Photography And/Or Art – Page 11 – Yeah, Another Blogger

Seeing Green: A Philadelphia Story

March 21, 2019December 24, 2020Yeah, Another Blogger106 Comments

Last Saturday, one day prior to St. Patrick’s Day, I was itching to stretch my legs. The skies were clear, the temperature tolerable, and my schedule was open. A walk was in order. Where, though? My ultra-hilly suburban neighborhood? Nah. I’d made the rounds there on foot a few days earlier, huffing and puffing my ass off as I scaled the slopes. Yo, there’s a limit to the number of hills this old boy is going to attempt to conquer during any given week, you dig?

Anyway, I was in the mood for some liveliness. And because my area is not blessed with lively as its middle name, I decided to do what I’ve done a ton of times before: Board a train in my little town and allow it to transport me to the mostly flat City Of Brotherly Love. I stepped into the choo-choo at about 10:40 AM and arrived in central Philadelphia’s Jefferson Station 50 minutes later.

I was equipped with the semblance of a game plan. I would wander, as is my wont, but with a notion that St Patrick’s Day had put into my head. Namely, I would look for the color green, in all of its various shades. Not just the green clothes worn by St. Paddy celebrants (Philadelphia starts to celebrate way before the actual day arrives), but wherever green might be. Aboard the train, I couldn’t guess how much or how little green I would find.

Well, I wasn’t surprised when some partially-green-clad 20-somethings entered my field of vision a few minutes after the train pulled in. They soon were to begin, no doubt, an adventure focused upon getting truly shit-faced. Ah, it’s good to be young. And shit-faced. I snapped their photo as they were leaving the station. And then I exited too. I looked all around. Green, where are you? I saw none at all, except on the street signs at 10th and Filbert Streets just outside the station. I walked another block. Green? Nada, but for the 9th and Filbert signs. Just about every street sign in Philadelphia is predominantly green, by the way. So, hold your head up high, green! Where would we be without street signs, after all? Lost, man, lost! Even more lost than we, by nature, already are.

St. Patrick’s Day celebrants waiting to enter a tavern in Philadelphia’s Old City section

I spent most of my time in the Old City part of town, where titans such as Benjamin Franklin, Alexander Hamilton and Thomas Jefferson lived and helped orchestrate the creation of The United States. Many structures from the 1700s still remain there. As in most of Philadelphia, the main colors in Old City are in the tan, brown and brick-red families. Earth colors. I knew that, but hadn’t thought about it in a good while.

Now, there’s a lot to be said for an earth-toned palette. It brings a sense of calm, a sense of permanence, both of which you won’t find me arguing against. Still, there’s also a lot to be said for explosions of zesty color. They’re exciting and invigorating, and all my life I’ve given them two enthusiastic thumbs up. Luckily, Philadelphia is home to several thousand man-made examples of such. Meaning, eye-popping murals that have been painted on sides of buildings throughout much of the city over the last few decades, often through the efforts of the city government-supported Mural Arts Philadelphia organization. During my march along Market Street into the heart of Old City I passed one of them, Treewalk. Lush and verdant, the mural slapped me upside my frequently unobservant head.

“Hey, you with the foot-long jowls! How come you never noticed me and my shades of green before?” it asked while it slapped. If I hadn’t been in a good mood I’d have retaliated. Created by Paul Santoleri on an otherwise unremarkable office building, Treewalk faces a courtyard, not Market Street. That’s why it’s easy for passersby on Market to not see it. In any case, this swath of leafy art has got what it takes.

Okay, so what about real trees and shrubbery? Well, the deciduous trees of Philadelphia won’t be in leaf till mid-April at the earliest. And the fauna that remain green year-round ain’t voluminous on the blocks I trod upon. One small rhododendron bush kind of wowed me, though. Bursting with green brightness, that afternoon it was the star of Bladen’s Court, an Old City niche containing a few mid-1700s brick houses.

What else did I notice when it comes to green? Sidewalk kiosks into which you deposit your parking fees when you park on Philadelphia’s streets are green. Ta da! And I liked the rugged looks of a green door on North 2nd Street. And of Brownie’s bar, whose green façade and awning rock its side of its block. Other than that, there wasn’t a whole lot of green to be found. Or, for that matter, of any other bright color.

After racking up a few miles of sidewalk-pounding, I strolled back to Jefferson Station where I had 45 minutes to kill till my train arrived. In the waiting area I twiddled my thumbs, unobtrusively scratched my balls and yawned. Those fruitful activities took up 30 minutes. That’s when I was inspired to take a close look at the tile mosaics that decorate the walls overlooking the train tracks, one mosaic per side. Down the stairs I went to the train tunnel.

The mosaics are twins, but not identical. One is pure abstraction. The other, though plenty abstract, contains recognizable shapes: trees, grasses, sky. And each mosaic is not only incredibly long — hundreds of feet — but very beautiful. They are among my favorite pieces of public art in Philadelphia, yet they seem to be taken for granted. Information about them is scanty, though it’s possible that they are by David Beck and Verlin Miller, and probably date from 1984.

I looked with pleasure at the pure-abstraction work, and then went to the opposite side of the tunnel. There I really took my time investigating the tree-filled mosaic, because its greens couldn’t be ignored. I let them, and the other colors, wash over me. I’d received a smaller dose of green than I’d have liked during the previous two hours, but now that was more than made up for. It was the perfect ending to my green quest.

(Please don’t be shy about adding your comments or about sharing this story. I thank you.)

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Walking Around While Looking At Things . . . It’s What I Do!

February 20, 2019December 24, 2020Yeah, Another Blogger121 Comments

What you’re now reading is another of my walking around while looking at things stories, this time an examination of my escapades last week on the day after Valentine’s Day. I’ve written scads of such stories since inaugurating this website in 2015. Hell, they probably account for one-third of my output. And why is that? Well, because walking around while looking at things is one of the activities I most like to do. It’s part of my fabric. Has been for decades. But I didn’t consciously realize that until the recaps of my mini-adventures started flowing naturally and happily from my keyboard four years ago. Yeah, writing sometimes teaches you about yourself. Learning is good!

The 15th of February began in a cloud-covered, uncertain fashion in the Philadelphia suburbs where I reside. However, all signs, as indicated on the all-knowing weather.com, pointed towards bright skies and warm temps in a handful of hours. Itching to stretch my legs and to feel the Sun upon my wrinkled, age-spotted visage, I gathered my iPhone, a water bottle and a packet of trail mix, and jumped into my car when it became apparent that the weather prediction was correct. Eight miles later, at a few minutes past noon, I parked across from the public library in Ambler, Pennsylvania. The game was on! Another edition of walking around while looking at things was about to start.

For sure, in my neck of the woods there aren’t a whole lot of towns worth walking around in, including my own. That’s because most are uninviting, not looking like towns at all. What they do look like are hodgepodge collections of strip malls, large shopping centers, office buildings and residential sections. Eh!

Ambler, however, is a different story. It boasts a long, traditional main drag, Butler Avenue, that is filled with old and not-so-old structures containing eateries, non-food-related businesses of all manner, an art house cinema (Ambler Theater) and a stage theater (Act II Playhouse). And there are streets of interest that run perpendicular to Butler Avenue, including the misnamed Main Street, which decidedly is secondary to Butler. Whatever, much of Ambler, whose history dates back to the early 1700s, looks like a true village. The town, by the way, is named after Mary Johnson Ambler, a civic leader during the mid-1800s.

Now, my walk around Ambler wasn’t a walk for the ages. It was on the mild side, on the casual side. But a good walk it was, about three miles in length and nicely invigorating. Meandering from here to there as instinct and whimsy called, I enjoyed the hell out of the unseasonably warm temperature (58°F/14°C) and soft blue heavens, as I kept my eyes open for interesting sights, including good-looking women. Hey, it’s every girl’s dream to have a wrinkled, age-spotted geezer looking her over, right? Don’t answer that!

And, of course, I took photos of that which seemed worth documenting, such as street scenes, sharp buildings and signs, and the most interesting door that I could find in town. It belongs to Calvary United Methodist Church.

Did I stumble upon anything I hadn’t expected to run across? Indeed I did. Near the town’s railroad tracks I saw a huge, smokestacked old building, now known as Ambler Boiler House. It’s an office building, but once was a power plant for the asbestos products factories that, for about 100 years, had been Ambler’s industrial core. Due to health concerns and governmental regulations though, asbestos, a carcinogen, eventually went out of favor, as well it should have. As a result, almost needless to say, Ambler’s fortunes fell swiftly, reaching a low point in the late 1980s when the remaining segment of its asbestos industry went kaput. That low point didn’t budge for many years.

These days, though, Ambler is a lively place. Its revival can be pegged to the birth of the Act II Playhouse in 1998 and to the rebirth of the Ambler Theater in 2003, and to the restaurants that opened in their wake. My wife and I have been to Ambler probably about 150 times during the 21st century. And that’s mostly because of the cinema and the eateries. Many a night we’ve caught a movie and stuck around for dinner.

Ours is a world full of problems. Humans are skilled at creating problems, whether intentionally or not. In Ambler the main problem is the mountains of asbestos waste materials that were dumped in the southern end of town over many decades. The federal government has dealt with, and is still dealing with the situation. The asbestos is contained, supposedly, and poses no immediate threat, supposedly. But who really knows? (You can read a very good article about the situation by clicking here).

Me, I become trembly and irritable when thinking about or confronted with problems too much. That’s one of the reasons why I favor walking around while looking at things. And it’s also one of the reasons why I enjoy sitting in pizzerias, where I can ingest my favorite food while letting my mind wander. Speaking of which, two-thirds of the way into my stroll through Ambler, I noticed The Pizza Box, a cute-as-a-pin establishment that I’d never paid attention to before. Inside I went, and was glad that I did, because the two slices of traditional pizza that I ate were very good. They helped ease my worried mind over the next half hour, as I further poked around Ambler before walking back to my car.

The above paragraph would have been a good one with which to end this essay. However, during the day that followed my mighty stroll it dawned on me that I, an ambler, had ambled in Ambler. And that many amblers amble in Ambler every day. It would have been oh so wrong of me not to point this out. Thanks for reading. Goodbye till next time!

(As I always say, please don’t be shy about adding your comments or about sharing this article. Thanks.)

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The Story That Almost Wasn’t: A Sculptural Walk Through Philadelphia

January 30, 2019December 24, 2020Yeah, Another Blogger103 Comments

“When things go awry, write the f*cking story anyway.” — Benjamin Franklin, Philadelphia, October 2, 1774

Leave it to Ben to get me back on track. Last week I happened upon the above quote in Mr. Franklin’s excellent book, Good Advice For Those Who Probably Are Too Damn Dumb To Know They Need Some Good Advice. Franklin published Good Advice in May 1775 at the behest of his friend Thomas Jefferson, a future American president. A few months earlier Jefferson had lit a fire under Franklin by saying this to him: “Ben, you’ve been talking about compiling some of your recent sayings into a book. F*cking do it already!” I tell you, I like the robust way that Ben and Tom talked.

If I hadn’t been thumbing through that little-known volume in a local library, the story you’re currently reading wouldn’t exist. Thank you, Benjamin. I’ve always believed the multi-talented Mr. Franklin to be the most accomplished and remarkable American of all time. And never, certainly, did I expect that he would kick my ass into gear.

For a year or more I’d had it in my mind to stroll through Philadelphia’s central sections, looking at and taking photos of my favorite outdoor sculptures. And, it goes without saying, turning the adventure into a story for my online abode. When the 6th of December rolled around last year I decided that the time had arrived. Despite it being a windy and cold day, into the city I headed from my suburban town. I was feeling good and was ready for action.

I arrived in Philadelphia with a list of the works I planned to visit. They comprised a tiny percentage of what’s out there, because Philadelphia, and not just in its central region, is loaded with outdoor sculptures. Many of them, natch, are of war heroes atop horses. Civic leaders, natch, also are well-represented. Me, I dig those sorts of fare — statues if you will — when they’re done stylishly. But I’ve always been more drawn to sculptures that are less standard and full of flair and vigor.

My first sculptural stop would be in the city’s Colonial-era section, at 6th and Race Streets, near where Franklin lived and even closer to where he is buried. There, in the middle of a traffic rotary often crazy with vehicles going to and from the Benjamin Franklin Bridge, stands Isamu Noguchi’s 101-foot-tall Bolt Of Lightning. It commemorates Franklin’s kite-flying experiment, during a thunderstorm in 1752, that showed the connection between electricity and lightning. Yes, Ben was the man.

In retrospect, the Bolt Of Lightning situation that I encountered should have tipped me off that the day might not turn out as hoped for. I wanted to dodge the whizzing cars and climb onto the rotary, where I’d get some up-close-and-personal photos of the very cool sculpture. But, wouldn’t you know it, a police car was parked beside the rotary. Sure as shit, if I had tried to reach the Bolt a police car door would have opened and I’d have been told to get the hell out of there. So, from a hundred feet away I took what images I could.

After that I walked and walked, grabbing shots of artworks I’ve loved for years. Jean Dubuffet’s Milord La Chamarre, for instance, which is a wild and wooly vision of a nobleman, and Claes Oldenburg’s giant representation of a paintbrush balanced on the tip of its handle. Claes’ sculpture, Paint Torch, is appropriately placed, as it sits beside The Pennsylvania Academy Of The Fine Arts.

The Bond, by James West
(Ben Franklin on left, George Washington on right)

In front of the Masonic Temple, on my way to the Oldenburg work, I passed James West’s The Bond, a lifelike and life-size sculpture of Ben Franklin and George Washington, the USA’s first president. The guys, both of whom were Masons, are happy to see each other and are admiring Washington’s Masonic Apron. I probably had walked past this piece before but hadn’t really noticed it in a meaningful sense. At once it leaped onto my list of faves.

Rock Form (Porthcurno), by Barbara Hepworth

Yeah, things were going swimmingly. But in the latter half of my stroll, my phone’s battery did something it never had done before. It went dead. I went into a public library and plugged the phone into an outlet, eventually resuscitating it. Then I continued my trek, a few minutes later reaching the Rodin Museum, on whose grounds sits my number one outdoor sculpture. Its English title is The Burghers Of Calais. The creation of Auguste Rodin, a Frenchman, it is stunning. A memorial to bravery and a profound depiction of anguish, the sculpture shows leaders of Calais, in the mid-1300s during war between France and England, gathering to face their death. The men had volunteered to be executed by English hands in lieu of a threatened killing of their city’s entire population. The intervention of the English queen, at some later point, saved them.

The Burghers Of Calais, by Auguste Rodin

I planted myself in front of The Burghers, aimed my phone’s camera at it and pressed the button. Voilà, a pretty good shot. Then I moved to a different spot to take a photo from another angle, got the camera ready, and . . . the screen went dark! The frigging battery had died a second time. An attempt at revival, via an electrical outlet inside the Rodin Museum, failed. Disgusted, I made haste to Suburban Station, within which trains that go to my little town may be found.

My mission had not been accomplished. Rodin’s sculpture required multiple photos, I felt, to capture its complexity. What’s more, two other sculptures on my list were left waiting for my visit. They had to be part of my write-up. A dejected semi-perfectionist, I threw the outdoor sculpture story idea into my cranium’s rubbish bin and left it there to decompose.

Seven weeks later, thankfully, I encountered Ben Franklin’s words of wisdom, the ones that are placed at the top of this essay. And I also encountered my wife Sandy’s comments when she was looking through the photos on my phone (the phone, by the way, somehow bounced back to life on December 7). “I like the sculpture pictures that you took last month,” Sandy said.

Looking at them again, so did I. And thus I decided to write the f*cking story anyway, a story that has some warts and holes but will have to suffice. As everybody knows, not everything turns out the way you want it to. You’ve got to roll with the punches and get on with life. That’s what big boys and big girls need do, a truth I’m not always great at keeping in mind.

(Please don’t be shy about adding your comments or about sharing this piece. Gracias!)

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Will Santa Claus Make His Rounds This Year, Or Will The Job Fall To Me?

December 14, 2018November 30, 2025Yeah, Another Blogger107 Comments

A few nights ago my cell phone began to ring 10 minutes after my wife Sandy and I lit the menorah candles on the eighth and final night of Chanukah. A secular Jew, I’m about as unreligious as they come, but I’m okay with Chanukah candle-lighting. When aglow, those slender wax sticks look so sweet and peaceful, they come pretty close to making me feel all warm and fuzzy inside. Or something or other on that order.

The caller’s name didn’t appear on my phone’s screen, and the displayed phone number didn’t register with me at all. But being in a relaxed and welcoming mood after watching the candles burn down for a while, I did what I ordinarily wouldn’t have done. In other words, I answered the phone.

I opened my mouth to talk, but the caller beat me to it. “Neil! I’ve lost my way! I have enormous doubts about my purpose in life, about my abilities to continue doing my good work, about whether the world really needs me, about . . . ”

I cut him off. “My man, calm down! I hear you. But I haven’t a clue who I’m talking to. Who the f*ck is this?” I yelled.

“Neil, it’s Santa Claus. You gave me your number two years ago, remember? I’d have shown up in person, but I’m too down in the dumps to even open my front door and go for a walk. Anyway, a phone call is a lot easier than flying thousands of miles in a sleigh to get to your house. Bottom line is that my wife’s not here to help me, and I couldn’t think of a better person to speak with than you.”

“Thank you, Santa. I’m humbled,” I said. “But where’s your wife?”

“Neil, don’t get me started on Mrs. Claus. She’s gotten so fed up with my moods and angst, she’s threatening to file for divorce. And she split a week ago. Last I heard she was flaunting her fine Nordic bod on Ipanema Beach, in Rio. Yeah, she enrolled in Weight Watchers last year and the program worked. She used to be on the plump side, to put it charitably, but now the girl is smokin’ hot! Who could blame her if she never comes home to the frigid North Pole?”

“Santa, oh Santa,” I said, “I’m so sorry. She’ll come back, though. I mean, there’s no better catch than you. Just give her time. What can I do to help?”

“Neil, my problems are so deep rooted, a plumber couldn’t flush them out. I appreciated the help you gave me two years ago [click here to read all about it], and as you know you weren’t the first to keep me focused on my daunting job. But, brother, this time I think I’ve had it. I suppose I’m having an existential crisis. Neil, I don’t see how I can do my toy deliveries anymore. Someone else might have to take over. I’ve done it long enough.”

“Santa, please reconsider. There’s no one who can replace you.”

“Well, then the world would have to adjust. I really need to start thinking about myself at this point. Maybe Judaism holds the answers for me. Should I convert, move to Miami Beach and start wearing that little skull cap . . . what do you call that thing, Neil?”

“It’s a yarmulke, Santa.”

“Yes! I’d look good in one of those, don’t you think? They’re usually in black, right? Black would match my belt, and I’d be happy to ditch my silly hat with the pom-pom on the end.”

“But, Santa, why the heck would you want to convert to Judaism? The Christian world relies on you. You’re one of its bedrocks. Santa, you’re an icon, someone who should have been awarded a Nobel Prize decades ago, maybe in best costume design. Oh wait, it’s the Oscars that do costume design. Well, shit, then you should have been awarded an Oscar!”

“Thank you, Neil. Thank you. You know, an Oscar would look grand sitting above my fireplace. Which reminds me, I’ve got to throw another log on the fire. I’m freezing my ass off. Be back in a minute.”

A minute passed, and then, true to his word, Santa was back.

“That’s better,” he said. “It’s starting to feel nice and toasty again inside this icebox that I call my house. I tell you, whoever they were that decided to start inhabiting these far northern regions ages ago were out of their freakin’ minds!”

“Neil,” Santa then continued, “I’m uncomfortable bringing this up. It’s a favor of the highest magnitude: If I decide to bail out from my job this month, is there a chance you might fill in for me? I know that Christmas isn’t your holiday, but who else can I ask? I barely know anybody, living up here in no-man’s land. Keith Richards sat on the sleigh with me last year [click here to read about it], but he wasn’t much help, to tell you the truth. He spent half the time strumming an air guitar, so there’s no way I’d ask him to carry the load all by himself. Neil, a large segment of humanity might have to count on you!”

Stunned, I didn’t answer right away. Finally, I spoke. “Listen,” I said, “I want no part of this. I’ve got hemorrhoids, Santa! Raging, powerful hemorrhoids. Endless hours of sitting in your sleigh might be the end of me. But I’ll do it if I have to! I’m that kind of guy!”

“You’re the best, Neil. The best! Well, actually I don’t know you very well, so there’s a good chance I’m wrong about that. In any event, you have my thanks.”

“But here’s the thing, Santa,” I said. “I’m going to go outside in a few minutes. And I’m going to walk around my neighborhood, taking pictures of the pretty Christmas lights that lots of people have put up outside their houses. Then I’m going to write a story about our conversation. And I’ll add a few of the Christmas lights photos to the article. Read that story, Santa. And look at the photos! The lights in my neighborhood got you back on track in 2016, and I’ve got a strong feeling that they will turn you into your jolly ol’ self again this year. And if they do, there will be plenty of time left for you to pull everything together and make your Christmas deliveries. Okay, Santa? Do we have a deal?”

“Deal, Neil.”

“Goodbye, Santa. I’m ready to do my duty, if need be, but not as ready as you had better be a few days from now. Man up, Santa. Man up!”

(As I always say, please don’t be shy about adding your comments or about sharing this article. Thanks.)

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Picking Pix: A Photography Story

December 6, 2018Yeah, Another Blogger115 Comments

It’s a wonderful thing, photography. At a push of a button we can immortalize anything or anyone we want: flower gardens; baseball games; birds in flight; bird crap on car windows; pals; lovers; favorite cousins; despised in-laws. You name it, somebody has taken its picture.

Philadelphia, Pennsylvania (September 2018)

Those obvious notions came to mind a few nights ago when I decided to green light an essay about photography, whose final form you are now looking at. I’ve written before on the subject. And that’s because I get a soul-satisfying kick out of shutterbugging.

That kick had lain dormant for decades, but vigorously popped out of its coffin in January 2016 when I came into possession of my first smartphone. An iPhone, it struck me as miraculous. Hell, was there anything it couldn’t do? Well, the phone balked at fetching my dog-eared slippers and washing my dirty underwear. But other than that, it was primo.

Philadelphia’s Powelton Village section (February 2018)

And the phone of course came equipped with a camera lens that, despite its incredibly tiny size, took, for the most part, damn good pictures. Good enough for me, anyway. Within no time I was snapping away. And decorating my journalistic output with some of the results of those snaps (prior to that, my wife Sandy took the photos for the stories). Man, I had lucked out, if you want to look at it that way. Meaning, even though I was a whole lot older than I could believe, depressingly older, at least I had added two worthy creative endeavors (writing and photography) to the late autumn/early winter of my years. Excuse me for a moment, please, while I now resume watching those f*cking grains of sand continue to fall, fall, fall to the bottom of my hourglass. Oh, my breaking heart!

Truro, Cape Cod, Massachusetts (October 2018)

Okay, I’m back. Where was I? Ah, yes. Here’s the way I look at photography: Many of us, including yours truly, can’t draw or paint or sculpt worth a shit. But it’s not too hard for anyone to be pleased with their photographs. All you have to do is decide what angle you want to take a photo from and what person or object should be its focus. Then you frame the shot and, if needed, adjust the light level. At that point the magic moment has arrived in which to tap the camera’s button. Voila! Mission likely accomplished.

But I’m not telling you anything you don’t already know. That’s the beauty of photography. It’s an art form made for us all.

Coast Guard Beach, Truro, Cape Cod (October 2018)

So, what’s the deal with the photographs that I’ve included in this essay? Let me start by saying that all of them date from 2018 and that they are among the 1,000+ that I took during the year. None of them have appeared in previous articles. I suppose that my aim is simple: To publish photographs on this page that strike my artsy-fartsy sensibilities just right. Each has some combination of shapes, colors, angles and textures that I can’t deny. Yeah, these photos do something to me.

James “Blood” Ulmer, Philadelphia (April 2018)

Take the one of musician James “Blood” Ulmer, for instance. Ulmer, unaccompanied, performed deep, heavy blues in April in Philadelphia at the Outsiders Improvised & Creative Music Festival. The golden hues of his outfit and the jumble of audio equipment nearly encasing him give the picture a techno/alien quality. “Prepare for blastoff,” the photo is announcing. “Destination unknown. Mysteries await.”

And I like the grand grooves in the Santa Fe tree, and its thick, finger-like upper sections. But what gives the photo its distinctiveness is the modest yellow, black and red traffic sign standing contentedly next to the behemoth.

Bandelier National Monument, New Mexico (May 2018)

The deeply pock-marked cliffs at New Mexico’s Bandelier National Monument are modern art taken to an elemental extreme. And the photo of trees, hills and houses in Ohkay Owingeh, New Mexico would have floored Paul Cézanne, so Cézanne-ish is it in its blocky composition. Talk about pure luck. I took that picture from a moving car. Nearly every other picture that I snapped from within the car that day was meh.

Cezanne-like scene from Ohkay Owingeh, New Mexico (May 2018)

I’ll mention one more snapshot, that of the sunset at Mayo Beach in Wellfleet, Cape Cod. The picture appears almost theatrical in its lighting. The light on the picnic bench came from my car’s headlights. The car’s engine was running because it was as cold as a witch’s tit that night, and I jumped out only for a second, documenting the beautiful sunset with my phone’s camera and then admiring the view again from back inside the heated vehicle.

Mayo Beach, Wellfleet, Cape Cod (October 2018)

By the way, like every picture herein, the sunset pic is unmanipulated. Being a natural sort of guy, so natural that I prance naked in my dreams, I wasn’t about to crop, enhance, rotate or do anything else to my babies via the photographic software that came with my computer. Popeye The Sailor once said, “I yam what I yam, and that’s all what I yam.” If my photos could talk, each would quote those immortal words.

Marshland near an Atlantic Ocean inlet, Orleans, Cape Cod (October 2018)

In closing, I’ll add that all of the selections come from New Mexico, Cape Cod or Philadelphia, places that I’ve written about a lot this year. They are good places, fascinating and colorful and full of the unexpected.

(Please don’t be shy about adding your comments or about sharing this article. I thank you.)

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Signs In The Night, A Dive Bar, And Two Great Songs

September 13, 2018December 24, 2020Yeah, Another Blogger86 Comments

Last week’s Wednesday evening found me in central Philadelphia, wandering its streets on assignment for the publication you’re now gazing at with loving eyes. I walked for several miles, zigzagging within the area bounded by Cherry, Spruce, 9th and 19th Streets, all the while giving my fingers plenty of exercise as I snapped picture after picture of illuminated signs. For that was my mission: To capture images of glowing signs, in much of their variety and in all of their glory, under darkened skies.

Chinatown (10th Street between Arch and Cherry Streets)

Chinatown (Arch Street between 10th and 11th)

The train that I boarded in my suburban town delivered me to Jefferson Station, at 11th and Market Streets, at about 7:30 PM. Not much more than a handful of minutes later, night began to emerge. Only a block north of the station I strode into the city’s compact and enticing Chinatown section. There I took my first photo of the evening. And then another and then another . . . Hey, one of these days I might devote an entire essay to Chinatown. It’s worthy, very much so. But I had miles to go before I slept, or something or other like that, so I gave Chinatown a nice looking-over and then made my way to other parts of town.

The temperature had peaked at around 95 degrees Fahrenheit (35°C) during the day, but was six or seven degrees lower during my mighty walk. Not too bad temperature-wise. Still, conditions weren’t all that great, what with Amazon jungle-like humidity hanging around. Yo, I was sweating like a f*cking pig. But manly man that I am, I motored on uncomplainingly, though if my wife Sandy had been with me I’d probably have been whining to her like a major wuss.

Anyway, the walk pleased me a lot. Not long into it I realized that I was having grand fun. After all, I love to wander. And I love looking at the sights, including cute girls, quite a few of whom passed before my eyes. In fact, loads of people, cute or not, were on the streets with me, engaging in the sorts of activities that humans are prone to engage in: strolling around; checking each other out; heading to or from work; schmoozing with their pals on street corners or at sidewalk restaurant tables; popping in and out of stores and bars. Not surprising, because Philadelphia has got what it takes. It’s big, it’s fascinating, there’s a ton to see and do any time of day. Yup, I could gush some more about the city that I know better than any other in the good ol’ USA, but that previous sentence will do for now.

What I forgot to mention is that I also love to snap photos with my iPhone’s camera. And there were countless opportunities to snap away, so full of lit-up signs is much of The City Of Brotherly Love at night. I pretty easily could have added 150 more to the 53 shots I took, but I limited myself to scenes that rang my bell in a just-so sort of way. And I’ve scattered some of my output, obviously, throughout this essay.

My adventure ended at 9:50 PM, when I went to Suburban Station to catch a train that would transport me to my little town. Fifty minutes earlier though, the night had taken an unexpected turn, an excellent turn that was outside the realm of my assignment’s mission. For heading north on 15th Street, near the corner of Spruce, I spotted a sign that I’ve seen many times over the years. The sign proudly proclaims the existence of a bar that, during the 1980s, I frequented aplenty. McGlinchey’s is its name, and smoky air is part of its game. Yes, Philadelphia has had a no-smoking law in place since 2006, but certain establishments have applied for and been granted exemptions from the clean-air policy. They qualify because only a tiny percentage of their revenues comes from food. McGlinchey’s gobbled up an exemption. Thus it continues to smell almost as bad as a men’s locker room. But it could be worse. I mean, what if the joint smelled almost as bad as a ladies‘ locker room?

Just kidding! Just kidding!

I hadn’t been inside McGlinchey’s for about 30 years, largely because I gave up smoking in the mid-1980s, after which I became less and less keen about cigarette fumes. But the opportunity to revisit a former haunt seemed too ripe to pass up the other night. And so I entered.

Had McGlinchey’s changed? Well, the lights were really dim, unlike the much higher wattage that I recall from the 1980s. And the beer selection was much improved, heavy on the quality sorts of ales that have entered the marketplace in enormous numbers since 1995 or so. But basically you’d have to say that McG’s is, as it was in the era when I dropped by consistently, a dive bar. Hazy, smelly air is all a bar needs to nab that honor. McGlinchey’s contains that variety of air in spades.

I ordered a draft beer, Fuller’s London Pride, a delicious brown ale that came to Philadelphia all the way from, duh, London. It went down my gullet very nicely, thank you. In the middle of my third or fourth sip I snapped out of a second-hand-smoke-induced stupor when I noticed that music was projecting clearly and loudly from speakers above my head. The song was a great one, an obscure number about love and disillusionment. It shot straight to my emotional core. In a million years I’d not have expected Ruby And Carlos, by James McMurtry, to be in McGlinchey’s jukebox.

But I was totally floored by what happened after the final strains of Ruby And Carlos dissolved into the dank air. That’s because the rousing and inspiring Fisherman’s Blues, by The Waterboys, came on. I had to restrain myself from singing aloud. So I mumbled the lyrics quietly to myself as I pulled on my beer. Smoke or not, I was in the right place at the right time. Music heaven, so to speak.

Well, the jukebox went silent after Fisherman’s Blues. I finished my Fuller’s and went back on the streets to do my photographing thing for a while longer. The last shot I took, of the intense red, white and blue of Republic Bank’s signs, is one of my favorites of the night. Soon afterwards, the Warminster line’s 10:05 PM train pulled into Suburban Station. I climbed aboard, my assignment over. I’d had yet another sterling outing in Philadelphia, one that detoured in a direction that I’d never have anticipated.

(Don’t be shy about adding your comments. And if the urge to share the story hits you, let ‘er rip! Gracias.)

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(It’s possible that the McMurtry and Waterboys songs that I’ve included won’t play for you. That’s because YouTube has licensing rules that sometimes block music or videos from opening, depending upon where on our planet you reside. If that’s the case in your nation, then you might want to search YouTube (or other sources) to find versions that will work. You won’t be sorry.)

Walking Away From A Cold

August 13, 2018December 24, 2020Yeah, Another Blogger92 Comments

Where the f*ck have I been that I wasn’t aware that a summer cold is a thing, a topic of active discussion, and probably has been a member of the thing category for a good long while? Had I ever heard the term before? Possibly. But if I had it didn’t stick like glue to my brain cells. Anyway, a week or so ago two people mentioned the words when they learned of my ailment. In sympathy, one of them said that “summer colds are the worst.” The other said that he knew of someone else who was suffering from the symptoms of this dastardly condition.

Summer colds. Are they different from colds that you might pick up at any other time of the year? Beats me. In any event, I was down and partly out for the count during the first week of August. The cold was heavy. It was a summer cold, you dig?

I went through Kleenex tissues as if they were salted peanuts, so full of amazingly robust mucus was my respiratory system. I moaned and groaned like a wuss. I had less energy than a used flashlight battery. But eventually my body pulled itself together and I began to feel pretty damn good.

Yeah, pretty damn good indeed. And so, on August 8 I decided that I needed to stretch my legs in a meaningful way in environs that might inspire and intrigue me. Looking forward to a mini-adventure, off I headed to Hatboro, Pennsylvania, a town that looks like a town (Hatboro has two long strings of stores and businesses along a main street, which is crisscrossed by tidy residential blocks). In other words, it’s not a hodgepodge collection of housing developments and strip malls. I’ve been to Hatboro many times, what with it being only three miles from my home, but never had gone on more than a 15-minute ramble there. At 10:30 AM I parked my car on Hatboro’s shopping drag (York Road), fed the parking meter and set off.

York Road’s shopping section is lengthy, extending for half a mile. The stores are mostly of the mom and pop variety. I’ve often wondered how most of them stay in business, as I’ve never seen Hatboro’s sidewalks even remotely crowded. But stay in business they somehow do. You have a hardware store, several barber shops, bakeries, delis, diners, a big furniture store . . . and I’ll end the list now to avoid this becoming a 2,000-word essay. None of the shops are glitzy. Glitziness has little place in Hatboro, a blue collar area and proud of it.

Not unusual for me, I took a lot of photos during the walk. At first I concentrated on bouncily-decorated storefronts and nifty store signs. Who would turn a thumbs-down on the Hatboro Barber Shop’s facade, a parade of red, white and blue? Or on Village Hardware’s “We Fix Stuff” sign, which succinctly (and hopefully accurately) tells a story. Nobody, I’m sure.

And when I wandered off York Road into the neighborhoods, I was surprised by the goodly number of old, beautiful homes. Had to snap some of their images, of course, one of which is directly above.

But halfway through the stroll my focus changed unexpectedly, as I became enchanted with the idea of looking for bright yellows. I guess it was a riveting yellow (and red and black) traffic sign on a residential block, meant to announce that a stop sign was ahead, that put the notion into my head. That and the fact that I was getting some exercise on a supremely sunny day, the Sun being the finest yellow friend that any of us ever will have. Ergo, a patch of yellow flowers aside a house became fodder for my phone’s camera. As did the golden arches of Hatboro’s McDonald’s franchise.

But enough about yellows. Let’s face it, in most regards, the walk ultimately wasn’t very different from nearly any neighborhood walk that one might take. It lasted one and a quarter hours and encompassed two miles. Nothing special about those figures. But here’s what I’m getting at: I enjoyed the heck out of the walk. I was glad to have recovered from my illness, glad once again to be outside breathing freely and taking in the sights.

Which is why it would have been very, very cool if the lyrics to Zip-A-Dee-Doo-Dah had been playing in my mind as I walked around. You know them:

Zip-a-dee-doo-dah, zip-a-dee-ay
My, oh my, what a wonderful day
Plenty of sunshine headin’ my way
Zip-a-dee-doo-dah, zip-a-dee-ay

Alas, they weren’t. Still, I’m in tune with the song’s message. Meaning, I know enough not to take things for granted. Hopefully many walks lie ahead. Onward!

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I’ve Got My Faves. Which Are Yours? (Art On Wheels, Part Three)

August 3, 2018September 25, 2022Yeah, Another Blogger109 Comments

Last Friday, the first day without rain in what seemed like forever for southeast Pennsylvania, I decided pretty early in the morning to scour the grounds of local businesses in pursuit of colorful designs and nifty patterns. I’d gone on such journeys twice before, penning the recaps for the publication that you’re currently staring at. And speaking of which, if you are interested in reading about Art On Wheels, parts one and two, then click here and here. Okay, with that matter out of the way, let’s now move on to my latest effort to spot and photograph good-looking trucks and vans.

I left my suburban Philadelphia home at 8:45 AM. Six minutes later, near the delivery bays of my town’s supermarket, I parked my car and got out to snap a picture of a Maier’s truck that was filled with breads and rolls. Hey, not only did I like the looks of the truck, I also liked the feeling that immediately swelled up within me: Namely, that this was going to be a productive morning. I mean, the supermarket was the first place I visited, and right off the bat I’d hit pay dirt.

Pay dirt. I knew from past experience that it wasn’t necessarily lurking everywhere. Hardly. For every truck and van worthy of attention there are 15 or more that are real plain Janes. Not only that, it ain’t possible to photograph the lookers, vehicularly-speaking, that are on the move. If I attempted to do so while I too was cruising along the road, then I’d now be writing this opus from six feet under.

I’m here to report that things panned out. After immortalizing the Maier’s truck, I spent an additional, and fruitful, hour and 45 minutes on my project. In parking and delivery areas during that time I met plenty of trucks and vans, of which nine (including Maier’s) made the grade. And — bonus! — later in the day, while coming home from an ordinary shopping mission, I lucked out by crossing paths with a long, long trailer that was making a delivery to a Dunkin’ Donuts store about half a mile from my house. That bad boy was a slam f*cking dunk for me. And it brought the total up to 10.

Ten excellent vehicles! That’s success in my oddball book. After all, this was a mission of serendipity. It was impossible for me to know what trucks, if any, would be at the locales I visited. Yeah, for some reason truck drivers don’t give me their delivery schedules. And one beauty, a Lehigh Valley dairy products truck, wasn’t where I’d have expected it to be. Instead of being in the delivery section of the Walmart mega-store on whose property it was parked, it was on the outskirts of Walmart’s enormous parking lot. Its driver was not in sight. Maybe she or he was reclining amidst the cargo, grabbing some ZZZs. Whatever, I was more than glad to find that truck.

Well, I’ve placed the photographs of the 10 head-turners in the order that I encountered them, noting the time that I snapped each picture. And I’ve studiously gazed at the photographs, trying to come up with my top three. It wasn’t easy. For instance, I dig the Utz truck, which carried potato chips and other snacks. Its black, white and red design reminds me of the era, maybe 20 or 30 years ago, when those three colors, in conjunction, were de rigeur in the fashion world. But ultimately Utz didn’t make my cut. I guess that these days I’m more in tune with splashy lines and a palette that dips broadly into the color spectrum.

Here then are my top three, in ascending order: Edible Arrangements, Lehigh Valley and Dunkin’ Donuts. Yes, that Dunkin’ truck drives me wild. “I’m Number One! I’m Number One!” I can hear it yelling.

And how about you? Which of these 10 exhibits particularly ring your bells? If you let me know in the comments section, indicating the ranking you give each of your top three choices, then I’ll compile the results. And once that’s done I’ll spend however many it takes of my remaining Earthly days to track down the winning vehicle. And when that mission is accomplished I’ll pin a big gold ribbon somewhere on its glorious body.

One final note: Yes, I agree, it’s on the odd side for a geezer, let alone anyone, to get his jollies from trolling the parking and delivery areas of shopping centers, strip malls and stand-alone businesses, with art as his prey. What can I say? I like to wander. I like to look at pretty things. When it comes to jollies, my philosophy is to try and grab ’em where and when I can. Amen.

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A Better-Than-Usual Walk Around My Hood

July 9, 2018January 21, 2021Yeah, Another Blogger75 Comments

It was hot as hell two Fridays ago, as in 90°F (32°C), a temperature that usually makes me want to stick to the comfort of my air-conditioned house. But come 2:30 PM I was getting restless. And so, grabbing a cap to shield my hair-challenged pate and a pair of sunglasses to make me look like a movie star, I unlocked the front door and stepped outside. Ordinarily I don’t particularly like walking around my neighborhood, part of a suburb a few miles from Philadelphia, because I’ve seen it a million times and because there’s nothing much here that’s going to knock your socks off. But what the hell . . . I needed to stretch my legs.

And stretch them I did on that tail-end day of June. For an hour. Under a summer sun that was sending down heat rays as if there were no tomorrow. Luckily, it turned out that there was a tomorrow. If there hadn’t been, then I wouldn’t be at my writing station right now, pecking out this ultra-fascinating tale.

What with the heat, a lesser man might have decided quickly that he’d made the wrong decision, that he’d be better off back inside his cozy house where he could resume reading the collected works of I. C. Fairley-Farr, the all but forgotten British existentialist whose philosophy is best summed up by a simple phrase. To quote him: Life is for living, water is for drinking, and . . . shit, where’d I put my distance glasses?

But on that day I wasn’t a lesser man. Nope, for some reason the brutal ball of fire in the sky wasn’t bothering me. And for some reason, right from the get-go, I found myself enjoying the walk. Why, only half a block from my house I noticed something that on another day might not have registered at all — three neat and concise tree stumps on the lawn of a church. Transfer them to the grounds of an art museum, give them a title such as Stumps I, II And III, and they’d gain esteem as a fine piece of minimalist outdoor sculpture. See? There’s always an alternative way of looking at things.

And how about the township park and playground behind the church? There wasn’t a soul there, not even on the basketball courts. Yeah man, I had the neighborhood to myself!

Well, not really. Still, during the walk I came upon only 25 or so people, many of them unloading this or that from their cars, and not a one of them out for a walk. And I crossed paths with but one dog. I exchanged hellos with its master who, positioned on his home’s front path, was eyeing me with mouth slightly agape. It must have been my sunglasses. In them, I’m a ringer for George Clooney. Or so I’ve dreamt.

Block after block I wandered along, going downhill on some and uphill on others. My area is seriously hilly, almost San Francisco-worthy in places, and the upward climbs got me decently sweaty. One thing I realized was that I should have a much better working knowledge of the layout of my hood than I do, because I trekked upon a couple of streets whose names I didn’t even vaguely recognize. And I also realized something that I knew but hadn’t experienced in a healthy while. To wit, parts of my neighborhood are very, very heavy with trees and other foliage. Those blocks are a suburban jungle, a dreamscape in shades of green.

On the other hand, most of my hood’s blocks, though cute in a comforting way, are kind of vanilla in appearance, including the street on which my house sits. But I found myself getting into the vanilla, grooving on those blocks’ occasional good-looking flower beds and other decorative touches that homeowners here and there have added to increase their residences’ wow factor. When I passed one abode with a fine grouping of Tiger Lillies, naturally I stopped to admire them. And to take their picture. I couldn’t have done otherwise, seeing that the house in which I grew up, forever ago on Long Island (near New York City), was blessed with large patches of Tiger Lillies. My heart since then has maintained a very soft spot for that variety of flora.

And the walk turned out to be a learning experience too. Only two blocks from my house are extremely tall metal towers. I’ve lived in my neighborhood for 13 years, yet I’ve never known what the heck those towers do, if anything. For all I knew, they might have been decommissioned years ago after serving one purpose or another.

As it turns out, they are important pieces of equipment. They transmit messages to and among personnel of police departments, fire departments and 911 emergency systems. I know that now because, early in my walk, there was a worker at the towers as I approached them. I stopped to ask him what the towers’ functions are, and he told me. Yes, opportunity had presented itself, and I took advantage of it. Too bad I haven’t applied that principal consistently over the course of my life. Oh well.

As far as I can recall, this walk was the longest, time-wise, that I’ve ever taken in my neighborhood. I don’t expect my next venture into the hood, whenever that may occur, to resonate with me as satisfyingly as this one did. But that’s okay. I returned home mentally refreshed, feeling pretty chipper and somewhat seeing the brighter side of life. Not every walk is a keeper, but this one was.

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Plaza Blanca Knocked Our Socks Off: New Mexico, Part Two

June 13, 2018December 24, 2020Yeah, Another Blogger70 Comments

For the last few days I’ve been thinking about what I should include in the second installment about my recent adventures in sun-drenched New Mexico. Climbing up ladders attached to the sides of cliffs in Frijoles Canyon (part of Bandelier National Monument) — to reach niches within which indigenous peoples lived centuries ago — seemed a natural, as did viewing the deep and dangerous Rio Grande Gorge just outside of Taos village. But you know what? No more will I now say about those experiences, as excellent as they were, because wafts of inspiration caressed my face a little while ago. And, as I’ve learned over the last few years, one shouldn’t argue with inspiration. This story, therefore, shall be about Plaza Blanca.

May 29, the last full day of my wife Sandy’s and my visit to New Mexico, found the two of us inside a Honda Accord being driven by my brother Richard. We were on our way from Santa Fe, where Richie lives with his wife Sara, to Abiquiu, an area famously known as the one-time home of the late, great painter Georgia O’Keeffe. Richie had printed out some information about the sights in the Abiquiu region and, 10 minutes into the journey, asked me to take a look. Scanning the pages I noticed a paragraph about Plaza Blanca (The White Place), described as unusually beautiful. “Hey, let’s go there,” I said. Nobody objected.

Luckily I found a website that provides precise driving directions to Plaza Blanca, because it’s not the easiest locale in the world to find. The final leg of the motorized segment of the journey was upon a dirt road. Expecting numerous ruts and holes, we were relieved to see almost none. Richie parked the car in Plaza Blanca’s small parking section. Then the three of us got out and looked around. From first glance we knew that we were in a special place.

We spent an hour hiking through Plaza Blanca, a masterful collection of rock formations not far from forested mountains. The sun was high in the sky, clouds were few, and the views, to employ a cliché, were awe-inspiring. I’ve gone limp now and then over the years from the beauty of what was in front of my eyes, but that hadn’t happened in a good long while. And, now that I think about it, I hadn’t been as stunned by a natural landscape or seascape since 1982. That was the year of my trek through the high Himalayas in Nepal, the one truly astonishing adventure of my life.

And I wasn’t the only one to gaze in wonder at Plaza Blanca’s cliffs and columns, or at its other wildly surreal sculptures. Sandy and Richie were as spellbound as me. We were in a stark fairyland where strange, beguiling shapes reigned supreme. The formations sat stoically, yet pleased with themselves. They knew that they are remarkable creations. I caught Richie staring unbelievingly at one vista, imperceptibly shaking his head and not quite knowing what to say except for the obvious: “This is incredible” were his words.

As for Sandy, she agreed when I suggested that Plaza Blanca likely was the most beautiful and fantastic landscape she’d ever set foot in. A compact expanse of desert, Plaza Blanca is where one might go to let the problems circulating within one’s head fade away for a bit of time. It’s where you likely will be able to engage undisturbedly with the powers of nature, since Plaza Blanca is off the beaten track compared to many other spectacular sites. Only two other souls crossed our paths as we made our way around. That was two too many, but it was far better than the hundreds you’d encounter at the Grand Canyon or at Yosemite.

A geologist I’m not, but from what I’ve been able to piece together, Plaza Blanca is the result of volcanic activity that took place roughly 20,000,000 million years ago, and of the subsequent effects of heavy erosion. Its cliffs and other structures are composed of varieties of sandstone and of other types of rocks. The place was drier than the driest bone the day that my trio was there. But I’ve read that flash floods sometimes develop during heavy rains, racing mightily between the giant pieces and with the potential to sweep incautious visitors away.

Georgie O’Keeffe, From The White Place. Image copyright: The Georgia O’Keeffe Foundation/Artists Rights Society, New York.

Georgia O’Keeffe was smitten with Plaza Blanca (as she was with much of New Mexico). She wandered around and painted in The White Place many times. Her desert homestead was about 15 miles away. I wouldn’t mind owning one of her renderings, From The White Place, pictured above, which she painted in 1940. It would look smashing on a wall beside my living room sofa. I doubt if the Phillips Collection in Washington D.C., where the painting is housed, plans to put it up for auction anytime soon. If they do, however, I’m ready to launch a Kickstarter campaign to raise the $20,000,000 or more that will be required to make it mine.

As I mentioned in my previous essay, staying very hydrated in New Mexico is the thing to do. The Sun there can be brutal. I’d been downing water conscientiously before arriving at Plaza Blanca and continued to do so during my hike on site, but there was no point in taking any unnecessary risks. My companions must have felt the same way. Without discussion we took our last looks at Plaza Blanca, immersing ourselves in its glory. And then we made our way out from between the art works and headed back to the car.

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(All photos are by Sandra Cherrey Scheinin, with three exceptions: Richard Scheinin took the photo of Sandy and me. I took the photo of Rio Grande Gorge and the one of Sandy and Richie.)

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