, but haven’t been addressed because I’m a lazy son of a bitch. Still, are the Civic’s flaws good enough reasons for Sandy to refuse to step foot inside the vehicle and to wish and pray that some day soon it will drive itself to the nearest junk yard and stay there? No, I emphatically state. And I rest my case.

Anyway, the Abington Art Center is a community organization that offers classes and programs in a once-private mansion and whose grounds include a huge, hilly lawn and a patch of woods. I was driving there because a story idea had occurred to me earlier that day: I’d decided to look for and write about signs of spring. Now, spring has been late arriving this year in my part of the States, what with below-average temperatures that don’t seem to want to loosen their grip. And even though I hadn’t seen much springlike activity among the flora in my neighborhood, or anywhere else in the region, I had a good feeling about what I might come across at AAC. That’s what happens when you’re a born-again optimist.

Arriving at the center at around 2:15 PM, I began my stroll. Right off the bat I noticed that there were no trees in flower. And that there were no flowers worth mentioning of any kind except for the yellow beauties attached to a large forsythia. In other words, there wasn’t much to write home about at AAC when it came to flowers.

As for the trees, they appeared as they would have in the dead of winter, at least to my eyes. No doubt the leaf-budding process had begun, but highly-myopic me was unable to determine that for a fact, as so many of the the branches were too high up for me to discern much about them. At eye level, though, there was some action, because bright green leaves were emerging on scraggly bushes that were fairly populous on the grounds. All in all, though, there wasn’t much to write home about at AAC when it came to buds and new leaves.

But I wasn’t disappointed that my article about the Earth’s vibrant rebirth would have to be put on hold. In fact, I very much liked the look of my surroundings, where practically every shade of tan and brown known to man was on display. I’m a big fan of blisteringly bright colors, but I’m totally down with neutrals too.

What’s more, I liked the quiet of the place. I heard one dog bark for a few seconds, and the sounds of automobiles on the roads bordering AAC were now and then apparent. But overall, things were peaceful at AAC. No other human crossed my path or field of vision during the 70 minutes I spent there, and so I found myself getting lost in the center’s 20 or so acres of semi-nature. Not lost in the sense of not knowing where I was, but lost as in going with the flow. I don’t know about you, but my life sure could use many heavy doses of the latter on a regular basis.

Flow-wise, I spent time in the pursuit of, well, whatever. I began to look around and was glad to notice, for instance, complex tangles of roots and branches, scalloped white fungi plastered on a fallen tree limb, and elegant beige leaves that had refused to drop from their tree’s branches during the winter.

A bunch of back-to-nature types of sculptures have been placed within the woods. Of those, the one I liked the best (Just Passing Through, by Laura Petrovich-Cheney) is a string of five tree trunks. Only the bases of the trunks were used in the sculpture, a display of elemental shapes and of the power of deep browns. One day these trunks will have rotted away and become one with the soil.

We have arrived close to the end of this essay. Hoping to leave with a sort of bang, I’ll make mention of something I hadn’t expected to find within the woods. Namely, inserted into the barks of a number of trees were small mirrors. I guess that Jeanne Jaffe, the artist behind the mirror sculptures, if you want to call them that, was very civic-minded, wishing to give the public the opportunity to check if their makeup needs refreshing or if their nose hairs could use a trim.

Me, I peered into one of the mirrors and was highly disappointed by the visage staring back at me. Might as well take a picture of my reflection anyway, I decided. Yeah, my iPhone’s case is pink. I like pink a lot. In fact, by the time my next article hits cyberspace there’s a good chance that I’ll have dyed my hair the most shocking hue of shocking pink available. I’ve been thinking of doing that for the longest time. And there’s no time like the present, right?

But if I do, Sandy probably will see to it that I’m inside the Honda Civic when it decides to drive itself to the nearest junk yard. That’s life.

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A Long Walk In Philadelphia On A Warm Winter’s Day

Cira Centre

There I was two Wednesday mornings ago, unfruitfully occupying space on my living room sofa. My shoulders were tense, my mind was neither here nor there. In other words, it was business as usual.

“Yo, schmuck! Snap out of it!” I silently yelled to myself. “Somebody ought to paint your portrait right now and call it Here Sits A Schlump. Life’s for living, boyo. Get with it already.”

And so I did. Gathering myself together, I decided to go for a walk. A nice long walk. But where? Not in my suburban area, whose charms are incredibly limited. Philadelphia it would be then. Philly’s the metropolis that never bores me. Soon I was at my little town’s train station. A late-morning ride arrived and I climbed into the second of its three cars. Fifty minutes later I exited said metal box at 30th Street Station, in the city’s West Philadelphia section, all set to explore a nearby area that I was barely familiar with. Ferdinand Magellan I’m not, but I’ve always liked to poke around.

It’s amazing though, being someone who likes to poke around, that I’d never done so among the blocks only a hop, skip and a jump northwest of 30th Street Station. Those streets, part of West Philadelphia’s Powelton Village neighborhood, contain a good bit of Drexel University’s sprawling campus. From the mid-1970s until 1991 I lived in West Philadelphia, only a mile and a half from Powelton Village, but I didn’t venture to the Drexel enclave there, despite Drexel’s rise during that time to major-player status in the academic world. And in the ensuing years, which have seen me visit West Philadelphia who knows how many dozens of times, the pattern continued.

Hallelujah, now the deed is done! I came and I saw. I’ll leave conquering for another day.

Powelton Village
Powelton Village

Now, let me say that my stroll through Powelton Village, checking out not only the Drexel facilities but the sturdy, soon-to-be-leafy residential blocks, wasn’t a walk for the ages. I mean, not too many urban campuses are going to knock your socks off. And Philadelphia’s older housing — rowhouses, twins and stand-alones — are so much with us in Powelton Village and in many other Philadelphia neighborhoods, I’ve come to think of them as comfort food.

Still, stretching my literally old legs felt great. Especially since the day was sunny and warm, as in 74°F, an insanely high number for mid-February winter. I worked up a good, pungent sweat hauling my ass and my bones around. And my eyes did plenty of darting, admiring the college girls who were dressed for summer. Skimpily, shall we say.

In addition to the girls, certain sights during my travels did make quite the impression on me. For instance, before I reached Powelton Village — in fact, when I was only 150 feet from 30th Street Station — I remembered to take a look at the Cira Centre, a majestically sleek office tower that smiles down upon the station. But I didn’t see it. Was the station somehow obscuring my view? Turns out, of course, that Cira was there in plain sight. Sort of. A glass wonder, the reflections of the sky on its surface were camouflaging the building, as the photo at the beginning of this article reveals. Man, that was something, clouds seeming to float everywhere on the glass along with the reflected image of a tower under construction several blocks away.

Drexel’s Buckley Recreational Field
Vue32 apartment building

And in Powelton Village, just up the block from Drexel’s Buckley Recreational Field, I was most surprised to see a tall, modern apartment building (Vue32) being erected on North 32nd Street. Some might say that Vue32, a non-Drexel project, is totally out of place in a quiet two-and-three-story-high neighborhood, and if I lived nearby I’d probably agree. But it looked cool to me.

SEPTA rail yard

Speaking of North 32nd Street, if I hadn’t been there I would have missed being near-stunned by the sight of oceans of commuter railroad cars — just like the one I took into the city — a smattering of feet east of where Vue32 stands. As I later learned, I was looking at a rail yard used by SEPTA, the Philadelphia region’s public transit agency, to house and do maintenance work on trains. I’ve lived in Philadelphia or its suburbs for most of my adult life and I’d only vaguely noticed that enormous yard before, though it is glimpsable from numerous vantage points in the city. Call me Mr. Observant.

An open square on Drexel campus

Well, the early afternoon passed pleasurably. I ambled along block after block in Powelton Village. Many streets contained a mixture of private homes and Drexel buildings. Everything was peaceful and quiet, just the way you’d wish that all the world would be. I saw many students, some on their way to or from classes and residences, some munching away or doing work at tables in a campus open square, some lolling on the grass in pocket parks. I enjoyed being a college student, but you’ll never find me enrolling once again in an institution of higher learning. There would be just too much work. In these latter stages of my life I prefer things that are way on the easier side.

By the time I made my way back to 30th Street Station I’d racked up four miles of ambulation. My shoulders were a lot looser than they’d been five hours earlier. My mind was no longer neither here nor there. And I was happy to be heading home. A few minutes before the train pulled in to whisk me back to my sleepy town, for no particular reason I took a photo of the “Watch The Gap” warning painted on the platform. It refers to the open space of an inch or two between the platform and each train car. Looking at that picture the next day it occurred to me that watching the gaps elsewhere in life is good advice too. Relationship gaps can be painful. Equality gaps are unfair and often hideous. But, with effort, gaps can be closed or dealt with productively, though not always.

With those words of wisdom I’ll now take my leave. But (hopefully) I’ll be back! Till next time.

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Snap, Snap, Snap: A Photography Story

Philadelphia (2017)

Starting in the late 1970s, and continuing for 10 or 12 years, I passed a good amount of time wandering around Philadelphia (where I lived), other parts of the States, Europe and elsewhere with a Kodak Pocket Instamatic camera in hand or in pocket. A non-techie all my life, the Instamatic was the perfect camera for me. Small and easy to load — you dropped a film cartridge into place and then closed the back cover over it, a process even I could handle — the camera provided photographic images that struck me as just fine. Bulky cameras, special lenses and filters, carrying cases? Man, I wanted no part of any of that. And still don’t. I like my life plain and simple, because I’m a plain sort of guy who some might describe as being simple too. Doesn’t offend me. I’m simple that way.

Philadelphia (2017)

And so, wander I would, snapping photos of things that caught my eye. Street scenes, decorated house doors, gnarly trees, cool-looking cars, mountains and forests . . . fairly avidly I documented all of those and more. Outdoor photography was fun, a hobby that made me think creatively and provided exercise in the process. What was not to like?

Manhattan (2017)

Alas, for reasons I haven’t tried to decipher, my photography excursions came to a halt. The photos I took, and they likely number in at least the high hundreds, lie within boxes shoved into attic and basement and closet niches. I haven’t looked at any of them in 10 years or more. And I probably didn’t label half of them. I swear, I’m going to hire a personal assistant one of these days to haul out those photos and put them into working order. And then I’ll donate the pictures to the Smithsonian Institution, which I hear has a program called We’ll Accept Anything, As These Photographs Taken By Extremely Ordinary Americans Clearly Prove.

Manhattan (2017)

Fortuitously, my wife Sandy, whom I met in 1990, picked up the slack. On our vacations and at family gatherings she’s the one who for years took nearly all the photos. Sandy, kind of a photography buff, always has had cameras far more advanced than the Instamatic, and happily danced into digital camera ownership earlier this century. I had no problem with her handling the photographic duties. I didn’t miss them, whatever the reasons might have been. Needless to say, when I started this blog in April 2015 Sandy was the chief photographer.

Cleveland’s baseball stadium (2017)

And then came January 2016. During that fabled month, Sandy bought a new iPhone and donated to me the iPhone she’d been using till then. iPhonically-speaking, for me it almost was love at first sight and first usage. I mean, the phone is so cute, so compact, and not too hard for a technological imbecile like me to figure out.

Cape Cod (2017)

Before then I’d been a flip-phone person, basically ignorant of the wonders of smart phones. But within days I became an addict, surfing the web, watching videos, etc., etc. And my iPhone’s camera? Why, it called to me with a song that I was powerless to resist. Before I knew it I was snapping photos left and right, far more than I did in my Instamatic days. Twenty-six months later I’m still snapping. And, by the way, not long after the iPhone came into my possession Sandy lost her photography job with this blog.

Cape Cod (2017)

And why do I bring up all of this? Hold tight, Bunky, as I’m about to tell you. Not that you haven’t already guessed, seeing that photos are on display right from the start of this essay.

Cape Cod (2017)

A day or two before I sat down to begin the composition of that which you presently are reading, it dawned on me that not the worst idea in the world would be to write a story into which I might place a number of photos that I took in 2017. Dozens of them I’d already used in blog articles during that year. But many others were sitting all sad and lonesome, feeling unwanted, on the hard drive or whatever it is within my iPhone. “I’ll liberate some of you! And I accept your thanks in advance,” I said to the pictures.

Cape Cod (2017)

Yes, it’s as simple as that. As I’ve prominently noted above, I’m a simple guy, so what would you expect? In any case, the year 2017 found me in my suburban Philadelphia region, in the City Of Brotherly Love itself, in The Big Apple, in Cleveland and on Cape Cod. There were a few other locales too, but that’s enough. I selected about 30 photos from the previously-unused pile and studied them almost assiduously. I whittled down the pile to the eleven pix herein contained. Some are artsy shots, some are candid, some display the wonders of nature, some have sentimental value to me. My favorites are the two that follow: a selfie of me and Sandy taken on Cape Cod, and a spontaneous etching that I made in the sands of a Cape Cod beach.

Thanks for reading and gazing. Your humble reporter is now going to sign off, hopefully to return in the near future with an as-yet-undetermined commentary upon something or other.

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Signs In The Windows

Last Friday I could feel a story idea calling me from far, far away. I cupped my hands behind my ears and did what anyone would have done: “What?” I yelled into the wilderness of my soul. “You have to speak louder, for crying out loud. Give an old guy a break!”

I waited for a response for a while. When none was forthcoming I waited a little longer. Finally I gave up on the idea of waiting. I’m a man of action, right? Well, not exactly, as proven by the impressive and permanent dents in the cushions of my living room sofa. Still, I rose anyway, put on my coat, stuck my iPhone into one of the coat’s pockets and explained quickly to my wife Sandy what my amorphous game plan was. Then I headed for the door, on my way to the three-level mall minutes away from my suburban Philadelphia house.

“You’re not going to do any shopping?” Sandy said to me as I exited. “Anyone else would go shopping.”

Shopping? Hmmm, not a bad idea. I could use a pair of slipper socks to replace the ones joyfully embroidered with Daffy Duck images that I’ve been wearing for the last 60 years. But whatever it was that was trying to reach me from the wilderness of my soul, shopping wasn’t part of it.

I pulled out of the driveway at 10:15 AM and pulled into one of the mall’s gargantuan parking areas at 10:20. Few cars were around. I entered the wonderland through a door that deposited me in Bloomingdale’s, a classy department store whose goods and displays I always marvel at during my infrequent visits. I felt at home, pretty confident that something somewhere in the mall ultimately would result in yet another blog essay being catapulted into cyberspace.

A poster in Bloomingdale’s cosmetics section caught my eye. “Everyone’s Invited!” it partly read. At once a bell rang in my head. Ouch, that smarted! I shook off the twangs of pain and went with the flow. If I wander around the mall, maybe I’ll spot all kinds of signage that share a sentiment similar to that poster’s, I thought. “C’mon in!” and “Don’t be a stranger!” would be good ones to come across, for example. But, nah . . . after I made my way out of Bloomingdale’s and into the main arteries of the mall’s lower level, I walked past store after store and came up with zippo. Nix that story idea.

All was not lost, however. Far from it. For what I realized is that beautiful signs, primo examples of artful composition, grace the windows of many of the shops. There was my story, I concluded. I would navigate all the avenues of each mall level, photographing the window signs that struck me as worthy of immortalization. I breathed a sigh of relief. The wilderness of my soul, at least for the moment, became a less scary place.

I went at it for an hour, 16 signs making my grade. The majority of them are on display in this essay. At the moment, examining the photos from the comfort of my home, it’s hard to say which of the signs I like best. Who can choose? Why choose? Isn’t it better just to appreciate each sign’s worthy aspects? Okay, you’re right. Choosing isn’t all that difficult. Let me think for a few seconds. I’ll be right back.

You know, I like the one picturing a pink Adidas cap, which fills a big section of glass at the Lids hat store. I’m one with its simplicity and admirable balance.

And I can’t deny the power of the seductive image of Selena Gomez balancing a black and pink handbag on her right leg. I had to restrain myself from marching into the Coach store and buying one of those bags, so helplessly jelly-like am I in the presence of gorgeous girls.

And let’s not overlook the black and white flag that stares out at potential customers from the mall’s Gap store. Maybe it’s a political statement of some kind, I don’t know. But it’s clean and taut and hard to take your eyes off of, from an aesthetic point of view.

There was more to my mall escapade than art appreciation, as it turns out. As I made my way around the mall’s highways and byways it dawned on me that I was getting some needed exercise. And that it felt really good to be stretching my legs. I tried to remember the last time I’d gone for a long walk. I think it was in October, on Cape Cod, upon whose open and natural areas I’ve racked up the miles in a major way.

But when I’m home? The landscape in the burbs, an homage to concrete and asphalt, doesn’t thrill me. And I sometimes forget that areas worth walking in, such as the olden streets of Philadelphia, aren’t much more than a hop, skip and a jump away.

But walk now and then in the mall? Hey, I never really thought about that before. We’ll see. I’ve read that plenty of folks do it regularly, placing one foot after the other upon the mall’s interior corridors as if those paths were athletic field ovals. I saw some of the hardy souls during my rounds. One of them, a millennial of the female variety who was attired in black workout clothes, passed me twice. I watched her do her thing. Her ears were home to earbuds and her eyes were glued to the screen of her phone as she relentlessly pushed ahead. You go, girl! Maybe I’ll join you some day. In my dreams.

An hour and change had passed by the time I got back in my car. I felt refreshed. My head was clear. My mood was up. And the remainder of the day, I was certain, would unfold attractively. That’s what good art and a two-mile stroll will do for you.

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A Seeker Of Beauty Am I: Art On Wheels, Part Two

I’d have to examine this blog’s archives, an activity worth doing on only the rainiest of days, to discover whether or not I’ve ever done a part two for a story before. Off the top of my head I’d say no, but the top of my head frequently is not reliable. Nor are the middle or bottom sections of my head, come to think of it. Not much I can do about any of that though. I was born that way.

The first good-looking truck I saw last week

In any event, soon after I completed my article about artistically-adorned motor vehicles (click here to read it), I was pretty certain that I would revisit the topic. I mean, I’d had fun driving around, keeping my eyes open for good-looking and creative designs painted on the sides of trucks and vans. And taking photographs of them. Three months later the itch to do so again became strong. Itches need to be scratched, as everybody knows. And so, last week, seeking beauty, I took to the roads and to the shopping centers in my suburban Philadelphia area. And beauty I did find.

Now, eye-catching trucks and vans and buses are not uncommon, comprising maybe 15% of the commercial and public vehicle population, I’d estimate. Driving along, you see plenty of them on the road. But, unless you have a death wish, you’d do well not to attempt to photograph them from a moving vehicle. I was tempted to on many occasions, but I kind of enjoy breathing. So I didn’t.

Which is why I hunted my prey in shopping centers and strip malls, where I was able to drive slowly, scouting out the parking areas and store delivery sections. I set off early on Wednesday morn and kept at it for three hours, a lot of time to devote to an admittedly loony quest. I drove all over the local map, visiting shopping places that I’d been to often over the years, and some I’d never ventured to, despite their being not much beyond spitting distance of my home. And, much to my delight, I snapped a photo while on the road of a snazzy waste disposal truck, its sides a vision in yellow and cool shapes, while beside it as we both waited for the traffic light to turn green.

It was a hit-or-miss operation, a question of being in the right place at the right time. As is much of life. And I was in the wrong place more often than not. I couldn’t believe how I kept coming up empty while trolling the huge receiving docks sections of the types of stores that, in some sense, have come to rule sizeable chunks of the world: Target, Lowe’s, Walmart, Staples. What the f*ck? Not only were there no gorgeous trucks there, for the most part there were no trucks at all!

But hey, just when I was giving up hope during various intervals of my expedition, something fine came my way. Such as the image of a sun-drenched wheat field decorating a Schmidt Baking Company truck. I encountered the vehicle in the supermarket where my wife Sandy and I do most of our grocery shopping.

Even better was what I saw in the desolate rear of a Wegmans supermarket, seven miles from my house. Fresh off the strikeouts at Lowe’s, Walmart, etc., I was expecting to uncover nothing there. But lo and behold, what was that in the distance? I drove closer and grinned. Why, it was a masterpiece, my favorite canvas of all I was to see that day. Luscious, exploding with color, the Wegmans veggie painting made me shout “yo, stop the presses! I’m going to become a vegetarian, and maybe even a vegan!” Luckily there was nobody around to hear my outburst. A nanosecond later I reconsidered what I’d said and tossed the idea in my ancient Honda Civic’s ashtray. But I will say this: The Wegmans truck artist sure as hell knows how to make a humble trailer look exquisite. I drove away with all kinds of warm and wholesome feelings in my heart.

A few days after completing my photographic mission a number of things occurred to me. For one, it seems as though you don’t see a whole lot of dazzling trucks or vans with black as their base color. Strange, considering that a hefty percentage of the cars and SUVs on the road are painted black, and that black is a staple in hip fashion. I came across but two fine black-based commercial vehicles: The Shred truck pictured a few paragraphs above, and Air Purity Experts’ van. Both shone like gems.

The truck behind Wawa store

The Air Purity van was parked behind a Wawa convenience store, around one of the building’s corners from a Coca-Cola truck. That truck was the second Coca-Cola deliverer I went eyeball-to-eyeball with that day. The designs on the sides of the Coke vehicles were different yet sublimely similar. And both are timeless. Coca-Cola trucks absolutely flaunt their red, and have for ages. The oceans of red grab the eye, entice, seduce. You want a Coke right now? I wouldn’t mind one at all. That’s an example of the kind of power that good art sometimes has over me.

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A Monumental Provincetown Story

Let no one declare that I don’t follow up on my threats, for here I am at my writing desk penning another story about Cape Cod, just as I intimated I might do in my previous essay (click here). For those of you who have read more than enough about the Cape on these pages over the last two years, now’s a good time to turn your attention to a different sort of activity, such as sending one of Hallmark’s What The Hell Is Wrong With You? cards to Donnie Trump. But please promise to return to check out what I have to say next time around . . . unless it too turns out to be a Cape opus. In which case I give you my permission to send one of those cards to me.

Provincetown’s village section (as opposed to Provincetown’s enormous and mostly uninhabited areas of beaches, woods, marshes, sand dunes and sand valleys that separate the village from the Atlantic Ocean) — that’s what I had in mind to write about after strolling along many of its streets for several hours a couple of weeks ago. I was in P-Town, as those in the know call it, during my wife Sandy’s and my annual Cape Cod vacation. Our home base was Orleans, about 25 miles away.

I meandered very contentedly, snapping a bushel or two of photos and figuring I probably would have little problem turning the excursion into a blog-worthy piece. But as one and then two and then three days following the jaunt went by, no satisfactory story slant entered my mind.

Remarkably, panic-prone me didn’t panic. Instead I took a few deep breaths, dropped to my knees and prayed to the blogging gods for assistance. “Get up, you schmuck, before you hurt yourself! Did you forget that you’re about as flexible as a baseball bat?” they immediately shouted at me. I rose slowly, creaking like an ancient wooden chair. “Okay, that’s better. Listen, you definitely should write about your Provincetown amble. But put the Pilgrim Monument near the center of the story, because you’ve always loved the Monument more than anything else in Provincetown. That’s the best advice we can give you.”

Hey, they were right. The Pilgrim Monument, located just two blocks from Provincetown village’s central area, is a stunner. And when I’m Cape-side it’s in my thoughts or pleasing my eyes a fair amount of time. That’s because I admire its enormous size and equally enormous aura. I mean, it’s got presence up the wazoo and seems almost supernatural to me, so unlikely is it in appearance compared to all that surrounds it. The Pilgrim Monument is the stolid, solid and protective alien creature that Provincetown and the rest of Cape Cod didn’t know they needed until it was erected in the early 1900s.

Provincetown village is charm personified. And it was made for strolling. Lovely, sea-sidey houses abound. As do more-polished abodes with beautiful gardens, and art galleries and food venues ranging from grab-a-bite to haute-cuisine. Not to mention funky stores of one kind or another that, with the galleries and eateries, run along Commercial Street, P-Town’s main shopping drag, and to a lesser extent along the village’s other lengthy artery, Bradford Street. And you’d have to possess a heart made of granite not to be beguiled by Provincetown Harbor, whose waters are fed by gargantuan Cape Cod Bay. The harbor is but a stone’s throw from Commercial Street.

The small and smaller streets in Provincetown, which occupies the far tip of Cape Cod, never cease to amaze me. Some are half-hidden, some little more than cubby holes — good luck ever finding those again if you fail to jot down exactly where they’re located. All of that suits me just fine, as I’m a fan of the whimsical. I’m also a fan of  peace and quiet, and things were real tranquil during the day in question. Artsy, open-minded and gay-friendly Provincetown, population around 3,000, is overrun with visitors and vacationers during the summer, but not so in autumn, which is when Sandy and I plant our temporary roots on the Cape.

Fifty minutes into my exploratory venture, I caught a glimpse of that which the blogging gods suggested I focus on. Despite its being 252 feet from toe to head (it’s by far the tallest structure on vertically-challenged Cape Cod), and perched on a hill to boot, you can’t see the Monument from everywhere in town. Trees and buildings, though nowhere near as tall as the Monument, commonly obscure the view. But as I got closer to the old soul, I sought out perspectives that partly or fully brought it into my field of vision. I especially liked the way the Monument, three or four blocks away at that point, stretched its torso above a Gulf gas station’s sign on Bradford Street.

Funny thing about the Pilgrim Monument. It was created to honor the Pilgrims who voyaged in 1620 from England aboard the good ship Mayflower and helped colonize these here United States. They made their first landfall in what would later be known as Provincetown, before moving on soon after to a permanent home, across Cape Cod Bay, in Plymouth.

You’d think, then, that the Monument’s basic design or at least its adornments would acknowledge the Pilgrims or the Mayflower or the European settlement of the States. A plaque near the Monument takes care of those matters, but not the Monument itself. The decision was made to pattern the Monument after a bell tower that was built in the 1300s in the hilly, landlocked Italian town of Siena. Huh? Wha? An Italian tower in a bohemian New England fishing village? But as it turns out, for me anyway, the Monument’s fish-out-of-water aspect, not to overlook its stateliness, makes it the brightest star in town.

There are other reasons why I enjoy the Monument as much as I do. I find it more than cool that the tower is visible from miles away along certain sections of Cape Cod Bay. Though it’s only twig-sized from those vantage points, I feel good knowing that it’s there. And more than once I was gassed to see the big guy poking up its head while I was scampering in the aforementioned Provincetown sands just outside the village.

But more than anything, I get kind of weak in the knees when I’m near the Monument at night. When the Sun goes down, lights illuminate the giant. I don’t know, I guess I’d have to say that the nighttime Monument is one of the finest sights I know of, not only beautiful but curiously otherworldly. As my afternoon in Provincetown segued into night, I stared more than once at the Monument. And took a couple of pictures. One of them is the money shot.

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Fishtown (As Seen Through Max’s Eyes)

I’m back! Not that I was gone for long. I wasn’t. I was on the road, for only a handful of days, with the Tingling Brothers Traveling Circus, with whom, on a whim, I’d taken a job as an apprentice elephant-dung shoveler. But the elephants ran into visa problems, what with Trump’s new, stringent guidelines, and had to be shipped back to India. End of job.

I apologize for not writing a story last week, and I totally understand the frustrations that my editor Edgar Reewright expressed in the piece that he posted concerning my absence (click here). Seeing that he’s not well-endowed (financially-speaking), he badly missed the paycheck that I neglected to issue to him. I’ve rectified my wrong. Edgar now is back on the books and once again is as happy as a poorly-adjusted, angry middle-aged guy might be expected to be.

With circus life behind me, for today’s sermon I shall turn my attention to the post-Tingling visit that our nephews (20-something Jesse and 30-something Max) paid to me and my wife Sandy. They were with us for a number of days, and we did so many enjoyable things together I’d have to write a 20,000-word opus to cover them. I’m not up to that, being very much low on gas. The circus gig took a lot out of me, you see. I had no idea how heavy elephant crap is. So, in order not to interfere with my current regimen of napping and thumb-twiddling, I’ll focus on merely one highlight — the time that Max and I spent in Philadelphia’s Fishtown section the day before he returned to his home in Texas. Jesse had, by then, gone back to his abode in the Big Apple. And Sandy sat out the Fishtown adventure. “Have fun, boys,” she told us. “I’m staying put. Did I mention that George Clooney will be stopping by the house this afternoon to show me how to operate that needlessly complicated Nespresso coffee- brewing machine he peddles on the boob tube?” She hadn’t.

But, f*ck Clooney. Fishtown was calling, and Max and I headed its way, arriving there around 12:30 in the PM. We wandered for close to two hours, checking out this, that and the other thing, and had a low-key kind of blast. Not everyone, I’ve discovered over the years, is into open-ended strolling such as this, which is why my meanderings often are done by my lonesome. But Max is. Which proves, I’d say, that sometimes a great mind (Max’s) and a middling one think alike.

Fishtown, for sure, isn’t a knock-your-socks-off kind of neighborhood, but it has its charms. Unlike downtown Philadelphia, which is only two miles away, there are no tall buildings or crowds of workers and tourists to gaze at. But I’m a sucker for narrow, twisting streets and for houses, churches and factories that went up between the mid-1800s and early 1900s, and for calm, gracious neighborhood parks. Fishtown’s got plenty of those items. Not to mention a supply of new housing and restaurants and taverns and music venues to accommodate the millennials who discovered Fishtown earlier this century and have been changing it for the better. But none of the newer stuff is overdone, at least not yet, which is why you don’t see all that many people on Fishtown’s streets in the afternoon. The neighborhood hasn’t lost its small-town feel, and that’s a good thing.

We began our expedition at the corner of Frankford and Girard Avenues, in front of Johnny Brenda’s, the tavern cum rock music club that set Fishtown’s rebirth in motion after Brenda’s opened in 2003. At that corner I had a brainstorm. I asked Max if he’d like to use my iPhone to take photos of whatever caught his eye as we made our way around the neighborhood. And that, if he did, I’d use some of them to illustrate a story I’d write about our day together. “Great idea,” he said, ripping the phone out of my hand. I’m going to sue him for bruising my pinky. Little had I known that Max is a photo-taking fiend. He, with his pix-snapping right index finger in tow, bopped through Fishtown happily and giddily. Dozens and dozens of shots were added to the phone’s memory that afternoon.

I culled through the images a few days later. What you see, then, on this page is Fishtown as Max saw it. He peered at lots of things, big and small, and framed them well in his photos. Store signs, well-aged streets, new home construction, a house one side of which is covered with an astonishing mass of ivy,  . . .

Max was drawn to hip color arrangements, to the nifty contrasts formed by buildings near to one another, and to the unexpected. And he asked me to make sure I included the selfie he snapped of us and Homer Simpson outside a store on Frankford Avenue. I don’t look all that good in said picture, but what the hell. Candid photography is where it’s sometimes at.

When Max next visits us, he and I probably will scout out another section of Philadelphia that’s off the touristy trail. Maybe an area that I, who despite having lived in or near Philadelphia for 40+ years of my adult life, barely know. Such as Port Richmond or Kensington. It’ll be fun. And, no doubt, will be documented by he and I.

(Photos by Max Scheinin. If you click on any photo, a larger image will open in a separate window)